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<h1 id="firstHeading" class="firstHeading" >Elvis Presley</h1>
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<div id="siteSub" class="noprint">From Wikipedia, the free encyclopedia</div>
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<div id="mw-content-text" class="mw-body-content mw-content-ltr" lang="en" dir="ltr"><div class="mw-parser-output"><div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">American singer and actor (1935–1977)</div>
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<style data-mw-deduplicate="TemplateStyles:r1033289096">.mw-parser-output .hatnote{font-style:italic}.mw-parser-output div.hatnote{padding-left:1.6em;margin-bottom:0.5em}.mw-parser-output .hatnote i{font-style:normal}.mw-parser-output .hatnote+link+.hatnote{margin-top:-0.5em}</style><div role="note" class="hatnote navigation-not-searchable">"King of Rock and Roll" and "Elvis" redirect here. For other uses, see <a href="/wiki/King_of_Rock_and_Roll_(disambiguation)" class="mw-disambig" title="King of Rock and Roll (disambiguation)">King of Rock and Roll (disambiguation)</a> and <a href="/wiki/Elvis_(disambiguation)" class="mw-disambig" title="Elvis (disambiguation)">Elvis (disambiguation)</a>.</div>
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<style data-mw-deduplicate="TemplateStyles:r1048617464">.mw-parser-output .infobox-subbox{padding:0;border:none;margin:-3px;width:auto;min-width:100%;font-size:100%;clear:none;float:none;background-color:transparent}.mw-parser-output .infobox-3cols-child{margin:auto}</style><table class="infobox biography vcard"><tbody><tr><th colspan="2" class="infobox-above" style="font-size:125%;"><div class="fn" style="display:inline">Elvis Presley</div></th></tr><tr><td colspan="2" class="infobox-image"><a href="/wiki/File:Elvis_Presley_promoting_Jailhouse_Rock.jpg" class="image"><img alt="Elvis Presley in Jailhouse Rock (1957)" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_promoting_Jailhouse_Rock.jpg/220px-Elvis_Presley_promoting_Jailhouse_Rock.jpg" decoding="async" width="220" height="284" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_promoting_Jailhouse_Rock.jpg/330px-Elvis_Presley_promoting_Jailhouse_Rock.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_promoting_Jailhouse_Rock.jpg/440px-Elvis_Presley_promoting_Jailhouse_Rock.jpg 2x" data-file-width="2673" data-file-height="3448" /></a><div class="infobox-caption">Presley in a publicity photograph for the 1957 film <i><a href="/wiki/Jailhouse_Rock_(film)" title="Jailhouse Rock (film)">Jailhouse Rock</a></i></div></td></tr><tr><th scope="row" class="infobox-label">Born</th><td class="infobox-data"><div style="display:inline" class="nickname">Elvis Aaron Presley</div><br /><span style="display:none">(<span class="bday">1935-01-08</span>)</span>January 8, 1935<br /><div style="display:inline" class="birthplace"><a href="/wiki/Tupelo,_Mississippi" title="Tupelo, Mississippi">Tupelo, Mississippi</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Died</th><td class="infobox-data">August 16, 1977<span style="display:none">(1977-08-16)</span> (aged 42)<br /><div style="display:inline" class="deathplace"><a href="/wiki/Memphis,_Tennessee" title="Memphis, Tennessee">Memphis, Tennessee</a>, U.S.</div></td></tr><tr><th scope="row" class="infobox-label">Cause of death</th><td class="infobox-data"><a href="/wiki/Heart_disease" class="mw-redirect" title="Heart disease">Heart disease</a></td></tr><tr><th scope="row" class="infobox-label">Resting place</th><td class="infobox-data label"><a href="/wiki/Graceland" title="Graceland">Graceland</a><br />Memphis, Tennessee<br /><style data-mw-deduplicate="TemplateStyles:r994658806">.mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}</style><span class="plainlinks nourlexpansion"><a class="external text" href="//geohack.toolforge.org/geohack.php?pagename=Elvis_Presley&params=35_2_46_N_90_1_23_W_"><span class="geo-default"><span class="geo-dms" title="Maps, aerial photos, and other data for this location"><span class="latitude">35°2′46″N</span> <span class="longitude">90°1′23″W</span></span></span><span class="geo-multi-punct"> / </span><span class="geo-nondefault"><span class="geo-dec" title="Maps, aerial photos, and other data for this location">35.04611°N 90.02306°W</span><span style="display:none"> / <span class="geo">35.04611; -90.02306</span></span></span></a></span></td></tr><tr><th scope="row" class="infobox-label">Education</th><td class="infobox-data"><a href="/wiki/Humes_High_School" class="mw-redirect" title="Humes High School">Humes High School</a></td></tr><tr><th scope="row" class="infobox-label">Occupation</th><td class="infobox-data role"><div class="hlist hlist-separated">
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<ul><li>Singer</li>
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<li>actor</li></ul>
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</div></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Spouse(s)</span></th><td class="infobox-data"><div style="display:inline;white-space:nowrap;"><div style="display:inline-block;line-height:normal;margin-top:1px;white-space:normal;"><a href="/wiki/Priscilla_Presley" title="Priscilla Presley">Priscilla Beaulieu</a></div>
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<div style="line-height:0;margin-bottom:-2px;">​</div> <div style="display:inline-block;margin-bottom:1px;">​</div>(<abbr title="married">m.</abbr> 1967; <abbr title="divorced">div.</abbr> 1973)<wbr />​</div></td></tr><tr><th scope="row" class="infobox-label">Children</th><td class="infobox-data"><a href="/wiki/Lisa_Marie_Presley" title="Lisa Marie Presley">Lisa Marie Presley</a></td></tr><tr><th scope="row" class="infobox-label">Relatives</th><td class="infobox-data"><a href="/wiki/Riley_Keough" title="Riley Keough">Riley Keough</a> (granddaughter)</td></tr><tr><th scope="row" class="infobox-label">Awards</th><td class="infobox-data"><a href="/wiki/File:Presidential_Medal_of_Freedom_(ribbon).svg" class="image"><img alt="Presidential Medal of Freedom (ribbon).svg" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Presidential_Medal_of_Freedom_%28ribbon%29.svg/23px-Presidential_Medal_of_Freedom_%28ribbon%29.svg.png" decoding="async" width="23" height="6" class="thumbborder" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Presidential_Medal_of_Freedom_%28ribbon%29.svg/35px-Presidential_Medal_of_Freedom_%28ribbon%29.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/ee/Presidential_Medal_of_Freedom_%28ribbon%29.svg/46px-Presidential_Medal_of_Freedom_%28ribbon%29.svg.png 2x" data-file-width="204" data-file-height="56" /></a> <a href="/wiki/Presidential_Medal_of_Freedom" title="Presidential Medal of Freedom">Presidential Medal of Freedom</a> (posthumously; 2018)</td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1048617464"/><b>Musical career</b></td></tr><tr><th scope="row" class="infobox-label">Genres</th><td class="infobox-data"><div class="hlist hlist-separated">
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<ul><li><a href="/wiki/Rock_and_roll" title="Rock and roll">Rock and roll</a></li>
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<li><a href="/wiki/Pop_music" title="Pop music">pop</a></li>
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<li><a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a></li>
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<li><a href="/wiki/Country_music" title="Country music">country</a></li>
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<li><a href="/wiki/Gospel_music" title="Gospel music">gospel</a></li>
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<li><a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">R&B</a></li>
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<li><a href="/wiki/Blues" title="Blues">blues</a></li></ul>
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</div></td></tr><tr><th scope="row" class="infobox-label">Instruments</th><td class="infobox-data note"><div class="hlist hlist-separated">
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<ul><li>Vocals</li>
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<li>guitar</li>
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<li>piano</li></ul>
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</div></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Years active</span></th><td class="infobox-data">1953–1977</td></tr><tr><th scope="row" class="infobox-label">Labels</th><td class="infobox-data"><div class="hlist hlist-separated">
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<ul><li><a href="/wiki/Sun_Records" title="Sun Records">Sun</a></li>
|
||
<li><a href="/wiki/RCA_Victor" class="mw-redirect" title="RCA Victor">RCA Victor</a></li>
|
||
<li><a href="/wiki/His_Master%27s_Voice" title="His Master's Voice">HMV</a></li>
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||
<li><a href="/wiki/Allied_Artists_Music_Group" title="Allied Artists Music Group">Allied Artists Music Group</a></li></ul>
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</div></td></tr><tr><th scope="row" class="infobox-label"><span class="nowrap">Associated acts</span></th><td class="infobox-data"><div class="hlist hlist-separated">
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||
<ul><li><a href="/wiki/The_Blue_Moon_Boys" title="The Blue Moon Boys">The Blue Moon Boys</a></li>
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||
<li><a href="/wiki/The_Jordanaires" title="The Jordanaires">The Jordanaires</a></li>
|
||
<li><a href="/wiki/TCB_Band" title="TCB Band">TCB Band</a></li>
|
||
<li><a href="/wiki/The_Imperials" title="The Imperials">The Imperials</a></li>
|
||
<li><a href="/wiki/Million_Dollar_Quartet" title="Million Dollar Quartet">Million Dollar Quartet</a></li>
|
||
<li><a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a></li>
|
||
<li><a href="/wiki/Jerry_Lee_Lewis" title="Jerry Lee Lewis">Jerry Lee Lewis</a></li>
|
||
<li><a href="/wiki/Carl_Perkins" title="Carl Perkins">Carl Perkins</a></li>
|
||
<li><a href="/wiki/The_Sweet_Inspirations" title="The Sweet Inspirations">The Sweet Inspirations</a></li>
|
||
<li><a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a></li>
|
||
<li><a href="/wiki/Hank_Snow" title="Hank Snow">Hank Snow</a></li>
|
||
<li><a href="/wiki/Jerry_Reed" title="Jerry Reed">Jerry Reed</a></li></ul>
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||
</div></td></tr><tr><td colspan="2">
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<div class="shortdescription nomobile noexcerpt noprint searchaux" style="display:none">Musical artist</div></td></tr><tr><td colspan="2" class="infobox-full-data"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1048617464"/></td></tr><tr><td colspan="2" class="infobox-subheader" style="font-weight:bold;">Military service</td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Allegiance</th><td class="infobox-data"><a href="/wiki/United_States" title="United States">United States</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Service/<wbr />branch</th><td class="infobox-data"><a href="/wiki/United_States_Army" title="United States Army">United States Army</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Years of service</th><td class="infobox-data">1958–1960</td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Rank</th><td class="infobox-data"><a href="/wiki/File:Army-USA-OR-05.svg" class="image"><img alt="Army-USA-OR-05.svg" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Army-USA-OR-05.svg/23px-Army-USA-OR-05.svg.png" decoding="async" width="23" height="30" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/2/27/Army-USA-OR-05.svg/35px-Army-USA-OR-05.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/2/27/Army-USA-OR-05.svg/46px-Army-USA-OR-05.svg.png 2x" data-file-width="94" data-file-height="124" /></a> <a href="/wiki/Sergeant" title="Sergeant">Sergeant</a></td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Unit</th><td class="infobox-data">Headquarters Company, 1st Medium Tank Battalion, <a href="/wiki/32nd_Cavalry_Regiment" title="32nd Cavalry Regiment">32d Armor Regiment</a>, <a href="/wiki/3rd_Armored_Division_(United_States)" title="3rd Armored Division (United States)">3d Armored Division</a><sup id="cite_ref-1" class="reference"><a href="#cite_note-1">[1]</a></sup></td></tr><tr><th scope="row" class="infobox-label" style="padding-right: 1em">Awards</th><td class="infobox-data"><a href="/wiki/File:Army_Good_Conduct_Medal_ribbon.svg" class="image"><img alt="Army Good Conduct Medal ribbon.svg" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/Army_Good_Conduct_Medal_ribbon.svg/23px-Army_Good_Conduct_Medal_ribbon.svg.png" decoding="async" width="23" height="6" class="thumbborder" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/36/Army_Good_Conduct_Medal_ribbon.svg/35px-Army_Good_Conduct_Medal_ribbon.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/36/Army_Good_Conduct_Medal_ribbon.svg/46px-Army_Good_Conduct_Medal_ribbon.svg.png 2x" data-file-width="1024" data-file-height="279" /></a> <a href="/wiki/Good_Conduct_Medal_(United_States)" title="Good Conduct Medal (United States)">Good Conduct Medal</a></td></tr><tr style="display:none"><td colspan="2">
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||
</td></tr></tbody></table>
|
||
<p><b>Elvis Aaron Presley</b><sup id="cite_ref-name_6-0" class="reference"><a href="#cite_note-name-6">[a]</a></sup> (January 8, 1935 – August 16, 1977) was an American singer and actor. Dubbed the "<a href="/wiki/Honorific_nicknames_in_popular_music" title="Honorific nicknames in popular music">King of Rock and Roll</a>", he is regarded as <a href="/wiki/Cultural_impact_of_Elvis_Presley" title="Cultural impact of Elvis Presley">one of the most significant cultural icons of the 20th century</a>. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a <a href="/wiki/Civil_rights_movement" title="Civil rights movement">transformative era in race relations</a>, led him to both great success and <a href="/wiki/Cultural_impact_of_Elvis_Presley#Danger_to_American_culture" title="Cultural impact of Elvis Presley">initial controversy</a>.
|
||
</p><p>Presley was born in <a href="/wiki/Tupelo,_Mississippi" title="Tupelo, Mississippi">Tupelo, Mississippi</a>, and relocated to <a href="/wiki/Memphis,_Tennessee" title="Memphis, Tennessee">Memphis, Tennessee</a>, with his family when he was 13 years old. His music career began there in 1954, recording at <a href="/wiki/Sun_Records" title="Sun Records">Sun Records</a> with producer <a href="/wiki/Sam_Phillips" title="Sam Phillips">Sam Phillips</a>, who wanted to bring the sound of <a href="/wiki/African-American_music" title="African-American music">African-American music</a> to a wider audience. Presley, on rhythm acoustic guitar, and accompanied by lead guitarist <a href="/wiki/Scotty_Moore" title="Scotty Moore">Scotty Moore</a> and bassist <a href="/wiki/Bill_Black" title="Bill Black">Bill Black</a>, was a pioneer of <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a>, an uptempo, <a href="/wiki/Backbeat_(music)" class="mw-redirect" title="Backbeat (music)">backbeat</a>-driven fusion of <a href="/wiki/Country_music" title="Country music">country music</a> and <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">rhythm and blues</a>. In 1955, drummer <a href="/wiki/D._J._Fontana" title="D. J. Fontana">D. J. Fontana</a> joined to complete the lineup of Presley's classic quartet and <a href="/wiki/RCA_Victor" class="mw-redirect" title="RCA Victor">RCA Victor</a> acquired his contract in a deal arranged by <a href="/wiki/Colonel_Tom_Parker" title="Colonel Tom Parker">Colonel Tom Parker</a>, who would manage him for more than two decades. Presley's first RCA Victor single, "<a href="/wiki/Heartbreak_Hotel" title="Heartbreak Hotel">Heartbreak Hotel</a>", was released in January 1956 and became a number-one hit in the United States. Within a year, RCA would sell ten million Presley singles. With a series of successful network television appearances and chart-topping records, Presley became the leading figure of the newly popular sound of <a href="/wiki/Rock_and_roll" title="Rock and roll">rock and roll</a>.
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</p><p>In November 1956, Presley made his film debut in <i><a href="/wiki/Love_Me_Tender_(film)" title="Love Me Tender (film)">Love Me Tender</a></i>. Drafted into <a href="/wiki/Military_career_of_Elvis_Presley" title="Military career of Elvis Presley">military service in 1958</a>, Presley relaunched his recording career two years later with some of his most commercially successful work. He held few concerts, however, and guided by Parker, proceeded to devote much of the 1960s to making Hollywood films and soundtrack albums, most of them critically derided. In 1968, following a seven-year break from live performances, he returned to the stage in the acclaimed television comeback special <i><a href="/wiki/Elvis_(1968_TV_program)" title="Elvis (1968 TV program)">Elvis</a></i>, which led to an extended <a href="/wiki/Las_Vegas" title="Las Vegas">Las Vegas</a> concert residency and a string of highly profitable tours. In 1973, Presley gave the first concert by a solo artist to be broadcast around the world, <i><a href="/wiki/Aloha_from_Hawaii_via_Satellite" title="Aloha from Hawaii via Satellite">Aloha from Hawaii</a></i>. Years of prescription drug abuse and unhealthy eating habits severely compromised his health, and he died suddenly in 1977 at his <a href="/wiki/Graceland" title="Graceland">Graceland</a> estate at the age of 42.
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||
</p><p>Recognized as the <a href="/wiki/List_of_best-selling_music_artists" title="List of best-selling music artists">best-selling solo music artist of all time</a> by <i><a href="/wiki/Guinness_World_Records" title="Guinness World Records">Guinness World Records</a></i>, Presley was commercially successful in many genres, including <a href="/wiki/Traditional_pop" title="Traditional pop">pop</a>, country, <a href="/wiki/R%26B" class="mw-redirect" title="R&B">R&B</a>, <a href="/wiki/Adult_contemporary" class="mw-redirect" title="Adult contemporary">adult contemporary</a>, and <a href="/wiki/Gospel_music" title="Gospel music">gospel</a>. He won three <a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy Awards</a>, received the <a href="/wiki/Grammy_Lifetime_Achievement_Award" title="Grammy Lifetime Achievement Award">Grammy Lifetime Achievement Award</a> at age 36, and has been inducted into <a href="/wiki/List_of_halls_of_fame_inducting_Elvis_Presley" title="List of halls of fame inducting Elvis Presley">multiple music halls of fame</a>. Presley holds several records, including the most <a href="/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">RIAA</a> certified <a href="/wiki/RIAA_certification" title="RIAA certification">gold</a> and platinum albums, the most albums charted on the <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a>, the most number-one albums by a solo artist on the <a href="/wiki/UK_Albums_Chart" title="UK Albums Chart">UK Albums Chart</a>, and the most number-one singles by any act on the <a href="/wiki/UK_Singles_Chart" title="UK Singles Chart">UK Singles Chart</a>. In 2018, Presley was posthumously awarded the <a href="/wiki/Presidential_Medal_of_Freedom" title="Presidential Medal of Freedom">Presidential Medal of Freedom</a> by <a href="/wiki/Donald_Trump" title="Donald Trump">Donald Trump</a>.
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</p>
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||
<div id="toc" class="toc" role="navigation" aria-labelledby="mw-toc-heading"><input type="checkbox" role="button" id="toctogglecheckbox" class="toctogglecheckbox" style="display:none" /><div class="toctitle" lang="en" dir="ltr"><h2 id="mw-toc-heading">Contents</h2><span class="toctogglespan"><label class="toctogglelabel" for="toctogglecheckbox"></label></span></div>
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<ul>
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<li class="toclevel-1 tocsection-1"><a href="#Life_and_career"><span class="tocnumber">1</span> <span class="toctext">Life and career</span></a>
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||
<ul>
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<li class="toclevel-2 tocsection-2"><a href="#1935–1953:_Early_years"><span class="tocnumber">1.1</span> <span class="toctext">1935–1953: Early years</span></a>
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<ul>
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<li class="toclevel-3 tocsection-3"><a href="#Childhood_in_Tupelo"><span class="tocnumber">1.1.1</span> <span class="toctext">Childhood in Tupelo</span></a></li>
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<li class="toclevel-3 tocsection-4"><a href="#Teenage_life_in_Memphis"><span class="tocnumber">1.1.2</span> <span class="toctext">Teenage life in Memphis</span></a></li>
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</ul>
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||
</li>
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<li class="toclevel-2 tocsection-5"><a href="#1953–1956:_First_recordings"><span class="tocnumber">1.2</span> <span class="toctext">1953–1956: First recordings</span></a>
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<ul>
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||
<li class="toclevel-3 tocsection-6"><a href="#Sam_Phillips_and_Sun_Records"><span class="tocnumber">1.2.1</span> <span class="toctext">Sam Phillips and Sun Records</span></a></li>
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||
<li class="toclevel-3 tocsection-7"><a href="#Early_live_performances_and_RCA_Victor_contract"><span class="tocnumber">1.2.2</span> <span class="toctext">Early live performances and RCA Victor contract</span></a></li>
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||
<li class="toclevel-3 tocsection-8"><a href="#Louisiana_Hayride,_radio_commercial,_and_first_television_performances"><span class="tocnumber">1.2.3</span> <span class="toctext"><i>Louisiana Hayride</i>, radio commercial, and first television performances</span></a></li>
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||
</ul>
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||
</li>
|
||
<li class="toclevel-2 tocsection-9"><a href="#1956–1958:_Commercial_breakout_and_controversy"><span class="tocnumber">1.3</span> <span class="toctext">1956–1958: Commercial breakout and controversy</span></a>
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||
<ul>
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<li class="toclevel-3 tocsection-10"><a href="#First_national_TV_appearances_and_debut_album"><span class="tocnumber">1.3.1</span> <span class="toctext">First national TV appearances and debut album</span></a></li>
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||
<li class="toclevel-3 tocsection-11"><a href="#Milton_Berle_Show_and_"Hound_Dog""><span class="tocnumber">1.3.2</span> <span class="toctext"><i>Milton Berle Show</i> and "Hound Dog"</span></a></li>
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||
<li class="toclevel-3 tocsection-12"><a href="#Steve_Allen_Show_and_first_Sullivan_appearance"><span class="tocnumber">1.3.3</span> <span class="toctext"><i>Steve Allen Show</i> and first Sullivan appearance</span></a></li>
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||
<li class="toclevel-3 tocsection-13"><a href="#Crazed_crowds_and_film_debut"><span class="tocnumber">1.3.4</span> <span class="toctext">Crazed crowds and film debut</span></a></li>
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||
<li class="toclevel-3 tocsection-14"><a href="#Leiber_and_Stoller_collaboration_and_draft_notice"><span class="tocnumber">1.3.5</span> <span class="toctext">Leiber and Stoller collaboration and draft notice</span></a></li>
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||
</ul>
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||
</li>
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||
<li class="toclevel-2 tocsection-15"><a href="#1958–1960:_Military_service_and_mother's_death"><span class="tocnumber">1.4</span> <span class="toctext">1958–1960: Military service and mother's death</span></a></li>
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||
<li class="toclevel-2 tocsection-16"><a href="#1960–1968:_Focus_on_films"><span class="tocnumber">1.5</span> <span class="toctext">1960–1968: Focus on films</span></a>
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||
<ul>
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||
<li class="toclevel-3 tocsection-17"><a href="#Elvis_Is_Back"><span class="tocnumber">1.5.1</span> <span class="toctext"><i>Elvis Is Back</i></span></a></li>
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||
<li class="toclevel-3 tocsection-18"><a href="#Lost_in_Hollywood"><span class="tocnumber">1.5.2</span> <span class="toctext">Lost in Hollywood</span></a></li>
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||
</ul>
|
||
</li>
|
||
<li class="toclevel-2 tocsection-19"><a href="#1968–1973:_Comeback"><span class="tocnumber">1.6</span> <span class="toctext">1968–1973: Comeback</span></a>
|
||
<ul>
|
||
<li class="toclevel-3 tocsection-20"><a href="#Elvis:_the_'68_Comeback_Special"><span class="tocnumber">1.6.1</span> <span class="toctext"><i>Elvis</i>: the '68 Comeback Special</span></a></li>
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||
<li class="toclevel-3 tocsection-21"><a href="#From_Elvis_in_Memphis_and_the_International"><span class="tocnumber">1.6.2</span> <span class="toctext"><i>From Elvis in Memphis</i> and the International</span></a></li>
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||
<li class="toclevel-3 tocsection-22"><a href="#Back_on_tour_and_meeting_Nixon"><span class="tocnumber">1.6.3</span> <span class="toctext">Back on tour and meeting Nixon</span></a></li>
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||
<li class="toclevel-3 tocsection-23"><a href="#Marriage_breakdown_and_Aloha_from_Hawaii"><span class="tocnumber">1.6.4</span> <span class="toctext">Marriage breakdown and <i>Aloha from Hawaii</i></span></a></li>
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||
</ul>
|
||
</li>
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||
<li class="toclevel-2 tocsection-24"><a href="#1973–1977:_Health_deterioration_and_death"><span class="tocnumber">1.7</span> <span class="toctext">1973–1977: Health deterioration and death</span></a>
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||
<ul>
|
||
<li class="toclevel-3 tocsection-25"><a href="#Medical_crises_and_last_studio_sessions"><span class="tocnumber">1.7.1</span> <span class="toctext">Medical crises and last studio sessions</span></a></li>
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||
<li class="toclevel-3 tocsection-26"><a href="#Final_months_and_death"><span class="tocnumber">1.7.2</span> <span class="toctext">Final months and death</span></a></li>
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||
</ul>
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||
</li>
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||
<li class="toclevel-2 tocsection-27"><a href="#Cause_of_death"><span class="tocnumber">1.8</span> <span class="toctext">Cause of death</span></a></li>
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||
<li class="toclevel-2 tocsection-28"><a href="#Later_developments"><span class="tocnumber">1.9</span> <span class="toctext">Later developments</span></a></li>
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||
</ul>
|
||
</li>
|
||
<li class="toclevel-1 tocsection-29"><a href="#Artistry"><span class="tocnumber">2</span> <span class="toctext">Artistry</span></a>
|
||
<ul>
|
||
<li class="toclevel-2 tocsection-30"><a href="#Influences"><span class="tocnumber">2.1</span> <span class="toctext">Influences</span></a></li>
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||
<li class="toclevel-2 tocsection-31"><a href="#Musicianship"><span class="tocnumber">2.2</span> <span class="toctext">Musicianship</span></a></li>
|
||
<li class="toclevel-2 tocsection-32"><a href="#Musical_styles_and_genres"><span class="tocnumber">2.3</span> <span class="toctext">Musical styles and genres</span></a></li>
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||
<li class="toclevel-2 tocsection-33"><a href="#Vocal_style_and_range"><span class="tocnumber">2.4</span> <span class="toctext">Vocal style and range</span></a></li>
|
||
</ul>
|
||
</li>
|
||
<li class="toclevel-1 tocsection-34"><a href="#Public_image"><span class="tocnumber">3</span> <span class="toctext">Public image</span></a>
|
||
<ul>
|
||
<li class="toclevel-2 tocsection-35"><a href="#Relationship_with_the_African-American_community"><span class="tocnumber">3.1</span> <span class="toctext">Relationship with the African-American community</span></a></li>
|
||
<li class="toclevel-2 tocsection-36"><a href="#Sex_symbol"><span class="tocnumber">3.2</span> <span class="toctext">Sex symbol</span></a></li>
|
||
<li class="toclevel-2 tocsection-37"><a href="#Equestrian"><span class="tocnumber">3.3</span> <span class="toctext">Equestrian</span></a></li>
|
||
</ul>
|
||
</li>
|
||
<li class="toclevel-1 tocsection-38"><a href="#Associates"><span class="tocnumber">4</span> <span class="toctext">Associates</span></a>
|
||
<ul>
|
||
<li class="toclevel-2 tocsection-39"><a href="#Colonel_Parker_and_the_Aberbachs"><span class="tocnumber">4.1</span> <span class="toctext">Colonel Parker and the Aberbachs</span></a></li>
|
||
<li class="toclevel-2 tocsection-40"><a href="#Memphis_Mafia"><span class="tocnumber">4.2</span> <span class="toctext">Memphis Mafia</span></a></li>
|
||
</ul>
|
||
</li>
|
||
<li class="toclevel-1 tocsection-41"><a href="#Legacy"><span class="tocnumber">5</span> <span class="toctext">Legacy</span></a></li>
|
||
<li class="toclevel-1 tocsection-42"><a href="#Achievements"><span class="tocnumber">6</span> <span class="toctext">Achievements</span></a></li>
|
||
<li class="toclevel-1 tocsection-43"><a href="#Bands"><span class="tocnumber">7</span> <span class="toctext">Bands</span></a></li>
|
||
<li class="toclevel-1 tocsection-44"><a href="#Discography"><span class="tocnumber">8</span> <span class="toctext">Discography</span></a></li>
|
||
<li class="toclevel-1 tocsection-45"><a href="#Filmography"><span class="tocnumber">9</span> <span class="toctext">Filmography</span></a></li>
|
||
<li class="toclevel-1 tocsection-46"><a href="#See_also"><span class="tocnumber">10</span> <span class="toctext">See also</span></a></li>
|
||
<li class="toclevel-1 tocsection-47"><a href="#Explanatory_notes"><span class="tocnumber">11</span> <span class="toctext">Explanatory notes</span></a></li>
|
||
<li class="toclevel-1 tocsection-48"><a href="#Citations"><span class="tocnumber">12</span> <span class="toctext">Citations</span></a></li>
|
||
<li class="toclevel-1 tocsection-49"><a href="#General_sources"><span class="tocnumber">13</span> <span class="toctext">General sources</span></a></li>
|
||
<li class="toclevel-1 tocsection-50"><a href="#Further_reading"><span class="tocnumber">14</span> <span class="toctext">Further reading</span></a></li>
|
||
<li class="toclevel-1 tocsection-51"><a href="#External_links"><span class="tocnumber">15</span> <span class="toctext">External links</span></a></li>
|
||
</ul>
|
||
</div>
|
||
|
||
<h2><span class="mw-headline" id="Life_and_career">Life and career</span></h2>
|
||
<h3><span id="1935.E2.80.931953:_Early_years"></span><span class="mw-headline" id="1935–1953:_Early_years">1935–1953: Early years</span></h3>
|
||
<h4><span class="mw-headline" id="Childhood_in_Tupelo">Childhood in Tupelo</span></h4>
|
||
<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis%27_birthplace_Tupelo,_MS_2007.jpg" class="image"><img alt="Present-day photograph of a whitewashed house, about 15 feet wide. Four banistered steps in the foreground lead up to a roofed porch that holds a swing wide enough for two. The front of the house has a door and a single-paned window. The visible side of the house, about 30 feet long, has double-paned windows." src="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg/220px-Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg" decoding="async" width="220" height="158" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg/330px-Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/f8/Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg/440px-Elvis%27_birthplace_Tupelo%2C_MS_2007.jpg 2x" data-file-width="2860" data-file-height="2054" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis%27_birthplace_Tupelo,_MS_2007.jpg" class="internal" title="Enlarge"></a></div><a href="/wiki/Elvis_Presley_Birthplace" title="Elvis Presley Birthplace">Presley's birthplace</a> in <a href="/wiki/Tupelo,_Mississippi" title="Tupelo, Mississippi">Tupelo, Mississippi</a></div></div></div>
|
||
<p>Elvis Aaron Presley was born on January 8, 1935, in <a href="/wiki/Tupelo,_Mississippi" title="Tupelo, Mississippi">Tupelo, Mississippi</a>, to Vernon Elvis (April 10, 1916 – June 26, 1979) and Gladys Love (<i>née</i> Smith; April 25, 1912 – August 14, 1958) Presley in a two-room <a href="/wiki/Shotgun_house" title="Shotgun house">shotgun house</a> that his father built for the occasion.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen19993_7-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen19993-7">[6]</a></sup> Elvis's identical twin brother, Jesse Garon Presley, was delivered 35 minutes before him, <a href="/wiki/Stillborn" class="mw-redirect" title="Stillborn">stillborn</a>.<sup id="cite_ref-8" class="reference"><a href="#cite_note-8">[7]</a></sup> Presley became close to both parents and formed an especially close bond with his mother. The family attended an <a href="/wiki/Assembly_of_God" class="mw-redirect" title="Assembly of God">Assembly of God</a> church, where he found his initial musical inspiration.<sup id="cite_ref-FOOTNOTEGuralnick199412–14_9-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199412–14-9">[8]</a></sup>
|
||
</p>
|
||
<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Historic_Blue_Moon_Museum_Verona_MS_023.jpg" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Historic_Blue_Moon_Museum_Verona_MS_023.jpg/220px-Historic_Blue_Moon_Museum_Verona_MS_023.jpg" decoding="async" width="220" height="293" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Historic_Blue_Moon_Museum_Verona_MS_023.jpg/330px-Historic_Blue_Moon_Museum_Verona_MS_023.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/1b/Historic_Blue_Moon_Museum_Verona_MS_023.jpg/440px-Historic_Blue_Moon_Museum_Verona_MS_023.jpg 2x" data-file-width="768" data-file-height="1024" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Historic_Blue_Moon_Museum_Verona_MS_023.jpg" class="internal" title="Enlarge"></a></div>A photo of Elvis's parents at the Historic Blue Moon Museum in Verona, Mississippi</div></div></div>
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||
<p>Presley's father, Vernon, was of German,<sup id="cite_ref-FOOTNOTEKamphoefner200933_10-0" class="reference"><a href="#cite_note-FOOTNOTEKamphoefner200933-10">[9]</a></sup> Scottish and English origins.<sup id="cite_ref-FOOTNOTEDundy200460_11-0" class="reference"><a href="#cite_note-FOOTNOTEDundy200460-11">[10]</a></sup> Presley’s mother, Gladys, was of Scots-Irish with some French Norman ancestry.<sup id="cite_ref-FOOTNOTEDundy200413,_16,_20–22,_26_12-0" class="reference"><a href="#cite_note-FOOTNOTEDundy200413,_16,_20–22,_26-12">[11]</a></sup> His mother, Gladys, and the rest of the family, apparently believed that her great-great-grandmother, Morning Dove White, was Cherokee;<sup id="cite_ref-FOOTNOTEDundy2004301_13-0" class="reference"><a href="#cite_note-FOOTNOTEDundy2004301-13">[12]</a></sup><sup id="cite_ref-FOOTNOTENash20052,_188_14-0" class="reference"><a href="#cite_note-FOOTNOTENash20052,_188-14">[13]</a></sup> this was confirmed by Elvis's granddaughter <a href="/wiki/Riley_Keough" title="Riley Keough">Riley Keough</a> in 2017.<sup id="cite_ref-15" class="reference"><a href="#cite_note-15">[14]</a></sup><sup id="cite_ref-16" class="reference"><a href="#cite_note-16">[15]</a></sup> <a href="/wiki/Elaine_Dundy" title="Elaine Dundy">Elaine Dundy</a>, in her biography, supports the belief.<sup id="cite_ref-FOOTNOTEDundy2004xv,_13,_16_17-0" class="reference"><a href="#cite_note-FOOTNOTEDundy2004xv,_13,_16-17">[16]</a></sup> Gladys was regarded by relatives and friends as the dominant member of the small family.
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</p><p>Vernon moved from one odd job to the next, showing little ambition.<sup id="cite_ref-FOOTNOTEGuralnick199411–12,_23–24_18-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199411–12,_23–24-18">[17]</a></sup><sup id="cite_ref-FOOTNOTEVictor2008419_19-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008419-19">[18]</a></sup> The family often relied on help from neighbors and government food assistance. In 1938, they lost their home after Vernon was found guilty of <a href="/wiki/Cheque_fraud" title="Cheque fraud">altering a check</a> written by his landowner and sometime-employer. He was jailed for eight months, while Gladys and Elvis moved in with relatives.<sup id="cite_ref-FOOTNOTEGuralnick199412–14_9-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199412–14-9">[8]</a></sup>
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</p><p>In September 1941, Presley entered first grade at East Tupelo Consolidated, where his teachers regarded him as "average".<sup id="cite_ref-FOOTNOTEGuralnick199415–16_20-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199415–16-20">[19]</a></sup> He was encouraged to enter a singing contest after impressing his schoolteacher with a rendition of <a href="/wiki/Red_Foley" title="Red Foley">Red Foley</a>'s <a href="/wiki/Country_music" title="Country music">country</a> song "<a href="/wiki/Old_Shep" title="Old Shep">Old Shep</a>" during morning prayers. The contest, held at the Mississippi–Alabama Fair and Dairy Show on October 3, 1945, was his first public performance. The ten-year-old Presley was dressed as a cowboy; he stood on a chair to reach the microphone and sang "Old Shep". He recalled placing fifth.<sup id="cite_ref-FOOTNOTEGuralnick199417–18_21-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199417–18-21">[20]</a></sup> A few months later, Presley received his first guitar for his birthday; he had hoped for something else—by different accounts, either a bicycle or a rifle.<sup id="cite_ref-FOOTNOTEGuralnick199419_22-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199419-22">[21]</a></sup><sup id="cite_ref-FOOTNOTEDundy2004101_23-0" class="reference"><a href="#cite_note-FOOTNOTEDundy2004101-23">[22]</a></sup> Over the following year, he received basic guitar lessons from two of his uncles and the new pastor at the family's church. Presley recalled, "I took the guitar, and I watched people, and I learned to play a little bit. But I would never sing in public. I was very shy about it."<sup id="cite_ref-FOOTNOTEGuralnick199423_24-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199423-24">[23]</a></sup>
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</p><p>In September 1946, Presley entered in a new school, Milam, for sixth grade; he was regarded as a <a href="/wiki/Loner" title="Loner">loner</a>. The following year, he began bringing his guitar to school on a daily basis. He played and sang during lunchtime, and was often teased as a "trashy" kid who played <a href="/wiki/Hillbilly_music" class="mw-redirect" title="Hillbilly music">hillbilly music</a>. By then, the family was living in a largely black neighborhood.<sup id="cite_ref-FOOTNOTEGuralnick199423–26_25-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199423–26-25">[24]</a></sup> Presley was a devotee of <a href="/wiki/Mississippi_Slim_(country_singer)" title="Mississippi Slim (country singer)">Mississippi Slim</a>'s show on the Tupelo radio station <a href="/wiki/WELO" title="WELO">WELO</a>. He was described as "crazy about music" by Slim's younger brother, who was one of Presley's classmates and often took him into the station. Slim supplemented Presley's guitar instruction by demonstrating chord techniques.<sup id="cite_ref-FOOTNOTEGuralnick199419–21_26-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199419–21-26">[25]</a></sup> When his protégé was twelve years old, Slim scheduled him for two on-air performances. Presley was overcome by stage fright the first time, but succeeded in performing the following week.<sup id="cite_ref-FOOTNOTEDundy200495–96_27-0" class="reference"><a href="#cite_note-FOOTNOTEDundy200495–96-27">[26]</a></sup>
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</p>
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<h4><span class="mw-headline" id="Teenage_life_in_Memphis">Teenage life in Memphis</span></h4>
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<p>In November 1948, the family moved to <a href="/wiki/Memphis,_Tennessee" title="Memphis, Tennessee">Memphis, Tennessee</a>. After residing for nearly a year in <a href="/wiki/Boarding_house" title="Boarding house">rooming houses</a>, they were granted a two-bedroom apartment in the <a href="/wiki/Public_housing_in_the_United_States" class="mw-redirect" title="Public housing in the United States">public housing</a> complex known as the Lauderdale Courts.<sup id="cite_ref-FOOTNOTEGuralnick199432–33_28-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199432–33-28">[27]</a></sup> Enrolled at <a href="/wiki/Humes_High_School" class="mw-redirect" title="Humes High School">L. C. Humes High School</a>, Presley received only a C in music in eighth grade. When his music teacher told him that he had no aptitude for singing, he brought in his guitar the next day and sang a recent hit, "Keep Them Cold Icy Fingers Off Me", to prove otherwise. A classmate later recalled that the teacher "agreed that Elvis was right when he said that she didn't appreciate his kind of singing".<sup id="cite_ref-FOOTNOTEGuralnick199436_29-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199436-29">[28]</a></sup> He was usually too shy to perform openly, and was occasionally <a href="/wiki/Bullying" title="Bullying">bullied</a> by classmates who viewed him as a "mama's boy".<sup id="cite_ref-FOOTNOTEGuralnick199435–38_30-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199435–38-30">[29]</a></sup> In 1950, he began practicing guitar regularly under the tutelage of <a href="/wiki/Lee_Denson" title="Lee Denson">Lee Denson</a>, a neighbor two and a half years his senior. They and three other boys—including two future rockabilly pioneers, brothers <a href="/wiki/Dorsey_Burnette" title="Dorsey Burnette">Dorsey</a> and <a href="/wiki/Johnny_Burnette" title="Johnny Burnette">Johnny Burnette</a>—formed a loose musical collective that played frequently around the Courts.<sup id="cite_ref-FOOTNOTEGuralnick199440–41_31-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199440–41-31">[30]</a></sup> That September, he began working as an usher at Loew's State Theater.<sup id="cite_ref-FOOTNOTEStanleyCoffey199820_32-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199820-32">[31]</a></sup> Other jobs followed: Precision Tool, Loew's again, and MARL Metal Products.<sup id="cite_ref-FOOTNOTEGuralnick199443,_44,_49_33-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199443,_44,_49-33">[32]</a></sup>
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</p><p>During his junior year, Presley began to stand out more among his classmates, largely because of his appearance: he grew his sideburns and styled his hair with rose oil and Vaseline. In his free time, he would head down to <a href="/wiki/Beale_Street" title="Beale Street">Beale Street</a>, the heart of Memphis's thriving <a href="/wiki/Blues" title="Blues">blues</a> scene, and gaze longingly at the wild, flashy clothes in the windows of <a href="/wiki/Lansky_Brothers" title="Lansky Brothers">Lansky Brothers</a>. By his senior year, he was wearing those clothes.<sup id="cite_ref-FOOTNOTEGuralnick199444,_46,_51_34-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199444,_46,_51-34">[33]</a></sup> Overcoming his reticence about performing outside the Lauderdale Courts, he competed in Humes' Annual "Minstrel" show in April 1953. Singing and playing guitar, he opened with "<a href="/wiki/Till_I_Waltz_Again_with_You" title="Till I Waltz Again with You">Till I Waltz Again with You</a>", a recent hit for <a href="/wiki/Teresa_Brewer" title="Teresa Brewer">Teresa Brewer</a>. Presley recalled that the performance did much for his reputation: "I wasn't popular in school ... I failed music—only thing I ever failed. And then they entered me in this talent show ... when I came onstage I heard people kind of rumbling and whispering and so forth, 'cause nobody knew I even sang. It was amazing how popular I became in school after that."<sup id="cite_ref-FOOTNOTEGuralnick199452–53_35-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199452–53-35">[34]</a></sup>
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</p><p>Presley, who received no formal music training and could not read music, studied and played by ear. He also frequented record stores that provided <a href="/wiki/Jukebox" title="Jukebox">jukeboxes</a> and listening booths to customers. He knew all of <a href="/wiki/Hank_Snow" title="Hank Snow">Hank Snow</a>'s songs,<sup id="cite_ref-FOOTNOTEGuralnick1994171_36-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994171-36">[35]</a></sup> and he loved records by other country singers such as <a href="/wiki/Roy_Acuff" title="Roy Acuff">Roy Acuff</a>, <a href="/wiki/Ernest_Tubb" title="Ernest Tubb">Ernest Tubb</a>, <a href="/wiki/Ted_Daffan" title="Ted Daffan">Ted Daffan</a>, <a href="/wiki/Jimmie_Rodgers_(country_singer)" title="Jimmie Rodgers (country singer)">Jimmie Rodgers</a>, <a href="/wiki/Jimmie_Davis" title="Jimmie Davis">Jimmie Davis</a>, and <a href="/wiki/Bob_Wills" title="Bob Wills">Bob Wills</a>.<sup id="cite_ref-FOOTNOTEMatthew-Walker19793_37-0" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker19793-37">[36]</a></sup> The <a href="/wiki/Southern_gospel" title="Southern gospel">Southern gospel</a> singer <a href="/wiki/Jake_Hess" title="Jake Hess">Jake Hess</a>, one of his favorite performers, was a significant influence on his ballad-singing style.<sup id="cite_ref-FOOTNOTEGuralnick199446–48,_358_38-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199446–48,_358-38">[37]</a></sup><sup id="cite_ref-FOOTNOTEWadey2004_39-0" class="reference"><a href="#cite_note-FOOTNOTEWadey2004-39">[38]</a></sup> He was a regular audience member at the monthly All-Night Singings downtown, where many of the white gospel groups that performed reflected the influence of African-American <a href="/wiki/Spiritual_(music)" class="mw-redirect" title="Spiritual (music)">spiritual music</a>.<sup id="cite_ref-FOOTNOTEGuralnick199447–48,_77–78_40-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199447–48,_77–78-40">[39]</a></sup> He adored the music of black gospel singer <a href="/wiki/Sister_Rosetta_Tharpe" title="Sister Rosetta Tharpe">Sister Rosetta Tharpe</a>.<sup id="cite_ref-FOOTNOTEMatthew-Walker19793_37-1" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker19793-37">[36]</a></sup> Like some of his peers, he may have attended blues venues—of necessity, in the <a href="/wiki/Racial_segregation_in_the_United_States" title="Racial segregation in the United States">segregated South</a>, only on nights designated for exclusively white audiences.<sup id="cite_ref-FOOTNOTEGuralnick199451_41-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199451-41">[40]</a></sup> He certainly listened to the regional radio stations, such as <a href="/wiki/WDIA" title="WDIA">WDIA</a>-AM, that played "race records": spirituals, blues, and the modern, <a href="/wiki/Backbeat_(music)" class="mw-redirect" title="Backbeat (music)">backbeat</a>-heavy sound of <a href="/wiki/Rhythm_and_blues" title="Rhythm and blues">rhythm and blues</a>.<sup id="cite_ref-FOOTNOTEGuralnick199438–40_42-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199438–40-42">[41]</a></sup> Many of his future recordings were inspired by local African-American musicians such as <a href="/wiki/Arthur_Crudup" title="Arthur Crudup">Arthur Crudup</a> and <a href="/wiki/Rufus_Thomas" title="Rufus Thomas">Rufus Thomas</a>.<sup id="cite_ref-FOOTNOTEGuralnick2004_43-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-43">[42]</a></sup><sup id="cite_ref-FOOTNOTEBertrand2000205_44-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand2000205-44">[43]</a></sup> <a href="/wiki/B.B._King" title="B.B. King">B.B. King</a> recalled that he had known Presley before he was popular when they both used to frequent Beale Street.<sup id="cite_ref-FOOTNOTESzatmary199635_45-0" class="reference"><a href="#cite_note-FOOTNOTESzatmary199635-45">[44]</a></sup> By the time he graduated from high school in June 1953, Presley had already singled out music as his future.<sup id="cite_ref-FOOTNOTEGuralnick199454_46-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199454-46">[45]</a></sup><sup id="cite_ref-FOOTNOTEJorgensen19988_47-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen19988-47">[46]</a></sup>
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</p>
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<h3><span id="1953.E2.80.931956:_First_recordings"></span><span class="mw-headline" id="1953–1956:_First_recordings">1953–1956: First recordings</span></h3>
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<h4><span class="mw-headline" id="Sam_Phillips_and_Sun_Records">Sam Phillips and Sun Records</span></h4>
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<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/List_of_songs_recorded_by_Elvis_Presley_on_the_Sun_label" title="List of songs recorded by Elvis Presley on the Sun label">List of songs recorded by Elvis Presley on the Sun label</a></div>
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<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:PresleyPromo1954PhotoOnly.jpg" class="image"><img alt="Elvis in a tuxedo" src="//upload.wikimedia.org/wikipedia/commons/thumb/2/2d/PresleyPromo1954PhotoOnly.jpg/220px-PresleyPromo1954PhotoOnly.jpg" decoding="async" width="220" height="267" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/2/2d/PresleyPromo1954PhotoOnly.jpg 1.5x" data-file-width="286" data-file-height="347" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:PresleyPromo1954PhotoOnly.jpg" class="internal" title="Enlarge"></a></div>Presley in a <a href="/wiki/Sun_Records" title="Sun Records">Sun Records</a> promotional photograph, 1954</div></div></div>
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<p>In August 1953, Presley checked into the offices of <a href="/wiki/Sun_Records" title="Sun Records">Sun Records</a>. He aimed to pay for a few minutes of studio time to record a two-sided <a href="/wiki/Acetate_disc" title="Acetate disc">acetate disc</a>: "<a href="/wiki/My_Happiness_(popular_song)" class="mw-redirect" title="My Happiness (popular song)">My Happiness</a>" and "<a href="/wiki/That%27s_When_Your_Heartaches_Begin" title="That's When Your Heartaches Begin">That's When Your Heartaches Begin</a>". He later claimed that he intended the record as a birthday gift for his mother, or that he was merely interested in what he "sounded like", although there was a much cheaper, amateur record-making service at a nearby general store. Biographer <a href="/wiki/Peter_Guralnick" title="Peter Guralnick">Peter Guralnick</a> argued that he chose Sun in the hope of being discovered. Asked by receptionist <a href="/wiki/Marion_Keisker" title="Marion Keisker">Marion Keisker</a> what kind of singer he was, Presley responded, "I sing all kinds." When she pressed him on who he sounded like, he repeatedly answered, "I don't sound like nobody." After he recorded, Sun boss <a href="/wiki/Sam_Phillips" title="Sam Phillips">Sam Phillips</a> asked Keisker to note down the young man's name, which she did along with her own commentary: "Good ballad singer. Hold."<sup id="cite_ref-FOOTNOTEGuralnick199462–64_48-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199462–64-48">[47]</a></sup>
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</p><p>In January 1954, Presley cut a second acetate at Sun Records—"I'll Never Stand in Your Way" and "It Wouldn't Be the Same Without You"—but again nothing came of it.<sup id="cite_ref-FOOTNOTEGuralnick199465_49-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199465-49">[48]</a></sup> Not long after, he failed an audition for a local vocal quartet, the Songfellows. He explained to his father, "They told me I couldn't sing."<sup id="cite_ref-FOOTNOTEGuralnick199477_50-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199477-50">[49]</a></sup> Songfellow <a href="/wiki/Jim_Hamill" class="mw-redirect" title="Jim Hamill">Jim Hamill</a> later claimed that he was turned down because he did not demonstrate an ear for harmony at the time.<sup id="cite_ref-FOOTNOTECusic198810_51-0" class="reference"><a href="#cite_note-FOOTNOTECusic198810-51">[50]</a></sup> In April, Presley began working for the Crown Electric company as a truck driver.<sup id="cite_ref-FOOTNOTEGuralnick199480_52-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199480-52">[51]</a></sup> His friend Ronnie Smith, after playing a few local gigs with him, suggested he contact <a href="/wiki/Eddie_Bond" title="Eddie Bond">Eddie Bond</a>, leader of Smith's professional band, which had an opening for a vocalist. Bond rejected him after a tryout, advising Presley to stick to truck driving "because you're never going to make it as a singer".<sup id="cite_ref-FOOTNOTEGuralnick199483_53-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199483-53">[52]</a></sup>
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</p><p>Phillips, meanwhile, was always on the lookout for someone who could bring to a broader audience the sound of the black musicians on whom Sun focused. As Keisker reported, "Over and over I remember Sam saying, 'If I could find a white man who had the Negro sound and the Negro feel, I could make a billion dollars.'"<sup id="cite_ref-FOOTNOTEMiller200072_54-0" class="reference"><a href="#cite_note-FOOTNOTEMiller200072-54">[53]</a></sup> In June, he acquired a demo recording by <a href="/wiki/Jimmy_Sweeney" title="Jimmy Sweeney">Jimmy Sweeney</a> of a ballad, "Without You", that he thought might suit the teenage singer. Presley came by the studio but was unable to do it justice. Despite this, Phillips asked Presley to sing as many numbers as he knew. He was sufficiently affected by what he heard to invite two local musicians, guitarist <a href="/wiki/Scotty_Moore" title="Scotty Moore">Winfield "Scotty" Moore</a> and <a href="/wiki/Double_bass" title="Double bass">upright bass</a> player <a href="/wiki/Bill_Black" title="Bill Black">Bill Black</a>, to work something up with Presley for a recording session.<sup id="cite_ref-FOOTNOTEJorgensen199810–11_55-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199810–11-55">[54]</a></sup>
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<td class="mbox-image"><div class="center"><div class="floatnone"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></div></div></td>
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<div style="padding:4px 0"><a href="/wiki/File:That%27s_All_Right.ogg" title="File:That's All Right.ogg">"That's All Right"</a> (<span class="duration"><span class="min">0</span>:<span class="s">16</span></span>)</div>
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<div><div class="mediaContainer" style="width:233px"><audio id="mwe_player_0" controls="" preload="none" style="width:233px" class="kskin" data-durationhint="16.396734693878" data-startoffset="0" data-mwtitle="That's_All_Right.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/4/42/That%27s_All_Right.ogg" type="audio/ogg; codecs="vorbis"" data-title="Original Ogg file (55 kbps)" data-shorttitle="Ogg source" data-width="0" data-height="0" data-bandwidth="54500" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/4/42/That%27s_All_Right.ogg/That%27s_All_Right.ogg.mp3" type="audio/mpeg" data-title="MP3" data-shorttitle="MP3" data-transcodekey="mp3" data-width="0" data-height="0" data-bandwidth="143336" /><track src="/w/api.php?action=timedtext&title=File%3AThat%27s_All_Right.ogg&lang=en&trackformat=srt" kind="subtitles" type="text/x-srt" srclang="en" label="English (en)" data-dir="ltr" /></audio></div></div>
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<div class="description" style="padding:2px 0 0 0">Presley transformed not only the sound but the emotion of the song, turning what had been written as a "lament for a lost love into a satisfied declaration of independence."<sup id="cite_ref-FOOTNOTEMarcus1982174_56-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982174-56">[55]</a></sup></div></div></td></tr>
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<tr><td colspan="2" class="mbox-text" style="line-height:1.1em"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></td></tr>
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</tbody></table>
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<p>The session held the evening of July 5, proved entirely unfruitful until late in the night. As they were about to abort and go home, Presley took his guitar and launched into a 1946 blues number, Arthur Crudup's "<a href="/wiki/That%27s_All_Right" title="That's All Right">That's All Right</a>". Moore recalled, "All of a sudden, Elvis just started singing this song, jumping around and acting the fool, and then Bill picked up his bass, and he started acting the fool, too, and I started playing with them. Sam, I think, had the door to the control booth open ... he stuck his head out and said, 'What are you doing?' And we said, 'We don't know.' 'Well, back up,' he said, 'try to find a place to start, and do it again.'" Phillips quickly began taping; this was the sound he had been looking for.<sup id="cite_ref-FOOTNOTEGuralnick199494–97_57-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199494–97-57">[56]</a></sup> Three days later, popular Memphis DJ <a href="/wiki/Dewey_Phillips" title="Dewey Phillips">Dewey Phillips</a> played "That's All Right" on his <i>Red, Hot, and Blue</i> show.<sup id="cite_ref-FOOTNOTEPonce_de_Leon200743_58-0" class="reference"><a href="#cite_note-FOOTNOTEPonce_de_Leon200743-58">[57]</a></sup> Listeners began phoning in, eager to find out who the singer was. The interest was such that Phillips played the record repeatedly during the remaining two hours of his show. Interviewing Presley on-air, Phillips asked him what high school he attended to clarify his color for the many callers who had assumed that he was black.<sup id="cite_ref-FOOTNOTEGuralnick1994100–01_59-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994100–01-59">[58]</a></sup> During the next few days, the trio recorded a <a href="/wiki/Bluegrass_music" title="Bluegrass music">bluegrass</a> song, <a href="/wiki/Bill_Monroe" title="Bill Monroe">Bill Monroe</a>'s "<a href="/wiki/Blue_Moon_of_Kentucky" title="Blue Moon of Kentucky">Blue Moon of Kentucky</a>", again in a distinctive style and employing a <a href="/wiki/Jury_rigging" title="Jury rigging">jury-rigged</a> <a href="/wiki/Delay_(audio_effect)" title="Delay (audio effect)">echo effect</a> that Sam Phillips dubbed "slapback". A single was pressed with "That's All Right" on the A-side and "Blue Moon of Kentucky" on the reverse.<sup id="cite_ref-FOOTNOTEGuralnick1994102–04_60-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994102–04-60">[59]</a></sup>
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</p>
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<h4><span class="mw-headline" id="Early_live_performances_and_RCA_Victor_contract">Early live performances and RCA Victor contract</span></h4>
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<p>The trio played publicly for the first time on July 17 at the Bon Air club—Presley still sporting his child-size guitar.<sup id="cite_ref-FOOTNOTEGuralnick1994105,_139_61-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994105,_139-61">[60]</a></sup> At the end of the month, they appeared at the <a href="/wiki/Overton_Park#Levitt_Shell" title="Overton Park">Overton Park Shell</a>, with <a href="/wiki/Slim_Whitman" title="Slim Whitman">Slim Whitman</a> headlining. A combination of his strong response to rhythm and nervousness at playing before a large crowd led Presley to shake his legs as he performed: his wide-cut pants emphasized his movements, causing young women in the audience to start screaming.<sup id="cite_ref-FOOTNOTEGuralnick1994106,_108–11_62-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994106,_108–11-62">[61]</a></sup> Moore recalled, "During the instrumental parts, he would back off from the mike and be playing and shaking, and the crowd would just go wild".<sup id="cite_ref-FOOTNOTEGuralnick1994110_63-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994110-63">[62]</a></sup> Black, a natural showman, whooped and rode his bass, hitting double licks that Presley would later remember as "really a wild sound, like a jungle drum or something".<sup id="cite_ref-FOOTNOTEGuralnick1994110_63-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994110-63">[62]</a></sup>
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Soon after, Moore and Black left their old band, the Starlite Wranglers, to play with Presley regularly, and DJ/promoter Bob Neal became the trio's manager. From August through October, they played frequently at the Eagle's Nest club and returned to Sun Studio for more recording sessions,<sup id="cite_ref-FOOTNOTEGuralnick1994117–27,_131_64-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994117–27,_131-64">[63]</a></sup> and Presley quickly grew more confident on stage. According to Moore, "His movement was a natural thing, but he was also very conscious of what got a reaction. He'd do something one time and then he would expand on it real quick."<sup id="cite_ref-FOOTNOTEGuralnick1994119_65-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994119-65">[64]</a></sup> Presley made what would be his only appearance on <a href="/wiki/Nashville,_Tennessee" title="Nashville, Tennessee">Nashville</a>'s <i><a href="/wiki/Grand_Ole_Opry" title="Grand Ole Opry">Grand Ole Opry</a></i> stage on October 2; after a polite audience response, <i>Opry</i> manager Jim Denny told Phillips that his singer was "not bad" but did not suit the program.<sup id="cite_ref-FOOTNOTEGuralnick1994128–30_66-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994128–30-66">[65]</a></sup><sup id="cite_ref-FOOTNOTEMason200737–38_67-0" class="reference"><a href="#cite_note-FOOTNOTEMason200737–38-67">[66]</a></sup>
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</p>
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<h4><span id="Louisiana_Hayride.2C_radio_commercial.2C_and_first_television_performances"></span><span class="mw-headline" id="Louisiana_Hayride,_radio_commercial,_and_first_television_performances"><i>Louisiana Hayride</i>, radio commercial, and first television performances</span></h4>
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<p>In November 1954, Presley performed on <i><a href="/wiki/Louisiana_Hayride" title="Louisiana Hayride">Louisiana Hayride</a></i>—the <i>Opry</i><span class="nowrap" style="padding-left:0.1em;">'</span>s chief, and more adventurous, rival. The <a href="/wiki/Shreveport,_Louisiana" title="Shreveport, Louisiana">Shreveport</a>-based show was broadcast to 198 radio stations in 28 states. Presley had another attack of nerves during the first set, which drew a muted reaction. A more composed and energetic second set inspired an enthusiastic response.<sup id="cite_ref-FOOTNOTEGuralnick1994127–28,_135–42_68-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994127–28,_135–42-68">[67]</a></sup> House drummer <a href="/wiki/D._J._Fontana" title="D. J. Fontana">D. J. Fontana</a> brought a new element, complementing Presley's movements with accented beats that he had mastered playing in <a href="/wiki/Strip_club" title="Strip club">strip clubs</a>.<sup id="cite_ref-FOOTNOTEBurkeGriffin200661,_176_69-0" class="reference"><a href="#cite_note-FOOTNOTEBurkeGriffin200661,_176-69">[68]</a></sup> Soon after the show, the <i>Hayride</i> engaged Presley for a year's worth of Saturday-night appearances. Trading in his old guitar for $8 (and seeing it promptly dispatched to the garbage), he purchased a <a href="/wiki/C._F._Martin_%26_Company" title="C. F. Martin & Company">Martin</a> instrument for $175 (equivalent to $1,700 in 2020), and his trio began playing in new locales, including <a href="/wiki/Houston" title="Houston">Houston</a>, Texas and <a href="/wiki/Texarkana,_Arkansas" title="Texarkana, Arkansas">Texarkana, Arkansas</a>.<sup id="cite_ref-FOOTNOTEGuralnick1994152,_156,_182_70-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994152,_156,_182-70">[69]</a></sup>
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</p><p>Many fledgling performers, like <a href="/wiki/Minnie_Pearl" title="Minnie Pearl">Minnie Pearl</a>, <a href="/wiki/Johnny_Horton" title="Johnny Horton">Johnny Horton</a>, and <a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a>, sang the praises of <i>Louisiana Hayride</i> sponsor, <a href="/wiki/Southern_Maid_Donuts" title="Southern Maid Donuts">Southern Maid Donuts</a>, including Elvis Presley, who developed a lifelong love of <a href="/wiki/Doughnut" title="Doughnut">doughnuts</a>.<sup id="cite_ref-FOOTNOTEEveret1977_71-0" class="reference"><a href="#cite_note-FOOTNOTEEveret1977-71">[70]</a></sup> Presley made his singular product endorsement commercial for the doughnut company, which was never released, recording a radio <a href="/wiki/Jingle" title="Jingle">jingle</a>, "in exchange for a box of hot glazed doughnuts."<sup id="cite_ref-FOOTNOTEBlazeski2017_72-0" class="reference"><a href="#cite_note-FOOTNOTEBlazeski2017-72">[71]</a></sup><sup id="cite_ref-FOOTNOTEPoché2017_73-0" class="reference"><a href="#cite_note-FOOTNOTEPoché2017-73">[72]</a></sup>
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</p><p>Elvis made his first television appearance on the <a href="/wiki/KSLA-TV" class="mw-redirect" title="KSLA-TV">KSLA-TV</a> television broadcast of <i>Louisiana Hayride</i>. Soon after, he failed an audition for <i><a href="/wiki/Arthur_Godfrey%27s_Talent_Scouts" title="Arthur Godfrey's Talent Scouts">Arthur Godfrey's Talent Scouts</a></i> on the <a href="/wiki/CBS" title="CBS">CBS</a> television network. By early 1955, Presley's regular <i>Hayride</i> appearances, constant touring, and well-received record releases had made him a regional star, from Tennessee to West Texas. In January, Neal signed a formal management contract with Presley and brought him to the attention of <a href="/wiki/Colonel_Tom_Parker" title="Colonel Tom Parker">Colonel Tom Parker</a>, whom he considered the best promoter in the music business. Parker—who claimed to be from West Virginia (he was actually Dutch)—had acquired an honorary colonel's commission from country singer turned Louisiana governor <a href="/wiki/Jimmie_Davis" title="Jimmie Davis">Jimmie Davis</a>. Having successfully managed top country star <a href="/wiki/Eddy_Arnold" title="Eddy Arnold">Eddy Arnold</a>, Parker was working with the new number-one country singer, Hank Snow. Parker booked Presley on Snow's February tour.<sup id="cite_ref-FOOTNOTEGuralnick1994144,_159,_167–68_74-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994144,_159,_167–68-74">[73]</a></sup><sup id="cite_ref-FOOTNOTENash20036–12_75-0" class="reference"><a href="#cite_note-FOOTNOTENash20036–12-75">[74]</a></sup> When the tour reached <a href="/wiki/Odessa,_Texas" title="Odessa, Texas">Odessa</a>, Texas, a 19-year-old <a href="/wiki/Roy_Orbison" title="Roy Orbison">Roy Orbison</a> saw Presley for the first time: "His energy was incredible, his instinct was just amazing. ... I just didn't know what to make of it. There was just no reference point in the culture to compare it."<sup id="cite_ref-FOOTNOTEGuralnick1994171_36-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994171-36">[35]</a></sup> By August, Sun had released ten sides credited to "Elvis Presley, Scotty and Bill"; on the latest recordings, the trio were joined by a drummer. Some of the songs, like "That's All Right", were in what one Memphis journalist described as the "R&B idiom of negro field jazz"; others, like "Blue Moon of Kentucky", were "more in the country field", "but there was a curious blending of the two different musics in both".<sup id="cite_ref-FOOTNOTEGuralnick1994163_76-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994163-76">[75]</a></sup> This blend of styles made it difficult for Presley's music to find radio airplay. According to Neal, many country-music disc jockeys would not play it because he sounded too much like a black artist and none of the rhythm-and-blues stations would touch him because "he sounded too much like a hillbilly."<sup id="cite_ref-FOOTNOTEBertrand2000104_77-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand2000104-77">[76]</a></sup> The blend came to be known as <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a>. At the time, Presley was variously billed as "The King of Western Bop", "The Hillbilly Cat", and "The Memphis Flash".<sup id="cite_ref-FOOTNOTEHopkins200753_78-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins200753-78">[77]</a></sup>
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</p><p>Presley renewed Neal's management contract in August 1955, simultaneously appointing Parker as his special adviser.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199945_79-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199945-79">[78]</a></sup> The group maintained an extensive touring schedule throughout the second half of the year.<sup id="cite_ref-FOOTNOTEJorgensen199829_80-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199829-80">[79]</a></sup> Neal recalled, "It was almost frightening, the reaction that came to Elvis from the teenaged boys. So many of them, through some sort of jealousy, would practically hate him. There were occasions in some towns in Texas when we'd have to be sure to have a police guard because somebody'd always try to take a crack at him. They'd get a gang and try to waylay him or something."<sup id="cite_ref-FOOTNOTERogers198241_81-0" class="reference"><a href="#cite_note-FOOTNOTERogers198241-81">[80]</a></sup> The trio became a quartet when <i>Hayride</i> drummer Fontana joined as a full member. In mid-October, they played a few shows in support of <a href="/wiki/Bill_Haley_(musician)" class="mw-redirect" title="Bill Haley (musician)">Bill Haley</a>, whose "<a href="/wiki/Rock_Around_the_Clock" title="Rock Around the Clock">Rock Around the Clock</a>" track had been a number-one hit the previous year. Haley observed that Presley had a natural feel for rhythm, and advised him to sing fewer ballads.<sup id="cite_ref-FOOTNOTEGuralnick1994217–19_82-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994217–19-82">[81]</a></sup>
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</p><p>At the Country Disc Jockey Convention in early November, Presley was voted the year's most promising male artist.<sup id="cite_ref-FOOTNOTEJorgensen199831_83-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199831-83">[82]</a></sup> Several record companies had by now shown interest in signing him. After three major labels made offers of up to $25,000, Parker and Phillips struck a deal with <a href="/wiki/RCA_Victor" class="mw-redirect" title="RCA Victor">RCA Victor</a> on November 21 to acquire Presley's Sun contract for an unprecedented $40,000.<sup id="cite_ref-FOOTNOTEStanleyCoffey199828–29_84-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199828–29-84">[83]</a></sup><sup id="cite_ref-royalties_85-0" class="reference"><a href="#cite_note-royalties-85">[b]</a></sup> Presley, at 20, was still a minor, so his father signed the contract.<sup id="cite_ref-FOOTNOTEEscott1998421_86-0" class="reference"><a href="#cite_note-FOOTNOTEEscott1998421-86">[84]</a></sup> Parker arranged with the owners of <a href="/wiki/Hill_%26_Range" title="Hill & Range">Hill & Range</a> Publishing, <a href="/wiki/Jean_Aberbach" title="Jean Aberbach">Jean</a> and <a href="/wiki/Julian_Aberbach" title="Julian Aberbach">Julian Aberbach</a>, to create two entities, Elvis Presley Music and Gladys Music, to handle all the new material recorded by Presley. Songwriters were obliged to forgo one-third of their customary royalties in exchange for having him perform their compositions.<sup id="cite_ref-FOOTNOTEJorgensen199836,_54_87-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199836,_54-87">[85]</a></sup><sup id="cite_ref-cowriter_90-0" class="reference"><a href="#cite_note-cowriter-90">[c]</a></sup> By December, RCA Victor had begun to heavily promote its new singer, and before month's end had reissued many of his Sun recordings.<sup id="cite_ref-FOOTNOTEStanleyCoffey199829_91-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199829-91">[88]</a></sup>
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</p>
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<h3><span id="1956.E2.80.931958:_Commercial_breakout_and_controversy"></span><span class="mw-headline" id="1956–1958:_Commercial_breakout_and_controversy">1956–1958: Commercial breakout and controversy</span></h3>
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<h4><span class="mw-headline" id="First_national_TV_appearances_and_debut_album">First national TV appearances and debut album</span></h4>
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<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_Presley_LPM-1254_Album_Cover.jpg" class="image"><img alt="Album cover with photograph of Presley singing—head thrown back, eyes closed, mouth wide open—and about to strike a chord on his acoustic guitar. Another musician is behind him to the right, his instrument obscured. The word "Elvis" in bold pink letters descends from the upper left corner; below, the word "Presley" in bold green letters runs horizontally." src="//upload.wikimedia.org/wikipedia/en/thumb/f/f5/Elvis_Presley_LPM-1254_Album_Cover.jpg/220px-Elvis_Presley_LPM-1254_Album_Cover.jpg" decoding="async" width="220" height="219" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/en/f/f5/Elvis_Presley_LPM-1254_Album_Cover.jpg 1.5x" data-file-width="316" data-file-height="315" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_Presley_LPM-1254_Album_Cover.jpg" class="internal" title="Enlarge"></a></div>The "iconic cover" of <a href="/wiki/Elvis_Presley_(album)" title="Elvis Presley (album)">Presley's 1956 debut album</a>,<sup id="cite_ref-FOOTNOTEGuffey2006127_92-0" class="reference"><a href="#cite_note-FOOTNOTEGuffey2006127-92">[89]</a></sup> an image crucial in codifying the guitar as the defining instrument of rock and roll<sup id="cite_ref-FOOTNOTERodman199628_93-0" class="reference"><a href="#cite_note-FOOTNOTERodman199628-93">[90]</a></sup></div></div></div>
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<p>On January 10, 1956, Presley made his first recordings for RCA Victor in Nashville.<sup id="cite_ref-FOOTNOTEStanleyCoffey199830_94-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199830-94">[91]</a></sup> Extending Presley's by-now customary backup of Moore, Black, Fontana, and <i>Hayride</i> pianist <a href="/wiki/Floyd_Cramer" title="Floyd Cramer">Floyd Cramer</a>—who had been performing at live club dates with Presley—RCA Victor enlisted guitarist <a href="/wiki/Chet_Atkins" title="Chet Atkins">Chet Atkins</a> and three background singers, including Gordon Stoker of the popular <a href="/wiki/Jordanaires" class="mw-redirect" title="Jordanaires">Jordanaires</a> quartet, to fill in the sound.<sup id="cite_ref-FOOTNOTEGuralnick1994235–36_95-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994235–36-95">[92]</a></sup> The session produced the moody, unusual "<a href="/wiki/Heartbreak_Hotel" title="Heartbreak Hotel">Heartbreak Hotel</a>", released as a single on January 27.<sup id="cite_ref-FOOTNOTEStanleyCoffey199830_94-1" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199830-94">[91]</a></sup> Parker finally brought Presley to national television, booking him on CBS's <i><a href="/wiki/Stage_Show_(TV_series)" title="Stage Show (TV series)">Stage Show</a></i> for six appearances over two months. The program, produced in New York, was hosted on alternate weeks by big band leaders and brothers <a href="/wiki/Tommy_Dorsey" title="Tommy Dorsey">Tommy</a> and <a href="/wiki/Jimmy_Dorsey" title="Jimmy Dorsey">Jimmy Dorsey</a>. After his first appearance, on January 28, Presley stayed in town to record at the RCA Victor New York studio. The sessions yielded eight songs, including a cover of <a href="/wiki/Carl_Perkins" title="Carl Perkins">Carl Perkins</a>' rockabilly anthem "<a href="/wiki/Blue_Suede_Shoes" title="Blue Suede Shoes">Blue Suede Shoes</a>". In February, Presley's "<a href="/wiki/I_Forgot_to_Remember_to_Forget" title="I Forgot to Remember to Forget">I Forgot to Remember to Forget</a>", a Sun recording initially released the previous August, reached the top of the <a href="/wiki/Hot_Country_Songs" title="Hot Country Songs"><i>Billboard</i> country chart</a>.<sup id="cite_ref-FOOTNOTESlaughterNixon200421_96-0" class="reference"><a href="#cite_note-FOOTNOTESlaughterNixon200421-96">[93]</a></sup> Neal's contract was terminated, and, on March 2, Parker became Presley's manager.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199950,_54,_64_97-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199950,_54,_64-97">[94]</a></sup>
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</p><p>RCA Victor released Presley's <a href="/wiki/Elvis_Presley_(album)" title="Elvis Presley (album)">self-titled debut album</a> on March 23. Joined by five previously unreleased Sun recordings, its seven recently recorded tracks were of a broad variety. There were two country songs and a bouncy pop tune. The others would centrally define the evolving sound of <a href="/wiki/Rock_and_roll" title="Rock and roll">rock and roll</a>: "Blue Suede Shoes"—"an improvement over Perkins' in almost every way", according to critic <a href="/wiki/Robert_Hilburn" title="Robert Hilburn">Robert Hilburn</a>—and three R&B numbers that had been part of Presley's stage repertoire for some time, covers of <a href="/wiki/Little_Richard" title="Little Richard">Little Richard</a>, <a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a>, and <a href="/wiki/The_Drifters" title="The Drifters">The Drifters</a>. As described by Hilburn, these "were the most revealing of all. Unlike many white artists ... who watered down the gritty edges of the original R&B versions of songs in the '50s, Presley reshaped them. He not only injected the tunes with his own vocal character but also made guitar, not piano, the lead instrument in all three cases."<sup id="cite_ref-FOOTNOTEHilburn2005_98-0" class="reference"><a href="#cite_note-FOOTNOTEHilburn2005-98">[95]</a></sup> It became the first rock and roll album to top the <i>Billboard</i> chart, a position it held for 10 weeks.<sup id="cite_ref-FOOTNOTEStanleyCoffey199830_94-2" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199830-94">[91]</a></sup> While Presley was not an innovative guitarist like Moore or contemporary African-American rockers <a href="/wiki/Bo_Diddley" title="Bo Diddley">Bo Diddley</a> and <a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a>, cultural historian Gilbert B. Rodman argued that the album's cover image, "of Elvis having the time of his life on stage <i>with a guitar in his hands</i> played a crucial role in positioning the guitar ... as the instrument that best captured the style and spirit of this new music."<sup id="cite_ref-FOOTNOTERodman199628_93-1" class="reference"><a href="#cite_note-FOOTNOTERodman199628-93">[90]</a></sup>
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</p>
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<h4><span id="Milton_Berle_Show_and_.22Hound_Dog.22"></span><span class="mw-headline" id="Milton_Berle_Show_and_"Hound_Dog""><i>Milton Berle Show</i> and "Hound Dog"</span></h4>
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<div class="thumb tleft"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_signs_autographs_in_Minneapolis_1956.jpg" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Elvis_signs_autographs_in_Minneapolis_1956.jpg/220px-Elvis_signs_autographs_in_Minneapolis_1956.jpg" decoding="async" width="220" height="173" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/0/07/Elvis_signs_autographs_in_Minneapolis_1956.jpg/330px-Elvis_signs_autographs_in_Minneapolis_1956.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/0/07/Elvis_signs_autographs_in_Minneapolis_1956.jpg/440px-Elvis_signs_autographs_in_Minneapolis_1956.jpg 2x" data-file-width="949" data-file-height="746" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_signs_autographs_in_Minneapolis_1956.jpg" class="internal" title="Enlarge"></a></div>Presley signing autographs in <a href="/wiki/Minneapolis" title="Minneapolis">Minneapolis</a> in 1956</div></div></div>
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<p>On April 3, Presley made the first of two appearances on NBC's <i><a href="/wiki/The_Milton_Berle_Show" class="mw-redirect" title="The Milton Berle Show">Milton Berle Show</a></i>. His performance, on the deck of the <a href="/wiki/USS_Hancock_(CV-19)" title="USS Hancock (CV-19)">USS <i>Hancock</i></a> in <a href="/wiki/San_Diego" title="San Diego">San Diego</a>, California, prompted cheers and screams from an audience of sailors and their dates.<sup id="cite_ref-FOOTNOTEGuralnick1994262–63_99-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994262–63-99">[96]</a></sup> A few days later, a flight taking Presley and his band to Nashville for a recording session left all three badly shaken when an engine died and the plane almost went down over Arkansas.<sup id="cite_ref-FOOTNOTEGuralnick1994267_100-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994267-100">[97]</a></sup> Twelve weeks after its original release, "Heartbreak Hotel" became Presley's first number-one pop hit. In late April, Presley began a two-week <a href="/wiki/Concert_residency" title="Concert residency">residency</a> at the <a href="/wiki/New_Frontier_Hotel_and_Casino" title="New Frontier Hotel and Casino">New Frontier Hotel and Casino</a> on the <a href="/wiki/Las_Vegas_Strip" title="Las Vegas Strip">Las Vegas Strip</a>.<sup id="cite_ref-LVS_2008-05-15_101-0" class="reference"><a href="#cite_note-LVS_2008-05-15-101">[98]</a></sup> The shows were poorly received by the conservative, middle-aged hotel guests—"like a jug of corn liquor at a champagne party", wrote a critic for <i><a href="/wiki/Newsweek" title="Newsweek">Newsweek</a>.</i><sup id="cite_ref-FOOTNOTEGuralnick1994274_102-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994274-102">[99]</a></sup> Amid his Vegas tenure, Presley, who had serious acting ambitions, signed a seven-year contract with <a href="/wiki/Paramount_Pictures" title="Paramount Pictures">Paramount Pictures</a>.<sup id="cite_ref-FOOTNOTEVictor2008315_103-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008315-103">[100]</a></sup> He began a tour of the Midwest in mid-May, taking in 15 cities in as many days.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199972–73_104-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199972–73-104">[101]</a></sup> He had attended several shows by <a href="/wiki/Freddie_Bell_and_the_Bellboys" title="Freddie Bell and the Bellboys">Freddie Bell and the Bellboys</a> in Vegas and was struck by their cover of "<a href="/wiki/Hound_Dog_(song)" title="Hound Dog (song)">Hound Dog</a>", a hit in 1953 for blues singer <a href="/wiki/Big_Mama_Thornton" title="Big Mama Thornton">Big Mama Thornton</a> by songwriters <a href="/wiki/Jerry_Leiber_and_Mike_Stoller" title="Jerry Leiber and Mike Stoller">Jerry Leiber and Mike Stoller</a>. It became the new closing number of his act.<sup id="cite_ref-FOOTNOTEGuralnick1994273,_284_105-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994273,_284-105">[102]</a></sup> After a show in <a href="/wiki/La_Crosse,_Wisconsin" title="La Crosse, Wisconsin">La Crosse, Wisconsin</a>, an urgent message on the letterhead of the local Catholic diocese's newspaper was sent to <a href="/wiki/Federal_Bureau_of_Investigation" title="Federal Bureau of Investigation">FBI</a> director <a href="/wiki/J._Edgar_Hoover" title="J. Edgar Hoover">J. Edgar Hoover</a>. It warned that "Presley is a definite danger to the security of the United States. ... [His] actions and motions were such as to rouse the sexual passions of teenaged youth. ... After the show, more than 1,000 teenagers tried to gang into Presley's room at the auditorium. ... Indications of the harm Presley did just in La Crosse were the two high school girls ... whose abdomen and thigh had Presley's autograph."<sup id="cite_ref-FOOTNOTEFensch200114–18_106-0" class="reference"><a href="#cite_note-FOOTNOTEFensch200114–18-106">[103]</a></sup>
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</p><p>The second <i>Milton Berle Show</i> appearance came on June 5 at NBC's Hollywood studio, amid another hectic tour. Berle persuaded Presley to leave his guitar backstage, advising, "Let 'em see you, son."<sup id="cite_ref-FOOTNOTEBurkeGriffin200652_107-0" class="reference"><a href="#cite_note-FOOTNOTEBurkeGriffin200652-107">[104]</a></sup> During the performance, Presley abruptly halted an uptempo rendition of "Hound Dog" with a wave of his arm and launched into a slow, grinding version accentuated with energetic, exaggerated body movements.<sup id="cite_ref-FOOTNOTEBurkeGriffin200652_107-1" class="reference"><a href="#cite_note-FOOTNOTEBurkeGriffin200652-107">[104]</a></sup> Presley's gyrations created a storm of controversy.<sup id="cite_ref-FOOTNOTEJorgensen199849_108-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199849-108">[105]</a></sup> Television critics were outraged: <a href="/wiki/Jack_Gould" title="Jack Gould">Jack Gould</a> of <i><a href="/wiki/The_New_York_Times" title="The New York Times">The New York Times</a></i> wrote, "Mr. Presley has no discernible singing ability. ... His phrasing, if it can be called that, consists of the stereotyped variations that go with a beginner's aria in a bathtub. ... His one specialty is an accented movement of the body ... primarily identified with the repertoire of the blond bombshells of the burlesque runway."<sup id="cite_ref-FOOTNOTEGould1956_109-0" class="reference"><a href="#cite_note-FOOTNOTEGould1956-109">[106]</a></sup> Ben Gross of the New York <i><a href="/wiki/Daily_News_(New_York)" class="mw-redirect" title="Daily News (New York)">Daily News</a></i> opined that popular music "has reached its lowest depths in the 'grunt and groin' antics of one Elvis Presley. ... Elvis, who rotates his pelvis ... gave an exhibition that was suggestive and vulgar, tinged with the kind of animalism that should be confined to dives and bordellos".<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199973_110-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199973-110">[107]</a></sup> <a href="/wiki/Ed_Sullivan" title="Ed Sullivan">Ed Sullivan</a>, whose own variety show was the nation's most popular, declared him "unfit for family viewing".<sup id="cite_ref-FOOTNOTEMarcus2006_111-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-111">[108]</a></sup> To Presley's displeasure, he soon found himself being referred to as "Elvis the Pelvis", which he called "one of the most childish expressions I ever heard, comin' from an adult."<sup id="cite_ref-FOOTNOTEMarsh1982100_112-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1982100-112">[109]</a></sup>
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</p>
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<h4><span class="mw-headline" id="Steve_Allen_Show_and_first_Sullivan_appearance"><i>Steve Allen Show</i> and first Sullivan appearance</span></h4>
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<div class="thumb tright"><div class="thumbinner" style="width:202px;"><a href="/wiki/File:Elvis_Presley_and_Ed_Sullivan_October_1956.jpg" class="image"><img alt="Photo of Elvis and Ed Sullivan" src="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Elvis_Presley_and_Ed_Sullivan_October_1956.jpg/200px-Elvis_Presley_and_Ed_Sullivan_October_1956.jpg" decoding="async" width="200" height="267" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/1/17/Elvis_Presley_and_Ed_Sullivan_October_1956.jpg/300px-Elvis_Presley_and_Ed_Sullivan_October_1956.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/1/17/Elvis_Presley_and_Ed_Sullivan_October_1956.jpg/400px-Elvis_Presley_and_Ed_Sullivan_October_1956.jpg 2x" data-file-width="936" data-file-height="1248" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_Presley_and_Ed_Sullivan_October_1956.jpg" class="internal" title="Enlarge"></a></div>Ed Sullivan and Presley during rehearsals for his second appearance on <i>The Ed Sullivan Show</i>, October 26, 1956</div></div></div>
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<p>The Berle shows drew such high ratings that Presley was booked for a July 1 appearance on NBC's <i><a href="/wiki/The_Steve_Allen_Show" title="The Steve Allen Show">Steve Allen Show</a></i> in New York. Allen, no fan of rock and roll, introduced a "new Elvis" in a white bow tie and black tails. Presley sang "Hound Dog" for less than a minute to a <a href="/wiki/Basset_hound" class="mw-redirect" title="Basset hound">basset hound</a> wearing a top hat and bow tie. As described by television historian Jake Austen, "Allen thought Presley was talentless and absurd ... [he] set things up so that Presley would show his contrition".<sup id="cite_ref-FOOTNOTEAusten200513_113-0" class="reference"><a href="#cite_note-FOOTNOTEAusten200513-113">[110]</a></sup> Allen later wrote that he found Presley's "strange, gangly, country-boy charisma, his hard-to-define cuteness, and his charming eccentricity intriguing" and simply worked him into the customary "comedy fabric" of his program.<sup id="cite_ref-FOOTNOTEAllen1992270_114-0" class="reference"><a href="#cite_note-FOOTNOTEAllen1992270-114">[111]</a></sup> Just before the final rehearsal for the show, Presley told a reporter, "I'm holding down on this show. I don't want to do anything to make people dislike me. I think TV is important so I'm going to go along, but I won't be able to give the kind of show I do in a personal appearance."<sup id="cite_ref-FOOTNOTE"Elvis_Presley:_'King_of_Rock'"19565_115-0" class="reference"><a href="#cite_note-FOOTNOTE"Elvis_Presley:_'King_of_Rock'"19565-115">[112]</a></sup> Presley would refer back to the Allen show as the most ridiculous performance of his career.<sup id="cite_ref-FOOTNOTEKeogh200473_116-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh200473-116">[113]</a></sup> Later that night, he appeared on <i><a href="/wiki/Hy_Gardner_Calling" class="mw-redirect" title="Hy Gardner Calling">Hy Gardner Calling</a></i>, a popular local TV show. Pressed on whether he had learned anything from the criticism to which he was being subjected, Presley responded, "No, I haven't, I don't feel like I'm doing anything wrong. ... I don't see how any type of music would have any bad influence on people when it's only music. ... I mean, how would rock 'n' roll music make anyone rebel against their parents?"<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199973_110-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199973-110">[107]</a></sup>
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</p><p>The next day, Presley recorded "Hound Dog", along with "<a href="/wiki/Any_Way_You_Want_Me_(That%27s_How_I_Will_Be)" class="mw-redirect" title="Any Way You Want Me (That's How I Will Be)">Any Way You Want Me</a>" and "<a href="/wiki/Don%27t_Be_Cruel" title="Don't Be Cruel">Don't Be Cruel</a>". <a href="/wiki/The_Jordanaires" title="The Jordanaires">The Jordanaires</a> sang harmony, as they had on <i>The Steve Allen Show</i>; they would work with Presley through the 1960s. A few days later, Presley made an outdoor concert appearance in Memphis, at which he announced, "You know, those people in New York are not gonna change me none. I'm gonna show you what the real Elvis is like tonight."<sup id="cite_ref-FOOTNOTEJorgensen199851_117-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199851-117">[114]</a></sup> In August, a judge in <a href="/wiki/Jacksonville,_Florida" title="Jacksonville, Florida">Jacksonville, Florida</a>, ordered Presley to tame his act. Throughout the following performance, he largely kept still, except for wiggling his little finger suggestively in mockery of the order.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199980–81_118-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199980–81-118">[115]</a></sup> The single pairing "Don't Be Cruel" with "Hound Dog" ruled the top of the charts for 11 weeks—a mark that would not be surpassed for 36 years.<sup id="cite_ref-FOOTNOTEWhitburn19935_119-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn19935-119">[116]</a></sup> Recording sessions for Presley's second album took place in Hollywood during the first week of September. Leiber and Stoller, the writers of "Hound Dog", contributed "<a href="/wiki/Love_Me_(Leiber/Stoller_song)" title="Love Me (Leiber/Stoller song)">Love Me</a>".<sup id="cite_ref-FOOTNOTEJorgensen199860–65_120-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199860–65-120">[117]</a></sup>
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</p><p>Allen's show with Presley had, for the first time, beaten CBS's <i><a href="/wiki/The_Ed_Sullivan_Show" title="The Ed Sullivan Show">Ed Sullivan Show</a></i> in the ratings. Sullivan, despite his June pronouncement, booked Presley for three appearances for an unprecedented $50,000.<sup id="cite_ref-FOOTNOTEAusten200516_121-0" class="reference"><a href="#cite_note-FOOTNOTEAusten200516-121">[118]</a></sup> The first, on September 9, 1956, was seen by approximately 60 million viewers—a record 82.6 percent of the television audience.<sup id="cite_ref-FOOTNOTEEdgerton2007187_122-0" class="reference"><a href="#cite_note-FOOTNOTEEdgerton2007187-122">[119]</a></sup> Actor <a href="/wiki/Charles_Laughton" title="Charles Laughton">Charles Laughton</a> hosted the show, filling in while Sullivan was recovering from a car accident.<sup id="cite_ref-FOOTNOTEMarcus2006_111-1" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-111">[108]</a></sup> Presley appeared in two segments that night from <a href="/wiki/CBS_Television_City" class="mw-redirect" title="CBS Television City">CBS Television City</a> in Los Angeles. According to Elvis legend, Presley was shot only from the waist up. Watching clips of the Allen and Berle shows with his producer, Sullivan had opined that Presley "got some kind of device hanging down below the crotch of his pants—so when he moves his legs back and forth you can see the outline of his cock. ... I think it's a Coke bottle. ... We just can't have this on a Sunday night. This is a family show!"<sup id="cite_ref-FOOTNOTEBrownBroeske199793_123-0" class="reference"><a href="#cite_note-FOOTNOTEBrownBroeske199793-123">[120]</a></sup> Sullivan publicly told <i><a href="/wiki/TV_Guide" title="TV Guide">TV Guide</a></i>, "As for his gyrations, the whole thing can be controlled with camera shots."<sup id="cite_ref-FOOTNOTEAusten200516_121-1" class="reference"><a href="#cite_note-FOOTNOTEAusten200516-121">[118]</a></sup> In fact, Presley was shown head-to-toe in the first and second shows. Though the camerawork was relatively discreet during his debut, with leg-concealing closeups when he danced, the studio audience reacted in customary style: screaming.<sup id="cite_ref-FOOTNOTEGuralnick1994338_124-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994338-124">[121]</a></sup><sup id="cite_ref-FOOTNOTEGibson2005_125-0" class="reference"><a href="#cite_note-FOOTNOTEGibson2005-125">[122]</a></sup> Presley's performance of his forthcoming single, the ballad "<a href="/wiki/Love_Me_Tender_(song)" title="Love Me Tender (song)">Love Me Tender</a>", prompted a record-shattering million advance orders.<sup id="cite_ref-FOOTNOTEVictor2008439_126-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008439-126">[123]</a></sup> More than any other single event, it was this first appearance on <i>The Ed Sullivan Show</i> that made Presley a national celebrity of barely precedented proportions.<sup id="cite_ref-FOOTNOTEMarcus2006_111-2" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-111">[108]</a></sup>
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</p><p>Accompanying Presley's rise to fame, a cultural shift was taking place that he both helped inspire and came to symbolize. Igniting the "biggest pop craze since <a href="/wiki/Glenn_Miller" title="Glenn Miller">Glenn Miller</a> and <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a> ... Presley brought rock'n'roll into the mainstream of popular culture", writes historian Marty Jezer. "As Presley set the artistic pace, other artists followed. ... Presley, more than anyone else, gave the young a belief in themselves as a distinct and somehow unified generation—the first in America ever to feel the power of an integrated youth culture."<sup id="cite_ref-FOOTNOTEJezer1982281_127-0" class="reference"><a href="#cite_note-FOOTNOTEJezer1982281-127">[124]</a></sup>
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</p>
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<h4><span class="mw-headline" id="Crazed_crowds_and_film_debut">Crazed crowds and film debut</span></h4>
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<div class="thumb tright"><div class="thumbinner" style="width:302px;"><a href="/wiki/File:Elvis_Presley_-_TV_Radio_Mirror,_March_1957_01.jpg" class="image"><img alt="Elvis performing on stage" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/39/Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg/300px-Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg" decoding="async" width="300" height="162" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/39/Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg/450px-Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/39/Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg/600px-Elvis_Presley_-_TV_Radio_Mirror%2C_March_1957_01.jpg 2x" data-file-width="1762" data-file-height="954" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_Presley_-_TV_Radio_Mirror,_March_1957_01.jpg" class="internal" title="Enlarge"></a></div>Presley performing live at the Mississippi-Alabama Fairgrounds in Tupelo, September 26, 1956</div></div></div>
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<table role="presentation" class="mbox-small noprint" style="background-color:#f9f9f9;border:1px solid #aaa;color:#000;">
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<td class="mbox-image"><div class="center"><div class="floatnone"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/50px-Gnome-mime-sound-openclipart.svg.png" decoding="async" width="50" height="50" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/75px-Gnome-mime-sound-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/87/Gnome-mime-sound-openclipart.svg/100px-Gnome-mime-sound-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></div></div></td>
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<td class="mbox-text plainlist" style="line-height:1.1em"><div class="haudio">
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<div style="padding:4px 0"><a href="/wiki/File:Hound_Dog_%26_intro_(live-Ed_Sullivan_2).ogg" title="File:Hound Dog & intro (live-Ed Sullivan 2).ogg">"We're gonna do a sad song ..."</a> (<span class="duration"><span class="min">0</span>:<span class="s">30</span></span>)</div>
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<div><div class="mediaContainer" style="width:233px"><audio id="mwe_player_1" controls="" preload="none" style="width:233px" class="kskin" data-durationhint="29.989569160998" data-startoffset="0" data-mwtitle="Hound_Dog_&_intro_(live-Ed_Sullivan_2).ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/0/01/Hound_Dog_%26_intro_%28live-Ed_Sullivan_2%29.ogg" type="audio/ogg; codecs="vorbis"" data-title="Original Ogg file (45 kbps)" data-shorttitle="Ogg source" data-width="0" data-height="0" data-bandwidth="44855" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/0/01/Hound_Dog_%26_intro_%28live-Ed_Sullivan_2%29.ogg/Hound_Dog_%26_intro_%28live-Ed_Sullivan_2%29.ogg.mp3" type="audio/mpeg" data-title="MP3" data-shorttitle="MP3" data-transcodekey="mp3" data-width="0" data-height="0" data-bandwidth="110808" /></audio></div></div>
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<div class="description" style="padding:2px 0 0 0">Presley's definition of rock and roll included a sense of humor—here, during his second Sullivan appearance, he introduces one of his signature numbers.</div></div></td></tr>
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<tr><td colspan="2" class="mbox-text" style="line-height:1.1em"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></td></tr>
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</tbody></table>
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<p>The audience response at Presley's live shows became increasingly fevered. Moore recalled, "He'd start out, 'You ain't nothin' but a Hound Dog,' and they'd just go to pieces. They'd always react the same way. There'd be a riot every time."<sup id="cite_ref-FOOTNOTEMooreDickerson1997175_128-0" class="reference"><a href="#cite_note-FOOTNOTEMooreDickerson1997175-128">[125]</a></sup> At the two concerts he performed in September at the Mississippi–Alabama Fair and Dairy Show, 50 <a href="/wiki/National_Guard_of_the_United_States" class="mw-redirect" title="National Guard of the United States">National Guardsmen</a> were added to the police security to ensure that the crowd would not cause a ruckus.<sup id="cite_ref-FOOTNOTEGuralnick1994343_129-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994343-129">[126]</a></sup> <i><a href="/wiki/Elvis_(1956_album)" title="Elvis (1956 album)">Elvis</a></i>, Presley's second RCA Victor album, was released in October and quickly rose to number one on the billboard. The album includes "Old Shep", which he sang at the talent show in 1945, and which now marked the first time he played piano on an RCA Victor session. According to Guralnick, one can hear "in the halting chords and the somewhat stumbling rhythm both the unmistakable emotion and the equally unmistakable valuing of emotion over technique."<sup id="cite_ref-FOOTNOTEGuralnick1994335_130-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994335-130">[127]</a></sup> Assessing the musical and cultural impact of Presley's recordings from "That's All Right" through <i>Elvis</i>, rock critic <a href="/wiki/Dave_Marsh" title="Dave Marsh">Dave Marsh</a> wrote that "these records, more than any others, contain the seeds of what rock & roll was, has been and most likely what it may foreseeably become."<sup id="cite_ref-FOOTNOTEMarsh1980395_131-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1980395-131">[128]</a></sup>
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</p><p>Presley returned to the Sullivan show at its main studio in New York, hosted this time by its namesake, on October 28. After the performance, crowds in Nashville and St. Louis burned him in effigy.<sup id="cite_ref-FOOTNOTEMarcus2006_111-3" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-111">[108]</a></sup> His first motion picture, <i><a href="/wiki/Love_Me_Tender_(film)" title="Love Me Tender (film)">Love Me Tender</a></i>, was released on November 21. Though he was not top-billed, the film's original title—<i><a href="/wiki/Reno_Gang" title="Reno Gang">The Reno Brothers</a></i>—was changed to capitalize on his latest number-one record: "Love Me Tender" had hit the top of the charts earlier that month. To further take advantage of Presley's popularity, four musical numbers were added to what was originally a straight acting role. The film was panned by critics but did very well at the box office.<sup id="cite_ref-FOOTNOTEVictor2008315_103-1" class="reference"><a href="#cite_note-FOOTNOTEVictor2008315-103">[100]</a></sup> Presley would receive top billing on every subsequent film he made.<sup id="cite_ref-FOOTNOTEO'Malley2016_132-0" class="reference"><a href="#cite_note-FOOTNOTEO'Malley2016-132">[129]</a></sup>
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</p><p>On December 4, Presley dropped into Sun Records where Carl Perkins and <a href="/wiki/Jerry_Lee_Lewis" title="Jerry Lee Lewis">Jerry Lee Lewis</a> were recording and had an impromptu <a href="/wiki/Jam_session" title="Jam session">jam session</a> along with <a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a>. Though Phillips no longer had the right to release any Presley material, he made sure that the session was captured on tape. The results, none officially released for 25 years, became known as the "<a href="/wiki/Million_Dollar_Quartet" title="Million Dollar Quartet">Million Dollar Quartet</a>" recordings.<sup id="cite_ref-FOOTNOTEJorgensen199871_133-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199871-133">[130]</a></sup> The year ended with a front-page story in <i><a href="/wiki/The_Wall_Street_Journal" title="The Wall Street Journal">The Wall Street Journal</a></i> reporting that Presley merchandise had brought in $22 million on top of his record sales,<sup id="cite_ref-FOOTNOTEPalladino1996131_134-0" class="reference"><a href="#cite_note-FOOTNOTEPalladino1996131-134">[131]</a></sup> and <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s declaration that he had placed more songs in the top 100 than any other artist since records were first charted.<sup id="cite_ref-FOOTNOTEStanleyCoffey199837_135-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199837-135">[132]</a></sup> In his first full year at RCA Victor, then the record industry's largest company, Presley had accounted for over 50 percent of the label's singles sales.<sup id="cite_ref-FOOTNOTEVictor2008439_126-1" class="reference"><a href="#cite_note-FOOTNOTEVictor2008439-126">[123]</a></sup>
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</p>
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<h4><span class="mw-headline" id="Leiber_and_Stoller_collaboration_and_draft_notice">Leiber and Stoller collaboration and draft notice</span></h4>
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<style data-mw-deduplicate="TemplateStyles:r978413945/mw-parser-output/.tmulti">.mw-parser-output .tmulti .thumbinner{display:flex;flex-direction:column}.mw-parser-output .tmulti .trow{display:flex;flex-direction:row;clear:left;flex-wrap:wrap;width:100%;box-sizing:border-box}.mw-parser-output .tmulti .tsingle{margin:1px;float:left}.mw-parser-output .tmulti .theader{clear:both;font-weight:bold;text-align:center;align-self:center;background-color:transparent;width:100%}.mw-parser-output .tmulti .thumbcaption{background-color:transparent}.mw-parser-output .tmulti .text-align-left{text-align:left}.mw-parser-output .tmulti .text-align-right{text-align:right}.mw-parser-output .tmulti .text-align-center{text-align:center}@media all and (max-width:720px){.mw-parser-output .tmulti .thumbinner{width:100%!important;box-sizing:border-box;max-width:none!important;align-items:center}.mw-parser-output .tmulti .trow{justify-content:center}.mw-parser-output .tmulti .tsingle{float:none!important;max-width:100%!important;box-sizing:border-box;text-align:center}.mw-parser-output .tmulti .tsingle .thumbcaption{text-align:left}.mw-parser-output .tmulti .trow>.thumbcaption{text-align:center}}</style><div class="thumb tmulti tright"><div class="thumbinner" style="width:358px;max-width:358px"><div class="trow"><div class="tsingle" style="width:177px;max-width:177px"><div class="thumbimage"><a href="/wiki/File:Elvis_Presley_Jailhouse_Rock2.jpg" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Elvis_Presley_Jailhouse_Rock2.jpg/175px-Elvis_Presley_Jailhouse_Rock2.jpg" decoding="async" width="175" height="218" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Elvis_Presley_Jailhouse_Rock2.jpg/263px-Elvis_Presley_Jailhouse_Rock2.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5f/Elvis_Presley_Jailhouse_Rock2.jpg/350px-Elvis_Presley_Jailhouse_Rock2.jpg 2x" data-file-width="1769" data-file-height="2200" /></a></div></div><div class="tsingle" style="width:177px;max-width:177px"><div class="thumbimage"><a href="/wiki/File:Elvis_Presley_Jailhouse_Rock.jpg" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/Elvis_Presley_Jailhouse_Rock.jpg/175px-Elvis_Presley_Jailhouse_Rock.jpg" decoding="async" width="175" height="217" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/35/Elvis_Presley_Jailhouse_Rock.jpg/263px-Elvis_Presley_Jailhouse_Rock.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/3/35/Elvis_Presley_Jailhouse_Rock.jpg/350px-Elvis_Presley_Jailhouse_Rock.jpg 2x" data-file-width="1772" data-file-height="2200" /></a></div></div></div><div class="trow" style="display:flex"><div class="thumbcaption">Elvis in publicity photos for the 1957 film <i><a href="/wiki/Jailhouse_Rock_(film)" title="Jailhouse Rock (film)">Jailhouse Rock</a></i></div></div></div></div>
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<p>Presley made his third and final <i>Ed Sullivan Show</i> appearance on January 6, 1957—on this occasion indeed shot only down to the waist. Some commentators have claimed that Parker orchestrated an appearance of censorship to generate publicity.<sup id="cite_ref-FOOTNOTEGibson2005_125-1" class="reference"><a href="#cite_note-FOOTNOTEGibson2005-125">[122]</a></sup><sup id="cite_ref-FOOTNOTEClaytonHeard2003117–18_136-0" class="reference"><a href="#cite_note-FOOTNOTEClaytonHeard2003117–18-136">[133]</a></sup> In any event, as critic <a href="/wiki/Greil_Marcus" title="Greil Marcus">Greil Marcus</a> describes, Presley "did not tie himself down. Leaving behind the bland clothes he had worn on the first two shows, he stepped out in the outlandish costume of a pasha, if not a harem girl. From the make-up over his eyes, the hair falling in his face, the overwhelmingly sexual cast of his mouth, he was playing <a href="/wiki/Rudolph_Valentino" title="Rudolph Valentino">Rudolph Valentino</a> in <i><a href="/wiki/The_Sheik_(film)" title="The Sheik (film)">The Sheik</a></i>, with all stops out."<sup id="cite_ref-FOOTNOTEMarcus2006_111-4" class="reference"><a href="#cite_note-FOOTNOTEMarcus2006-111">[108]</a></sup> To close, displaying his range and defying Sullivan's wishes, Presley sang a gentle black spiritual, "<a href="/wiki/Peace_in_the_Valley" title="Peace in the Valley">Peace in the Valley</a>". At the end of the show, Sullivan declared Presley "a real decent, fine boy".<sup id="cite_ref-FOOTNOTEKeogh200490_137-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh200490-137">[134]</a></sup> Two days later, the Memphis <a href="/wiki/Conscription_in_the_United_States" title="Conscription in the United States">draft board</a> announced that Presley would be <a href="/wiki/Class_1-A" class="mw-redirect" title="Class 1-A">classified 1-A</a> and would probably be drafted sometime that year.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen199995_138-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen199995-138">[135]</a></sup>
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</p><p>Each of the three Presley singles released in the first half of 1957 went to number one: "<a href="/wiki/Too_Much_(Elvis_Presley_song)" title="Too Much (Elvis Presley song)">Too Much</a>", "<a href="/wiki/All_Shook_Up" title="All Shook Up">All Shook Up</a>", and "<a href="/wiki/(Let_Me_Be_Your)_Teddy_Bear" title="(Let Me Be Your) Teddy Bear">(Let Me Be Your) Teddy Bear</a>". Already an international star, he was attracting fans even where his music was not officially released. Under the headline "Presley Records a Craze in Soviet", <i>The New York Times</i> reported that pressings of his music on <a href="/wiki/Ribs_(recordings)" title="Ribs (recordings)">discarded X-ray plates</a> were commanding high prices in Leningrad.<sup id="cite_ref-FOOTNOTESalisbury19574_139-0" class="reference"><a href="#cite_note-FOOTNOTESalisbury19574-139">[136]</a></sup> Between film shoots and recording sessions, 22-year old Presley also found time to purchase an 18-room mansion <a href="/wiki/Graceland" title="Graceland">Graceland</a> on March 19, 1957, for the amount of $102,500. The mansion, which was about 9 miles (14 km) south of downtown Memphis, was for himself and his parents.<sup id="cite_ref-140" class="reference"><a href="#cite_note-140">[137]</a></sup><sup id="cite_ref-FOOTNOTEGuralnick1994395–97_141-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994395–97-141">[138]</a></sup><sup id="cite_ref-142" class="reference"><a href="#cite_note-142">[139]</a></sup> Leading up to the purchase, Elvis recorded <i><a href="/wiki/Loving_You_(soundtrack)" title="Loving You (soundtrack)">Loving You</a></i>—the soundtrack to <a href="/wiki/Loving_You_(1957_film)" title="Loving You (1957 film)">his second film</a>, which was released in July. It was Presley's third straight number-one album. The title track was written by Leiber and Stoller, who were then retained to write four of the six songs recorded at the sessions for <i><a href="/wiki/Jailhouse_Rock_(film)" title="Jailhouse Rock (film)">Jailhouse Rock</a></i>, Presley's next film. The songwriting team effectively produced the <i>Jailhouse</i> sessions and developed a close working relationship with Presley, who came to regard them as his "good-luck charm".<sup id="cite_ref-FOOTNOTEGuralnick1994406–08,_452_143-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994406–08,_452-143">[140]</a></sup> "He was fast," said Leiber. "Any demo you gave him he knew by heart in ten minutes."<sup id="cite_ref-FOOTNOTEFox1986178_144-0" class="reference"><a href="#cite_note-FOOTNOTEFox1986178-144">[141]</a></sup> The <a href="/wiki/Jailhouse_Rock_(song)" title="Jailhouse Rock (song)">title track</a> was yet another number-one hit, as was the <a href="/wiki/Jailhouse_Rock_(EP)" title="Jailhouse Rock (EP)"><i>Jailhouse Rock</i> EP</a>.
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<div class="thumb tleft"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg" class="image"><img alt="Elvis embraces Judy Tyler" src="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg/220px-Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg" decoding="async" width="220" height="196" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/3/3b/Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg/330px-Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/3/3b/Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg 2x" data-file-width="398" data-file-height="354" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_Presley_and_Judy_Tyler_in_Jailhouse_Rock_trailer.jpg" class="internal" title="Enlarge"></a></div>Presley and costar <a href="/wiki/Judy_Tyler" title="Judy Tyler">Judy Tyler</a> in the trailer for <i>Jailhouse Rock</i>, released October 1957</div></div></div>
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<p>Presley undertook three brief tours during the year, continuing to generate a crazed audience response.<sup id="cite_ref-FOOTNOTEGuralnick1994399–402,_428–30,_437–40_145-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994399–402,_428–30,_437–40-145">[142]</a></sup> A Detroit newspaper suggested that "the trouble with going to see Elvis Presley is that you're liable to get killed."<sup id="cite_ref-FOOTNOTEGuralnick1994400_146-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994400-146">[143]</a></sup> <a href="/wiki/Villanova_University" title="Villanova University">Villanova</a> students pelted him with eggs in <a href="/wiki/Philadelphia" title="Philadelphia">Philadelphia</a>,<sup id="cite_ref-FOOTNOTEGuralnick1994400_146-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994400-146">[143]</a></sup> and in <a href="/wiki/Vancouver" title="Vancouver">Vancouver</a> the crowd rioted after the end of the show, destroying the stage.<sup id="cite_ref-FOOTNOTEGuralnick1994430_147-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994430-147">[144]</a></sup> Frank Sinatra, who had inspired both the swooning and screaming of teenage girls in the 1940s, condemned the new musical phenomenon. In a magazine article, he decried rock and roll as "brutal, ugly, degenerate, vicious. ... It fosters almost totally negative and destructive reactions in young people. It smells phoney and false. It is sung, played and written, for the most part, by cretinous goons. ... This rancid-smelling aphrodisiac I deplore."<sup id="cite_ref-FOOTNOTETurner2004104_148-0" class="reference"><a href="#cite_note-FOOTNOTETurner2004104-148">[145]</a></sup> Asked for a response, Presley said, "I admire the man. He has a right to say what he wants to say. He is a great success and a fine actor, but I think he shouldn't have said it. ... This is a trend, just the same as he faced when he started years ago."<sup id="cite_ref-FOOTNOTEGuralnick1994437_149-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994437-149">[146]</a></sup>
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</p><p>Leiber and Stoller were again in the studio for the recording of <i><a href="/wiki/Elvis%27_Christmas_Album" title="Elvis' Christmas Album">Elvis' Christmas Album</a></i>. Toward the end of the session, they wrote a song on the spot at Presley's request: "<a href="/wiki/Santa_Claus_Is_Back_in_Town" title="Santa Claus Is Back in Town">Santa Claus Is Back in Town</a>", an innuendo-laden blues.<sup id="cite_ref-FOOTNOTEGuralnick1994431_150-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994431-150">[147]</a></sup> The holiday release stretched Presley's string of number-one albums to four and would become the <a href="/wiki/List_of_best-selling_Christmas_albums_in_the_United_States" title="List of best-selling Christmas albums in the United States">best-selling Christmas album ever in the United States</a>,<sup id="cite_ref-FOOTNOTEGrein2008_151-0" class="reference"><a href="#cite_note-FOOTNOTEGrein2008-151">[148]</a></sup><sup id="cite_ref-FOOTNOTECaulfield2016_152-0" class="reference"><a href="#cite_note-FOOTNOTECaulfield2016-152">[149]</a></sup> with eventual sales of over 20 million worldwide.<sup id="cite_ref-FOOTNOTEBaird2017_153-0" class="reference"><a href="#cite_note-FOOTNOTEBaird2017-153">[150]</a></sup> After the session, Moore and Black—drawing only modest weekly salaries, sharing in none of Presley's massive financial success—resigned. Though they were brought back on a per diem basis a few weeks later, it was clear that they had not been part of Presley's inner circle for some time.<sup id="cite_ref-FOOTNOTEGuralnick1994431–35_154-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994431–35-154">[151]</a></sup> On December 20, Presley received his draft notice. He was granted a deferment to finish the forthcoming <i><a href="/wiki/King_Creole" title="King Creole">King Creole</a></i>, in which $350,000 had already been invested by Paramount and producer <a href="/wiki/Hal_Wallis" class="mw-redirect" title="Hal Wallis">Hal Wallis</a>. A couple of weeks into the new year, "<a href="/wiki/Don%27t_(Elvis_Presley_song)" title="Don't (Elvis Presley song)">Don't</a>", another Leiber and Stoller tune, became Presley's tenth number-one seller. It had been only 21 months since "Heartbreak Hotel" had brought him to the top for the first time. Recording sessions for the <a href="/wiki/King_Creole_(soundtrack)" title="King Creole (soundtrack)"><i>King Creole</i> soundtrack</a> were held in Hollywood in mid-January 1958. Leiber and Stoller provided three songs and were again on hand, but it would be the last time Presley and the duo worked closely together.<sup id="cite_ref-FOOTNOTEGuralnick1994448–49_155-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994448–49-155">[152]</a></sup> As Stoller later recalled, Presley's manager and entourage sought to wall him off: "He was removed. ... They kept him separate."<sup id="cite_ref-FOOTNOTEFox1986179_156-0" class="reference"><a href="#cite_note-FOOTNOTEFox1986179-156">[153]</a></sup> A brief soundtrack session on February 11 marked another ending—it was the final occasion on which Black was to perform with Presley.<sup id="cite_ref-FOOTNOTEJorgensen199899,_105_157-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199899,_105-157">[154]</a></sup> He died in 1965.<sup id="cite_ref-FOOTNOTE"Bill_Black"1965_158-0" class="reference"><a href="#cite_note-FOOTNOTE"Bill_Black"1965-158">[155]</a></sup>
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<h3><span id="1958.E2.80.931960:_Military_service_and_mother.27s_death"></span><span class="mw-headline" id="1958–1960:_Military_service_and_mother's_death">1958–1960: Military service and mother's death</span></h3>
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<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/Military_career_of_Elvis_Presley" title="Military career of Elvis Presley">Military career of Elvis Presley</a></div>
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<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_sworn_into_army_1958.jpg" class="image"><img alt="Elvis being sworn into the U.S. Army" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/Elvis_sworn_into_army_1958.jpg/220px-Elvis_sworn_into_army_1958.jpg" decoding="async" width="220" height="166" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/95/Elvis_sworn_into_army_1958.jpg/330px-Elvis_sworn_into_army_1958.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/95/Elvis_sworn_into_army_1958.jpg/440px-Elvis_sworn_into_army_1958.jpg 2x" data-file-width="836" data-file-height="629" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_sworn_into_army_1958.jpg" class="internal" title="Enlarge"></a></div>Presley being sworn into the U.S. Army at Fort Chaffee, Arkansas, March 24, 1958</div></div></div>
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<p>On March 24, 1958, Presley was <a href="/wiki/Conscription_in_the_United_States" title="Conscription in the United States">drafted</a> into the <a href="/wiki/U.S._Army" class="mw-redirect" title="U.S. Army">U.S. Army</a> as a <a href="/wiki/Private_(United_States)" class="mw-redirect" title="Private (United States)">private</a> at <a href="/wiki/Fort_Chaffee" class="mw-redirect" title="Fort Chaffee">Fort Chaffee</a>, near <a href="/wiki/Fort_Smith,_Arkansas" title="Fort Smith, Arkansas">Fort Smith, Arkansas</a>. His arrival was a major media event. Hundreds of people descended on Presley as he stepped from the bus; photographers then accompanied him into the fort.<sup id="cite_ref-FOOTNOTEGuralnick1994461–74_159-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994461–74-159">[156]</a></sup> Presley announced that he was looking forward to his military stint, saying that he did not want to be treated any differently from anyone else: "The Army can do anything it wants with me."<sup id="cite_ref-FOOTNOTEVictor200827_160-0" class="reference"><a href="#cite_note-FOOTNOTEVictor200827-160">[157]</a></sup>
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</p><p>Presley commenced basic training at <a href="/wiki/Fort_Hood" title="Fort Hood">Fort Hood</a>, Texas. During a two-week <a href="/wiki/Leave_(military)" title="Leave (military)">leave</a> in early June, he recorded five songs in Nashville.<sup id="cite_ref-FOOTNOTEJorgensen1998106–11_161-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998106–11-161">[158]</a></sup> In early August, his mother was diagnosed with <a href="/wiki/Hepatitis" title="Hepatitis">hepatitis</a>, and her condition rapidly worsened. Presley was granted emergency leave to visit her and arrived in Memphis on August 12. Two days later, she died of heart failure at the age of 46. Presley was devastated and never the same;<sup id="cite_ref-FOOTNOTEGuralnick1994474–80_162-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994474–80-162">[159]</a></sup><sup id="cite_ref-163" class="reference"><a href="#cite_note-163">[160]</a></sup> their relationship had remained extremely close—even into his adulthood, they would use baby talk with each other and Presley would address her with pet names.<sup id="cite_ref-FOOTNOTEGuralnick199413_4-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199413-4">[4]</a></sup>
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</p><p>After training, Presley joined the <a href="/wiki/3rd_Armored_Division_(United_States)" title="3rd Armored Division (United States)">3rd Armored Division</a> in <a href="/wiki/Friedberg,_Hesse" title="Friedberg, Hesse">Friedberg</a>, Germany, on October 1.<sup id="cite_ref-FOOTNOTEPonce_de_Leon2007115_164-0" class="reference"><a href="#cite_note-FOOTNOTEPonce_de_Leon2007115-164">[161]</a></sup> While on maneuvers, Presley was introduced to <a href="/wiki/Amphetamines" class="mw-redirect" title="Amphetamines">amphetamines</a> by a <a href="/wiki/Sergeant_(United_States)" class="mw-redirect" title="Sergeant (United States)">sergeant</a>. He became "practically evangelical about their benefits", not only for energy but for "strength" and weight loss as well, and many of his friends in the outfit joined him in indulging.<sup id="cite_ref-FOOTNOTEGuralnick199921_165-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199921-165">[162]</a></sup> The Army also introduced Presley to <a href="/wiki/Karate" title="Karate">karate</a>,<sup id="cite_ref-166" class="reference"><a href="#cite_note-166">[163]</a></sup> which he studied seriously, training with <a href="/wiki/J%C3%BCrgen_Seydel" title="Jürgen Seydel">Jürgen Seydel</a>. It became a lifelong interest, which he later included in his live performances.<sup id="cite_ref-FOOTNOTECorcoran1998_167-0" class="reference"><a href="#cite_note-FOOTNOTECorcoran1998-167">[164]</a></sup><sup id="cite_ref-FOOTNOTETillery2013Chapter_5:_Patriot_168-0" class="reference"><a href="#cite_note-FOOTNOTETillery2013Chapter_5:_Patriot-168">[165]</a></sup><sup id="cite_ref-FOOTNOTEGuralnick199947,_49,_55,_60,_73_169-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199947,_49,_55,_60,_73-169">[166]</a></sup> Fellow soldiers have attested to Presley's wish to be seen as an able, ordinary soldier, despite his fame, and to his generosity. He donated his Army pay to charity, purchased TV sets for the base, and bought an extra set of fatigues for everyone in his outfit.<sup id="cite_ref-FOOTNOTEClaytonHeard2003160_170-0" class="reference"><a href="#cite_note-FOOTNOTEClaytonHeard2003160-170">[167]</a></sup>
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</p><p>While in Friedberg, Presley met 14-year-old <a href="/wiki/Priscilla_Presley" title="Priscilla Presley">Priscilla Beaulieu</a>. They would eventually marry after a seven-and-a-half-year courtship.<sup id="cite_ref-FOOTNOTEVictor2008415_171-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008415-171">[168]</a></sup> In her autobiography, Priscilla said that Presley was concerned that his 24-month spell as a <a href="/wiki/G.I._(military)" class="mw-redirect" title="G.I. (military)">GI</a> would ruin his career. In <a href="/wiki/Special_Services_(entertainment)" title="Special Services (entertainment)">Special Services</a>, he would have been able to give musical performances and remain in touch with the public, but Parker had convinced him that to gain popular respect, he should serve his country as a regular soldier.<sup id="cite_ref-FOOTNOTEPresley198540_172-0" class="reference"><a href="#cite_note-FOOTNOTEPresley198540-172">[169]</a></sup> Media reports echoed Presley's concerns about his career, but RCA Victor producer <a href="/wiki/Stephen_H._Sholes" title="Stephen H. Sholes">Steve Sholes</a> and <a href="/wiki/Freddy_Bienstock" title="Freddy Bienstock">Freddy Bienstock</a> of Hill and Range had carefully prepared for his two-year hiatus. Armed with a substantial amount of unreleased material, they kept up a regular stream of successful releases.<sup id="cite_ref-FOOTNOTEJorgensen1998107_173-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998107-173">[170]</a></sup> Between his induction and discharge, Presley had ten top 40 hits, including "<a href="/wiki/Wear_My_Ring_Around_Your_Neck" title="Wear My Ring Around Your Neck">Wear My Ring Around Your Neck</a>", the bestselling "<a href="/wiki/Hard_Headed_Woman" title="Hard Headed Woman">Hard Headed Woman</a>", and "<a href="/wiki/One_Night_(Elvis_Presley_song)" title="One Night (Elvis Presley song)">One Night</a>" in 1958, and "<a href="/wiki/(Now_and_Then_There%27s)_A_Fool_Such_as_I" title="(Now and Then There's) A Fool Such as I">(Now and Then There's) A Fool Such as I</a>" and the number-one "<a href="/wiki/A_Big_Hunk_o%27_Love" title="A Big Hunk o' Love">A Big Hunk o' Love</a>" in 1959.<sup id="cite_ref-FOOTNOTEWhitburn2010520_174-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010520-174">[171]</a></sup> RCA Victor also generated four albums compiling previously issued material during this period, most successfully <i><a href="/wiki/Elvis%27_Golden_Records" title="Elvis' Golden Records">Elvis' Golden Records</a></i> (1958), which hit number three on the LP chart.<sup id="cite_ref-FOOTNOTEMarcus1982278_175-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982278-175">[172]</a></sup>
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<h3><span id="1960.E2.80.931968:_Focus_on_films"></span><span class="mw-headline" id="1960–1968:_Focus_on_films">1960–1968: Focus on films</span></h3>
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<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/Elvis_Presley_on_film_and_television" title="Elvis Presley on film and television">Elvis Presley on film and television</a></div>
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<h4><span class="mw-headline" id="Elvis_Is_Back"><i>Elvis Is Back</i></span></h4>
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<table role="presentation" class="mbox-small noprint" style="background-color:#f9f9f9;border:1px solid #aaa;color:#000;">
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<td class="mbox-image"><div class="center"><div class="floatnone"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></div></div></td>
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<td class="mbox-text plainlist" style="line-height:1.1em"><div class="haudio">
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<div style="padding:4px 0"><a href="/wiki/File:It%27s_Now_or_Never.ogg" title="File:It's Now or Never.ogg">"It's Now or Never"</a> (<span class="duration"><span class="min">0</span>:<span class="s">21</span></span>)</div>
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<div><div class="mediaContainer" style="width:233px"><audio id="mwe_player_2" controls="" preload="none" style="width:233px" class="kskin" data-durationhint="20.764535147392" data-startoffset="0" data-mwtitle="It's_Now_or_Never.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/a/a6/It%27s_Now_or_Never.ogg" type="audio/ogg; codecs="vorbis"" data-title="Original Ogg file (62 kbps)" data-shorttitle="Ogg source" data-width="0" data-height="0" data-bandwidth="62440" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/a/a6/It%27s_Now_or_Never.ogg/It%27s_Now_or_Never.ogg.mp3" type="audio/mpeg" data-title="MP3" data-shorttitle="MP3" data-transcodekey="mp3" data-width="0" data-height="0" data-bandwidth="195504" /><track src="/w/api.php?action=timedtext&title=File%3AIt%27s_Now_or_Never.ogg&lang=en&trackformat=srt" kind="subtitles" type="text/x-srt" srclang="en" label="English (en)" data-dir="ltr" /></audio></div></div>
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<div class="description" style="padding:2px 0 0 0">Presley broke new stylistic ground and displayed his vocal range with this number-one hit. The quasi-operatic ballad ends with Presley "soaring up to an incredible top G sharp."<sup id="cite_ref-FOOTNOTEMatthew-Walker197949_176-0" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker197949-176">[173]</a></sup></div></div></td></tr>
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<tr><td colspan="2" class="mbox-text" style="line-height:1.1em"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></td></tr>
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<p>Presley returned to the United States on March 2, 1960, and was honorably discharged three days later with the rank of sergeant.<sup id="cite_ref-FOOTNOTESlaughterNixon200454_177-0" class="reference"><a href="#cite_note-FOOTNOTESlaughterNixon200454-177">[174]</a></sup> The train that carried him from <a href="/wiki/New_Jersey" title="New Jersey">New Jersey</a> to Tennessee was mobbed all the way, and Presley was called upon to appear at scheduled stops to please his fans.<sup id="cite_ref-FOOTNOTEMatthew-Walker197919_178-0" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker197919-178">[175]</a></sup> On the night of March 20, he entered <a href="/wiki/RCA_Studio_B" title="RCA Studio B">RCA Victor's Nashville studio</a> to cut tracks for a new album along with a single, "<a href="/wiki/Stuck_on_You_(Elvis_Presley_song)" title="Stuck on You (Elvis Presley song)">Stuck on You</a>", which was rushed into release and swiftly became a number-one hit.<sup id="cite_ref-FOOTNOTESlaughterNixon200457_179-0" class="reference"><a href="#cite_note-FOOTNOTESlaughterNixon200457-179">[176]</a></sup> Another Nashville session two weeks later yielded a pair of his bestselling singles, the ballads "<a href="/wiki/It%27s_Now_or_Never_(song)" title="It's Now or Never (song)">It's Now or Never</a>" and "<a href="/wiki/Are_You_Lonesome_Tonight%3F_(song)" title="Are You Lonesome Tonight? (song)">Are You Lonesome Tonight?</a>", along with the rest of <i><a href="/wiki/Elvis_Is_Back!" title="Elvis Is Back!">Elvis Is Back!</a></i> The album features several songs described by Greil Marcus as full of <a href="/wiki/Chicago_blues" title="Chicago blues">Chicago blues</a> "menace, driven by Presley's own super-miked acoustic guitar, brilliant playing by Scotty Moore, and demonic sax work from <a href="/wiki/Boots_Randolph" title="Boots Randolph">Boots Randolph</a>. Elvis' singing wasn't sexy, it was pornographic."<sup id="cite_ref-FOOTNOTEMarcus1982279–80_180-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982279–80-180">[177]</a></sup> As a whole, the record "conjured up the vision of a performer who could be all things", according to music historian John Robertson: "a flirtatious teenage idol with a heart of gold; a tempestuous, dangerous lover; a gutbucket blues singer; a sophisticated nightclub entertainer; [a] raucous rocker".<sup id="cite_ref-FOOTNOTERobertson200450_181-0" class="reference"><a href="#cite_note-FOOTNOTERobertson200450-181">[178]</a></sup> Released only days after recording was complete, it reached number two on the album chart.<sup id="cite_ref-FOOTNOTE"Red_Carpet"1960_182-0" class="reference"><a href="#cite_note-FOOTNOTE"Red_Carpet"1960-182">[179]</a></sup><sup id="cite_ref-FOOTNOTEJorgensen1998124–27,_414_183-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998124–27,_414-183">[180]</a></sup>
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</p>
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<div class="thumb tright"><div class="thumbinner" style="width:172px;"><a href="/wiki/File:Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg/170px-Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg" decoding="async" width="170" height="209" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg/255px-Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/89/Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg/340px-Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg 2x" data-file-width="753" data-file-height="925" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Juliet_Prowse-Elvis_Presley_in_G.I._Blues.jpg" class="internal" title="Enlarge"></a></div>Presley with <a href="/wiki/Juliet_Prowse" title="Juliet Prowse">Juliet Prowse</a> in <i>G.I. Blues</i></div></div></div>
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<p>Presley returned to television on May 12 as a guest on <i><a href="/wiki/The_Frank_Sinatra_Timex_Show:_Welcome_Home_Elvis" title="The Frank Sinatra Timex Show: Welcome Home Elvis">The Frank Sinatra Timex Special</a></i>—ironic for both stars, given Sinatra's earlier excoriation of rock and roll. Also known as <i>Welcome Home Elvis</i>, the show had been taped in late March, the only time all year Presley performed in front of an audience. Parker secured an unheard-of $125,000 fee for eight minutes of singing. The broadcast drew an enormous viewership.<sup id="cite_ref-FOOTNOTEGuralnick199944,_62–63_184-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199944,_62–63-184">[181]</a></sup>
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</p><p><i><a href="/wiki/G.I._Blues_(album)" class="mw-redirect" title="G.I. Blues (album)">G.I. Blues</a></i>, the soundtrack to Presley's first film since his return, was a number-one album in October. His first LP of sacred material, <i><a href="/wiki/His_Hand_in_Mine" title="His Hand in Mine">His Hand in Mine</a></i>, followed two months later. It reached number 13 on the U.S. pop chart and number 3 in the UK, remarkable figures for a gospel album. In February 1961, Presley performed two shows for a benefit event in Memphis, on behalf of 24 local charities. During a luncheon preceding the event, RCA Victor presented him with a plaque certifying worldwide sales of over 75 million records.<sup id="cite_ref-FOOTNOTEGordon2005110,_114_185-0" class="reference"><a href="#cite_note-FOOTNOTEGordon2005110,_114-185">[182]</a></sup> A 12-hour Nashville session in mid-March yielded nearly all of Presley's next studio album, <i><a href="/wiki/Something_for_Everybody" title="Something for Everybody">Something for Everybody</a></i>.<sup id="cite_ref-FOOTNOTEJorgensen1998148_186-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998148-186">[183]</a></sup> As described by John Robertson, it exemplifies the <a href="/wiki/Nashville_sound" title="Nashville sound">Nashville sound</a>, the restrained, cosmopolitan style that would define country music in the 1960s. Presaging much of what was to come from Presley himself over the next half-decade, the album is largely "a pleasant, unthreatening pastiche of the music that had once been Elvis' birthright".<sup id="cite_ref-FOOTNOTERobertson200452_187-0" class="reference"><a href="#cite_note-FOOTNOTERobertson200452-187">[184]</a></sup> It would be his sixth number-one LP. Another benefit concert, raising money for a <a href="/wiki/Attack_on_Pearl_Harbor" title="Attack on Pearl Harbor">Pearl Harbor</a> memorial, was staged on March 25, in Hawaii. It was to be Presley's last public performance for seven years.<sup id="cite_ref-FOOTNOTEGordon2005110,_119_188-0" class="reference"><a href="#cite_note-FOOTNOTEGordon2005110,_119-188">[185]</a></sup>
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</p>
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<h4><span class="mw-headline" id="Lost_in_Hollywood">Lost in Hollywood</span></h4>
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<p>Parker had by now pushed Presley into a heavy film making schedule, focused on formulaic, modestly budgeted musical comedies. Presley, at first, insisted on pursuing higher roles, but when two films in a more dramatic vein—<i><a href="/wiki/Flaming_Star" title="Flaming Star">Flaming Star</a></i> (1960) and <i><a href="/wiki/Wild_in_the_Country" title="Wild in the Country">Wild in the Country</a></i> (1961)—were less commercially successful, he reverted to the formula. Among the 27 films he made during the 1960s, there were a few further exceptions.<sup id="cite_ref-FOOTNOTEPonce_de_Leon2007133_189-0" class="reference"><a href="#cite_note-FOOTNOTEPonce_de_Leon2007133-189">[186]</a></sup> His films were almost universally panned; critic Andrew Caine dismissed them as a "pantheon of bad taste".<sup id="cite_ref-FOOTNOTECaine200521_190-0" class="reference"><a href="#cite_note-FOOTNOTECaine200521-190">[187]</a></sup> Nonetheless, they were virtually all profitable. <a href="/wiki/Hal_Wallis" class="mw-redirect" title="Hal Wallis">Hal Wallis</a>, who produced nine of them, declared, "A Presley picture is the only sure thing in Hollywood."<sup id="cite_ref-FOOTNOTEFields2007_191-0" class="reference"><a href="#cite_note-FOOTNOTEFields2007-191">[188]</a></sup>
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</p><p>Of Presley's films in the 1960s, 15 were accompanied by soundtrack albums and another 5 by soundtrack EPs. The films' rapid production and release schedules—he frequently starred in three a year—affected his music. According to Jerry Leiber, the soundtrack formula was already evident before Presley left for the Army: "three ballads, one medium-tempo [number], one up-tempo, and one break blues boogie".<sup id="cite_ref-FOOTNOTEGuralnick1994449_192-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994449-192">[189]</a></sup> As the decade wore on, the quality of the soundtrack songs grew "progressively worse".<sup id="cite_ref-FOOTNOTEKirchbergHendrickx199967_193-0" class="reference"><a href="#cite_note-FOOTNOTEKirchbergHendrickx199967-193">[190]</a></sup> <a href="/wiki/Julie_Parrish" title="Julie Parrish">Julie Parrish</a>, who appeared in <i><a href="/wiki/Paradise,_Hawaiian_Style" title="Paradise, Hawaiian Style">Paradise, Hawaiian Style</a></i> (1966), says that he disliked many of the songs chosen for his films.<sup id="cite_ref-FOOTNOTELisanti200019,_136_194-0" class="reference"><a href="#cite_note-FOOTNOTELisanti200019,_136-194">[191]</a></sup> The Jordanaires' Gordon Stoker describes how Presley would retreat from the studio microphone: "The material was so bad that he felt like he couldn't sing it."<sup id="cite_ref-FOOTNOTEJorgensen1998201_195-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998201-195">[192]</a></sup> Most of the film albums featured a song or two from respected writers such as the team of <a href="/wiki/Doc_Pomus" title="Doc Pomus">Doc Pomus</a> and <a href="/wiki/Mort_Shuman" title="Mort Shuman">Mort Shuman</a>. But by and large, according to biographer <a href="/wiki/Jerry_Hopkins_(author)" title="Jerry Hopkins (author)">Jerry Hopkins</a>, the numbers seemed to be "written on order by men who never really understood Elvis or rock and roll".<sup id="cite_ref-FOOTNOTEHopkins200232_196-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins200232-196">[193]</a></sup> Regardless of the songs' quality, it has been argued that Presley generally sang them well, with commitment.<sup id="cite_ref-FOOTNOTEMatthew-Walker197966_197-0" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker197966-197">[194]</a></sup> Critic Dave Marsh heard the opposite: "Presley isn't trying, probably the wisest course in the face of material like 'No Room to Rumba in a Sports Car' and '<a href="/wiki/Rock-A-Hula_Baby" title="Rock-A-Hula Baby">Rock-A-Hula Baby</a>'."<sup id="cite_ref-FOOTNOTEMarsh1980395_131-1" class="reference"><a href="#cite_note-FOOTNOTEMarsh1980395-131">[128]</a></sup>
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</p><p>In the first half of the decade, three of Presley's soundtrack albums were ranked number one on the pop charts, and a few of his most popular songs came from his films, such as "<a href="/wiki/Can%27t_Help_Falling_in_Love" title="Can't Help Falling in Love">Can't Help Falling in Love</a>" (1961) and "<a href="/wiki/Return_to_Sender_(song)" title="Return to Sender (song)">Return to Sender</a>" (1962). ("<a href="/wiki/Viva_Las_Vegas_(song)" title="Viva Las Vegas (song)">Viva Las Vegas</a>", the title track to the 1964 film, was a minor hit as a B-side, and became truly popular only later.) But, as with artistic merit, the commercial returns steadily diminished. During a five-year span—1964 through 1968—Presley had only one top-ten hit: "<a href="/wiki/Crying_in_the_Chapel" title="Crying in the Chapel">Crying in the Chapel</a>" (1965), a gospel number recorded back in 1960. As for non-film albums, between the June 1962 release of <i><a href="/wiki/Pot_Luck_(Elvis_Presley_album)" title="Pot Luck (Elvis Presley album)">Pot Luck</a></i> and the November 1968 release of the soundtrack to the television special that signaled his comeback, only one LP of new material by Presley was issued: the gospel album <i><a href="/wiki/How_Great_Thou_Art_(Elvis_Presley_album)" title="How Great Thou Art (Elvis Presley album)">How Great Thou Art</a></i> (1967). It won him his first <a href="/wiki/Grammy_Award" class="mw-redirect" title="Grammy Award">Grammy Award</a>, for Best Sacred Performance. As Marsh described, Presley was "arguably the greatest white gospel singer of his time [and] really the last rock & roll artist to make gospel as vital a component of his musical personality as his secular songs".<sup id="cite_ref-FOOTNOTEMarsh2004650_198-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh2004650-198">[195]</a></sup>
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</p><p>Shortly before Christmas 1966, more than seven years since they first met, Presley proposed to Priscilla Beaulieu. They were married on May 1, 1967, in a brief ceremony in their suite at the <a href="/wiki/Aladdin_(hotel_and_casino)" title="Aladdin (hotel and casino)">Aladdin Hotel</a> in Las Vegas.<sup id="cite_ref-FOOTNOTEGuralnick1999261–63_199-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999261–63-199">[196]</a></sup> The flow of formulaic films and assembly-line soundtracks rolled on. It was not until October 1967, when the <a href="/wiki/Clambake_(soundtrack)" title="Clambake (soundtrack)"><i>Clambake</i> soundtrack LP</a> registered record low sales for a new Presley album, that RCA executives recognized a problem. "By then, of course, the damage had been done", as historians Connie Kirchberg and Marc Hendrickx put it. "Elvis was viewed as a joke by serious music lovers and a has-been to all but his most loyal fans."<sup id="cite_ref-FOOTNOTEKirchbergHendrickx199973_200-0" class="reference"><a href="#cite_note-FOOTNOTEKirchbergHendrickx199973-200">[197]</a></sup>
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</p>
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<h3><span id="1968.E2.80.931973:_Comeback"></span><span class="mw-headline" id="1968–1973:_Comeback">1968–1973: Comeback</span></h3>
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<h4><span id="Elvis:_the_.2768_Comeback_Special"></span><span class="mw-headline" id="Elvis:_the_'68_Comeback_Special"><i>Elvis</i>: the '68 Comeback Special</span></h4>
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<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Singer_Presents...Elvis" class="mw-redirect" title="Singer Presents...Elvis">Singer Presents...Elvis</a></div>
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<div class="thumb tright"><div class="thumbinner" style="width:199px;"><a href="/wiki/File:Elvis_Presley_68_Comeback_Special.jpg" class="image"><img alt="Presley, wearing a tight black leather jacket with Napoleonic standing collar, black leather wristbands, and black leather pants, holds a microphone with a long cord. His hair, which looks black as well, falls across his forehead. In front of him is an empty microphone stand. Behind, beginning below stage level and rising up, audience members watch him. A young woman with long black hair in the front row gazes up ecstatically." src="//upload.wikimedia.org/wikipedia/en/d/da/Elvis_Presley_68_Comeback_Special.jpg" decoding="async" width="197" height="295" class="thumbimage" data-file-width="197" data-file-height="295" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_Presley_68_Comeback_Special.jpg" class="internal" title="Enlarge"></a></div>The <a href="/wiki/Singer_Presents...Elvis" class="mw-redirect" title="Singer Presents...Elvis">'68 Comeback Special</a> produced "one of the most famous images" of Presley.<sup id="cite_ref-FOOTNOTEKeogh2004263_201-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004263-201">[198]</a></sup> Taken on June 29, 1968, it was adapted for the cover of <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> in July 1969.<sup id="cite_ref-FOOTNOTEKeogh2004263_201-1" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004263-201">[198]</a></sup><sup id="cite_ref-FOOTNOTERolling_Stone2009_202-0" class="reference"><a href="#cite_note-FOOTNOTERolling_Stone2009-202">[199]</a></sup></div></div></div>
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<p>Presley's only child, <a href="/wiki/Lisa_Marie_Presley" title="Lisa Marie Presley">Lisa Marie</a>, was born on February 1, 1968, during a period when he had grown deeply unhappy with his career.<sup id="cite_ref-FOOTNOTEGuralnick1999171_203-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999171-203">[200]</a></sup> Of the eight Presley singles released between January 1967 and May 1968, only two charted in the top 40, and none higher than number 28.<sup id="cite_ref-FOOTNOTEWhitburn2010521_204-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010521-204">[201]</a></sup> His forthcoming soundtrack album, <i><a href="/wiki/Speedway_(album)" class="mw-redirect" title="Speedway (album)">Speedway</a></i>, would rank at number 82 on the <i>Billboard</i> chart. Parker had already shifted his plans to television, where Presley had not appeared since the Sinatra Timex show in 1960. He maneuvered a deal with NBC that committed the network to both finance a theatrical feature and broadcast a Christmas special.<sup id="cite_ref-FOOTNOTEKubernick20084_205-0" class="reference"><a href="#cite_note-FOOTNOTEKubernick20084-205">[202]</a></sup>
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</p><p>Recorded in late June in <a href="/wiki/Burbank,_California" title="Burbank, California">Burbank, California</a>, the special, simply called <i>Elvis</i>, aired on December 3, 1968. Later known as the <i><a href="/wiki/%2768_Comeback_Special" class="mw-redirect" title="'68 Comeback Special">'68 Comeback Special</a></i>, the show featured lavishly staged studio productions as well as songs performed with a band in front of a small audience—Presley's first live performances since 1961. The live segments saw Presley dressed in tight black leather, singing and playing guitar in an uninhibited style reminiscent of his early rock and roll days. Director and co-producer <a href="/wiki/Steve_Binder" title="Steve Binder">Steve Binder</a> had worked hard to produce a show that was far from the hour of Christmas songs Parker had originally planned.<sup id="cite_ref-FOOTNOTEGuralnick1999293,_296_206-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999293,_296-206">[203]</a></sup> The show, NBC's highest-rated that season, captured 42 percent of the total viewing audience.<sup id="cite_ref-FOOTNOTEKubernick200826_207-0" class="reference"><a href="#cite_note-FOOTNOTEKubernick200826-207">[204]</a></sup> <a href="/wiki/Jon_Landau" title="Jon Landau">Jon Landau</a> of <i>Eye</i> magazine remarked, "There is something magical about watching a man who has lost himself find his way back home. He sang with the kind of power people no longer expect of rock 'n' roll singers. He moved his body with a lack of pretension and effort that must have made <a href="/wiki/Jim_Morrison" title="Jim Morrison">Jim Morrison</a> green with envy."<sup id="cite_ref-FOOTNOTEHopkins2007215_208-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007215-208">[205]</a></sup> Dave Marsh calls the performance one of "emotional grandeur and historical resonance".<sup id="cite_ref-FOOTNOTEMarsh2004649_209-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh2004649-209">[206]</a></sup>
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</p><p>By January 1969, the single "<a href="/wiki/If_I_Can_Dream" title="If I Can Dream">If I Can Dream</a>", written for the special, reached number 12. The <a href="/wiki/NBC-TV_Special" class="mw-redirect" title="NBC-TV Special">soundtrack album</a> rose into the top ten. According to friend <a href="/wiki/Jerry_Schilling" title="Jerry Schilling">Jerry Schilling</a>, the special reminded Presley of what "he had not been able to do for years, being able to choose the people; being able to choose what songs and not being told what had to be on the soundtrack. ... He was out of prison, man."<sup id="cite_ref-FOOTNOTEKubernick200826_207-1" class="reference"><a href="#cite_note-FOOTNOTEKubernick200826-207">[204]</a></sup> Binder said of Presley's reaction, "I played Elvis the 60-minute show, and he told me in the screening room, 'Steve, it's the greatest thing I've ever done in my life. I give you my word I will never sing a song I don't believe in.<span style="padding-right:.15em;">'</span>"<sup id="cite_ref-FOOTNOTEKubernick200826_207-2" class="reference"><a href="#cite_note-FOOTNOTEKubernick200826-207">[204]</a></sup>
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</p>
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<h4><span class="mw-headline" id="From_Elvis_in_Memphis_and_the_International"><i>From Elvis in Memphis</i> and the International</span></h4>
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<table role="presentation" class="mbox-small noprint" style="background-color:#f9f9f9;border:1px solid #aaa;color:#000;">
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<tbody><tr>
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<td class="mbox-image"><div class="center"><div class="floatnone"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></div></div></td>
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<td class="mbox-text plainlist" style="line-height:1.1em"><div class="haudio">
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<div style="padding:4px 0"><a href="/wiki/File:Power_of_My_Love.ogg" title="File:Power of My Love.ogg">"Power of My Love"</a> (<span class="duration"><span class="min">0</span>:<span class="s">26</span></span>)</div>
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<div><div class="mediaContainer" style="width:233px"><audio id="mwe_player_3" controls="" preload="none" style="width:233px" class="kskin" data-durationhint="26.484580498866" data-startoffset="0" data-mwtitle="Power_of_My_Love.ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/2/25/Power_of_My_Love.ogg" type="audio/ogg; codecs="vorbis"" data-title="Original Ogg file (62 kbps)" data-shorttitle="Ogg source" data-width="0" data-height="0" data-bandwidth="62427" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/2/25/Power_of_My_Love.ogg/Power_of_My_Love.ogg.mp3" type="audio/mpeg" data-title="MP3" data-shorttitle="MP3" data-transcodekey="mp3" data-width="0" data-height="0" data-bandwidth="198512" /></audio></div></div>
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<div class="description" style="padding:2px 0 0 0">Beginning with his American Sound recordings, <a href="/wiki/Soul_music" title="Soul music">soul music</a> became a central element in Presley's fusion of styles. Here, he revels in lyrics full of sexual innuendo.<sup id="cite_ref-FOOTNOTEJorgensen1998277_210-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998277-210">[207]</a></sup></div></div></td></tr>
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<tr><td colspan="2" class="mbox-text" style="line-height:1.1em"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></td></tr>
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</tbody></table>
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<p>Buoyed by the experience of the Comeback Special, Presley engaged in a prolific series of recording sessions at <a href="/wiki/American_Sound_Studio" title="American Sound Studio">American Sound Studio</a>, which led to the acclaimed <i><a href="/wiki/From_Elvis_in_Memphis" title="From Elvis in Memphis">From Elvis in Memphis</a></i>. Released in June 1969, it was his first secular, non-soundtrack album from a dedicated period in the studio in eight years. As described by Dave Marsh, it is "a masterpiece in which Presley immediately catches up with pop music trends that had seemed to pass him by during the movie years. He sings country songs, soul songs and rockers with real conviction, a stunning achievement."<sup id="cite_ref-FOOTNOTEMarsh1980396_211-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1980396-211">[208]</a></sup> The album featured the hit single "<a href="/wiki/In_the_Ghetto" title="In the Ghetto">In the Ghetto</a>", issued in April, which reached number three on the pop chart—Presley's first non-gospel top ten hit since "Bossa Nova Baby" in 1963. Further hit singles were culled from the American Sound sessions: "<a href="/wiki/Suspicious_Minds" title="Suspicious Minds">Suspicious Minds</a>", "<a href="/wiki/Don%27t_Cry_Daddy" title="Don't Cry Daddy">Don't Cry Daddy</a>", and "<a href="/wiki/Kentucky_Rain" title="Kentucky Rain">Kentucky Rain</a>".<sup id="cite_ref-FOOTNOTEJorgensen1998419_212-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998419-212">[209]</a></sup>
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</p><p>Presley was keen to resume regular live performing. Following the success of the Comeback Special, offers came in from around the world. The <a href="/wiki/London_Palladium" title="London Palladium">London Palladium</a> offered Parker $28,000 for a one-week engagement. He responded, "That's fine for me, now how much can you get for Elvis?"<sup id="cite_ref-FOOTNOTEGordon2005146_213-0" class="reference"><a href="#cite_note-FOOTNOTEGordon2005146-213">[210]</a></sup> In May, the brand-new <a href="/wiki/Las_Vegas_Hilton" class="mw-redirect" title="Las Vegas Hilton">International Hotel</a> in Las Vegas, boasting the largest showroom in the city, announced that it had booked Presley. He was scheduled to perform 57 shows over four weeks, beginning July 31. Moore, Fontana, and the Jordanaires declined to participate, afraid of losing the lucrative session work they had in Nashville. Presley assembled new, top-notch accompaniment, led by guitarist <a href="/wiki/James_Burton" title="James Burton">James Burton</a> and including two gospel groups, <a href="/wiki/The_Imperials" title="The Imperials">The Imperials</a> and <a href="/wiki/Sweet_Inspirations" class="mw-redirect" title="Sweet Inspirations">Sweet Inspirations</a>.<sup id="cite_ref-FOOTNOTEJorgensen1998283_214-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998283-214">[211]</a></sup> Costume designer <a href="/wiki/Bill_Belew" title="Bill Belew">Bill Belew</a>, responsible for the intense leather styling of the Comeback Special, created a new stage look for Presley, inspired by Presley's passion for karate.<sup id="cite_ref-FOOTNOTEGuralnick1999343_215-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999343-215">[212]</a></sup> Nonetheless, he was nervous: his only previous Las Vegas engagement, in 1956, had been dismal. Parker, who intended to make Presley's return the show business event of the year, oversaw a major promotional push. For his part, hotel owner <a href="/wiki/Kirk_Kerkorian" title="Kirk Kerkorian">Kirk Kerkorian</a> arranged to send his own plane to New York to fly in rock journalists for the debut performance.<sup id="cite_ref-FOOTNOTEGuralnick1999346–47_216-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999346–47-216">[213]</a></sup>
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</p><p>Presley took to the stage without introduction. The audience of 2,200, including many celebrities, gave him a standing ovation before he sang a note and another after his performance. A third followed his encore, "Can't Help Falling in Love" (a song that would be his closing number for much of the 1970s).<sup id="cite_ref-FOOTNOTEGordon2005149–50_217-0" class="reference"><a href="#cite_note-FOOTNOTEGordon2005149–50-217">[214]</a></sup> At a press conference after the show, when a journalist referred to him as "The King", Presley gestured toward <a href="/wiki/Fats_Domino" title="Fats Domino">Fats Domino</a>, who was taking in the scene. "No," Presley said, "that's the real king of rock and roll."<sup id="cite_ref-FOOTNOTECook200439_218-0" class="reference"><a href="#cite_note-FOOTNOTECook200439-218">[215]</a></sup> The next day, Parker's negotiations with the hotel resulted in a five-year contract for Presley to play each February and August, at an annual salary of $1 million.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999259,_262_219-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999259,_262-219">[216]</a></sup> <i>Newsweek</i> commented, "There are several unbelievable things about Elvis, but the most incredible is his staying power in a world where meteoric careers fade like shooting stars."<sup id="cite_ref-FOOTNOTEMoyer200273_220-0" class="reference"><a href="#cite_note-FOOTNOTEMoyer200273-220">[217]</a></sup> <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> called Presley "supernatural, his own resurrection."<sup id="cite_ref-FOOTNOTEJorgensen1998287_221-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998287-221">[218]</a></sup> In November, Presley's final non-concert film, <i><a href="/wiki/Change_of_Habit" title="Change of Habit">Change of Habit</a></i>, opened. The double album <i><a href="/wiki/From_Memphis_to_Vegas/From_Vegas_to_Memphis" class="mw-redirect" title="From Memphis to Vegas/From Vegas to Memphis">From Memphis to Vegas/From Vegas to Memphis</a></i> came out the same month; the first LP consisted of live performances from the International, the second of more cuts from the American Sound sessions. "Suspicious Minds" reached the top of the charts—Presley's first U.S. pop number-one in over seven years, and his last.<sup id="cite_ref-FOOTNOTEWhitburn2010521–22_222-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010521–22-222">[219]</a></sup>
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</p><p><a href="/wiki/Cassandra_Peterson" title="Cassandra Peterson">Cassandra Peterson</a>, later television's Elvira, met Presley during this period in Las Vegas, where she was working as a showgirl. She recalled of their encounter, "He was so anti-drug when I met him. I mentioned to him that I smoked marijuana, and he was just appalled. He said, 'Don't ever do that again.<span style="padding-right:.15em;">'</span>"<sup id="cite_ref-FOOTNOTEStein1997_223-0" class="reference"><a href="#cite_note-FOOTNOTEStein1997-223">[220]</a></sup> Presley was not only deeply opposed to recreational drugs, he also rarely drank. Several of his family members had been alcoholics, a fate he intended to avoid.<sup id="cite_ref-FOOTNOTEMason200781_224-0" class="reference"><a href="#cite_note-FOOTNOTEMason200781-224">[221]</a></sup>
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</p>
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<h4><span class="mw-headline" id="Back_on_tour_and_meeting_Nixon">Back on tour and meeting Nixon</span></h4>
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<p>Presley returned to the International early in 1970 for the first of the year's two-month-long engagements, performing two shows a night. Recordings from these shows were issued on the album <i><a href="/wiki/On_Stage_(Elvis_Presley_album)" title="On Stage (Elvis Presley album)">On Stage</a></i>.<sup id="cite_ref-FOOTNOTEStanleyCoffey199894_225-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199894-225">[222]</a></sup> In late February, Presley performed six attendance-record–breaking shows at the <a href="/wiki/Houston_Astrodome" class="mw-redirect" title="Houston Astrodome">Houston Astrodome</a>.<sup id="cite_ref-FOOTNOTEStanleyCoffey199895_226-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199895-226">[223]</a></sup> In April, the single "<a href="/wiki/The_Wonder_of_You" title="The Wonder of You">The Wonder of You</a>" was issued—a number one hit in the UK, it topped the U.S. <a href="/wiki/Hot_Adult_Contemporary_Tracks" class="mw-redirect" title="Hot Adult Contemporary Tracks">adult contemporary</a> chart, as well. <a href="/wiki/Metro-Goldwyn-Mayer" title="Metro-Goldwyn-Mayer">Metro-Goldwyn-Mayer</a> filmed rehearsal and concert footage at the International during August for the documentary <i><a href="/wiki/Elvis:_That%27s_the_Way_It_Is" title="Elvis: That's the Way It Is">Elvis: That's the Way It Is</a></i>. Presley was performing in a jumpsuit, which would become a trademark of his live act. During this engagement, he was threatened with murder unless $50,000 was paid. Presley had been the target of many threats since the 1950s, often without his knowledge.<sup id="cite_ref-FOOTNOTEHopkins2007253_227-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007253-227">[224]</a></sup> The FBI took the threat seriously and security was stepped up for the next two shows. Presley went onstage with a <a href="/wiki/Derringer" title="Derringer">Derringer</a> in his right boot and a .45 pistol in his waistband, but the concerts succeeded without any incidents.<sup id="cite_ref-FOOTNOTEHopkins2007254_228-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007254-228">[225]</a></sup><sup id="cite_ref-FOOTNOTEStanleyCoffey199896_229-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199896-229">[226]</a></sup>
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</p><p>The album, <i><a href="/wiki/That%27s_the_Way_It_Is_(Elvis_Presley_album)" title="That's the Way It Is (Elvis Presley album)">That's the Way It Is</a></i>, produced to accompany the documentary and featuring both studio and live recordings, marked a stylistic shift. As music historian John Robertson noted, "The authority of Presley's singing helped disguise the fact that the album stepped decisively away from the American-roots inspiration of the Memphis sessions towards a more middle-of-the-road sound. With country put on the back burner, and soul and R&B left in Memphis, what was left was very classy, very clean white pop—perfect for the Las Vegas crowd, but a definite retrograde step for Elvis."<sup id="cite_ref-FOOTNOTERobertson200470_230-0" class="reference"><a href="#cite_note-FOOTNOTERobertson200470-230">[227]</a></sup> After the end of his International engagement on September 7, Presley embarked on a week-long concert tour, largely of the South, his first since 1958. Another week-long tour, of the West Coast, followed in November.<sup id="cite_ref-FOOTNOTEStanleyCoffey199899_231-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199899-231">[228]</a></sup>
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</p>
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<div class="thumb tleft"><div class="thumbinner" style="width:262px;"><a href="/wiki/File:Elvis-nixon.jpg" class="image"><img alt="A mutton-chopped Presley, wearing a long velour jacket and a giant buckle like that of a boxing championship belt, shakes hands with a balding man wearing a suit and tie. They are facing camera and smiling. Five flags hang from poles directly behind them." src="//upload.wikimedia.org/wikipedia/commons/thumb/4/41/Elvis-nixon.jpg/260px-Elvis-nixon.jpg" decoding="async" width="260" height="178" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/4/41/Elvis-nixon.jpg/390px-Elvis-nixon.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/4/41/Elvis-nixon.jpg/520px-Elvis-nixon.jpg 2x" data-file-width="3150" data-file-height="2154" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis-nixon.jpg" class="internal" title="Enlarge"></a></div>Presley meets U.S. President <a href="/wiki/Richard_Nixon" title="Richard Nixon">Richard Nixon</a> in the White House Oval Office, December 21, 1970</div></div></div>
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<p>On December 21, 1970, Presley engineered a meeting with President <a href="/wiki/Richard_Nixon" title="Richard Nixon">Richard Nixon</a> at the <a href="/wiki/White_House" title="White House">White House</a>, where he expressed his patriotism and explained how he believed he could reach out to the <a href="/wiki/Hippie" title="Hippie">hippies</a> to help combat the <a href="/wiki/Drug_culture" title="Drug culture">drug culture</a> he and the president abhorred. He asked Nixon for a <a href="/wiki/Bureau_of_Narcotics_and_Dangerous_Drugs" title="Bureau of Narcotics and Dangerous Drugs">Bureau of Narcotics and Dangerous Drugs</a> badge, to add to similar items he had begun collecting and to signify official sanction of his patriotic efforts. Nixon, who apparently found the encounter awkward, expressed a belief that Presley could send a positive message to young people and that it was, therefore, important that he "retain his credibility".<sup id="cite_ref-FOOTNOTEGuralnick1999419–22_232-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999419–22-232">[229]</a></sup> Presley told Nixon that <a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a>, whose songs he regularly performed in concert during the era,<sup id="cite_ref-FOOTNOTEJorgensen1998284,_286,_307–08,_313,_326,_338,_357–58_233-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998284,_286,_307–08,_313,_326,_338,_357–58-233">[230]</a></sup> exemplified what he saw as a trend of <a href="/wiki/Anti-Americanism" title="Anti-Americanism">anti-Americanism</a>.<sup id="cite_ref-FOOTNOTEGuralnick1999420_234-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999420-234">[231]</a></sup> Presley and his friends previously had a four-hour get-together with The Beatles at his home in <a href="/wiki/Bel_Air,_Los_Angeles" title="Bel Air, Los Angeles">Bel Air, California</a>, in August 1965. On hearing reports of the meeting, <a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> later said that he "felt a bit betrayed. ... The great joke was that we were taking [illegal] drugs, and look what happened to him", a reference to Presley's early death, linked to prescription drug abuse.<sup id="cite_ref-FOOTNOTEThe_Beatles2000192_235-0" class="reference"><a href="#cite_note-FOOTNOTEThe_Beatles2000192-235">[232]</a></sup>
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</p><p>The <a href="/wiki/United_States_Junior_Chamber" title="United States Junior Chamber">U.S. Junior Chamber of Commerce</a> named Presley one of its annual <a href="/wiki/Ten_Outstanding_Young_Americans" title="Ten Outstanding Young Americans">Ten Most Outstanding Young Men of the Nation</a> on January 16, 1971.<sup id="cite_ref-FOOTNOTEJorgensen1998321_236-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998321-236">[233]</a></sup> Not long after, the City of Memphis named the stretch of <a href="/wiki/U.S._Route_51" title="U.S. Route 51">Highway 51 South</a> on which Graceland is located "Elvis Presley Boulevard". The same year, Presley became the first rock and roll singer to be awarded the <a href="/wiki/Grammy_Lifetime_Achievement_Award" title="Grammy Lifetime Achievement Award">Lifetime Achievement Award</a> (then known as the Bing Crosby Award) by the <a href="/wiki/National_Academy_of_Recording_Arts_and_Sciences" class="mw-redirect" title="National Academy of Recording Arts and Sciences">National Academy of Recording Arts and Sciences</a>, the Grammy Award organization.<sup id="cite_ref-237" class="reference"><a href="#cite_note-237">[234]</a></sup><sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999299–300_238-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999299–300-238">[235]</a></sup> Three new, non-film Presley studio albums were released in 1971, as many as had come out over the previous eight years. Best received by critics was <i><a href="/wiki/Elvis_Country" class="mw-redirect" title="Elvis Country">Elvis Country</a></i>, a <a href="/wiki/Concept_album" title="Concept album">concept record</a> that focused on genre standards.<sup id="cite_ref-FOOTNOTEJorgensen1998319_239-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998319-239">[236]</a></sup> The biggest seller was <i><a href="/wiki/Elvis_Sings_the_Wonderful_World_of_Christmas" class="mw-redirect" title="Elvis Sings the Wonderful World of Christmas">Elvis Sings the Wonderful World of Christmas</a></i>, "the truest statement of all", according to Greil Marcus. "In the midst of ten painfully genteel Christmas songs, every one sung with appalling sincerity and humility, one could find Elvis tom-catting his way through six blazing minutes of '<a href="/wiki/Merry_Christmas_Baby" title="Merry Christmas Baby">Merry Christmas Baby</a>,' a raunchy old <a href="/wiki/Charles_Brown_(musician)" title="Charles Brown (musician)">Charles Brown</a> blues. ... If [Presley's] sin was his lifelessness, it was his sinfulness that brought him to life".<sup id="cite_ref-FOOTNOTEMarcus1982284–85_240-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982284–85-240">[237]</a></sup>
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</p>
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<h4><span class="mw-headline" id="Marriage_breakdown_and_Aloha_from_Hawaii">Marriage breakdown and <i>Aloha from Hawaii</i></span></h4>
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<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/Aloha_from_Hawaii_via_Satellite" title="Aloha from Hawaii via Satellite">Aloha from Hawaii via Satellite</a></div><div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Bill_Elvis_Paul.jpg" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Bill_Elvis_Paul.jpg/220px-Bill_Elvis_Paul.jpg" decoding="async" width="220" height="174" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Bill_Elvis_Paul.jpg/330px-Bill_Elvis_Paul.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/e/e9/Bill_Elvis_Paul.jpg/440px-Bill_Elvis_Paul.jpg 2x" data-file-width="960" data-file-height="758" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Bill_Elvis_Paul.jpg" class="internal" title="Enlarge"></a></div>Presley with friends <a href="/wiki/Bill_Porter_(sound_engineer)" title="Bill Porter (sound engineer)">Bill Porter</a> and <a href="/wiki/Paul_Anka" title="Paul Anka">Paul Anka</a> backstage at the <a href="/wiki/Las_Vegas_Hilton" class="mw-redirect" title="Las Vegas Hilton">Las Vegas Hilton</a> on August 5, 1972</div></div></div><p>MGM again filmed Presley in April 1972, this time for <i><a href="/wiki/Elvis_on_Tour" title="Elvis on Tour">Elvis on Tour</a></i>, which went on to win the <a href="/wiki/Golden_Globe_Award_for_Best_Documentary_Film" title="Golden Globe Award for Best Documentary Film">Golden Globe Award for Best Documentary Film</a> that year. His gospel album <i><a href="/wiki/He_Touched_Me_(album)" title="He Touched Me (album)">He Touched Me</a></i>, released that month, would earn him his second competitive Grammy Award, for Best Inspirational Performance. A 14-date tour commenced with an unprecedented four consecutive sold-out shows at New York's <a href="/wiki/Madison_Square_Garden" title="Madison Square Garden">Madison Square Garden</a>.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999308_241-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999308-241">[238]</a></sup> The evening concert on July 10 was recorded and issued in an LP form a week later. <i><a href="/wiki/Elvis:_As_Recorded_at_Madison_Square_Garden" class="mw-redirect" title="Elvis: As Recorded at Madison Square Garden">Elvis: As Recorded at Madison Square Garden</a></i> became one of Presley's biggest-selling albums. After the tour, the single "<a href="/wiki/Burning_Love" title="Burning Love">Burning Love</a>" was released—Presley's last top ten hit on the U.S. pop chart. "The most exciting single Elvis has made since 'All Shook Up'," wrote rock critic <a href="/wiki/Robert_Christgau" title="Robert Christgau">Robert Christgau</a>. "Who else could make 'It's coming closer, the flames are now licking my body' sound like an assignation with <a href="/wiki/James_Brown" title="James Brown">James Brown</a>'s <a href="/wiki/The_Famous_Flames" title="The Famous Flames">backup band</a>?"<sup id="cite_ref-FOOTNOTEMarcus1982283_242-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982283-242">[239]</a></sup>
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</p><div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Graceland_2010-12-18_Memphis_TN_39.jpg" class="image"><img alt="High-collared white jumpsuit resplendent with red, blue, and gold eagle motif in sequins" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Graceland_2010-12-18_Memphis_TN_39.jpg/220px-Graceland_2010-12-18_Memphis_TN_39.jpg" decoding="async" width="220" height="293" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Graceland_2010-12-18_Memphis_TN_39.jpg/330px-Graceland_2010-12-18_Memphis_TN_39.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Graceland_2010-12-18_Memphis_TN_39.jpg/440px-Graceland_2010-12-18_Memphis_TN_39.jpg 2x" data-file-width="768" data-file-height="1024" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Graceland_2010-12-18_Memphis_TN_39.jpg" class="internal" title="Enlarge"></a></div>Presley came up with his outfit's eagle motif, as "something that would say 'America' to the world".<sup id="cite_ref-FOOTNOTEGuralnick1999478_243-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999478-243">[240]</a></sup></div></div></div>
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<p>Presley and his wife, meanwhile, had become increasingly distant, barely cohabiting. In 1971, an affair he had with Joyce Bova resulted—unbeknownst to him—in her pregnancy and an abortion.<sup id="cite_ref-FOOTNOTEWilliamson2015253–54_244-0" class="reference"><a href="#cite_note-FOOTNOTEWilliamson2015253–54-244">[241]</a></sup> He often raised the possibility of her moving into <a href="/wiki/Graceland" title="Graceland">Graceland</a>, saying that he was likely to leave Priscilla.<sup id="cite_ref-FOOTNOTEGuralnick1999451,_446,_453_245-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999451,_446,_453-245">[242]</a></sup> The Presleys separated on February 23, 1972, after Priscilla disclosed her relationship with <a href="/wiki/Mike_Stone_(karate)" title="Mike Stone (karate)">Mike Stone</a>, a karate instructor Presley had recommended to her. Priscilla related that when she told him, Presley "grabbed ... and forcefully made love to" her, declaring, "This is how a real man makes love to his woman."<sup id="cite_ref-FOOTNOTEGuralnick1999456_246-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999456-246">[243]</a></sup> She later stated in an interview that she regretted her choice of words in describing the incident, and said it had been an overstatement.<sup id="cite_ref-FOOTNOTEMarsh2015_247-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh2015-247">[244]</a></sup> Five months later, Presley's new girlfriend, <a href="/wiki/Linda_Thompson_(actress)" title="Linda Thompson (actress)">Linda Thompson</a>, a songwriter and one-time Memphis beauty queen, moved in with him.<sup id="cite_ref-FOOTNOTEHopkins2007291_248-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007291-248">[245]</a></sup> Presley and his wife filed for divorce on August 18.<sup id="cite_ref-FOOTNOTEGuralnick1999474_249-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999474-249">[246]</a></sup> According to Joe Moscheo of the Imperials, the failure of Presley's marriage "was a blow from which he never recovered."<sup id="cite_ref-FOOTNOTEMoscheo2007132_250-0" class="reference"><a href="#cite_note-FOOTNOTEMoscheo2007132-250">[247]</a></sup> At a rare press conference that June, a reporter had asked Presley whether he was satisfied with his image. Presley replied, "Well, the image is one thing and the human being another ... it's very hard to live up to an image."<sup id="cite_ref-FOOTNOTEKeogh2004234–35_251-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004234–35-251">[248]</a></sup>
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</p><p>In January 1973, Presley performed two benefit concerts for the <a href="/wiki/Kui_Lee" title="Kui Lee">Kui Lee</a> Cancer Fund in connection with a groundbreaking TV special, <i><a href="/wiki/Aloha_from_Hawaii_via_Satellite" title="Aloha from Hawaii via Satellite">Aloha from Hawaii</a></i>, which would be the first concert by a solo artist to be aired globally. The first show served as a practice run and backup should technical problems affect the live broadcast two days later. On January 14, <i><a href="/wiki/Aloha_from_Hawaii_Via_Satellite" class="mw-redirect" title="Aloha from Hawaii Via Satellite">Aloha from Hawaii</a></i> aired live via satellite to prime-time audiences in Japan, South Korea, Thailand, the Philippines, Australia, and New Zealand, as well as to U.S. servicemen based across Southeast Asia. In Japan, where it capped a nationwide Elvis Presley Week, it smashed viewing records. The next night, it was simulcast to 28 European countries, and in April an extended version finally aired in the U.S., where it won a 57 percent share of the TV audience.<sup id="cite_ref-FOOTNOTEHopkins200261,_67,_73_252-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins200261,_67,_73-252">[249]</a></sup> Over time, Parker's claim that it was seen by one billion or more people<sup id="cite_ref-FOOTNOTEHopkins200273_253-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins200273-253">[250]</a></sup> would be broadly accepted,<sup id="cite_ref-FOOTNOTEVictor200810_254-0" class="reference"><a href="#cite_note-FOOTNOTEVictor200810-254">[251]</a></sup><sup id="cite_ref-FOOTNOTEBrownBroeske1997364_255-0" class="reference"><a href="#cite_note-FOOTNOTEBrownBroeske1997364-255">[252]</a></sup><sup id="cite_ref-FOOTNOTEGuralnick1999475_256-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999475-256">[253]</a></sup> but that figure appeared to have been sheer invention.<sup id="cite_ref-FOOTNOTEFessier2013_257-0" class="reference"><a href="#cite_note-FOOTNOTEFessier2013-257">[254]</a></sup> Presley's stage costume became the most recognized example of the elaborate concert garb with which his latter-day persona became closely associated. As described by <a href="/wiki/Bobbie_Ann_Mason" title="Bobbie Ann Mason">Bobbie Ann Mason</a>, "At the end of the show, when he spreads out his American Eagle cape, with the full stretched wings of the eagle studded on the back, he becomes a god figure."<sup id="cite_ref-FOOTNOTEMason2007141_258-0" class="reference"><a href="#cite_note-FOOTNOTEMason2007141-258">[255]</a></sup> The <a href="/wiki/Aloha_from_Hawaii_Via_Satellite_(album)" title="Aloha from Hawaii Via Satellite (album)">accompanying double album</a>, released in February, went to number one and eventually sold over 5 million copies in the United States.<sup id="cite_ref-FOOTNOTERIAA2010_259-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2010-259">[256]</a></sup> It proved to be Presley's last U.S. number-one pop album during his lifetime.<sup id="cite_ref-FOOTNOTEJorgensen1998422–25_260-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998422–25-260">[257]</a></sup>
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</p><p>At a midnight show the same month, four men rushed onto the stage in an apparent attack. Security men came to Presley's defense, and he ejected one invader from the stage himself. Following the show, he became obsessed with the idea that the men had been sent by Mike Stone to kill him. Though they were shown to have been only overexuberant fans, he raged, "There's too much pain in me ... Stone [must] die." His outbursts continued with such intensity that a physician was unable to calm him, despite administering large doses of medication. After another two full days of raging, <a href="/wiki/Red_West" title="Red West">Red West</a>, his friend and bodyguard, felt compelled to get a price for a contract killing and was relieved when Presley decided, "Aw hell, let's just leave it for now. Maybe it's a bit heavy."<sup id="cite_ref-FOOTNOTEGuralnick1999488–90_261-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999488–90-261">[258]</a></sup>
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</p>
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<h3><span id="1973.E2.80.931977:_Health_deterioration_and_death"></span><span class="mw-headline" id="1973–1977:_Health_deterioration_and_death">1973–1977: Health deterioration and death</span></h3>
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<h4><span class="mw-headline" id="Medical_crises_and_last_studio_sessions">Medical crises and last studio sessions</span></h4>
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<p>Presley's divorce was finalized on October 9, 1973.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999329_262-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999329-262">[259]</a></sup> By then, his health was in major and serious decline. Twice during the year, he overdosed on <a href="/wiki/Barbiturate" title="Barbiturate">barbiturates</a>, spending three days in a coma in his hotel suite after the first incident. Towards the end of 1973, he was hospitalized, semi-comatose from the effects of a <a href="/wiki/Pethidine" title="Pethidine">pethidine</a> addiction. According to his <a href="/wiki/Primary_care_physician" title="Primary care physician">primary care physician</a>, Dr. <a href="/wiki/George_C._Nichopoulos" title="George C. Nichopoulos">George C. Nichopoulos</a>, Presley "felt that by getting drugs from a doctor, he wasn't the common everyday junkie getting something off the street".<sup id="cite_ref-FOOTNOTEHigginbotham2002_263-0" class="reference"><a href="#cite_note-FOOTNOTEHigginbotham2002-263">[260]</a></sup> Since his comeback, he had staged more live shows with each passing year, and 1973 saw 168 concerts, his busiest schedule ever.<sup id="cite_ref-FOOTNOTEKeogh2004238_264-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004238-264">[261]</a></sup> Despite his failing health, in 1974, he undertook another intensive touring schedule.<sup id="cite_ref-FOOTNOTEGuralnick1999481,_487,_499,_504,_519–20_265-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999481,_487,_499,_504,_519–20-265">[262]</a></sup>
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</p><p>Presley's condition declined precipitously in September. Keyboardist <a href="/wiki/Tony_Brown_(record_producer)" title="Tony Brown (record producer)">Tony Brown</a> remembered Presley's arrival at a <a href="/wiki/University_of_Maryland" class="mw-redirect" title="University of Maryland">University of Maryland</a> concert: "He fell out of the limousine, to his knees. People jumped to help, and he pushed them away like, 'Don't help me.' He walked on stage and held onto the mic for the first thirty minutes like it was a post. Everybody's looking at each other like, 'Is the tour gonna happen'?"<sup id="cite_ref-FOOTNOTEGuralnick1999547_266-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999547-266">[263]</a></sup> Guitarist John Wilkinson recalled, "He was all gut. He was slurring. He was so fucked up. ... It was obvious he was drugged. It was obvious there was something terribly wrong with his body. It was so bad the words to the songs were barely intelligible. ... I remember crying. He could barely get through the introductions."<sup id="cite_ref-FOOTNOTEHopkins1986136_267-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins1986136-267">[264]</a></sup> Wilkinson recounted that a few nights later in Detroit, "I watched him in his dressing room, just draped over a chair, unable to move. So often I thought, 'Boss, why don't you just cancel this tour and take a year off ...?' I mentioned something once in a guarded moment. He patted me on the back and said, 'It'll be all right. Don't you worry about it.<span style="padding-right:.15em;">'</span>"<sup id="cite_ref-FOOTNOTEHopkins1986136_267-1" class="reference"><a href="#cite_note-FOOTNOTEHopkins1986136-267">[264]</a></sup> Presley continued to play to sellout crowds. Cultural critic <a href="/wiki/Marjorie_Garber" title="Marjorie Garber">Marjorie Garber</a> wrote that he was now widely seen as a garish pop crooner: "In effect, he had become <a href="/wiki/Liberace" title="Liberace">Liberace</a>. Even his fans were now middle-aged matrons and blue-haired grandmothers."<sup id="cite_ref-FOOTNOTEGarber1997364_268-0" class="reference"><a href="#cite_note-FOOTNOTEGarber1997364-268">[265]</a></sup>
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</p><p>On July 13, 1976, Vernon Presley—who had become deeply involved in his son's financial affairs—fired "<a href="/wiki/Memphis_Mafia" title="Memphis Mafia">Memphis Mafia</a>" bodyguards <a href="/wiki/Red_West" title="Red West">Red West</a> (Presley's friend since the 1950s), <a href="/wiki/Sonny_West_(actor)" title="Sonny West (actor)">Sonny West</a>, and David Hebler, citing the need to "cut back on expenses".<sup id="cite_ref-FOOTNOTEGuralnick199450,_148_269-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199450,_148-269">[266]</a></sup><sup id="cite_ref-FOOTNOTEGuralnick1999601–04_270-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999601–04-270">[267]</a></sup><sup id="cite_ref-FOOTNOTEStanleyCoffey1998139_271-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey1998139-271">[268]</a></sup> Presley was in <a href="/wiki/Palm_Springs,_California" title="Palm Springs, California">Palm Springs</a> at the time, and some suggested that he was too cowardly to face the three himself. Another associate of Presley's, John O'Grady, argued that the bodyguards were dropped because their rough treatment of fans had prompted too many lawsuits.<sup id="cite_ref-FOOTNOTEHopkins2007354_272-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007354-272">[269]</a></sup> However, Presley's stepbrother, David Stanley, claimed that the bodyguards were fired because they were becoming more outspoken about Presley's drug dependency.<sup id="cite_ref-FOOTNOTEStanleyCoffey1998140_273-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey1998140-273">[270]</a></sup>
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</p><p>RCA, which had always enjoyed a steady stream of product from Presley, began to grow anxious as his interest in the recording studio waned. After a session in December 1973 that produced 18 songs, enough for almost two albums, Presley made no official studio recordings in 1974.<sup id="cite_ref-FOOTNOTEGuralnick1999560_274-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999560-274">[271]</a></sup> Parker delivered RCA yet another concert record, <i><a href="/wiki/Elvis_Recorded_Live_on_Stage_in_Memphis" title="Elvis Recorded Live on Stage in Memphis">Elvis Recorded Live on Stage in Memphis</a></i>.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999336_275-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999336-275">[272]</a></sup> Recorded on March 20, it included a version of "<a href="/wiki/How_Great_Thou_Art" title="How Great Thou Art">How Great Thou Art</a>" that would win Presley his third and final competitive Grammy Award.<sup id="cite_ref-:0_276-0" class="reference"><a href="#cite_note-:0-276">[273]</a></sup><sup id="cite_ref-FOOTNOTEJorgensen1998381_277-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998381-277">[274]</a></sup> (All three of his competitive Grammy wins—out of 14 total nominations—were for gospel recordings.)<sup id="cite_ref-:0_276-1" class="reference"><a href="#cite_note-:0-276">[273]</a></sup> Presley returned to the recording studio in Hollywood in March 1975, but Parker's attempts to arrange another session toward the end of the year were unsuccessful.<sup id="cite_ref-FOOTNOTEGuralnick1999584–85_278-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999584–85-278">[275]</a></sup> In 1976, RCA sent a mobile recording unit to Graceland that made possible two full-scale recording sessions at Presley's home.<sup id="cite_ref-FOOTNOTEGuralnick1999593–95_279-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999593–95-279">[276]</a></sup> Even in that comfortable context, the recording process had become a struggle for him.<sup id="cite_ref-FOOTNOTEGuralnick1999595_280-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999595-280">[277]</a></sup>
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</p>
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<table role="presentation" class="mbox-small noprint" style="background-color:#f9f9f9;border:1px solid #aaa;color:#000;">
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<tbody><tr>
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<td class="mbox-image"><div class="center"><div class="floatnone"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></div></div></td>
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<td class="mbox-text plainlist" style="line-height:1.1em"><div class="haudio">
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<div style="padding:4px 0"><a href="/wiki/File:Hurt_(Presley).ogg" title="File:Hurt (Presley).ogg">"Hurt"</a> (<span class="duration"><span class="min">0</span>:<span class="s">19</span></span>)</div>
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<div><div class="mediaContainer" style="width:233px"><audio id="mwe_player_4" controls="" preload="none" style="width:233px" class="kskin" data-durationhint="18.891405895692" data-startoffset="0" data-mwtitle="Hurt_(Presley).ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/c/cb/Hurt_%28Presley%29.ogg" type="audio/ogg; codecs="vorbis"" data-title="Original Ogg file (57 kbps)" data-shorttitle="Ogg source" data-width="0" data-height="0" data-bandwidth="56621" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/c/cb/Hurt_%28Presley%29.ogg/Hurt_%28Presley%29.ogg.mp3" type="audio/mpeg" data-title="MP3" data-shorttitle="MP3" data-transcodekey="mp3" data-width="0" data-height="0" data-bandwidth="166248" /><track src="/w/api.php?action=timedtext&title=File%3AHurt_%28Presley%29.ogg&lang=en&trackformat=srt" kind="subtitles" type="text/x-srt" srclang="en" label="English (en)" data-dir="ltr" /></audio></div></div>
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<div class="description" style="padding:2px 0 0 0">An R&B hit for <a href="/wiki/Roy_Hamilton" title="Roy Hamilton">Roy Hamilton</a> in 1955 and a pop hit for <a href="/wiki/Blue-eyed_soul" title="Blue-eyed soul">blue-eyed soul</a> singer <a href="/wiki/Timi_Yuro" title="Timi Yuro">Timi Yuro</a> in 1961, Presley's <a href="/wiki/Southern_soul" title="Southern soul">deep soul</a> version was picked up by country radio in 1976.<sup id="cite_ref-FOOTNOTEJorgensen1998397_281-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998397-281">[278]</a></sup></div></div></td></tr>
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<tr><td colspan="2" class="mbox-text" style="line-height:1.1em"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></td></tr>
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</tbody></table>
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<p>Despite concerns from RCA and Parker, between July 1973 and October 1976, Presley recorded virtually the entire contents of six albums. Though he was no longer a major presence on the pop charts, five of those albums entered the top five of the country chart, and three went to number one: <i><a href="/wiki/Promised_Land_(Elvis_Presley_album)" title="Promised Land (Elvis Presley album)">Promised Land</a></i> (1975), <i><a href="/wiki/From_Elvis_Presley_Boulevard,_Memphis,_Tennessee" title="From Elvis Presley Boulevard, Memphis, Tennessee">From Elvis Presley Boulevard, Memphis, Tennessee</a></i> (1976), and <i><a href="/wiki/Moody_Blue" title="Moody Blue">Moody Blue</a></i> (1977).<sup id="cite_ref-FOOTNOTECaulfield200424_282-0" class="reference"><a href="#cite_note-FOOTNOTECaulfield200424-282">[279]</a></sup> Similarly, his singles in this era did not prove to be major pop hits, but Presley remained a significant force in the country and adult contemporary markets. Eight studio singles from this period released during his lifetime were top ten hits on one or both charts, four in 1974 alone. "<a href="/wiki/My_Boy" title="My Boy">My Boy</a>" was a number-one adult contemporary hit in 1975, and "<a href="/wiki/Moody_Blue_(Elvis_song)" class="mw-redirect" title="Moody Blue (Elvis song)">Moody Blue</a>" topped the country chart and reached the second spot on the adult contemporary chart in 1976.<sup id="cite_ref-FOOTNOTEWhitburn2006273_283-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2006273-283">[280]</a></sup> Perhaps his most critically acclaimed recording of the era came that year, with what Greil Marcus described as his "apocalyptic attack" on the soul classic "<a href="/wiki/Hurt_(Roy_Hamilton_song)" title="Hurt (Roy Hamilton song)">Hurt</a>".<sup id="cite_ref-FOOTNOTEMarcus1982284_284-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982284-284">[281]</a></sup> "If he felt the way he sounded", Dave Marsh wrote of Presley's performance, "the wonder isn't that he had only a year left to live but that he managed to survive that long."<sup id="cite_ref-FOOTNOTEMarsh1989430_285-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1989430-285">[282]</a></sup>
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</p>
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<h4><span class="mw-headline" id="Final_months_and_death">Final months and death</span></h4>
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<p>Presley and Linda Thompson split in November 1976, and he took up with a new girlfriend, Ginger Alden.<sup id="cite_ref-FOOTNOTEVictor20088,_526_286-0" class="reference"><a href="#cite_note-FOOTNOTEVictor20088,_526-286">[283]</a></sup> He proposed to Alden and gave her an engagement ring two months later, though several of his friends later claimed that he had no serious intention of marrying again.<sup id="cite_ref-FOOTNOTEVictor20088,_224,_325_287-0" class="reference"><a href="#cite_note-FOOTNOTEVictor20088,_224,_325-287">[284]</a></sup> Journalist Tony Scherman wrote that by early 1977, "Presley had become a grotesque caricature of his sleek, energetic former self. Grossly overweight, his mind dulled by the pharmacopia he daily ingested, he was barely able to pull himself through his abbreviated concerts."<sup id="cite_ref-FOOTNOTEScherman2006_288-0" class="reference"><a href="#cite_note-FOOTNOTEScherman2006-288">[285]</a></sup> In <a href="/wiki/Alexandria,_Louisiana" title="Alexandria, Louisiana">Alexandria, Louisiana</a>, he was on stage for less than an hour, and "was impossible to understand".<sup id="cite_ref-FOOTNOTEGuralnick1999628_289-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999628-289">[286]</a></sup> On March 31, Presley canceled a performance in <a href="/wiki/Baton_Rouge,_Louisiana" title="Baton Rouge, Louisiana">Baton Rouge</a>, unable to get out of his hotel bed; a total of four shows had to be canceled and rescheduled.<sup id="cite_ref-FOOTNOTEGuralnick1999628–30_290-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999628–30-290">[287]</a></sup> Despite the accelerating deterioration of his health, Presley stuck to most touring commitments. According to Guralnick, fans "were becoming increasingly voluble about their disappointment, but it all seemed to go right past Presley, whose world was now confined almost entirely to his room and his <a href="/wiki/Spiritualism" title="Spiritualism">spiritualism</a> books."<sup id="cite_ref-FOOTNOTEGuralnick1999634_291-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999634-291">[288]</a></sup> Presley's cousin, Billy Smith, recalled how he would sit in his room and chat for hours, sometimes recounting favorite <a href="/wiki/Monty_Python" title="Monty Python">Monty Python</a> sketches and his own past escapades, but more often gripped by paranoid obsessions that reminded Smith of <a href="/wiki/Howard_Hughes" title="Howard Hughes">Howard Hughes</a>.<sup id="cite_ref-FOOTNOTEGuralnick1999212,_642_292-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999212,_642-292">[289]</a></sup>
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||
</p><p>"<a href="/wiki/Way_Down" title="Way Down">Way Down</a>", Presley's last single issued during his lifetime, was released on June 6, 1977. That month, CBS taped two concerts for a TV special, <i><a href="/wiki/Elvis_in_Concert" title="Elvis in Concert">Elvis in Concert</a></i>, to be broadcast in October. In the first, shot in <a href="/wiki/Omaha,_Nebraska" title="Omaha, Nebraska">Omaha</a> on June 19, Presley's voice, Guralnick writes, "is almost unrecognizable, a small, childlike instrument in which he talks more than sings most of the songs, casts about uncertainly for the melody in others, and is virtually unable to articulate or project".<sup id="cite_ref-FOOTNOTEGuralnick1999638_293-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999638-293">[290]</a></sup> Two days later, in <a href="/wiki/Rapid_City,_South_Dakota" title="Rapid City, South Dakota">Rapid City, South Dakota</a>, "he looked healthier, seemed to have lost a little weight, and sounded better, too", though, by the conclusion of the performance, his face was "framed in a helmet of blue-black hair from which sweat sheets down over pale, swollen cheeks".<sup id="cite_ref-FOOTNOTEGuralnick1999638_293-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999638-293">[290]</a></sup> Presley's final concert was held in <a href="/wiki/Indianapolis" title="Indianapolis">Indianapolis</a> at <a href="/wiki/Market_Square_Arena" title="Market Square Arena">Market Square Arena</a>, on June 26, 1977.
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||
</p>
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||
<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_burial_site.jpg" class="image"><img alt="A long, ground-level gravestone reads "Elvis Aaron Presley", followed by the singer's dates, the names of his parents and daughter, and several paragraphs of smaller text. In the background is a small round pool, with a low decorative metal fence and several fountains." src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Elvis_burial_site.jpg/220px-Elvis_burial_site.jpg" decoding="async" width="220" height="293" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Elvis_burial_site.jpg/330px-Elvis_burial_site.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c8/Elvis_burial_site.jpg/440px-Elvis_burial_site.jpg 2x" data-file-width="3024" data-file-height="4032" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_burial_site.jpg" class="internal" title="Enlarge"></a></div>Presley's gravestone at <a href="/wiki/Graceland" title="Graceland">Graceland</a></div></div></div>
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<p>The book <i><a href="/wiki/Elvis:_What_Happened%3F" title="Elvis: What Happened?">Elvis: What Happened?</a></i>, co-written by the three bodyguards fired the previous year, was published on August 1.<sup id="cite_ref-FOOTNOTEStanleyCoffey1998148_294-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey1998148-294">[291]</a></sup> It was the first exposé to detail Presley's years of <a href="/wiki/Drug_misuse" class="mw-redirect" title="Drug misuse">drug misuse</a>. He was devastated by the book, and tried unsuccessfully to halt its publication by offering money to the publishers.<sup id="cite_ref-FOOTNOTEHumphries200379_295-0" class="reference"><a href="#cite_note-FOOTNOTEHumphries200379-295">[292]</a></sup> By this point he suffered from <a href="/wiki/Glaucoma" title="Glaucoma">glaucoma</a>, <a href="/wiki/Hypertension" title="Hypertension">hypertension</a>, <a href="/wiki/Liver_damage" class="mw-redirect" title="Liver damage">liver damage</a>, and an <a href="/wiki/Megacolon" title="Megacolon">enlarged colon</a>, each magnified—and possibly caused—by drug abuse.<sup id="cite_ref-FOOTNOTEHigginbotham2002_263-1" class="reference"><a href="#cite_note-FOOTNOTEHigginbotham2002-263">[260]</a></sup>
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</p><p>On the evening of Tuesday, August 16, 1977, Presley was scheduled to fly out of Memphis to begin another tour. That afternoon, Ginger Alden discovered him in an unresponsive state on a bathroom floor. According to her eyewitness account, "Elvis looked as if his entire body had completely frozen in a seated position while using the <a href="/wiki/Flush_toilet" title="Flush toilet">toilet</a> and then had fallen forward, in that fixed position, directly in front of it. ... It was clear that, from the time whatever hit him to the moment he had landed on the floor, Elvis hadn't moved."<sup id="cite_ref-FOOTNOTEAlden2014_296-0" class="reference"><a href="#cite_note-FOOTNOTEAlden2014-296">[293]</a></sup> Attempts to revive him failed, and his death was officially pronounced at 3:30 p.m. at the Baptist Memorial Hospital.<sup id="cite_ref-FOOTNOTEGuralnick1999645–48_297-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999645–48-297">[294]</a></sup>
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</p><p>President <a href="/wiki/Jimmy_Carter" title="Jimmy Carter">Jimmy Carter</a> issued a statement that credited Presley with having "permanently changed the face of American popular culture".<sup id="cite_ref-FOOTNOTEWoolleyPeters1977_298-0" class="reference"><a href="#cite_note-FOOTNOTEWoolleyPeters1977-298">[295]</a></sup> Thousands of people gathered outside Graceland to view the open casket. One of Presley's cousins, Billy Mann, accepted $18,000 to secretly photograph the body; the picture appeared on the cover of the <i><a href="/wiki/National_Enquirer" title="National Enquirer">National Enquirer</a></i><span class="nowrap" style="padding-left:0.1em;">'</span>s biggest-selling issue ever.<sup id="cite_ref-FOOTNOTEHopkins2007386_299-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007386-299">[296]</a></sup> Alden struck a $105,000 deal with the <i>Enquirer</i> for her story, but settled for less when she broke her exclusivity agreement.<sup id="cite_ref-FOOTNOTEGuralnick1999660_300-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999660-300">[297]</a></sup> Presley left her nothing in his will.<sup id="cite_ref-FOOTNOTEVictor2008581–82_301-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008581–82-301">[298]</a></sup>
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</p><p>Presley's funeral was held at Graceland on Thursday, August 18. Outside the gates, a car plowed into a group of fans, killing two young women and critically injuring a third.<sup id="cite_ref-FOOTNOTEMatthew-Walker197926_302-0" class="reference"><a href="#cite_note-FOOTNOTEMatthew-Walker197926-302">[299]</a></sup> About 80,000 people lined the processional route to Forest Hill Cemetery, where Presley was buried next to his mother.<sup id="cite_ref-FOOTNOTEPendergastPendergast2000108_303-0" class="reference"><a href="#cite_note-FOOTNOTEPendergastPendergast2000108-303">[300]</a></sup> Within a few weeks, "Way Down" topped the country and UK singles chart.<sup id="cite_ref-FOOTNOTEWhitburn2006273_283-1" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2006273-283">[280]</a></sup><sup id="cite_ref-FOOTNOTEWarwick_et_al.2004860–66_304-0" class="reference"><a href="#cite_note-FOOTNOTEWarwick_et_al.2004860–66-304">[301]</a></sup> Following an attempt to steal Presley's body in late August, the remains of both Presley and his mother were exhumed and reburied in Graceland's Meditation Garden on October 2.<sup id="cite_ref-FOOTNOTEGuralnick1999660_300-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999660-300">[297]</a></sup>
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</p>
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<h3><span class="mw-headline" id="Cause_of_death">Cause of death</span></h3>
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<p>While an autopsy, undertaken the same day Presley died, was still in progress, Memphis <a href="/wiki/Coroner" title="Coroner">medical examiner</a> Jerry Francisco announced that the immediate cause of death was cardiac arrest. Asked if drugs were involved, he declared that "drugs played no role in Presley's death".<sup id="cite_ref-FOOTNOTERamsland2010_305-0" class="reference"><a href="#cite_note-FOOTNOTERamsland2010-305">[302]</a></sup> In fact, "drug use was heavily implicated" in Presley's death, writes Guralnick. The pathologists conducting the autopsy thought it possible, for instance, that he had suffered "anaphylactic shock brought on by the codeine pills he had gotten from his dentist, to which he was known to have had a mild allergy". A pair of lab reports filed two months later strongly suggested that <a href="/wiki/Polypharmacy" title="Polypharmacy">polypharmacy</a> was the primary cause of death; one reported "fourteen drugs in Elvis' system, ten in significant quantity".<sup id="cite_ref-FOOTNOTEGuralnick1999651–53_306-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999651–53-306">[303]</a></sup> In 1979, forensic pathologist <a href="/wiki/Cyril_Wecht" title="Cyril Wecht">Cyril Wecht</a> conducted a review of the reports and concluded that a combination of central nervous system depressants had resulted in Presley's accidental death.<sup id="cite_ref-FOOTNOTERamsland2010_305-1" class="reference"><a href="#cite_note-FOOTNOTERamsland2010-305">[302]</a></sup> Forensic historian and pathologist <a href="/wiki/Michael_Baden" title="Michael Baden">Michael Baden</a> viewed the situation as complicated: "Elvis had had an <a href="/wiki/Cardiomegaly" title="Cardiomegaly">enlarged heart</a> for a long time. That, together with his drug habit, caused his death. But he was difficult to diagnose; it was a judgment call."<sup id="cite_ref-FOOTNOTEBadenHennessee199035_307-0" class="reference"><a href="#cite_note-FOOTNOTEBadenHennessee199035-307">[304]</a></sup>
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||
</p><p>The competence and ethics of two of the centrally involved medical professionals were seriously questioned. Francisco had offered a cause of death before the autopsy was complete; claimed the underlying ailment was <a href="/wiki/Cardiac_arrhythmia" class="mw-redirect" title="Cardiac arrhythmia">cardiac arrhythmia</a>, a condition that can be determined only in someone who is still alive; and denied drugs played any part in Presley's death before the toxicology results were known.<sup id="cite_ref-FOOTNOTERamsland2010_305-2" class="reference"><a href="#cite_note-FOOTNOTERamsland2010-305">[302]</a></sup> Allegations of a cover-up were widespread.<sup id="cite_ref-FOOTNOTEBadenHennessee199035_307-1" class="reference"><a href="#cite_note-FOOTNOTEBadenHennessee199035-307">[304]</a></sup> While a 1981 trial of Presley's main physician, <a href="/wiki/George_Nichopoulos" class="mw-redirect" title="George Nichopoulos">George Nichopoulos</a>, exonerated him of criminal liability for his death, the facts were startling: "In the first eight months of 1977 alone, he had [prescribed] more than 10,000 doses of sedatives, amphetamines, and narcotics: all in Elvis' name." His license was suspended for three months. It was permanently revoked in the 1990s after the Tennessee Medical Board brought new charges of over-prescription.<sup id="cite_ref-FOOTNOTEHigginbotham2002_263-2" class="reference"><a href="#cite_note-FOOTNOTEHigginbotham2002-263">[260]</a></sup>
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||
</p><p>In 1994, the Presley autopsy report was reopened. Joseph Davis, who had conducted thousands of autopsies as <a href="/wiki/Miami-Dade_County" class="mw-redirect" title="Miami-Dade County">Miami-Dade County</a> coroner,<sup id="cite_ref-FOOTNOTETennant20132_308-0" class="reference"><a href="#cite_note-FOOTNOTETennant20132-308">[305]</a></sup> declared at its completion, "There is nothing in any of the data that supports a death from drugs. In fact, everything points to a sudden, violent heart attack."<sup id="cite_ref-FOOTNOTEHigginbotham2002_263-3" class="reference"><a href="#cite_note-FOOTNOTEHigginbotham2002-263">[260]</a></sup> More recent research has revealed that Francisco did not speak for the entire pathology team. Other staff "could say nothing with confidence until they got the results back from the laboratories, if then. That would be a matter of weeks." One of the examiners, E. Eric Muirhead, "could not believe his ears. Francisco had not only presumed to speak for the hospital's team of pathologists, he had announced a conclusion that they had not reached. ... Early on, a meticulous dissection of the body ... confirmed [that] Elvis was chronically ill with diabetes, glaucoma, and constipation. As they proceeded, the doctors saw evidence that his body had been wracked over a span of years by a large and constant stream of drugs. They had also studied his hospital records, which included two admissions for drug detoxification and methadone treatments."<sup id="cite_ref-FOOTNOTEWilliamson201511–14_309-0" class="reference"><a href="#cite_note-FOOTNOTEWilliamson201511–14-309">[306]</a></sup> Writer Frank Coffey thought Elvis's death was due to "a phenomenon called the <a href="/wiki/Valsalva_maneuver" title="Valsalva maneuver">Valsalva maneuver</a> (essentially straining on the toilet leading to heart stoppage—plausible because Elvis suffered constipation, a common reaction to drug use)".<sup id="cite_ref-FOOTNOTECoffey1997247_310-0" class="reference"><a href="#cite_note-FOOTNOTECoffey1997247-310">[307]</a></sup> In similar terms, Dan Warlick, who was present at the autopsy, "believes Presley's chronic constipation—the result of years of prescription drug abuse and high-fat, high-cholesterol gorging—brought on what's known as Valsalva's maneuver. Put simply, the strain of attempting to defecate compressed the singer's <a href="/wiki/Abdominal_aorta" title="Abdominal aorta">abdominal aorta</a>, shutting down his heart."<sup id="cite_ref-FOOTNOTEWertheimer1997132_311-0" class="reference"><a href="#cite_note-FOOTNOTEWertheimer1997132-311">[308]</a></sup>
|
||
</p><p>However, in 2013, <a href="/wiki/Forest_Tennant" title="Forest Tennant">Forest Tennant</a>, who had testified as a defense witness in Nichopoulos' trial, described his own analysis of Presley's available medical records. He concluded that Presley's "drug abuse had led to falls, head trauma, and overdoses that damaged his brain", and that his death was due in part to a toxic reaction to codeine—exacerbated by an undetected liver enzyme defect—which can cause sudden cardiac arrhythmia.<sup id="cite_ref-FOOTNOTETennant2013_312-0" class="reference"><a href="#cite_note-FOOTNOTETennant2013-312">[309]</a></sup> DNA analysis in 2014 of a hair sample, purported to be Presley's, found evidence of genetic variants that can lead to glaucoma, migraines, and obesity; a crucial variant associated with the heart muscle disease <a href="/wiki/Hypertrophic_cardiomyopathy" title="Hypertrophic cardiomyopathy">hypertrophic cardiomyopathy</a> was also identified.<sup id="cite_ref-FOOTNOTEGuardian2014_313-0" class="reference"><a href="#cite_note-FOOTNOTEGuardian2014-313">[310]</a></sup>
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||
</p>
|
||
<h3><span class="mw-headline" id="Later_developments">Later developments</span></h3>
|
||
<p>Between 1977 and 1981, six of Presley's posthumously released singles were top-ten country hits.<sup id="cite_ref-FOOTNOTEWhitburn2006273_283-2" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2006273-283">[280]</a></sup>
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||
</p><p>Graceland was opened to the public in 1982. Attracting over half a million visitors annually, it became the second most-visited home in the United States, after the <a href="/wiki/White_House" title="White House">White House</a>.<sup id="cite_ref-FOOTNOTEBrownBroeske1997433_314-0" class="reference"><a href="#cite_note-FOOTNOTEBrownBroeske1997433-314">[311]</a></sup> It was declared a <a href="/wiki/National_Historic_Landmark" title="National Historic Landmark">National Historic Landmark</a> in 2006.<sup id="cite_ref-FOOTNOTENational_Park_Service2010_315-0" class="reference"><a href="#cite_note-FOOTNOTENational_Park_Service2010-315">[312]</a></sup>
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||
</p><p>Presley has been inducted into five music <a href="/wiki/Hall_of_fame" class="mw-redirect" title="Hall of fame">halls of fame</a>: the <a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a> (1986), the <a href="/wiki/Country_Music_Hall_of_Fame_and_Museum" title="Country Music Hall of Fame and Museum">Country Music Hall of Fame</a> (1998), the <a href="/wiki/Gospel_Music_Hall_of_Fame" title="Gospel Music Hall of Fame">Gospel Music Hall of Fame</a> (2001), the <a href="/wiki/Rockabilly_Hall_of_Fame" title="Rockabilly Hall of Fame">Rockabilly Hall of Fame</a> (2007), and the <a href="/wiki/Memphis_Music_Hall_of_Fame" title="Memphis Music Hall of Fame">Memphis Music Hall of Fame</a> (2012). In 1984, he received the <a href="/wiki/Blues_Music_Award" title="Blues Music Award">W. C. Handy Award</a> from the <a href="/wiki/Blues_Foundation" title="Blues Foundation">Blues Foundation</a> and the <a href="/wiki/Academy_of_Country_Music" title="Academy of Country Music">Academy of Country Music</a>'s first Golden Hat Award. In 1987, he received the <a href="/wiki/American_Music_Award" class="mw-redirect" title="American Music Award">American Music Awards</a>' Award of Merit.<sup id="cite_ref-FOOTNOTECook200433_316-0" class="reference"><a href="#cite_note-FOOTNOTECook200433-316">[313]</a></sup>
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||
</p><p>A <a href="/wiki/Junkie_XL" title="Junkie XL">Junkie XL</a> remix of Presley's "<a href="/wiki/A_Little_Less_Conversation" title="A Little Less Conversation">A Little Less Conversation</a>" (credited as "Elvis Vs JXL") was used in a <a href="/wiki/Nike,_Inc." title="Nike, Inc.">Nike</a> advertising campaign during the <a href="/wiki/2002_FIFA_World_Cup" title="2002 FIFA World Cup">2002 FIFA World Cup</a>. It topped the charts in over 20 countries and was included in a compilation of Presley's number-one hits, <i><a href="/wiki/ELV1S" class="mw-redirect" title="ELV1S">ELV1S</a></i>, which was also an international success. The album returned Presley to the <i>Billboard</i> summit for the first time in almost three decades.<sup id="cite_ref-FOOTNOTEGarrity2002_317-0" class="reference"><a href="#cite_note-FOOTNOTEGarrity2002-317">[314]</a></sup>
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||
</p><p>In 2003, a remix of "<a href="/wiki/Rubberneckin%27" title="Rubberneckin'">Rubberneckin'</a>", a 1969 recording of Presley's, topped the U.S. sales chart, as did a 50th-anniversary re-release of "That's All Right" the following year.<sup id="cite_ref-FOOTNOTEBronson20041_318-0" class="reference"><a href="#cite_note-FOOTNOTEBronson20041-318">[315]</a></sup> The latter was an outright hit in Britain, debuting at number three on the pop chart; it also made the top ten in Canada.<sup id="cite_ref-FOOTNOTE"Hits_of_the_World"2004_319-0" class="reference"><a href="#cite_note-FOOTNOTE"Hits_of_the_World"2004-319">[316]</a></sup> In 2005, another three reissued singles, "Jailhouse Rock", "One Night"/"I Got Stung", and "It's Now or Never", went to number one in the United Kingdom. They were part of a campaign that saw the re-release of all 18 of Presley's previous chart-topping UK singles. The first, "All Shook Up", came with a collectors' box that made it ineligible to chart again; each of the other 17 reissues hit the British top five.<sup id="cite_ref-FOOTNOTESexton2007_320-0" class="reference"><a href="#cite_note-FOOTNOTESexton2007-320">[317]</a></sup>
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||
</p><p>In 2005, <i><a href="/wiki/Forbes" title="Forbes">Forbes</a></i> named Presley the <a href="/wiki/Forbes%27_list_of_the_world%27s_highest-paid_dead_celebrity" class="mw-redirect" title="Forbes' list of the world's highest-paid dead celebrity">top-earning deceased celebrity</a> for the fifth straight year, with a gross income of $45 million.<sup id="cite_ref-FOOTNOTEGoldmanEwalt2007_321-0" class="reference"><a href="#cite_note-FOOTNOTEGoldmanEwalt2007-321">[318]</a></sup> He was placed second in 2006,<sup id="cite_ref-FOOTNOTERose2006_322-0" class="reference"><a href="#cite_note-FOOTNOTERose2006-322">[319]</a></sup> returned to the top spot the next two years,<sup id="cite_ref-FOOTNOTEGoldmanPaine2007_323-0" class="reference"><a href="#cite_note-FOOTNOTEGoldmanPaine2007-323">[320]</a></sup><sup id="cite_ref-FOOTNOTEHoy2008_324-0" class="reference"><a href="#cite_note-FOOTNOTEHoy2008-324">[321]</a></sup> and ranked fourth in 2009.<sup id="cite_ref-FOOTNOTEPomerantz_et_al.2009_325-0" class="reference"><a href="#cite_note-FOOTNOTEPomerantz_et_al.2009-325">[322]</a></sup> The following year, he was ranked second, with his highest annual income ever—$60 million—spurred by the celebration of his 75th birthday and the launch of <a href="/wiki/Cirque_du_Soleil" title="Cirque du Soleil">Cirque du Soleil</a>'s <i><a href="/wiki/Viva_Elvis" class="mw-redirect" title="Viva Elvis">Viva Elvis</a></i> show in Las Vegas.<sup id="cite_ref-FOOTNOTERose_et_al.2010_326-0" class="reference"><a href="#cite_note-FOOTNOTERose_et_al.2010-326">[323]</a></sup> In November 2010, <i><a href="/wiki/Viva_Elvis_(album)" class="mw-redirect" title="Viva Elvis (album)">Viva Elvis: The Album</a></i> was released, setting his voice to newly recorded instrumental tracks.<sup id="cite_ref-FOOTNOTEBaillie2010_327-0" class="reference"><a href="#cite_note-FOOTNOTEBaillie2010-327">[324]</a></sup><sup id="cite_ref-FOOTNOTEBouchard2010_328-0" class="reference"><a href="#cite_note-FOOTNOTEBouchard2010-328">[325]</a></sup> As of mid-2011, there were an estimated 15,000 licensed Presley products,<sup id="cite_ref-FOOTNOTELynch2011_329-0" class="reference"><a href="#cite_note-FOOTNOTELynch2011-329">[326]</a></sup> and he was again the second-highest-earning deceased celebrity.<sup id="cite_ref-FOOTNOTEPomerantz2011_330-0" class="reference"><a href="#cite_note-FOOTNOTEPomerantz2011-330">[327]</a></sup> Six years later, he ranked fourth with earnings of $35 million, up $8 million from 2016 due in part to the opening of a new entertainment complex, Elvis Presley's Memphis, and hotel, The Guest House at Graceland.<sup id="cite_ref-FOOTNOTEGreenburg2017_331-0" class="reference"><a href="#cite_note-FOOTNOTEGreenburg2017-331">[328]</a></sup>
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||
</p><p>For much of his adult life, Presley, with his rise from poverty to riches and massive fame, had seemed to epitomize the <a href="/wiki/American_Dream" title="American Dream">American Dream</a>.<sup id="cite_ref-FOOTNOTENash2005xv_332-0" class="reference"><a href="#cite_note-FOOTNOTENash2005xv-332">[329]</a></sup><sup id="cite_ref-FOOTNOTEHarrison2016149_333-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison2016149-333">[330]</a></sup> In his final years—and even more so after his death, and the revelations about its circumstances—he became a symbol of excess and gluttony.<sup id="cite_ref-FOOTNOTECosby2016144_334-0" class="reference"><a href="#cite_note-FOOTNOTECosby2016144-334">[331]</a></sup><sup id="cite_ref-FOOTNOTEDoll2016186_335-0" class="reference"><a href="#cite_note-FOOTNOTEDoll2016186-335">[332]</a></sup> Increasing attention, for instance, was paid to his appetite for the rich, heavy <a href="/wiki/Southern_cooking" class="mw-redirect" title="Southern cooking">Southern cooking</a> of his upbringing, foods such as <a href="/wiki/Chicken-fried_steak" class="mw-redirect" title="Chicken-fried steak">chicken-fried steak</a> and <a href="/wiki/Biscuits_and_gravy" title="Biscuits and gravy">biscuits and gravy</a>.<sup id="cite_ref-FOOTNOTEMartin2000_336-0" class="reference"><a href="#cite_note-FOOTNOTEMartin2000-336">[333]</a></sup><sup id="cite_ref-FOOTNOTESmith2002_337-0" class="reference"><a href="#cite_note-FOOTNOTESmith2002-337">[334]</a></sup> In particular, his love of calorie-laden fried <a href="/wiki/Peanut_butter,_banana_and_bacon_sandwich" title="Peanut butter, banana and bacon sandwich">peanut butter, banana, and (sometimes) bacon sandwiches</a>,<sup id="cite_ref-FOOTNOTEDundy2004227,_256_338-0" class="reference"><a href="#cite_note-FOOTNOTEDundy2004227,_256-338">[335]</a></sup><sup id="cite_ref-FOOTNOTEMartin2000_336-1" class="reference"><a href="#cite_note-FOOTNOTEMartin2000-336">[333]</a></sup> now known as "Elvis sandwiches",<sup id="cite_ref-FOOTNOTEWilson2010121_339-0" class="reference"><a href="#cite_note-FOOTNOTEWilson2010121-339">[336]</a></sup> came to stand for this aspect of his persona.<sup id="cite_ref-FOOTNOTESlater2002_340-0" class="reference"><a href="#cite_note-FOOTNOTESlater2002-340">[337]</a></sup> But the Elvis sandwich represents more than just unhealthy overindulgence—as media and culture scholar <a href="/wiki/Robert_Thompson_(media_scholar)" title="Robert Thompson (media scholar)">Robert Thompson</a> describes, the unsophisticated treat also signifies Presley's enduring all-American appeal: "He wasn't only the king, he was one of us."<sup id="cite_ref-FOOTNOTEMilly2002_341-0" class="reference"><a href="#cite_note-FOOTNOTEMilly2002-341">[338]</a></sup>
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</p><p>Since 1977, there have been numerous <a href="/wiki/Elvis_sightings" title="Elvis sightings">alleged sightings of Presley</a>. A long-standing conspiracy theory among some fans is that he faked his death.<sup id="cite_ref-FOOTNOTEHarrison199242,_157–60,_169_342-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison199242,_157–60,_169-342">[339]</a></sup><sup id="cite_ref-FOOTNOTEClarke200677,_80_343-0" class="reference"><a href="#cite_note-FOOTNOTEClarke200677,_80-343">[340]</a></sup> Adherents cite alleged discrepancies in the death certificate, reports of a wax dummy in his original coffin, and accounts of Presley planning a diversion so he could retire in peace.<sup id="cite_ref-FOOTNOTEHarrison1992159–60_344-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison1992159–60-344">[341]</a></sup> An unusually large number of fans have domestic shrines devoted to Presley and journey to sites with which he is connected, however faintly.<sup id="cite_ref-FOOTNOTEHarrison201610_345-0" class="reference"><a href="#cite_note-FOOTNOTEHarrison201610-345">[342]</a></sup> Every August 16, the anniversary of his death, thousands of people gather outside Graceland and celebrate his memory with a candlelight ritual.<sup id="cite_ref-FOOTNOTESegré2002_346-0" class="reference"><a href="#cite_note-FOOTNOTESegré2002-346">[343]</a></sup> "With Elvis, it is not just his music that has survived death", writes Ted Harrison. "He himself has been raised, like a medieval saint, to a figure of cultic status. It is as if he has been canonized by acclamation."<sup id="cite_ref-FOOTNOTEHarrison201610_345-1" class="reference"><a href="#cite_note-FOOTNOTEHarrison201610-345">[342]</a></sup>
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||
</p>
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||
<h2><span class="mw-headline" id="Artistry">Artistry</span></h2>
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<h3><span class="mw-headline" id="Influences">Influences</span></h3>
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||
<p>Presley's earliest musical influence came from <a href="/wiki/Gospel_music" title="Gospel music">gospel</a>. His mother recalled that from the age of two, at the Assembly of God church in Tupelo attended by the family, "he would slide down off my lap, run into the aisle and scramble up to the platform. There he would stand looking at the choir and trying to sing with them."<sup id="cite_ref-FOOTNOTEGuralnick199414_347-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199414-347">[344]</a></sup> In Memphis, Presley frequently attended all-night gospel singings at the <a href="/wiki/Ellis_Auditorium" title="Ellis Auditorium">Ellis Auditorium</a>, where groups such as the <a href="/wiki/The_Statesmen_Quartet" title="The Statesmen Quartet">Statesmen Quartet</a> led the music in a style that, Guralnick suggests, sowed the seeds of Presley's future stage act:
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||
</p>
|
||
<style data-mw-deduplicate="TemplateStyles:r996844942">.mw-parser-output .templatequote{overflow:hidden;margin:1em 0;padding:0 40px}.mw-parser-output .templatequote .templatequotecite{line-height:1.5em;text-align:left;padding-left:1.6em;margin-top:0}</style><blockquote class="templatequote"><p>The Statesmen were an electric combination ... featuring some of the most thrillingly emotive singing and daringly unconventional showmanship in the entertainment world ... dressed in suits that might have come out of the window of Lansky's. ... Bass singer Jim Wetherington, known universally as the Big Chief, maintained a steady bottom, ceaselessly jiggling first his left leg, then his right, with the material of the pants leg ballooning out and shimmering. "He went about as far as you could go in gospel music," said Jake Hess. "The women would jump up, just like they do for the pop shows." Preachers frequently objected to the lewd movements ... but audiences reacted with screams and swoons.<sup id="cite_ref-FOOTNOTEGuralnick199447–48_348-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199447–48-348">[345]</a></sup></p></blockquote>
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<p><a href="#Teenage_life_in_Memphis">As a teenager</a>, Presley's musical interests were wide-ranging, and he was deeply informed about both white and African-American musical idioms. Though he never had any formal training, he had a remarkable memory, and his musical knowledge was already considerable by the time he made his first professional recordings aged 19 in 1954. When Jerry Leiber and Mike Stoller met him two years later, they were astonished at his encyclopedic understanding of the blues,<sup id="cite_ref-FOOTNOTEBertrand2000211_349-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand2000211-349">[346]</a></sup> and, as Stoller put it, "He certainly knew a lot more than we did about country music and gospel music."<sup id="cite_ref-FOOTNOTEFox1986179_156-1" class="reference"><a href="#cite_note-FOOTNOTEFox1986179-156">[153]</a></sup> At a press conference the following year, he proudly declared, "I know practically every religious song that's ever been written."<sup id="cite_ref-FOOTNOTEGuralnick1994430_147-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994430-147">[144]</a></sup>
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||
</p>
|
||
<h3><span class="mw-headline" id="Musicianship">Musicianship</span></h3>
|
||
<p>Presley received his first guitar when he was 11 years old. He learned to play and sing; he gained no formal musical training but had an innate natural talent and could easily pick up music.<sup id="cite_ref-350" class="reference"><a href="#cite_note-350">[347]</a></sup> Presley played guitar, bass, and piano. While he couldn't read or write music and had no formal lessons, he was a natural musician and played everything by ear.<sup id="cite_ref-351" class="reference"><a href="#cite_note-351">[348]</a></sup> Presley often played an instrument on his recordings and produced his own music. Presley played rhythm acoustic guitar on most of his Sun recordings and his 1950s RCA albums. He played electric bass guitar on "<a href="/wiki/(You%27re_So_Square)_Baby_I_Don%27t_Care" title="(You're So Square) Baby I Don't Care">(You're So Square) Baby I Don't Care</a>" after his bassist <a href="/wiki/Bill_Black" title="Bill Black">Bill Black</a> had trouble with the instrument.<sup id="cite_ref-RobertsRoberts2001_352-0" class="reference"><a href="#cite_note-RobertsRoberts2001-352">[349]</a></sup> Presley played the bass line including the intro. Presley played piano on songs such as "<a href="/wiki/Old_Shep" title="Old Shep">Old Shep</a>" and "First in Line" from his 1956 album <i><a href="/wiki/Elvis_(1956_album)" title="Elvis (1956 album)">Elvis</a></i>.<sup id="cite_ref-Osborne2007_353-0" class="reference"><a href="#cite_note-Osborne2007-353">[350]</a></sup> He is credited with playing piano on later albums such as <i><a href="/wiki/From_Elvis_in_Memphis" title="From Elvis in Memphis">From Elvis in Memphis</a></i> and "<a href="/wiki/Moody_Blue_(Elvis_song)" class="mw-redirect" title="Moody Blue (Elvis song)">Moody Blue</a>", and on "<a href="/wiki/Unchained_Melody" title="Unchained Melody">Unchained Melody</a>" which was one of the last songs that he recorded.<sup id="cite_ref-Duffett2018_354-0" class="reference"><a href="#cite_note-Duffett2018-354">[351]</a></sup> Presley played lead guitar on one of his successful singles called "<a href="/wiki/One_Night_(Elvis_Presley_song)" title="One Night (Elvis Presley song)">One Night</a>".<sup id="cite_ref-355" class="reference"><a href="#cite_note-355">[352]</a></sup> Presley also played guitar on one of his successful singles called "<a href="/wiki/Are_You_Lonesome_Tonight%3F_(song)" title="Are You Lonesome Tonight? (song)">Are You Lonesome Tonight</a>".<sup id="cite_ref-356" class="reference"><a href="#cite_note-356">[353]</a></sup> In the 68 Comeback Special, Elvis took over on lead electric guitar, the first time he had ever been seen with the instrument in public, playing it on songs such as "<a href="/wiki/Baby_What_You_Want_Me_to_Do" title="Baby What You Want Me to Do">Baby What You Want Me to Do</a>" and "<a href="/wiki/Lawdy_Miss_Clawdy" title="Lawdy Miss Clawdy">Lawdy Miss Clawdy</a>".<sup id="cite_ref-Marcus2015_357-0" class="reference"><a href="#cite_note-Marcus2015-357">[354]</a></sup> Elvis played the back of his guitar on some of his hits such as "<a href="/wiki/All_Shook_Up" title="All Shook Up">All Shook Up</a>", "<a href="/wiki/Don%27t_Be_Cruel" title="Don't Be Cruel">Don't Be Cruel</a>", and "<a href="/wiki/(Let_Me_Be_Your)_Teddy_Bear" title="(Let Me Be Your) Teddy Bear">(Let Me Be Your) Teddy Bear</a>", providing percussion by slapping the instrument to create a beat.<sup id="cite_ref-TrynkaBacon1996_358-0" class="reference"><a href="#cite_note-TrynkaBacon1996-358">[355]</a></sup> The album <i><a href="/wiki/Elvis_is_Back!" class="mw-redirect" title="Elvis is Back!">Elvis is Back!</a></i> features Presley playing a lot of acoustic guitar on songs such as "<a href="/wiki/I_Will_Be_Home_Again" title="I Will Be Home Again">I Will Be Home Again</a>" and "<a href="/wiki/Like_a_Baby" title="Like a Baby">Like a Baby</a>".<sup id="cite_ref-Eder2013_359-0" class="reference"><a href="#cite_note-Eder2013-359">[356]</a></sup>
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||
</p>
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||
<h3><span class="mw-headline" id="Musical_styles_and_genres">Musical styles and genres</span></h3>
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<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_Presley_and_the_Jordanaires_1957.jpg" class="image"><img alt="Photo of Elvis and the Jordanaires" src="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Elvis_Presley_and_the_Jordanaires_1957.jpg/220px-Elvis_Presley_and_the_Jordanaires_1957.jpg" decoding="async" width="220" height="175" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/8/89/Elvis_Presley_and_the_Jordanaires_1957.jpg/330px-Elvis_Presley_and_the_Jordanaires_1957.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/8/89/Elvis_Presley_and_the_Jordanaires_1957.jpg/440px-Elvis_Presley_and_the_Jordanaires_1957.jpg 2x" data-file-width="932" data-file-height="743" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_Presley_and_the_Jordanaires_1957.jpg" class="internal" title="Enlarge"></a></div>Presley with his longtime vocal backup group, the <a href="/wiki/Jordanaires" class="mw-redirect" title="Jordanaires">Jordanaires</a>, March 1957</div></div></div>
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<p>Presley was a central figure in the development of <a href="/wiki/Rockabilly" title="Rockabilly">rockabilly</a>, according to music historians. "Rockabilly crystallized into a recognizable style in 1954 with Elvis Presley's first release, on the Sun label", writes Craig Morrison.<sup id="cite_ref-FOOTNOTEMorrison1996x_360-0" class="reference"><a href="#cite_note-FOOTNOTEMorrison1996x-360">[357]</a></sup> Paul Friedlander describes the defining elements of rockabilly, which he similarly characterizes as "essentially ... an Elvis Presley construction": "the raw, emotive, and slurred vocal style and emphasis on rhythmic feeling [of] the blues with the string band and strummed rhythm guitar [of] country".<sup id="cite_ref-FOOTNOTEFriedlander199645_361-0" class="reference"><a href="#cite_note-FOOTNOTEFriedlander199645-361">[358]</a></sup> In "That's All Right", the Presley trio's first record, Scotty Moore's guitar solo, "a combination of <a href="/wiki/Merle_Travis" title="Merle Travis">Merle Travis</a>–style country finger-picking, double-stop slides from acoustic boogie, and blues-based bent-note, single-string work, is a microcosm of this fusion."<sup id="cite_ref-FOOTNOTEFriedlander199645_361-1" class="reference"><a href="#cite_note-FOOTNOTEFriedlander199645-361">[358]</a></sup> While Katherine Charlton likewise calls Presley "rockabilly's originator",<sup id="cite_ref-FOOTNOTECharlton2006103_362-0" class="reference"><a href="#cite_note-FOOTNOTECharlton2006103-362">[359]</a></sup> <a href="/wiki/Carl_Perkins" title="Carl Perkins">Carl Perkins</a> has explicitly stated that "[Sam] Phillips, Elvis, and I didn't create rockabilly"<sup id="cite_ref-FOOTNOTEJancik199816_363-0" class="reference"><a href="#cite_note-FOOTNOTEJancik199816-363">[360]</a></sup> and, according to Michael Campbell, "<a href="/wiki/Bill_Haley_(musician)" class="mw-redirect" title="Bill Haley (musician)">Bill Haley</a> recorded the first big rockabilly hit."<sup id="cite_ref-FOOTNOTECampbell2009161_364-0" class="reference"><a href="#cite_note-FOOTNOTECampbell2009161-364">[361]</a></sup> In Moore's view, too, "It had been there for quite a while, really. Carl Perkins was doing basically the same sort of thing up around <a href="/wiki/Jackson,_Tennessee" title="Jackson, Tennessee">Jackson</a>, and I know for a fact Jerry Lee Lewis had been playing that kind of music ever since he was ten years old."<sup id="cite_ref-FOOTNOTEGuralnick1989104_365-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1989104-365">[362]</a></sup>
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</p><p>At RCA Victor, Presley's rock and roll sound grew distinct from rockabilly with group chorus vocals, more heavily amplified electric guitars<sup id="cite_ref-FOOTNOTEGillett2000113_366-0" class="reference"><a href="#cite_note-FOOTNOTEGillett2000113-366">[363]</a></sup> and a tougher, more intense manner.<sup id="cite_ref-FOOTNOTEJorgensen199839_367-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199839-367">[364]</a></sup> While he was known for taking songs from various sources and giving them a rockabilly/rock and roll treatment, he also recorded songs in other genres from early in his career, from the pop standard "<a href="/wiki/Blue_Moon_(1934_song)" title="Blue Moon (1934 song)">Blue Moon</a>" at Sun Records to the country ballad "How's the World Treating You?" on his second RCA Victor LP to the blues of "Santa Claus Is Back in Town". In 1957, his first gospel record was released, the four-song EP <i><a href="/wiki/Peace_in_the_Valley_(EP)" title="Peace in the Valley (EP)">Peace in the Valley</a></i>. Certified as a million-seller, it became the top-selling gospel EP in recording history.<sup id="cite_ref-FOOTNOTEWolfe199414_368-0" class="reference"><a href="#cite_note-FOOTNOTEWolfe199414-368">[365]</a></sup> Presley would record gospel periodically for the rest of his life.
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<td class="mbox-image"><div class="center"><div class="floatnone"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/50px-Gnome-mime-audio-openclipart.svg.png" decoding="async" width="50" height="50" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/75px-Gnome-mime-audio-openclipart.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/cb/Gnome-mime-audio-openclipart.svg/100px-Gnome-mime-audio-openclipart.svg.png 2x" data-file-width="160" data-file-height="160" /></div></div></td>
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<div style="padding:4px 0"><a href="/wiki/File:Run_On.ogg" class="mw-redirect" title="File:Run On.ogg">"Run On"</a> (<span class="duration"><span class="min">0</span>:<span class="s">28</span></span>)</div>
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<div><div class="mediaContainer" style="width:233px"><audio id="mwe_player_5" controls="" preload="none" style="width:233px" class="kskin" data-durationhint="28.079682539683" data-startoffset="0" data-mwtitle="Run_On_(Elvis_Presley_song_-_sample).ogg" data-mwprovider="local"><source src="//upload.wikimedia.org/wikipedia/en/6/6d/Run_On_%28Elvis_Presley_song_-_sample%29.ogg" type="audio/ogg; codecs="vorbis"" data-title="Original Ogg file (63 kbps)" data-shorttitle="Ogg source" data-width="0" data-height="0" data-bandwidth="62755" /><source src="//upload.wikimedia.org/wikipedia/en/transcoded/6/6d/Run_On_%28Elvis_Presley_song_-_sample%29.ogg/Run_On_%28Elvis_Presley_song_-_sample%29.ogg.mp3" type="audio/mpeg" data-title="MP3" data-shorttitle="MP3" data-transcodekey="mp3" data-width="0" data-height="0" data-bandwidth="190544" /></audio></div></div>
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<div class="description" style="padding:2px 0 0 0">From <i><a href="/wiki/How_Great_Thou_Art_(Elvis_Presley_album)" title="How Great Thou Art (Elvis Presley album)">How Great Thou Art</a></i> (1967), a traditional song popular in the black gospel tradition. The arrangement evokes "the percussive style of the 1930s <a href="/wiki/Golden_Gate_Quartet" title="Golden Gate Quartet">Golden Gate Quartet</a>."<sup id="cite_ref-FOOTNOTEWolfe199422_369-0" class="reference"><a href="#cite_note-FOOTNOTEWolfe199422-369">[366]</a></sup><sup id="cite_ref-FOOTNOTEKeogh2004184_370-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh2004184-370">[367]</a></sup></div></div></td></tr>
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<tr><td colspan="2" class="mbox-text" style="line-height:1.1em"><hr /><i class="selfreference">Problems playing this file? See <a href="/wiki/Help:Media" title="Help:Media">media help</a>.</i></td></tr>
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<p>After his return from military service in 1960, Presley continued to perform rock and roll, but the characteristic style was substantially toned down. His first post-Army single, the number-one hit "Stuck on You", is typical of this shift. RCA Victor publicity referred to its "mild rock beat"; discographer Ernst Jorgensen calls it "upbeat pop".<sup id="cite_ref-FOOTNOTEJorgensen1998123_371-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998123-371">[368]</a></sup> The number five "<a href="/wiki/She%27s_Not_You" title="She's Not You">She's Not You</a>" (1962) "integrates the Jordanaires so completely, it's practically doo-wop".<sup id="cite_ref-FOOTNOTEMarsh1982145_372-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1982145-372">[369]</a></sup> The modern blues/R&B sound captured with success on <i>Elvis Is Back!</i> was essentially abandoned for six years until such 1966–67 recordings as "<a href="/wiki/Down_in_the_Alley_(The_Clovers_song)" class="mw-redirect" title="Down in the Alley (The Clovers song)">Down in the Alley</a>" and "<a href="/wiki/Hi-Heel_Sneakers" title="Hi-Heel Sneakers">Hi-Heel Sneakers</a>".<sup id="cite_ref-FOOTNOTEJorgensen1998213,_237_373-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998213,_237-373">[370]</a></sup> Presley's output during most of the 1960s emphasized pop music, often in the form of ballads such as "Are You Lonesome Tonight?", a number-one in 1960. "It's Now or Never", which also topped the chart that year, was a classically influenced variation of pop based on the Neapolitan song "<a href="/wiki/%27O_sole_mio" title="'O sole mio">'O sole mio</a>" and concluding with a "full-voiced operatic cadence".<sup id="cite_ref-FOOTNOTEGuralnick199965_374-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199965-374">[371]</a></sup> These were both dramatic numbers, but most of what Presley recorded for his many film soundtracks was in a much lighter vein.<sup id="cite_ref-FOOTNOTEJorgensen1998142–43_375-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998142–43-375">[372]</a></sup>
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</p><p>While Presley performed several of his classic ballads for the <i><a href="/wiki/%2768_Comeback_Special" class="mw-redirect" title="'68 Comeback Special">'68 Comeback Special</a></i>, the sound of the show was dominated by aggressive rock and roll. He recorded few new straight rock and roll songs thereafter; as he explained, they had become "hard to find".<sup id="cite_ref-FOOTNOTEJorgensen1998343_376-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998343-376">[373]</a></sup> A significant exception was "Burning Love", his last major hit on the pop charts. Like his work of the 1950s, Presley's subsequent recordings reworked pop and country songs, but in markedly different permutations. His stylistic range now began to embrace a more contemporary rock sound as well as soul and <a href="/wiki/Funk" title="Funk">funk</a>. Much of <i>Elvis in Memphis</i>, as well as "Suspicious Minds", cut at the same sessions, reflected this new rock and soul fusion. In the mid-1970s, many of his singles found a home on country radio, the field where he first became a star.<sup id="cite_ref-FOOTNOTEPonce_de_Leon2007199_377-0" class="reference"><a href="#cite_note-FOOTNOTEPonce_de_Leon2007199-377">[374]</a></sup>
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</p>
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<h3><span class="mw-headline" id="Vocal_style_and_range">Vocal style and range</span></h3>
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<p>The developmental arc of Presley's singing voice, as described by critic Dave Marsh, goes from "high and thrilled in the early days, [to] lower and perplexed in the final months."<sup id="cite_ref-FOOTNOTEMarsh1982234_378-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1982234-378">[375]</a></sup> Marsh credits Presley with the introduction of the "vocal stutter" on 1955's "<a href="/wiki/Baby_Let%27s_Play_House" title="Baby Let's Play House">Baby Let's Play House</a>".<sup id="cite_ref-FOOTNOTEMarsh1989317_379-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1989317-379">[376]</a></sup> When on "Don't Be Cruel", Presley "slides into a 'mmmmm' that marks the transition between the first two verses," he shows "how masterful his relaxed style really is."<sup id="cite_ref-FOOTNOTEMarsh198991_380-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh198991-380">[377]</a></sup> Marsh describes the vocal performance on "Can't Help Falling in Love" as one of "gentle insistence and delicacy of phrasing", with the line <span style="padding-right:.15em;">"</span>'Shall I stay' pronounced as if the words are fragile as crystal".<sup id="cite_ref-FOOTNOTEMarsh1989490_381-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1989490-381">[378]</a></sup>
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</p>
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<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_Presley_first_national_television_appearance_1956.jpg" class="image"><img alt="Publicity photo of Elvis playing guitar" src="//upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Elvis_Presley_first_national_television_appearance_1956.jpg/220px-Elvis_Presley_first_national_television_appearance_1956.jpg" decoding="async" width="220" height="288" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Elvis_Presley_first_national_television_appearance_1956.jpg/330px-Elvis_Presley_first_national_television_appearance_1956.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/5/5d/Elvis_Presley_first_national_television_appearance_1956.jpg/440px-Elvis_Presley_first_national_television_appearance_1956.jpg 2x" data-file-width="567" data-file-height="741" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_Presley_first_national_television_appearance_1956.jpg" class="internal" title="Enlarge"></a></div>Publicity photo for the CBS program <i>Stage Show</i>, January 16, 1956</div></div></div>
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<p>Jorgensen calls the 1966 recording of "How Great Thou Art" "an extraordinary fulfillment of his vocal ambitions", as Presley "crafted for himself an ad-hoc arrangement in which he took every part of the four-part vocal, from [the] bass intro to the soaring heights of the song's operatic climax", becoming "a kind of one-man quartet".<sup id="cite_ref-FOOTNOTEJorgensen1998212_382-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998212-382">[379]</a></sup> Guralnick finds "<a href="/wiki/Stand_by_Me_(Charles_Albert_Tindley_song)" title="Stand by Me (Charles Albert Tindley song)">Stand By Me</a>" from the same gospel sessions "a beautifully articulated, almost nakedly yearning performance," but, by contrast, feels that Presley reaches beyond his powers on "Where No One Stands Alone", resorting "to a kind of inelegant bellowing to push out a sound" that Jake Hess of the Statesmen Quartet had in his command. Hess himself thought that while others might have voices the equal of Presley's, "he had that certain something that everyone searches for all during their lifetime."<sup id="cite_ref-FOOTNOTEGuralnick1999232_383-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999232-383">[380]</a></sup> Guralnick attempts to pinpoint that something: "The warmth of his voice, his controlled use of both vibrato technique and natural falsetto range, the subtlety and deeply felt conviction of his singing were all qualities recognizably belonging to his talent but just as recognizably not to be achieved without sustained dedication and effort."<sup id="cite_ref-FOOTNOTEGuralnick1999231_384-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999231-384">[381]</a></sup>
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</p><p>Marsh praises his 1968 reading of "<a href="/wiki/U.S._Male" title="U.S. Male">U.S. Male</a>", "bearing down on the hard guy lyrics, not sending them up or overplaying them but tossing them around with that astonishingly tough yet gentle assurance that he brought to his Sun records."<sup id="cite_ref-FOOTNOTEMarsh1989424_385-0" class="reference"><a href="#cite_note-FOOTNOTEMarsh1989424-385">[382]</a></sup> The performance on "In the Ghetto" is, according to Jorgensen, "devoid of any of his characteristic vocal tricks or mannerisms", instead relying on the exceptional "clarity and sensitivity of his voice".<sup id="cite_ref-FOOTNOTEJorgensen1998271_386-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998271-386">[383]</a></sup> Guralnick describes the song's delivery as of "almost translucent eloquence ... so quietly confident in its simplicity".<sup id="cite_ref-FOOTNOTEGuralnick1999332_387-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999332-387">[384]</a></sup> On "Suspicious Minds", Guralnick hears essentially the same "remarkable mixture of tenderness and poise", but supplemented with "an expressive quality somewhere between stoicism (at suspected infidelity) and anguish (over impending loss)".<sup id="cite_ref-FOOTNOTEGuralnick1999335_388-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999335-388">[385]</a></sup>
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</p><p>Music critic <a href="/wiki/Henry_Pleasants_(music_critic)" title="Henry Pleasants (music critic)">Henry Pleasants</a> observes that "Presley has been described variously as a <a href="/wiki/Baritone" title="Baritone">baritone</a> and a <a href="/wiki/Tenor" title="Tenor">tenor</a>. An extraordinary compass ... and a very wide range of vocal color have something to do with this divergence of opinion."<sup id="cite_ref-FOOTNOTEPleasants2004260_389-0" class="reference"><a href="#cite_note-FOOTNOTEPleasants2004260-389">[386]</a></sup> He identifies Presley as a high baritone, calculating his range as two <a href="/wiki/Octave" title="Octave">octaves</a> and a third, "from the baritone low <a href="/wiki/G_(musical_note)" title="G (musical note)">G</a> to the tenor high <a href="/wiki/B_(musical_note)" title="B (musical note)">B</a>, with an upward extension in <a href="/wiki/Falsetto" title="Falsetto">falsetto</a> to at least a D-flat. Presley's best octave is in the middle, D-flat to D-flat, granting an extra full step up or down."<sup id="cite_ref-FOOTNOTEPleasants2004260_389-1" class="reference"><a href="#cite_note-FOOTNOTEPleasants2004260-389">[386]</a></sup> In Pleasants' view, his voice was "variable and unpredictable" at the bottom, "often brilliant" at the top, with the capacity for "full-voiced high Gs and <a href="/wiki/A_(musical_note)" title="A (musical note)">As</a> that an opera baritone might envy".<sup id="cite_ref-FOOTNOTEPleasants2004260_389-2" class="reference"><a href="#cite_note-FOOTNOTEPleasants2004260-389">[386]</a></sup> Scholar Lindsay Waters, who figures Presley's range as two-and-a-quarter octaves, emphasizes that "his voice had an emotional range from tender whispers to sighs down to shouts, grunts, grumbles, and sheer gruffness that could move the listener from calmness and surrender, to fear. His voice can not be measured in octaves, but in decibels; even that misses the problem of how to measure delicate whispers that are hardly audible at all."<sup id="cite_ref-FOOTNOTEWaters2003205_390-0" class="reference"><a href="#cite_note-FOOTNOTEWaters2003205-390">[387]</a></sup> Presley was always "able to duplicate the open, hoarse, ecstatic, screaming, shouting, wailing, reckless sound of the black rhythm-and-blues and gospel singers", writes Pleasants, and also demonstrated a remarkable ability to assimilate many other vocal styles.<sup id="cite_ref-FOOTNOTEPleasants2004260_389-3" class="reference"><a href="#cite_note-FOOTNOTEPleasants2004260-389">[386]</a></sup>
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</p>
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<h2><span class="mw-headline" id="Public_image">Public image</span></h2>
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<h3><span class="mw-headline" id="Relationship_with_the_African-American_community">Relationship with the African-American community</span></h3>
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<p>When Dewey Phillips first aired "That's All Right" on Memphis' <a href="/wiki/WHBQ_(AM)" title="WHBQ (AM)">WHBQ</a>, many listeners who contacted the station by phone and telegram to ask for it again assumed that its singer was black.<sup id="cite_ref-FOOTNOTEGuralnick1994100–01_59-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994100–01-59">[58]</a></sup> From the beginning of his national fame, Presley expressed respect for African-American performers and their music, and disregard for the norms of segregation and racial prejudice then prevalent in the South. Interviewed in 1956, he recalled how in his childhood he would listen to blues musician <a href="/wiki/Arthur_Crudup" title="Arthur Crudup">Arthur Crudup</a>—the originator of "That's All Right"—"bang his box the way I do now, and I said if I ever got to the place where I could feel all old Arthur felt, I'd be a music man like nobody ever saw."<sup id="cite_ref-FOOTNOTEGuralnick2004_43-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-43">[42]</a></sup> <i>The Memphis World</i>, an African-American newspaper, reported that Presley, "the rock 'n' roll phenomenon", "cracked Memphis' segregation laws" by attending the local amusement park on what was designated as its "colored night".<sup id="cite_ref-FOOTNOTEGuralnick2004_43-2" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-43">[42]</a></sup> Such statements and actions led Presley to be generally hailed in the black community during the early days of his stardom.<sup id="cite_ref-FOOTNOTEGuralnick2004_43-3" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-43">[42]</a></sup> In contrast, many white adults, according to <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s Arnold Shaw, "did not like him, and condemned him as depraved. Anti-negro prejudice doubtless figured in adult antagonism. Regardless of whether parents were aware of the Negro sexual origins of the phrase 'rock 'n' roll', Presley impressed them as the visual and aural embodiment of sex."<sup id="cite_ref-FOOTNOTEDenisoff197522_391-0" class="reference"><a href="#cite_note-FOOTNOTEDenisoff197522-391">[388]</a></sup>
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</p><p>Despite the largely positive view of Presley held by African Americans, a rumor spread in mid-1957 that he had at some point announced, "The only thing Negroes can do for me is buy my records and shine my shoes." A journalist with the national African-American weekly <i><a href="/wiki/Jet_magazine" class="mw-redirect" title="Jet magazine">Jet</a></i>, Louie Robinson, pursued the story. On the set of <i><a href="/wiki/Jailhouse_Rock_(1957_film)" class="mw-redirect" title="Jailhouse Rock (1957 film)">Jailhouse Rock</a></i>, Presley granted Robinson an interview, though he was no longer dealing with the mainstream press. He denied making such a statement: "I never said anything like that, and people who know me know that I wouldn't have said it. ... A lot of people seem to think I started this business. But rock 'n' roll was here a long time before I came along. Nobody can sing that kind of music like colored people. Let's face it: I can't sing like <a href="/wiki/Fats_Domino" title="Fats Domino">Fats Domino</a> can. I know that."<sup id="cite_ref-FOOTNOTEWilliams2012_392-0" class="reference"><a href="#cite_note-FOOTNOTEWilliams2012-392">[389]</a></sup> Robinson found no evidence that the remark had ever been made, and on the contrary elicited testimony from many individuals indicating that Presley was anything but racist.<sup id="cite_ref-FOOTNOTEGuralnick2004_43-4" class="reference"><a href="#cite_note-FOOTNOTEGuralnick2004-43">[42]</a></sup><sup id="cite_ref-FOOTNOTEPilgrim2006_393-0" class="reference"><a href="#cite_note-FOOTNOTEPilgrim2006-393">[390]</a></sup> Blues singer <a href="/wiki/Ivory_Joe_Hunter" title="Ivory Joe Hunter">Ivory Joe Hunter</a>, who had heard the rumor before he visited Graceland one evening, reported of Presley, "He showed me every courtesy, and I think he's one of the greatest."<sup id="cite_ref-FOOTNOTEGuralnick1994426_394-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994426-394">[391]</a></sup> Though the rumored remark was discredited, it was still being used against Presley decades later.<sup id="cite_ref-FOOTNOTEKolawole2002_395-0" class="reference"><a href="#cite_note-FOOTNOTEKolawole2002-395">[392]</a></sup> The identification of Presley with racism—either personally or symbolically—was expressed in the lyrics of the 1989 rap hit "<a href="/wiki/Fight_the_Power_(Public_Enemy_song)" title="Fight the Power (Public Enemy song)">Fight the Power</a>", by <a href="/wiki/Public_Enemy_(group)" class="mw-redirect" title="Public Enemy (group)">Public Enemy</a>: "Elvis was a hero to most / But he never meant shit to me / Straight-up racist that sucker was / Simple and plain/ Motherfuck him and <a href="/wiki/John_Wayne" title="John Wayne">John Wayne</a>".<sup id="cite_ref-FOOTNOTEMyrie2009123–24_396-0" class="reference"><a href="#cite_note-FOOTNOTEMyrie2009123–24-396">[393]</a></sup>
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</p><p>The persistence of such attitudes was fueled by resentment over the fact that Presley, whose musical and visual performance idiom owed much to African-American sources, achieved the cultural acknowledgement and commercial success largely denied his black peers.<sup id="cite_ref-FOOTNOTEPilgrim2006_393-1" class="reference"><a href="#cite_note-FOOTNOTEPilgrim2006-393">[390]</a></sup> Into the 21st century, the notion that Presley had "stolen" black music still found adherents.<sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:AUDIENCE" class="mw-redirect" title="Wikipedia:AUDIENCE"><span title="An editor has requested that an example be provided. (June 2020)"><span style="padding-right:0.1em;">example needed</span></span></a></i>]</sup><sup id="cite_ref-FOOTNOTEKolawole2002_395-1" class="reference"><a href="#cite_note-FOOTNOTEKolawole2002-395">[392]</a></sup><sup id="cite_ref-FOOTNOTEMyrie2009123–24_396-1" class="reference"><a href="#cite_note-FOOTNOTEMyrie2009123–24-396">[393]</a></sup> Notable among African-American entertainers expressly rejecting this view was <a href="/wiki/Jackie_Wilson" title="Jackie Wilson">Jackie Wilson</a>, who argued, "A lot of people have accused Elvis of stealing the black man's music, when in fact, almost every black solo entertainer copied his stage mannerisms from Elvis."<sup id="cite_ref-FOOTNOTEMasley2002_397-0" class="reference"><a href="#cite_note-FOOTNOTEMasley2002-397">[394]</a></sup> Moreover, Presley also acknowledged his debt to African-American musicians throughout his career. Addressing his '68 Comeback Special audience, he said, "Rock 'n' roll music is basically gospel or rhythm and blues, or it sprang from that. People have been adding to it, adding instruments to it, experimenting with it, but it all boils down to [that]."<sup id="cite_ref-FOOTNOTEOsborne2000207_398-0" class="reference"><a href="#cite_note-FOOTNOTEOsborne2000207-398">[395]</a></sup> Nine years earlier, he had said, "Rock 'n' roll has been around for many years. It used to be called rhythm and blues."<sup id="cite_ref-FOOTNOTEBertrand2000198_399-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand2000198-399">[396]</a></sup>
|
||
</p>
|
||
<h3><span class="mw-headline" id="Sex_symbol">Sex symbol</span></h3>
|
||
<div class="thumb tright"><div class="thumbinner" style="width:292px;"><a href="/wiki/File:Girls_Girls_Girls_Poster_B.jpg" class="image"><img alt="Film poster with Presley on the left, holding a young woman around the waist, her arms draped over his shoulders. To the right, five young women wearing bathing suits and holding guitars stand in a row. The one in front taps Presley on the shoulder. Along with title and credits is the tagline "Climb aboard your dreamboat for the fastest-movin' fun 'n' music!"" src="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Girls_Girls_Girls_Poster_B.jpg/290px-Girls_Girls_Girls_Poster_B.jpg" decoding="async" width="290" height="226" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Girls_Girls_Girls_Poster_B.jpg/435px-Girls_Girls_Girls_Poster_B.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Girls_Girls_Girls_Poster_B.jpg/580px-Girls_Girls_Girls_Poster_B.jpg 2x" data-file-width="1921" data-file-height="1500" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Girls_Girls_Girls_Poster_B.jpg" class="internal" title="Enlarge"></a></div>Poster for the film <i><a href="/wiki/Girls!_Girls!_Girls!" title="Girls! Girls! Girls!">Girls! Girls! Girls!</a></i> (1962), visualizing Presley's sex symbol image</div></div></div>
|
||
<p>Presley's physical attractiveness and sexual appeal were widely acknowledged. "He was once beautiful, astonishingly beautiful", according to critic <a href="/wiki/Mark_Feeney" title="Mark Feeney">Mark Feeney</a>.<sup id="cite_ref-FOOTNOTEFeeney2010_400-0" class="reference"><a href="#cite_note-FOOTNOTEFeeney2010-400">[397]</a></sup> Television director Steve Binder, no fan of Presley's music before he oversaw the '68 Comeback Special, reported, "I'm straight as an arrow and I got to tell you, you stop, whether you're male or female, to look at him. He was that good looking. And if you never knew he was a superstar, it wouldn't make any difference; if he'd walked in the room, you'd know somebody special was in your presence."<sup id="cite_ref-FOOTNOTEAshley200976_401-0" class="reference"><a href="#cite_note-FOOTNOTEAshley200976-401">[398]</a></sup> His performance style, as much as his physical beauty, was responsible for Presley's eroticized image. Writing in 1970, critic <a href="/wiki/George_Melly" title="George Melly">George Melly</a> described him as "the master of the sexual simile, treating his guitar as both phallus and girl".<sup id="cite_ref-FOOTNOTERodman199658_402-0" class="reference"><a href="#cite_note-FOOTNOTERodman199658-402">[399]</a></sup> In his Presley obituary, <a href="/wiki/Lester_Bangs" title="Lester Bangs">Lester Bangs</a> credited him as "the man who brought overt blatant vulgar sexual frenzy to the popular arts in America".<sup id="cite_ref-FOOTNOTERodman199658–59_403-0" class="reference"><a href="#cite_note-FOOTNOTERodman199658–59-403">[400]</a></sup> Ed Sullivan's declaration that he perceived a soda bottle in Presley's trousers was echoed by rumors involving a similarly positioned toilet roll tube or lead bar.<sup id="cite_ref-FOOTNOTEGarber1997366_404-0" class="reference"><a href="#cite_note-FOOTNOTEGarber1997366-404">[401]</a></sup>
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||
</p><p>While Presley was marketed as an icon of heterosexuality, some cultural critics have argued that his image was ambiguous. In 1959, <i><a href="/wiki/Sight_and_Sound" class="mw-redirect" title="Sight and Sound">Sight and Sound</a></i><span class="nowrap" style="padding-left:0.1em;">'</span>s Peter John Dyer described his onscreen persona as "aggressively bisexual in appeal".<sup id="cite_ref-FOOTNOTEDyer1959–196030_405-0" class="reference"><a href="#cite_note-FOOTNOTEDyer1959–196030-405">[402]</a></sup> Brett Farmer places the "orgasmic gyrations" of the title dance sequence in <i>Jailhouse Rock</i> within a lineage of cinematic musical numbers that offer a "spectacular eroticization, if not homoeroticization, of the male image".<sup id="cite_ref-FOOTNOTEFarmer200086_406-0" class="reference"><a href="#cite_note-FOOTNOTEFarmer200086-406">[403]</a></sup> In the analysis of <a href="/wiki/Yvonne_Tasker" title="Yvonne Tasker">Yvonne Tasker</a>, "Elvis was an ambivalent figure who articulated a peculiar feminised, objectifying version of white working-class masculinity as aggressive sexual display."<sup id="cite_ref-FOOTNOTETasker2007208_407-0" class="reference"><a href="#cite_note-FOOTNOTETasker2007208-407">[404]</a></sup>
|
||
</p><p>Reinforcing Presley's image as a sex symbol were the reports of his dalliances with various Hollywood stars and starlets, from <a href="/wiki/Natalie_Wood" title="Natalie Wood">Natalie Wood</a> in the 1950s to <a href="/wiki/Connie_Stevens" title="Connie Stevens">Connie Stevens</a> and <a href="/wiki/Ann-Margret" title="Ann-Margret">Ann-Margret</a> in the 1960s to <a href="/wiki/Candice_Bergen" title="Candice Bergen">Candice Bergen</a> and <a href="/wiki/Cybill_Shepherd" title="Cybill Shepherd">Cybill Shepherd</a> in the 1970s. <a href="/wiki/June_Juanico" title="June Juanico">June Juanico</a> of Memphis, one of Presley's early girlfriends, later blamed Parker for encouraging him to choose his dating partners with publicity in mind.<sup id="cite_ref-FOOTNOTEStein1997_223-1" class="reference"><a href="#cite_note-FOOTNOTEStein1997-223">[220]</a></sup> Presley never grew comfortable with the Hollywood scene, and most of these relationships were insubstantial.<sup id="cite_ref-FOOTNOTEKirchbergHendrickx1999109_408-0" class="reference"><a href="#cite_note-FOOTNOTEKirchbergHendrickx1999109-408">[405]</a></sup>
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||
</p>
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||
<h3><span class="mw-headline" id="Equestrian">Equestrian</span></h3>
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||
<p>Elvis kept several horses at <a href="/wiki/Graceland" title="Graceland">Graceland</a>, and horses remain important to the Graceland estate. A local former teacher, Alene Alexander, has taken care of the horses at Graceland for 38 years. She and <a href="/wiki/Priscilla_Presley" title="Priscilla Presley">Priscilla Presley</a> have a love for horses and have formed a special friendship. It was because of Priscilla that Elvis brought horses to Graceland.
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||
"He got me my first horse as a Christmas present – Domino," said Priscilla Presley. Alexander now serves as Graceland's Ambassador. She is one of three of the original staff members still working at the estate.<sup id="cite_ref-409" class="reference"><a href="#cite_note-409">[406]</a></sup>
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||
</p><p>The horse named Palomino Rising Sun was Elvis' favorite horse, and there are many photographs of him riding him.<sup id="cite_ref-410" class="reference"><a href="#cite_note-410">[407]</a></sup>
|
||
</p>
|
||
<h2><span class="mw-headline" id="Associates">Associates</span></h2>
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||
<h3><span class="mw-headline" id="Colonel_Parker_and_the_Aberbachs">Colonel Parker and the Aberbachs</span></h3>
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<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Colonel_Tom_Parker" title="Colonel Tom Parker">Colonel Tom Parker</a></div>
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||
<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_Presley_and_Colonel_Tom_Parker_1969.jpg" class="image"><img alt="Photo of Elvis and Colonel Tom Parker" src="//upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Elvis_Presley_and_Colonel_Tom_Parker_1969.jpg/220px-Elvis_Presley_and_Colonel_Tom_Parker_1969.jpg" decoding="async" width="220" height="282" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Elvis_Presley_and_Colonel_Tom_Parker_1969.jpg/330px-Elvis_Presley_and_Colonel_Tom_Parker_1969.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/b/b5/Elvis_Presley_and_Colonel_Tom_Parker_1969.jpg/440px-Elvis_Presley_and_Colonel_Tom_Parker_1969.jpg 2x" data-file-width="1080" data-file-height="1385" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_Presley_and_Colonel_Tom_Parker_1969.jpg" class="internal" title="Enlarge"></a></div>Presley and Colonel Tom Parker, 1969</div></div></div>
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||
<p>Once he became Presley's manager, Colonel Tom Parker insisted on exceptionally tight control over his client's career. Early on, he and his Hill and Range allies, the brothers <a href="/wiki/Jean_Aberbach" title="Jean Aberbach">Jean</a> and <a href="/wiki/Julian_Aberbach" title="Julian Aberbach">Julian Aberbach</a>, perceived the close relationship that developed between Presley and songwriters <a href="/wiki/Jerry_Leiber_and_Mike_Stoller" title="Jerry Leiber and Mike Stoller">Jerry Leiber and Mike Stoller</a> as a serious threat to that control.<sup id="cite_ref-FOOTNOTEGuralnick1994415–17,_448–49_411-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994415–17,_448–49-411">[408]</a></sup> Parker effectively ended the relationship, deliberately or not, with the new contract he sent Leiber in early 1958. Leiber thought there was a mistake—the sheet of paper was blank except for Parker's signature and a line on which to enter his. "There's no mistake, boy, just sign it and return it", Parker directed. "Don't worry, we'll fill it in later." Leiber declined, and Presley's fruitful collaboration with the writing team was over.<sup id="cite_ref-FOOTNOTEGuralnick1994452–53_412-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994452–53-412">[409]</a></sup> Other respected songwriters lost interest in or simply avoided writing for Presley because of the requirement that they surrender a third of their usual royalties.<sup id="cite_ref-FOOTNOTEJorgensen1998198_413-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998198-413">[410]</a></sup>
|
||
</p><p>By 1967, Parker's contracts gave him 50 percent of most of Presley's earnings from recordings, films, and merchandise.<sup id="cite_ref-FOOTNOTEGuralnick1999248_414-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999248-414">[411]</a></sup> Beginning in February 1972, he took a third of the profit from live appearances;<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999304,_365_415-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999304,_365-415">[412]</a></sup> a January 1976 agreement entitled him to half of that as well.<sup id="cite_ref-FOOTNOTEGuralnickJorgensen1999358,_375_416-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnickJorgensen1999358,_375-416">[413]</a></sup> Priscilla Presley noted that "Elvis detested the business side of his career. He would sign a contract without even reading it."<sup id="cite_ref-FOOTNOTEPresley1985188_417-0" class="reference"><a href="#cite_note-FOOTNOTEPresley1985188-417">[414]</a></sup> Presley's friend Marty Lacker regarded Parker as a "hustler and a con artist. He was only interested in 'now money'—get the buck and get gone."<sup id="cite_ref-FOOTNOTENash2005290_418-0" class="reference"><a href="#cite_note-FOOTNOTENash2005290-418">[415]</a></sup>
|
||
</p><p>Lacker was instrumental in convincing Presley to record with Memphis producer <a href="/wiki/Chips_Moman" title="Chips Moman">Chips Moman</a> and his handpicked musicians at American Sound Studio in early 1969. The American Sound sessions represented a significant departure from the control customarily exerted by Hill and Range. Moman still had to deal with the publisher's staff on-site, whose song suggestions he regarded as unacceptable. He was on the verge of quitting until Presley ordered the Hill and Range personnel out of the studio.<sup id="cite_ref-FOOTNOTEClaytonHeard2003262–65_419-0" class="reference"><a href="#cite_note-FOOTNOTEClaytonHeard2003262–65-419">[416]</a></sup> Although RCA executive Joan Deary was later full of praise for the producer's song choices and the quality of the recordings,<sup id="cite_ref-FOOTNOTEClaytonHeard2003267_420-0" class="reference"><a href="#cite_note-FOOTNOTEClaytonHeard2003267-420">[417]</a></sup> Moman, to his fury, received neither credit on the records nor royalties for his work.<sup id="cite_ref-FOOTNOTEJorgensen1998281_421-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998281-421">[418]</a></sup>
|
||
</p><p>Throughout his entire career, Presley performed in only three venues outside the United States—all of them in Canada, during brief tours there in 1957.<sup id="cite_ref-FOOTNOTENash2003186_422-0" class="reference"><a href="#cite_note-FOOTNOTENash2003186-422">[419]</a></sup> In 1968, he remarked, "Before too long I'm going to make some personal appearance tours. I'll probably start out here in this country and after that, play some concerts abroad, probably starting in Europe. I want to see some places I've never seen before."<sup id="cite_ref-FOOTNOTEHopkins2007215_208-1" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007215-208">[205]</a></sup> Rumors that he would play overseas for the first time were fueled in 1974 by a million-dollar bid for an Australian tour. Parker was uncharacteristically reluctant, prompting those close to Presley to speculate about the manager's past and the reasons for his evident unwillingness to apply for a passport.<sup id="cite_ref-FOOTNOTENash2003187_423-0" class="reference"><a href="#cite_note-FOOTNOTENash2003187-423">[420]</a></sup> After Presley's death, it was revealed that Parker was born Andreas Cornelis van Kuijk in the Netherlands; having immigrated illegally to the U.S., he had reason to fear that if he left the country, he would not be allowed back in again.<sup id="cite_ref-FOOTNOTENash200564,_478_424-0" class="reference"><a href="#cite_note-FOOTNOTENash200564,_478-424">[421]</a></sup> Parker ultimately squelched any notions Presley had of working abroad, claiming that foreign security was poor and the venues unsuitable for a star of his magnitude.<sup id="cite_ref-FOOTNOTEStanleyCoffey1998123_425-0" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey1998123-425">[422]</a></sup>
|
||
</p><p>Parker arguably exercised tightest control over Presley's film career. Hal Wallis said, "I'd rather try and close a deal with the devil" than with Parker. Fellow film producer <a href="/wiki/Sam_Katzman" title="Sam Katzman">Sam Katzman</a> described him as "the biggest con artist in the world".<sup id="cite_ref-FOOTNOTEHopkins2007192_426-0" class="reference"><a href="#cite_note-FOOTNOTEHopkins2007192-426">[423]</a></sup> In 1957, <a href="/wiki/Robert_Mitchum" title="Robert Mitchum">Robert Mitchum</a> asked Presley to costar with him in <i><a href="/wiki/Thunder_Road_(1958_film)" title="Thunder Road (1958 film)">Thunder Road</a></i>, which Mitchum was producing and writing.<sup id="cite_ref-FOOTNOTEBrownBroeske1997125_427-0" class="reference"><a href="#cite_note-FOOTNOTEBrownBroeske1997125-427">[424]</a></sup> According to George Klein, one of his oldest friends, Presley was also offered starring roles in <i><a href="/wiki/West_Side_Story_(1961_film)" title="West Side Story (1961 film)">West Side Story</a></i> and <i><a href="/wiki/Midnight_Cowboy" title="Midnight Cowboy">Midnight Cowboy</a></i>.<sup id="cite_ref-FOOTNOTEClaytonHeard2003226_428-0" class="reference"><a href="#cite_note-FOOTNOTEClaytonHeard2003226-428">[425]</a></sup> In 1974, <a href="/wiki/Barbra_Streisand" title="Barbra Streisand">Barbra Streisand</a> approached Presley to star with her in the remake of <i><a href="/wiki/A_Star_Is_Born_(1976_film)" title="A Star Is Born (1976 film)">A Star is Born</a></i>.<sup id="cite_ref-FOOTNOTEGuralnick1999563–65_429-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999563–65-429">[426]</a></sup> In each case, any ambitions Presley may have had to play such parts were thwarted by his manager's negotiating demands or flat refusals. In Lacker's description, "The only thing that kept Elvis going after the early years was a new challenge. But Parker kept running everything into the ground."<sup id="cite_ref-FOOTNOTENash2005290_418-1" class="reference"><a href="#cite_note-FOOTNOTENash2005290-418">[415]</a></sup> The prevailing attitude may have been summed up best by the response Leiber and Stoller received when they brought a serious film project for Presley to Parker and the Hill and Range owners for their consideration. In Leiber's telling, Jean Aberbach warned them to never again "try to interfere with the business or artistic workings of the process known as Elvis Presley".<sup id="cite_ref-FOOTNOTEGuralnick1994449_192-1" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1994449-192">[189]</a></sup>
|
||
</p>
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||
<h3><span class="mw-headline" id="Memphis_Mafia">Memphis Mafia</span></h3>
|
||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Memphis_Mafia" title="Memphis Mafia">Memphis Mafia</a></div>
|
||
<p>In the early 1960s, the circle of friends with whom Presley constantly surrounded himself until his death came to be known as the "Memphis Mafia".<sup id="cite_ref-FOOTNOTEPonce_de_Leon2007139–40_430-0" class="reference"><a href="#cite_note-FOOTNOTEPonce_de_Leon2007139–40-430">[427]</a></sup> "Surrounded by the[ir] parasitic presence", as journalist <a href="/wiki/John_Harris_(critic)" title="John Harris (critic)">John Harris</a> puts it, "it was no wonder that as he slid into addiction and torpor, no-one raised the alarm: to them, Elvis was the bank, and it had to remain open."<sup id="cite_ref-FOOTNOTEHarris2006_431-0" class="reference"><a href="#cite_note-FOOTNOTEHarris2006-431">[428]</a></sup> <a href="/wiki/Tony_Brown_(record_producer)" title="Tony Brown (record producer)">Tony Brown</a>, who played piano for Presley regularly in the last two years of Presley's life, observed his rapidly declining health and the urgent need to address it: "But we all knew it was hopeless because Elvis was surrounded by that little circle of people ... all those so-called friends".<sup id="cite_ref-FOOTNOTEClaytonHeard2003339_432-0" class="reference"><a href="#cite_note-FOOTNOTEClaytonHeard2003339-432">[429]</a></sup> In the Memphis Mafia's defense, Marty Lacker has said, "[Presley] was his own man. ... If we hadn't been around, he would have been dead a lot earlier."<sup id="cite_ref-FOOTNOTEConnelly2008148_433-0" class="reference"><a href="#cite_note-FOOTNOTEConnelly2008148-433">[430]</a></sup>
|
||
</p><p><a href="/wiki/Larry_Geller" title="Larry Geller">Larry Geller</a> became Presley's hairdresser in 1964. Unlike others in the Memphis Mafia, he was interested in spiritual questions and recalls how, from their first conversation, Presley revealed his secret thoughts and anxieties: "I mean there <i>has</i> to be a purpose ... there's got to be a reason ... why I was chosen to be Elvis Presley. ... I swear to God, no one knows how lonely I get. And how empty I really feel."<sup id="cite_ref-FOOTNOTEGuralnick1999174_434-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999174-434">[431]</a></sup> Thereafter, Geller supplied him with books on religion and mysticism, which Presley read voraciously.<sup id="cite_ref-FOOTNOTEGuralnick1999175_435-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick1999175-435">[432]</a></sup> Presley would be preoccupied by such matters for much of his life, taking trunkloads of books on tour.<sup id="cite_ref-FOOTNOTEHigginbotham2002_263-4" class="reference"><a href="#cite_note-FOOTNOTEHigginbotham2002-263">[260]</a></sup>
|
||
</p>
|
||
<h2><span class="mw-headline" id="Legacy">Legacy</span></h2>
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||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">Further information: <a href="/wiki/Cultural_impact_of_Elvis_Presley" title="Cultural impact of Elvis Presley">Cultural impact of Elvis Presley</a>, <a href="/wiki/Cultural_depictions_of_Elvis_Presley" title="Cultural depictions of Elvis Presley">Cultural depictions of Elvis Presley</a>, <a href="/wiki/Elvis_has_left_the_building" title="Elvis has left the building">Elvis has left the building</a>, and <a href="/wiki/List_of_songs_about_or_referencing_Elvis_Presley" title="List of songs about or referencing Elvis Presley">List of songs about or referencing Elvis Presley</a></div>
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||
<style data-mw-deduplicate="TemplateStyles:r1043612015">.mw-parser-output .quotebox{background-color:#F9F9F9;border:1px solid #aaa;box-sizing:border-box;padding:10px;font-size:88%;max-width:100%}.mw-parser-output .quotebox.floatleft{margin:.5em 1.4em .8em 0}.mw-parser-output .quotebox.floatright{margin:.5em 0 .8em 1.4em}.mw-parser-output .quotebox.centered{overflow:hidden;position:relative;margin:.5em auto .8em auto}.mw-parser-output .quotebox.floatleft span,.mw-parser-output .quotebox.floatright span{font-style:inherit}.mw-parser-output .quotebox>blockquote{margin:0;padding:0;border-left:0;font-family:inherit;font-size:inherit}.mw-parser-output .quotebox-title{background-color:#F9F9F9;text-align:center;font-size:110%;font-weight:bold}.mw-parser-output .quotebox-quote>:first-child{margin-top:0}.mw-parser-output .quotebox-quote:last-child>:last-child{margin-bottom:0}.mw-parser-output .quotebox-quote.quoted:before{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" “ ";vertical-align:-45%;line-height:0}.mw-parser-output .quotebox-quote.quoted:after{font-family:"Times New Roman",serif;font-weight:bold;font-size:large;color:gray;content:" ” ";line-height:0}.mw-parser-output .quotebox .left-aligned{text-align:left}.mw-parser-output .quotebox .right-aligned{text-align:right}.mw-parser-output .quotebox .center-aligned{text-align:center}.mw-parser-output .quotebox .quote-title,.mw-parser-output .quotebox .quotebox-quote{display:block}.mw-parser-output .quotebox cite{display:block;font-style:normal}@media screen and (max-width:640px){.mw-parser-output .quotebox{width:100%!important;margin:0 0 .8em!important;float:none!important}}</style><div class="quotebox pullquote floatleft" style="width:25em; ;">
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||
<blockquote class="quotebox-quote left-aligned" style="">
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||
<p>I know he invented rock and roll, in a manner of speaking, but ... that's not why he's worshiped as a god today. He's worshiped as a god today because in addition to inventing rock and roll he was the greatest ballad singer this side of <a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a>—because the spiritual translucence and reined-in gut sexuality of his slow weeper and torchy pop blues still activate the hormones and slavish devotion of millions of female human beings worldwide.
|
||
</p>
|
||
</blockquote>
|
||
<p><cite class="right-aligned" style="">—<a href="/wiki/Robert_Christgau" title="Robert Christgau">Robert Christgau</a> <br /> December 24, 1985<sup id="cite_ref-FOOTNOTEChristgau1985_436-0" class="reference"><a href="#cite_note-FOOTNOTEChristgau1985-436">[433]</a></sup></cite>
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||
</p>
|
||
</div>
|
||
<p>Presley's rise to national attention in 1956 transformed the field of popular music and had a huge effect on the broader scope of popular culture.<sup id="cite_ref-FOOTNOTECollins2002_437-0" class="reference"><a href="#cite_note-FOOTNOTECollins2002-437">[434]</a></sup> As the catalyst for the cultural revolution that was rock and roll, he was central not only to defining it as a musical genre but in making it a touchstone of youth culture and rebellious attitude.<sup id="cite_ref-FOOTNOTESadie1994638_438-0" class="reference"><a href="#cite_note-FOOTNOTESadie1994638-438">[435]</a></sup> With its racially mixed origins—repeatedly affirmed by Presley—rock and roll's occupation of a central position in mainstream American culture facilitated a new acceptance and appreciation of black culture.<sup id="cite_ref-FOOTNOTEBertrand200094_439-0" class="reference"><a href="#cite_note-FOOTNOTEBertrand200094-439">[436]</a></sup> In this regard, Little Richard said of Presley, "He was an integrator. Elvis was a blessing. They wouldn't let black music through. He opened the door for black music."<sup id="cite_ref-FOOTNOTERodman1996193_440-0" class="reference"><a href="#cite_note-FOOTNOTERodman1996193-440">[437]</a></sup> <a href="/wiki/Al_Green" title="Al Green">Al Green</a> agreed: "He broke the ice for all of us."<sup id="cite_ref-FOOTNOTEVictor2008356_441-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008356-441">[438]</a></sup> President <a href="/wiki/Jimmy_Carter" title="Jimmy Carter">Jimmy Carter</a> remarked on his legacy in 1977: "His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humor of his country."<sup id="cite_ref-FOOTNOTEWoolleyPeters1977_298-1" class="reference"><a href="#cite_note-FOOTNOTEWoolleyPeters1977-298">[295]</a></sup> Presley also heralded the vastly expanded reach of celebrity in the era of mass communication: at the age of 21, within a year of his first appearance on American network television, he was regarded as one of the most famous people in the world.<sup id="cite_ref-FOOTNOTEArnett2006400_442-0" class="reference"><a href="#cite_note-FOOTNOTEArnett2006400-442">[439]</a></sup>
|
||
</p>
|
||
<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_impersonators_record.jpg" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Elvis_impersonators_record.jpg/220px-Elvis_impersonators_record.jpg" decoding="async" width="220" height="146" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Elvis_impersonators_record.jpg/330px-Elvis_impersonators_record.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/c/c2/Elvis_impersonators_record.jpg/440px-Elvis_impersonators_record.jpg 2x" data-file-width="1801" data-file-height="1193" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_impersonators_record.jpg" class="internal" title="Enlarge"></a></div>A group of Elvis impersonators in 2005</div></div></div>
|
||
<p>Presley's name, image, and voice are recognized around the globe.<sup id="cite_ref-FOOTNOTEDoss19992_443-0" class="reference"><a href="#cite_note-FOOTNOTEDoss19992-443">[440]</a></sup> He has inspired <a href="/wiki/Elvis_impersonator" title="Elvis impersonator">a legion of impersonators</a>.<sup id="cite_ref-FOOTNOTELott1997192_444-0" class="reference"><a href="#cite_note-FOOTNOTELott1997192-444">[441]</a></sup> In polls and surveys, he is recognized as one of the most important popular music artists and influential Americans.<sup id="cite_ref-ranking_452-0" class="reference"><a href="#cite_note-ranking-452">[d]</a></sup> American composer and conductor <a href="/wiki/Leonard_Bernstein" title="Leonard Bernstein">Leonard Bernstein</a> said, "Elvis Presley is the greatest cultural force in the twentieth century. He introduced the beat to everything and he changed everything—music, language, clothes. It's a whole new social revolution—the sixties came from it."<sup id="cite_ref-FOOTNOTEKeogh20042_453-0" class="reference"><a href="#cite_note-FOOTNOTEKeogh20042-453">[449]</a></sup> <a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a> said that "Nothing really affected me until Elvis."<sup id="cite_ref-FOOTNOTEDavies199619_454-0" class="reference"><a href="#cite_note-FOOTNOTEDavies199619-454">[450]</a></sup> <a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a> described the sensation of first hearing Presley as "like busting out of jail".<sup id="cite_ref-FOOTNOTEVictor2008356_441-1" class="reference"><a href="#cite_note-FOOTNOTEVictor2008356-441">[438]</a></sup>
|
||
</p>
|
||
<div class="thumb tright"><div class="thumbinner" style="width:222px;"><a href="/wiki/File:Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg" class="image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg/220px-Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg" decoding="async" width="220" height="191" class="thumbimage" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg/330px-Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/9/99/Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg/440px-Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg 2x" data-file-width="810" data-file-height="705" /></a> <div class="thumbcaption"><div class="magnify"><a href="/wiki/File:Elvis_Presley_Hollywood_Walk_of_Fame_Star.jpg" class="internal" title="Enlarge"></a></div>Presley's star on the <a href="/wiki/Hollywood_Walk_of_Fame" title="Hollywood Walk of Fame">Hollywood Walk of Fame</a> at 6777 Hollywood Blvd</div></div></div>
|
||
<p>On the 25th anniversary of Presley's death, <i>The New York Times</i> asserted, "All the talentless impersonators and appalling black velvet paintings on display can make him seem little more than a perverse and distant memory. But before Elvis was camp, he was its opposite: a genuine cultural force. ... Elvis' breakthroughs are underappreciated because in this rock-and-roll age, his hard-rocking music and sultry style have triumphed so completely."<sup id="cite_ref-FOOTNOTENew_York_Times2002_455-0" class="reference"><a href="#cite_note-FOOTNOTENew_York_Times2002-455">[451]</a></sup> Not only Presley's achievements but his failings as well, are seen by some cultural observers as adding to the power of his legacy, as in this description by Greil Marcus:
|
||
</p>
|
||
<blockquote><p>Elvis Presley is a supreme figure in American life, one whose presence, no matter how banal or predictable, brooks no real comparisons. ... The cultural range of his music has expanded to the point where it includes not only the hits of the day, but also patriotic recitals, pure country gospel, and really dirty blues. ... Elvis has emerged as a great <i>artist</i>, a great <i>rocker</i>, a great <i>purveyor of schlock</i>, a great <i>heart throb</i>, a great <i>bore</i>, a great <i>symbol of potency</i>, a great <i>ham</i>, a great <i>nice person</i>, and, yes, a great American.<sup id="cite_ref-FOOTNOTEMarcus1982141–42_456-0" class="reference"><a href="#cite_note-FOOTNOTEMarcus1982141–42-456">[452]</a></sup></p></blockquote>
|
||
<h2><span class="mw-headline" id="Achievements">Achievements</span></h2>
|
||
<p>Presley remains the <a href="/wiki/List_of_best-selling_music_artists" title="List of best-selling music artists">best-selling solo music artist</a> according to <i><a href="/wiki/Guinness_World_Records" title="Guinness World Records">Guinness World Records</a></i>,<sup id="cite_ref-FOOTNOTEKennedyGadpaille2017188_457-0" class="reference"><a href="#cite_note-FOOTNOTEKennedyGadpaille2017188-457">[453]</a></sup><sup id="cite_ref-458" class="reference"><a href="#cite_note-458">[454]</a></sup> with sales estimated up to 500 million.<sup id="cite_ref-459" class="reference"><a href="#cite_note-459">[455]</a></sup>
|
||
</p><p>Presley holds the records for most songs charting in <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s top 40—115<sup id="cite_ref-FOOTNOTEWhitburn2010875_460-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010875-460">[456]</a></sup><sup id="cite_ref-FOOTNOTEVictor2008438_461-0" class="reference"><a href="#cite_note-FOOTNOTEVictor2008438-461">[457]</a></sup><sup id="cite_ref-billboard.com_462-0" class="reference"><a href="#cite_note-billboard.com-462">[458]</a></sup>—and top 100: 152, according to chart statistician <a href="/wiki/Joel_Whitburn" title="Joel Whitburn">Joel Whitburn</a>,<sup id="cite_ref-FOOTNOTEHilburn2007_463-0" class="reference"><a href="#cite_note-FOOTNOTEHilburn2007-463">[459]</a></sup><sup id="cite_ref-billboard.com_462-1" class="reference"><a href="#cite_note-billboard.com-462">[458]</a></sup> 139 according to Presley historian Adam Victor.<sup id="cite_ref-FOOTNOTEVictor2008438_461-1" class="reference"><a href="#cite_note-FOOTNOTEVictor2008438-461">[457]</a></sup><sup id="cite_ref-billboard.com_462-2" class="reference"><a href="#cite_note-billboard.com-462">[458]</a></sup> Presley's rankings for top ten and number-one hits vary depending on how the double-sided "Hound Dog/Don't Be Cruel" and "Don't/I Beg of You" singles, which precede the inception of <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s unified <a href="/wiki/Billboard_Hot_100" title="Billboard Hot 100">Hot 100</a> chart, are analyzed.<sup id="cite_ref-billboard_464-0" class="reference"><a href="#cite_note-billboard-464">[e]</a></sup> According to Whitburn's analysis, Presley holds the record with 38, tying with <a href="/wiki/Madonna" title="Madonna">Madonna</a>;<sup id="cite_ref-FOOTNOTEWhitburn2010875_460-1" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010875-460">[456]</a></sup> per <i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s current assessment, he ranks second with 36.<sup id="cite_ref-FOOTNOTEHasty2008_465-0" class="reference"><a href="#cite_note-FOOTNOTEHasty2008-465">[460]</a></sup> Whitburn and <i>Billboard</i> concur that the Beatles hold the record for most number-one hits with 20, and that <a href="/wiki/Mariah_Carey" title="Mariah Carey">Mariah Carey</a> is second with 18. Whitburn has Presley also with 18, and thus tied for second;<sup id="cite_ref-FOOTNOTEWhitburn2010875_460-2" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010875-460">[456]</a></sup> <i>Billboard</i> has him third with 17.<sup id="cite_ref-FOOTNOTEMoody2008_466-0" class="reference"><a href="#cite_note-FOOTNOTEMoody2008-466">[461]</a></sup> Presley retains the record for cumulative weeks at number one: alone at 80, according to Whitburn and the Rock and Roll Hall of Fame;<sup id="cite_ref-FOOTNOTEWhitburn2010876_467-0" class="reference"><a href="#cite_note-FOOTNOTEWhitburn2010876-467">[462]</a></sup><sup id="cite_ref-FOOTNOTERRHF2010_468-0" class="reference"><a href="#cite_note-FOOTNOTERRHF2010-468">[463]</a></sup> tied with Carey at 79, according to <i>Billboard</i>.<sup id="cite_ref-FOOTNOTEBronson1998_469-0" class="reference"><a href="#cite_note-FOOTNOTEBronson1998-469">[464]</a></sup><sup id="cite_ref-FOOTNOTETrust2010_470-0" class="reference"><a href="#cite_note-FOOTNOTETrust2010-470">[465]</a></sup> He holds the records for most British number-one hits with 21, and top ten hits with 76.<sup id="cite_ref-FOOTNOTEeveryHit.com2010a_471-0" class="reference"><a href="#cite_note-FOOTNOTEeveryHit.com2010a-471">[466]</a></sup><sup id="cite_ref-FOOTNOTEeveryHit.com2010b_472-0" class="reference"><a href="#cite_note-FOOTNOTEeveryHit.com2010b-472">[467]</a></sup>
|
||
</p><p>As an album artist, Presley is credited by <i>Billboard</i> with the record for the most albums charting in the <a href="/wiki/Billboard_200" title="Billboard 200"><i>Billboard</i> 200</a>: 129, far ahead of second-place Frank Sinatra's 82. He also holds the record for most time spent at number one on the <i>Billboard</i> 200: 67 weeks.<sup id="cite_ref-FOOTNOTETrust2015_473-0" class="reference"><a href="#cite_note-FOOTNOTETrust2015-473">[468]</a></sup> In 2015 and 2016, two albums setting Presley's vocals against music by the Royal Philharmonic Orchestra, <i><a href="/wiki/If_I_Can_Dream_(album)" title="If I Can Dream (album)">If I Can Dream</a></i> and <i><a href="/wiki/The_Wonder_of_You_(Elvis_Presley_album)" title="The Wonder of You (Elvis Presley album)">The Wonder of You</a></i>, both reached number one in the United Kingdom. This gave him a new record for number-one UK albums by a solo artist with 13, and extended his record for longest span between number-one albums by anybody—Presley had first topped the British chart in 1956 with his self-titled debut.<sup id="cite_ref-FOOTNOTESexton2016_474-0" class="reference"><a href="#cite_note-FOOTNOTESexton2016-474">[469]</a></sup>
|
||
</p><p>As of 2020<sup class="plainlinks noexcerpt noprint asof-tag update" style="display:none;"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Elvis_Presley&action=edit">[update]</a></sup>, the <a href="/wiki/Recording_Industry_Association_of_America" title="Recording Industry Association of America">Recording Industry Association of America</a> (RIAA) credits Presley with 146.5 million certified album sales in the U.S., third all time behind the Beatles and <a href="/wiki/Garth_Brooks" title="Garth Brooks">Garth Brooks</a>.<sup id="cite_ref-FOOTNOTERIAA2020a_475-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020a-475">[470]</a></sup> He holds the records for most <a href="/wiki/Recording_Industry_Association_of_America_certification" class="mw-redirect" title="Recording Industry Association of America certification">gold albums</a> (101, nearly twice as many as second-place <a href="/wiki/Barbra_Streisand" title="Barbra Streisand">Barbra Streisand</a>'s 51),<sup id="cite_ref-FOOTNOTERIAA2020b_476-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020b-476">[471]</a></sup> and most platinum albums (57).<sup id="cite_ref-FOOTNOTERIAA2020c_477-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020c-477">[472]</a></sup> His 25 multi-platinum albums is second behind The Beatles' 26.<sup id="cite_ref-FOOTNOTERIAA2020d_478-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020d-478">[473]</a></sup> His total of 197 album certification awards (including one diamond award), far outpaces the Beatles' second-best 122.<sup id="cite_ref-FOOTNOTELewis2017_479-0" class="reference"><a href="#cite_note-FOOTNOTELewis2017-479">[474]</a></sup> He has the third-most gold singles (54, behind <a href="/wiki/Drake_(musician)" title="Drake (musician)">Drake</a> and <a href="/wiki/Taylor_Swift" title="Taylor Swift">Taylor Swift</a>),<sup id="cite_ref-FOOTNOTERIAA2020e_480-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020e-480">[475]</a></sup> and the eighth-most platinum singles (27).<sup id="cite_ref-FOOTNOTERIAA2020f_481-0" class="reference"><a href="#cite_note-FOOTNOTERIAA2020f-481">[476]</a></sup>
|
||
</p><p>In 2012, the spider <i><a href="/wiki/Paradonea_presleyi" title="Paradonea presleyi">Paradonea presleyi</a></i> was named in his honor.<sup id="cite_ref-Miller2012_482-0" class="reference"><a href="#cite_note-Miller2012-482">[477]</a></sup> In 2018, President <a href="/wiki/Donald_Trump" title="Donald Trump">Donald Trump</a> awarded Presley the <a href="/wiki/Presidential_Medal_of_Freedom" title="Presidential Medal of Freedom">Presidential Medal of Freedom</a> posthumously.<sup id="cite_ref-FOOTNOTEBBC2018_483-0" class="reference"><a href="#cite_note-FOOTNOTEBBC2018-483">[478]</a></sup>
|
||
</p>
|
||
<h2><span class="mw-headline" id="Bands">Bands</span></h2>
|
||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">See also: <a href="/wiki/The_Blue_Moon_Boys" title="The Blue Moon Boys">The Blue Moon Boys</a>, <a href="/wiki/TCB_Band" title="TCB Band">TCB Band</a>, <a href="/wiki/Nashville_A-Team" class="mw-redirect" title="Nashville A-Team">Nashville A-Team</a>, and <a href="/wiki/The_Jordanaires" title="The Jordanaires">The Jordanaires</a></div>
|
||
<p>Presley worked with many bands and studio musicians over the course of his career. The following is a list and timeline of the most prominent musicians that worked with Presley during his lifetime.
|
||
</p>
|
||
<style data-mw-deduplicate="TemplateStyles:r998391716">.mw-parser-output .div-col{margin-top:0.3em;column-width:30em}.mw-parser-output .div-col-small{font-size:90%}.mw-parser-output .div-col-rules{column-rule:1px solid #aaa}.mw-parser-output .div-col dl,.mw-parser-output .div-col ol,.mw-parser-output .div-col ul{margin-top:0}.mw-parser-output .div-col li,.mw-parser-output .div-col dd{page-break-inside:avoid;break-inside:avoid-column}</style><div class="div-col">
|
||
<ul><li><a href="/wiki/Scotty_Moore" title="Scotty Moore">Scotty Moore</a> — lead guitar, backing vocals (1954–59, 1960–69; died 2016)</li>
|
||
<li><a href="/wiki/Bill_Black" title="Bill Black">Bill Black</a> — double bass, backing vocals (1954–58; died 1965)</li>
|
||
<li><a href="/wiki/DJ_Fontana" class="mw-redirect" title="DJ Fontana">DJ Fontana</a> — drums (1955–59, 1960–69; died 2018)</li>
|
||
<li>Gordon Stoker — backing vocals (1956–59, 1960–68, 1969–71; died 2013)</li>
|
||
<li><a href="/wiki/Neal_Matthews,_Jr." class="mw-redirect" title="Neal Matthews, Jr.">Neal Matthews, Jr.</a> — backing vocals (1956–59, 1960–68, 1969–71; died 2000)</li>
|
||
<li>Hoyt Hawkins — backing vocals (1956–59, 1960–68, 1969–71; died 1980)</li>
|
||
<li>Hugh Jarrett — backing vocals (1956–58; died 2008)</li>
|
||
<li><a href="/wiki/Ray_Walker_(singer)" title="Ray Walker (singer)">Ray Walker</a> — backing vocals (1958–59, 1960–68, 1969–71)</li>
|
||
<li><a href="/wiki/Bob_Moore" title="Bob Moore">Bob Moore</a> — double bass (1958–59, 1960–68; died 2021)</li>
|
||
<li><a href="/wiki/Dudley_Brooks" title="Dudley Brooks">Dudley Brooks</a> — piano (1958–59, 1960–63; died 1989)</li>
|
||
<li><a href="/wiki/Tiny_Timbrell" title="Tiny Timbrell">Tiny Timbrell</a> — rhythm and lead guitar (1958–59, 1963–68; died 1992)</li>
|
||
<li><a href="/wiki/Hank_Garland" title="Hank Garland">Hank Garland</a> — lead guitar (1960–61; died 2004)</li>
|
||
<li><a href="/wiki/Floyd_Cramer" title="Floyd Cramer">Floyd Cramer</a> — piano (1960, 1963–68; died 1997)</li>
|
||
<li><a href="/wiki/Boots_Randolph" title="Boots Randolph">Boots Randolph</a> — saxophone (1960–62, 1964–68; died 2007)</li>
|
||
<li><a href="/wiki/Buddy_Harman" title="Buddy Harman">Buddy Harman</a> — drums (1960–63, 1964–68; died 2008)</li>
|
||
<li><a href="/wiki/Clifford_Scott_(musician)" title="Clifford Scott (musician)">Clifford Scott</a> — saxophone (1962–64; died 1993)</li>
|
||
<li><a href="/wiki/Hal_Blaine" title="Hal Blaine">Hal Blaine</a> — drums (1963; died 2019)</li>
|
||
<li><a href="/wiki/Charlie_Hodge_(guitarist)" title="Charlie Hodge (guitarist)">Charlie Hodge</a> — rhythm guitar, harmony and backing vocals (1967–77; died 2006)</li>
|
||
<li><a href="/wiki/James_Burton" title="James Burton">James Burton</a> — lead guitar, backing vocals (1969–77)</li>
|
||
<li><a href="/wiki/John_Wilkinson_(guitarist)" title="John Wilkinson (guitarist)">John Wilkinson</a> — rhythm guitar (1969–77; died 2013)</li>
|
||
<li><a href="/wiki/Jerry_Scheff" title="Jerry Scheff">Jerry Scheff</a> — bass guitar (1969–73, 1975–77)</li>
|
||
<li><a href="/wiki/Ronnie_Tutt" class="mw-redirect" title="Ronnie Tutt">Ronnie Tutt</a> — drums (1969, 1970–77; died 2021)</li>
|
||
<li><a href="/wiki/Larry_Muhoberac" title="Larry Muhoberac">Larry Muhoberac</a> — piano (1969; died 2016)</li>
|
||
<li><a href="/wiki/Bob_Lanning" title="Bob Lanning">Bob Lanning</a> — drums (1970)</li>
|
||
<li><a href="/wiki/Glen_D._Hardin" class="mw-redirect" title="Glen D. Hardin">Glen D. Hardin</a> — piano (1970–76)</li>
|
||
<li>Emory Gordy, Jr — bass guitar (1973)</li>
|
||
<li>Duke Bardwell — bass guitar (1973–75)</li>
|
||
<li><a href="/wiki/David_Briggs_(American_musician)" title="David Briggs (American musician)">David Briggs</a> — piano (1975–77)</li>
|
||
<li><a href="/wiki/Tony_Brown_(record_producer)" title="Tony Brown (record producer)">Tony Brown</a> — piano (1976–77)</li>
|
||
<li><a href="/wiki/Bobby_Ogdin" title="Bobby Ogdin">Bobby Ogdin</a> — piano (1977)</li></ul>
|
||
</div>
|
||
<div class="timeline-wrapper"><map name="timeline_bp6f62t2gcifexxnlb5mf7vfnahgrko"></map><img usemap="#timeline_bp6f62t2gcifexxnlb5mf7vfnahgrko" src="//upload.wikimedia.org/wikipedia/en/timeline/bp6f62t2gcifexxnlb5mf7vfnahgrko.png" /></div>
|
||
<h2><span class="mw-headline" id="Discography">Discography</span></h2>
|
||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">Main articles: <a href="/wiki/Elvis_Presley_albums_discography" title="Elvis Presley albums discography">Elvis Presley albums discography</a>, <a href="/wiki/Elvis_Presley_singles_discography" title="Elvis Presley singles discography">Elvis Presley singles discography</a>, and <a href="/wiki/List_of_songs_recorded_by_Elvis_Presley" title="List of songs recorded by Elvis Presley">List of songs recorded by Elvis Presley</a></div>
|
||
<p>A vast number of recordings have been issued under Presley's name. The total number of his original master recordings has been variously calculated as 665<sup id="cite_ref-FOOTNOTEVictor2008438_461-2" class="reference"><a href="#cite_note-FOOTNOTEVictor2008438-461">[457]</a></sup> and 711.<sup id="cite_ref-FOOTNOTEFeeney2010_400-1" class="reference"><a href="#cite_note-FOOTNOTEFeeney2010-400">[397]</a></sup> His career began and he was most successful during an era when singles were the primary commercial medium for pop music. In the case of his albums, the distinction between "official" studio records and other forms is often blurred. For most of the 1960s, his recording career focused on soundtrack albums. In the 1970s, his most heavily promoted and bestselling LP releases tended to be concert albums.
|
||
</p>
|
||
<div>
|
||
<table class="multicol" role="presentation" style="border-collapse: collapse; padding: 0; border: 0; background:transparent; width:100%;">
|
||
|
||
<tbody><tr>
|
||
<td style="width: 50%;text-align: left; vertical-align: top;">
|
||
<p><b>Studio albums</b>
|
||
</p>
|
||
<ul><li><i><a href="/wiki/Elvis_Presley_(album)" title="Elvis Presley (album)">Elvis Presley</a></i> (1956)</li>
|
||
<li><i><a href="/wiki/Elvis_(1956_album)" title="Elvis (1956 album)">Elvis</a></i> (1956)</li>
|
||
<li><i><a href="/wiki/Elvis%27_Christmas_Album" title="Elvis' Christmas Album">Elvis' Christmas Album</a></i> (1957)</li>
|
||
<li><i><a href="/wiki/Elvis_is_Back!" class="mw-redirect" title="Elvis is Back!">Elvis is Back!</a></i> (1960)</li>
|
||
<li><i><a href="/wiki/His_Hand_in_Mine" title="His Hand in Mine">His Hand in Mine</a></i> (1960)</li>
|
||
<li><i><a href="/wiki/Something_for_Everybody" title="Something for Everybody">Something for Everybody</a></i> (1961)</li>
|
||
<li><i><a href="/wiki/Pot_Luck_(Elvis_Presley_album)" title="Pot Luck (Elvis Presley album)">Pot Luck</a></i> (1962)</li>
|
||
<li><i><a href="/wiki/Elvis_for_Everyone!" title="Elvis for Everyone!">Elvis for Everyone!</a></i> (1965)</li>
|
||
<li><i><a href="/wiki/How_Great_Thou_Art_(Elvis_Presley_album)" title="How Great Thou Art (Elvis Presley album)">How Great Thou Art</a></i> (1967)</li>
|
||
<li><i><a href="/wiki/From_Elvis_in_Memphis" title="From Elvis in Memphis">From Elvis in Memphis</a></i> (1969)</li>
|
||
<li><i><a href="/wiki/From_Memphis_to_Vegas_/_From_Vegas_to_Memphis" title="From Memphis to Vegas / From Vegas to Memphis">From Memphis to Vegas / From Vegas to Memphis</a></i> (1969)</li>
|
||
<li><i><a href="/wiki/That%27s_the_Way_It_Is_(Elvis_Presley_album)" title="That's the Way It Is (Elvis Presley album)">That's the Way It Is</a></i> (1970)</li>
|
||
<li><i><a href="/wiki/Elvis_Country_(I%27m_10,000_Years_Old)" title="Elvis Country (I'm 10,000 Years Old)">Elvis Country (I'm 10,000 Years Old)</a></i> (1971)</li>
|
||
<li><i><a href="/wiki/Love_Letters_from_Elvis" title="Love Letters from Elvis">Love Letters from Elvis</a></i> (1971)</li>
|
||
<li><i><a href="/wiki/Elvis_sings_The_Wonderful_World_of_Christmas" title="Elvis sings The Wonderful World of Christmas">Elvis sings The Wonderful World of Christmas</a></i> (1971)</li>
|
||
<li><i><a href="/wiki/Elvis_Now" title="Elvis Now">Elvis Now</a></i> (1972)</li>
|
||
<li><i><a href="/wiki/He_Touched_Me_(album)" title="He Touched Me (album)">He Touched Me</a></i> (1972)</li>
|
||
<li><i><a href="/wiki/Elvis_(1973_album)" title="Elvis (1973 album)">Elvis</a></i> (1973) <small>(The "Fool" Album)</small></li>
|
||
<li><i><a href="/wiki/Raised_on_Rock_/_For_Ol%27_Times_Sake" title="Raised on Rock / For Ol' Times Sake">Raised on Rock / For Ol' Times Sake</a></i> (1973)</li>
|
||
<li><i><a href="/wiki/Good_Times_(Elvis_Presley_album)" title="Good Times (Elvis Presley album)">Good Times</a></i> (1974)</li>
|
||
<li><i><a href="/wiki/Promised_Land_(Elvis_Presley_album)" title="Promised Land (Elvis Presley album)">Promised Land</a></i> (1975)</li>
|
||
<li><i><a href="/wiki/Today_(Elvis_Presley_album)" title="Today (Elvis Presley album)">Today</a></i> (1975)</li>
|
||
<li><i><a href="/wiki/From_Elvis_Presley_Boulevard,_Memphis,_Tennessee" title="From Elvis Presley Boulevard, Memphis, Tennessee">From Elvis Presley Boulevard, Memphis, Tennessee</a></i> (1976)</li>
|
||
<li><i><a href="/wiki/Moody_Blue" title="Moody Blue">Moody Blue</a></i> (1977)</li></ul>
|
||
</td>
|
||
<td style="width: 50%;text-align: left; vertical-align: top;">
|
||
<p><b>Soundtrack albums (original material)</b>
|
||
</p>
|
||
<ul><li><i><a href="/wiki/Loving_You_(soundtrack)" title="Loving You (soundtrack)">Loving You</a></i> (1957)</li>
|
||
<li><i><a href="/wiki/King_Creole_(soundtrack)" title="King Creole (soundtrack)">King Creole</a></i> (1958)</li>
|
||
<li><i><a href="/wiki/G.I._Blues_(soundtrack)" title="G.I. Blues (soundtrack)">G.I. Blues</a></i> (1960)</li>
|
||
<li><i><a href="/wiki/Blue_Hawaii_(soundtrack)" title="Blue Hawaii (soundtrack)">Blue Hawaii</a></i> (1961)</li>
|
||
<li><i><a href="/wiki/Girls!_Girls!_Girls!_(soundtrack)" title="Girls! Girls! Girls! (soundtrack)">Girls! Girls! Girls!</a></i> (1962)</li>
|
||
<li><i><a href="/wiki/It_Happened_at_the_World%27s_Fair_(soundtrack)" title="It Happened at the World's Fair (soundtrack)">It Happened at the World's Fair</a></i> (1963)</li>
|
||
<li><i><a href="/wiki/Fun_in_Acapulco_(soundtrack)" title="Fun in Acapulco (soundtrack)">Fun in Acapulco</a></i> (1963)</li>
|
||
<li><i><a href="/wiki/Kissin%27_Cousins_(soundtrack)" title="Kissin' Cousins (soundtrack)">Kissin' Cousins</a></i> (1964)</li>
|
||
<li><i><a href="/wiki/Roustabout_(soundtrack)" title="Roustabout (soundtrack)">Roustabout</a></i> (1964)</li>
|
||
<li><i><a href="/wiki/Girl_Happy_(soundtrack)" title="Girl Happy (soundtrack)">Girl Happy</a></i> (1965)</li>
|
||
<li><i><a href="/wiki/Harum_Scarum_(soundtrack)" title="Harum Scarum (soundtrack)">Harum Scarum</a></i> (1965)</li>
|
||
<li><i><a href="/wiki/Frankie_and_Johnny_(soundtrack)" title="Frankie and Johnny (soundtrack)">Frankie and Johnny</a></i> (1966)</li>
|
||
<li><i><a href="/wiki/Paradise,_Hawaiian_Style_(soundtrack)" title="Paradise, Hawaiian Style (soundtrack)">Paradise, Hawaiian Style</a></i> (1966)</li>
|
||
<li><i><a href="/wiki/Spinout_(soundtrack)" title="Spinout (soundtrack)">Spinout</a></i> (1966)</li>
|
||
<li><i><a href="/wiki/Double_Trouble_(soundtrack)" title="Double Trouble (soundtrack)">Double Trouble</a></i> (1967)</li>
|
||
<li><i><a href="/wiki/Clambake_(soundtrack)" title="Clambake (soundtrack)">Clambake</a></i> (1967)</li>
|
||
<li><i><a href="/wiki/Speedway_(soundtrack)" title="Speedway (soundtrack)">Speedway</a></i> (1968)</li></ul>
|
||
<p> 
|
||
</p>
|
||
</td></tr></tbody></table></div>
|
||
<h2><span class="mw-headline" id="Filmography">Filmography</span></h2>
|
||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1033289096"/><div role="note" class="hatnote navigation-not-searchable">Main article: <a href="/wiki/Elvis_Presley_on_film_and_television" title="Elvis Presley on film and television">Elvis Presley on film and television</a></div>
|
||
<dl><dt>Films starred</dt></dl>
|
||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r998391716"/><div class="div-col" style="column-width: 20em;">
|
||
<ul><li><i><a href="/wiki/Love_Me_Tender_(film)" title="Love Me Tender (film)">Love Me Tender</a></i> (1956)</li>
|
||
<li><i><a href="/wiki/Loving_You_(1957_film)" title="Loving You (1957 film)">Loving You</a></i> (1957)</li>
|
||
<li><i><a href="/wiki/Jailhouse_Rock_(film)" title="Jailhouse Rock (film)">Jailhouse Rock</a></i> (1957)</li>
|
||
<li><i><a href="/wiki/King_Creole" title="King Creole">King Creole</a></i> (1958)</li>
|
||
<li><i><a href="/wiki/G.I._Blues" title="G.I. Blues">G.I. Blues</a></i> (1960)</li>
|
||
<li><i><a href="/wiki/Flaming_Star" title="Flaming Star">Flaming Star</a></i> (1960)</li>
|
||
<li><i><a href="/wiki/Wild_in_the_Country" title="Wild in the Country">Wild in the Country</a></i> (1961)</li>
|
||
<li><i><a href="/wiki/Blue_Hawaii" title="Blue Hawaii">Blue Hawaii</a></i> (1961)</li>
|
||
<li><i><a href="/wiki/Follow_That_Dream" title="Follow That Dream">Follow That Dream</a></i> (1962)</li>
|
||
<li><i><a href="/wiki/Kid_Galahad" title="Kid Galahad">Kid Galahad</a></i> (1962)</li>
|
||
<li><i><a href="/wiki/Girls!_Girls!_Girls!" title="Girls! Girls! Girls!">Girls! Girls! Girls!</a></i> (1962)</li>
|
||
<li><i><a href="/wiki/It_Happened_at_the_World%27s_Fair" title="It Happened at the World's Fair">It Happened at the World's Fair</a></i> (1963)</li>
|
||
<li><i><a href="/wiki/Fun_in_Acapulco" title="Fun in Acapulco">Fun in Acapulco</a></i> (1963)</li>
|
||
<li><i><a href="/wiki/Kissin%27_Cousins" title="Kissin' Cousins">Kissin' Cousins</a></i> (1964)</li>
|
||
<li><i><a href="/wiki/Viva_Las_Vegas" title="Viva Las Vegas">Viva Las Vegas</a></i> (1964)</li>
|
||
<li><i><a href="/wiki/Roustabout_(film)" title="Roustabout (film)">Roustabout</a></i> (1964)</li>
|
||
<li><i><a href="/wiki/Girl_Happy" title="Girl Happy">Girl Happy</a></i> (1965)</li>
|
||
<li><i><a href="/wiki/Tickle_Me" title="Tickle Me">Tickle Me</a></i> (1965)</li>
|
||
<li><i><a href="/wiki/Harum_Scarum_(film)" title="Harum Scarum (film)">Harum Scarum</a></i> (1965)</li>
|
||
<li><i><a href="/wiki/Frankie_and_Johnny_(1966_film)" title="Frankie and Johnny (1966 film)">Frankie and Johnny</a></i> (1966)</li>
|
||
<li><i><a href="/wiki/Paradise,_Hawaiian_Style" title="Paradise, Hawaiian Style">Paradise, Hawaiian Style</a></i> (1966)</li>
|
||
<li><i><a href="/wiki/Spinout_(film)" title="Spinout (film)">Spinout</a></i> (1966)</li>
|
||
<li><i><a href="/wiki/Easy_Come,_Easy_Go_(1967_film)" title="Easy Come, Easy Go (1967 film)">Easy Come, Easy Go</a></i> (1967)</li>
|
||
<li><i><a href="/wiki/Double_Trouble_(1967_film)" title="Double Trouble (1967 film)">Double Trouble</a></i> (1967)</li>
|
||
<li><i><a href="/wiki/Clambake_(film)" title="Clambake (film)">Clambake</a></i> (1967)</li>
|
||
<li><i><a href="/wiki/Stay_Away,_Joe" title="Stay Away, Joe">Stay Away, Joe</a></i> (1968)</li>
|
||
<li><i><a href="/wiki/Speedway_(1968_film)" title="Speedway (1968 film)">Speedway</a></i> (1968)</li>
|
||
<li><i><a href="/wiki/Live_a_Little,_Love_a_Little" title="Live a Little, Love a Little">Live a Little, Love a Little</a></i> (1968)</li>
|
||
<li><i><a href="/wiki/Charro!" title="Charro!">Charro!</a></i> (1969)</li>
|
||
<li><i><a href="/wiki/The_Trouble_with_Girls_(film)" title="The Trouble with Girls (film)">The Trouble with Girls</a></i> (1969)</li>
|
||
<li><i><a href="/wiki/Change_of_Habit" title="Change of Habit">Change of Habit</a></i> (1969)</li>
|
||
<li><i><a href="/wiki/Elvis:_That%27s_the_Way_It_Is" title="Elvis: That's the Way It Is">Elvis: That's the Way It Is</a></i> (1970)</li>
|
||
<li><i><a href="/wiki/Elvis_on_Tour" title="Elvis on Tour">Elvis on Tour</a></i> (1972)</li></ul>
|
||
</div>
|
||
<dl><dt>TV concert specials</dt></dl>
|
||
<ul><li><i><a href="/wiki/Elvis_(1968_TV_program)" title="Elvis (1968 TV program)">Elvis</a></i> (1968)</li>
|
||
<li><i><a href="/wiki/Aloha_from_Hawaii_via_Satellite" title="Aloha from Hawaii via Satellite">Aloha from Hawaii via Satellite</a></i> (1973)</li>
|
||
<li><i><a href="/wiki/Elvis_in_Concert" title="Elvis in Concert">Elvis in Concert</a></i> (1977)</li></ul>
|
||
<h2><span class="mw-headline" id="See_also">See also</span></h2>
|
||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r998391716"/><div class="div-col">
|
||
<ul><li><a href="/wiki/Elvis_Presley_Enterprises" title="Elvis Presley Enterprises">Elvis Presley Enterprises</a></li>
|
||
<li><a href="/wiki/Honorific_nicknames_in_popular_music" title="Honorific nicknames in popular music">Honorific nicknames in popular music</a></li>
|
||
<li><a href="/wiki/List_of_artists_by_number_of_UK_Albums_Chart_number_ones" title="List of artists by number of UK Albums Chart number ones">List of artists by number of UK Albums Chart number ones</a></li>
|
||
<li><a href="/wiki/List_of_artists_by_number_of_UK_Singles_Chart_number_ones" title="List of artists by number of UK Singles Chart number ones">List of artists by number of UK Singles Chart number ones</a></li>
|
||
<li><a href="/wiki/List_of_bestselling_music_artists" class="mw-redirect" title="List of bestselling music artists">List of bestselling music artists</a></li>
|
||
<li><a href="/wiki/Personal_relationships_of_Elvis_Presley" title="Personal relationships of Elvis Presley">Personal relationships of Elvis Presley</a></li>
|
||
<li><a href="/wiki/List_of_people_who_died_on_the_toilet" title="List of people who died on the toilet">List of people who died on the toilet</a></li></ul>
|
||
</div>
|
||
<h2><span class="mw-headline" id="Explanatory_notes">Explanatory notes</span></h2>
|
||
<style data-mw-deduplicate="TemplateStyles:r1011085734">.mw-parser-output .reflist{font-size:90%;margin-bottom:0.5em;list-style-type:decimal}.mw-parser-output .reflist .references{font-size:100%;margin-bottom:0;list-style-type:inherit}.mw-parser-output .reflist-columns-2{column-width:30em}.mw-parser-output .reflist-columns-3{column-width:25em}.mw-parser-output .reflist-columns{margin-top:0.3em}.mw-parser-output .reflist-columns ol{margin-top:0}.mw-parser-output .reflist-columns li{page-break-inside:avoid;break-inside:avoid-column}.mw-parser-output .reflist-upper-alpha{list-style-type:upper-alpha}.mw-parser-output .reflist-upper-roman{list-style-type:upper-roman}.mw-parser-output .reflist-lower-alpha{list-style-type:lower-alpha}.mw-parser-output .reflist-lower-greek{list-style-type:lower-greek}.mw-parser-output .reflist-lower-roman{list-style-type:lower-roman}</style><div class="reflist reflist-lower-alpha">
|
||
<div class="mw-references-wrap"><ol class="references">
|
||
<li id="cite_note-name-6"><span class="mw-cite-backlink"><b><a href="#cite_ref-name_6-0">^</a></b></span> <span class="reference-text">Although some pronounce <a href="/wiki/Presley" title="Presley">his surname</a> <span class="rt-commentedText nowrap"><span class="IPA nopopups noexcerpt"><a href="/wiki/Help:IPA/English" title="Help:IPA/English">/<span style="border-bottom:1px dotted"><span title="/ˈ/: primary stress follows">ˈ</span><span title="'p' in 'pie'">p</span><span title="'r' in 'rye'">r</span><span title="/ɛ/: 'e' in 'dress'">ɛ</span><span title="'z' in 'zoom'">z</span><span title="'l' in 'lie'">l</span><span title="/i/: 'y' in 'happy'">i</span></span>/</a></span></span> <a href="/wiki/Help:Pronunciation_respelling_key" title="Help:Pronunciation respelling key"><i title="English pronunciation respelling"><span style="font-size:90%">PREZ</span>-lee</i></a>, Presley himself used the <a href="/wiki/Southern_American_English" title="Southern American English">Southern American English</a> pronunciation, <span class="rt-commentedText nowrap"><span class="IPA nopopups noexcerpt"><a href="/wiki/Help:IPA/English" title="Help:IPA/English">/<span style="border-bottom:1px dotted"><span title="/ˈ/: primary stress follows">ˈ</span><span title="'p' in 'pie'">p</span><span title="'r' in 'rye'">r</span><span title="/ɛ/: 'e' in 'dress'">ɛ</span><span title="'s' in 'sigh'">s</span><span title="'l' in 'lie'">l</span><span title="/i/: 'y' in 'happy'">i</span></span>/</a></span></span> <a href="/wiki/Help:Pronunciation_respelling_key" title="Help:Pronunciation respelling key"><i title="English pronunciation respelling"><span style="font-size:90%">PRESS</span>-lee</i></a>, as did his family and those who worked with him.<sup id="cite_ref-FOOTNOTEElster2006391_2-0" class="reference"><a href="#cite_note-FOOTNOTEElster2006391-2">[2]</a></sup> The correct spelling of his middle name has long been a matter of debate.<br />
|
||
<br />
|
||
The physician who delivered him wrote "Elvis Aaron Presley" in his ledger.<sup id="cite_ref-FOOTNOTENash200511_3-0" class="reference"><a href="#cite_note-FOOTNOTENash200511-3">[3]</a></sup> The state-issued birth certificate reads "Elvis Aron Presley". The name was chosen after the Presleys' friend and fellow congregation member Aaron Kennedy, though a single-A spelling was probably intended by Presley's parents to parallel the middle name of Presley's stillborn brother, Jesse Garon.<sup id="cite_ref-FOOTNOTEGuralnick199413_4-0" class="reference"><a href="#cite_note-FOOTNOTEGuralnick199413-4">[4]</a></sup> It reads Aron on most official documents produced during his lifetime, including his high school diploma, RCA Victor record contract, and marriage license, and this was generally taken to be the proper spelling.<sup id="cite_ref-FOOTNOTEAdelman200213–15_5-0" class="reference"><a href="#cite_note-FOOTNOTEAdelman200213–15-5">[5]</a></sup> In 1966, Presley expressed the desire to his father that the more traditional biblical rendering, Aaron, be used henceforth, "especially on legal documents".<sup id="cite_ref-FOOTNOTENash200511_3-1" class="reference"><a href="#cite_note-FOOTNOTENash200511-3">[3]</a></sup> Five years later, the Jaycees citation honoring him as one of the country's Outstanding Young Men used Aaron. Late in his life, he sought to officially change the spelling to Aaron and discovered that state records already listed it that way. Knowing his wishes for his middle name, Aaron is the spelling his father chose for Presley's tombstone, and it is the spelling his estate has designated as official.<sup id="cite_ref-FOOTNOTEAdelman200213–15_5-1" class="reference"><a href="#cite_note-FOOTNOTEAdelman200213–15-5">[5]</a></sup></span>
|
||
</li>
|
||
<li id="cite_note-royalties-85"><span class="mw-cite-backlink"><b><a href="#cite_ref-royalties_85-0">^</a></b></span> <span class="reference-text">Of the $40,000, $5,000 covered back royalties owed by Sun.<sup id="cite_ref-FOOTNOTEStanleyCoffey199828–29_84-1" class="reference"><a href="#cite_note-FOOTNOTEStanleyCoffey199828–29-84">[83]</a></sup></span>
|
||
</li>
|
||
<li id="cite_note-cowriter-90"><span class="mw-cite-backlink"><b><a href="#cite_ref-cowriter_90-0">^</a></b></span> <span class="reference-text">In 1956–57, Presley was also credited as a co-writer on several songs where he had no hand in the writing process: "<a href="/wiki/Heartbreak_Hotel" title="Heartbreak Hotel">Heartbreak Hotel</a>"; "<a href="/wiki/Don%27t_Be_Cruel" title="Don't Be Cruel">Don't Be Cruel</a>"; all four songs from his first film, including the title track, "<a href="/wiki/Love_Me_Tender_(song)" title="Love Me Tender (song)">Love Me Tender</a>"; "<a href="/wiki/Paralyzed_(Elvis_Presley_song)" title="Paralyzed (Elvis Presley song)">Paralyzed</a>"; and "<a href="/wiki/All_Shook_Up" title="All Shook Up">All Shook Up</a>".<sup id="cite_ref-FOOTNOTEJorgensen199835,_51,_57,_61,_75_88-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen199835,_51,_57,_61,_75-88">[86]</a></sup> (Parker, however, failed to register Presley with such musical licensing firms as <a href="/wiki/ASCAP" class="mw-redirect" title="ASCAP">ASCAP</a> and its rival <a href="/wiki/Broadcast_Music,_Inc." title="Broadcast Music, Inc.">BMI</a>, which eventually denied Presley annuity from songwriter's royalties.) He received credit on two other songs to which he did contribute: he provided the title for "<a href="/wiki/That%27s_Someone_You_Never_Forget" title="That's Someone You Never Forget">That's Someone You Never Forget</a>" (1961), written by his friend and former Humes schoolmate <a href="/wiki/Red_West" title="Red West">Red West</a>; Presley and West collaborated with another friend, guitarist Charlie Hodge, on "<a href="/wiki/You%27ll_Be_Gone" title="You'll Be Gone">You'll Be Gone</a>" (1962).<sup id="cite_ref-FOOTNOTEJorgensen1998157–58,_166,_168_89-0" class="reference"><a href="#cite_note-FOOTNOTEJorgensen1998157–58,_166,_168-89">[87]</a></sup></span>
|
||
</li>
|
||
<li id="cite_note-ranking-452"><span class="mw-cite-backlink"><b><a href="#cite_ref-ranking_452-0">^</a></b></span> <span class="reference-text"><a href="/wiki/VH1" title="VH1">VH1</a> ranked Presley No. 8 among the "100 Greatest Artists of Rock & Roll" in 1998.<sup id="cite_ref-FOOTNOTEVH11998_445-0" class="reference"><a href="#cite_note-FOOTNOTEVH11998-445">[442]</a></sup> The <a href="/wiki/BBC" title="BBC">BBC</a> ranked him as the No. 2 "Voice of the Century" in 2001.<sup id="cite_ref-FOOTNOTEBBC_News2001_446-0" class="reference"><a href="#cite_note-FOOTNOTEBBC_News2001-446">[443]</a></sup> <i><a href="/wiki/Rolling_Stone" title="Rolling Stone">Rolling Stone</a></i> placed him No. 3 in its list of "The Immortals: The Fifty Greatest Artists of All Time" in 2004.<sup id="cite_ref-FOOTNOTERolling_Stone2004_447-0" class="reference"><a href="#cite_note-FOOTNOTERolling_Stone2004-447">[444]</a></sup> <a href="/wiki/Country_Music_Television" class="mw-redirect" title="Country Music Television">CMT</a> ranked him No. 15 among the "40 Greatest Men in Country Music" in 2005.<sup id="cite_ref-FOOTNOTECMT2005_448-0" class="reference"><a href="#cite_note-FOOTNOTECMT2005-448">[445]</a></sup> The <a href="/wiki/Discovery_Channel" title="Discovery Channel">Discovery Channel</a> placed him No. 8 on its "Greatest American" list in 2005.<sup id="cite_ref-FOOTNOTEDiscovery_Channel2005_449-0" class="reference"><a href="#cite_note-FOOTNOTEDiscovery_Channel2005-449">[446]</a></sup> <i><a href="/wiki/Variety_(magazine)" title="Variety (magazine)">Variety</a></i> put him in the top ten of its "100 Icons of the Century" in 2005.<sup id="cite_ref-FOOTNOTEVariety.com2005_450-0" class="reference"><a href="#cite_note-FOOTNOTEVariety.com2005-450">[447]</a></sup> <i><a href="/wiki/The_Atlantic" title="The Atlantic">The Atlantic</a></i> ranked him No. 66 among the "100 Most Influential Figures in American History" in 2006.<sup id="cite_ref-FOOTNOTEAtlantic2006_451-0" class="reference"><a href="#cite_note-FOOTNOTEAtlantic2006-451">[448]</a></sup></span>
|
||
</li>
|
||
<li id="cite_note-billboard-464"><span class="mw-cite-backlink"><b><a href="#cite_ref-billboard_464-0">^</a></b></span> <span class="reference-text">Whitburn follows actual <i>Billboard</i> history in considering the four songs on the "Don't Be Cruel/Hound Dog" and "Don't/I Beg of You" singles as distinct. He tallies each side of the former single as a number-one (<i>Billboard</i><span class="nowrap" style="padding-left:0.1em;">'</span>s sales chart had "Don't Be Cruel" at number one for five weeks, then "Hound Dog" for six) and reckons "I Beg of You" as a top ten, as it reached number eight on the old Top 100 chart. <i>Billboard</i> now considers both singles as unified items, ignoring the historical sales split of the former and its old Top 100 chart entirely. Whitburn thus analyzes the four songs as yielding three number ones and a total of four top tens. <i>Billboard</i> now states that they yielded just two number ones and a total of two top tens, voiding the separate chart appearances of "Hound Dog" and "I Beg of You".</span>
|
||
</li>
|
||
</ol></div></div>
|
||
<h2><span class="mw-headline" id="Citations">Citations</span></h2>
|
||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1011085734"/><div class="reflist">
|
||
<div class="mw-references-wrap mw-references-columns"><ol class="references">
|
||
<li id="cite_note-1"><span class="mw-cite-backlink"><b><a href="#cite_ref-1">^</a></b></span> <span class="reference-text"><style data-mw-deduplicate="TemplateStyles:r999302996">.mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}</style><cite class="citation cs2"><i>Presley, Elvis Aron; DD 214: Armed Forces of the United States Report of Transfer or Discharge</i>, U.S. Department of Defense, March 5, 1960</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Presley%2C+Elvis+Aron%3B+DD+214%3A+Armed+Forces+of+the+United+States+Report+of+Transfer+or+Discharge&rft.pub=U.S.+Department+of+Defense&rft.date=1960-03-05&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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<li id="cite_note-FOOTNOTEElster2006391-2"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEElster2006391_2-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFElster2006">Elster 2006</a>, p. 391.</span>
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<li id="cite_note-FOOTNOTENash200511-3"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTENash200511_3-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTENash200511_3-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFNash2005">Nash 2005</a>, p. 11.</span>
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<li id="cite_note-FOOTNOTEGuralnick199413-4"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGuralnick199413_4-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick199413_4-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 13.</span>
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<li id="cite_note-FOOTNOTEAdelman200213–15-5"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEAdelman200213–15_5-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEAdelman200213–15_5-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFAdelman2002">Adelman 2002</a>, pp. 13–15.</span>
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<li id="cite_note-FOOTNOTEGuralnickJorgensen19993-7"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnickJorgensen19993_7-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnickJorgensen1999">Guralnick & Jorgensen 1999</a>, p. 3.</span>
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<li id="cite_note-8"><span class="mw-cite-backlink"><b><a href="#cite_ref-8">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFEarl2017" class="citation news cs1">Earl, Jennifer (February 14, 2017). <a rel="nofollow" class="external text" href="https://www.cbsnews.com/pictures/celebrities-you-didnt-know-were-twins/20/">"19 celebrities you didn't know were twins"</a>. CBS News<span class="reference-accessdate">. Retrieved <span class="nowrap">July 12,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.atitle=19+celebrities+you+didn%27t+know+were+twins&rft.date=2017-02-14&rft.aulast=Earl&rft.aufirst=Jennifer&rft_id=https%3A%2F%2Fwww.cbsnews.com%2Fpictures%2Fcelebrities-you-didnt-know-were-twins%2F20%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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<li id="cite_note-FOOTNOTEGuralnick199412–14-9"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGuralnick199412–14_9-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick199412–14_9-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 12–14.</span>
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<li id="cite_note-FOOTNOTEKamphoefner200933-10"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKamphoefner200933_10-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKamphoefner2009">Kamphoefner 2009</a>, p. 33.</span>
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<li id="cite_note-FOOTNOTEDundy200460-11"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDundy200460_11-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDundy2004">Dundy 2004</a>, p. 60.</span>
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</li>
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<li id="cite_note-FOOTNOTEDundy200413,_16,_20–22,_26-12"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDundy200413,_16,_20–22,_26_12-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDundy2004">Dundy 2004</a>, pp. 13, 16, 20–22, 26.</span>
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<li id="cite_note-FOOTNOTEDundy2004301-13"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDundy2004301_13-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDundy2004">Dundy 2004</a>, p. 301.</span>
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<li id="cite_note-FOOTNOTENash20052,_188-14"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENash20052,_188_14-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNash2005">Nash 2005</a>, pp. 2, 188.</span>
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<li id="cite_note-15"><span class="mw-cite-backlink"><b><a href="#cite_ref-15">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREF@rileykeough2017" class="citation web cs1">@rileykeough (July 19, 2017). <a rel="nofollow" class="external text" href="https://twitter.com/rileykeough/status/887916834070044673">"I had one great grandma who was creek and one who was full blood Cherokee"</a> (Tweet)<span class="reference-accessdate">. Retrieved <span class="nowrap">October 10,</span> 2021</span> – via <a href="/wiki/Twitter" title="Twitter">Twitter</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=I+had+one+great+grandma+who+was+creek+and+one+who+was+full+blood+Cherokee&rft.date=2017-07-19&rft.au=%40rileykeough&rft_id=https%3A%2F%2Ftwitter.com%2Frileykeough%2Fstatus%2F887916834070044673&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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<li id="cite_note-16"><span class="mw-cite-backlink"><b><a href="#cite_ref-16">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFKeogh2008" class="citation book cs1">Keogh, Pamela Clarke (2008). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=4leHQDbq6MEC&q=elvis+cherokee&pg=PT233"><i>Elvis Presley: The Man. The Life. The Legend</i></a>. Simon and Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4391-0815-4" title="Special:BookSources/978-1-4391-0815-4"><bdi>978-1-4391-0815-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Presley%3A+The+Man.+The+Life.+The+Legend.&rft.pub=Simon+and+Schuster&rft.date=2008&rft.isbn=978-1-4391-0815-4&rft.aulast=Keogh&rft.aufirst=Pamela+Clarke&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D4leHQDbq6MEC%26q%3Delvis%2Bcherokee%26pg%3DPT233&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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<li id="cite_note-FOOTNOTEDundy2004xv,_13,_16-17"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDundy2004xv,_13,_16_17-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDundy2004">Dundy 2004</a>, pp. xv, 13, 16.</span>
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<li id="cite_note-FOOTNOTEGuralnick199411–12,_23–24-18"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199411–12,_23–24_18-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 11–12, 23–24.</span>
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</li>
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<li id="cite_note-FOOTNOTEVictor2008419-19"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEVictor2008419_19-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFVictor2008">Victor 2008</a>, p. 419.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199415–16-20"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199415–16_20-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 15–16.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199417–18-21"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199417–18_21-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 17–18.</span>
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||
</li>
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<li id="cite_note-FOOTNOTEGuralnick199419-22"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199419_22-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 19.</span>
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</li>
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||
<li id="cite_note-FOOTNOTEDundy2004101-23"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDundy2004101_23-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDundy2004">Dundy 2004</a>, p. 101.</span>
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</li>
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||
<li id="cite_note-FOOTNOTEGuralnick199423-24"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199423_24-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 23.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199423–26-25"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199423–26_25-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 23–26.</span>
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||
</li>
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<li id="cite_note-FOOTNOTEGuralnick199419–21-26"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199419–21_26-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 19–21.</span>
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||
</li>
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||
<li id="cite_note-FOOTNOTEDundy200495–96-27"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDundy200495–96_27-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDundy2004">Dundy 2004</a>, pp. 95–96.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199432–33-28"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199432–33_28-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 32–33.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199436-29"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199436_29-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 36.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199435–38-30"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199435–38_30-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 35–38.</span>
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||
</li>
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<li id="cite_note-FOOTNOTEGuralnick199440–41-31"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199440–41_31-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 40–41.</span>
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||
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<li id="cite_note-FOOTNOTEStanleyCoffey199820-32"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStanleyCoffey199820_32-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStanleyCoffey1998">Stanley & Coffey 1998</a>, p. 20.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199443,_44,_49-33"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199443,_44,_49_33-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 43, 44, 49.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199444,_46,_51-34"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199444,_46,_51_34-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 44, 46, 51.</span>
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<li id="cite_note-FOOTNOTEGuralnick199452–53-35"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199452–53_35-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 52–53.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994171-36"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGuralnick1994171_36-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick1994171_36-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 171.</span>
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<li id="cite_note-FOOTNOTEMatthew-Walker19793-37"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMatthew-Walker19793_37-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMatthew-Walker19793_37-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMatthew-Walker1979">Matthew-Walker 1979</a>, p. 3.</span>
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<li id="cite_note-FOOTNOTEGuralnick199446–48,_358-38"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199446–48,_358_38-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 46–48, 358.</span>
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</li>
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<li id="cite_note-FOOTNOTEWadey2004-39"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWadey2004_39-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWadey2004">Wadey 2004</a>.</span>
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||
</li>
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||
<li id="cite_note-FOOTNOTEGuralnick199447–48,_77–78-40"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199447–48,_77–78_40-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 47–48, 77–78.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199451-41"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199451_41-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 51.</span>
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||
</li>
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<li id="cite_note-FOOTNOTEGuralnick199438–40-42"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199438–40_42-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 38–40.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick2004-43"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGuralnick2004_43-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick2004_43-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick2004_43-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick2004_43-3"><sup><i><b>d</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick2004_43-4"><sup><i><b>e</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick2004">Guralnick 2004</a>.</span>
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</li>
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<li id="cite_note-FOOTNOTEBertrand2000205-44"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBertrand2000205_44-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBertrand2000">Bertrand 2000</a>, p. 205.</span>
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</li>
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<li id="cite_note-FOOTNOTESzatmary199635-45"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESzatmary199635_45-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSzatmary1996">Szatmary 1996</a>, p. 35.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199454-46"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199454_46-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 54.</span>
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</li>
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<li id="cite_note-FOOTNOTEJorgensen19988-47"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen19988_47-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 8.</span>
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||
</li>
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<li id="cite_note-FOOTNOTEGuralnick199462–64-48"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199462–64_48-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 62–64.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199465-49"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199465_49-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 65.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199477-50"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199477_50-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 77.</span>
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</li>
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<li id="cite_note-FOOTNOTECusic198810-51"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECusic198810_51-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCusic1988">Cusic 1988</a>, p. 10.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick199480-52"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199480_52-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 80.</span>
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</li>
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<li id="cite_note-FOOTNOTEJorgensen199851-117"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen199851_117-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 51.</span>
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<li id="cite_note-FOOTNOTEGuralnickJorgensen199980–81-118"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnickJorgensen199980–81_118-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnickJorgensen1999">Guralnick & Jorgensen 1999</a>, pp. 80–81.</span>
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<li id="cite_note-FOOTNOTEWhitburn19935-119"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhitburn19935_119-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhitburn1993">Whitburn 1993</a>, p. 5.</span>
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<li id="cite_note-FOOTNOTEJorgensen199860–65-120"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen199860–65_120-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, pp. 60–65.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994343-129"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994343_129-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 343.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994335-130"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994335_130-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 335.</span>
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<li id="cite_note-FOOTNOTEStanleyCoffey199837-135"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEStanleyCoffey199837_135-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFStanleyCoffey1998">Stanley & Coffey 1998</a>, p. 37.</span>
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<li id="cite_note-FOOTNOTEClaytonHeard2003117–18-136"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEClaytonHeard2003117–18_136-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFClaytonHeard2003">Clayton & Heard 2003</a>, pp. 117–18.</span>
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<li id="cite_note-FOOTNOTEKeogh200490-137"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKeogh200490_137-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKeogh2004">Keogh 2004</a>, p. 90.</span>
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<li id="cite_note-FOOTNOTEGuralnickJorgensen199995-138"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnickJorgensen199995_138-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnickJorgensen1999">Guralnick & Jorgensen 1999</a>, p. 95.</span>
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<li id="cite_note-FOOTNOTESalisbury19574-139"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESalisbury19574_139-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSalisbury1957">Salisbury 1957</a>, p. 4.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994395–97-141"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994395–97_141-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 395–97.</span>
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<li id="cite_note-142"><span class="mw-cite-backlink"><b><a href="#cite_ref-142">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFNix" class="citation web cs1">Nix, Elizabeth. <a rel="nofollow" class="external text" href="https://www.history.com/news/7-fascinating-facts-about-elvis">"7 Fascinating Facts About Elvis Presley"</a>. <i>HISTORY</i><span class="reference-accessdate">. Retrieved <span class="nowrap">March 10,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=HISTORY&rft.atitle=7+Fascinating+Facts+About+Elvis+Presley&rft.aulast=Nix&rft.aufirst=Elizabeth&rft_id=https%3A%2F%2Fwww.history.com%2Fnews%2F7-fascinating-facts-about-elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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<li id="cite_note-FOOTNOTEGuralnick1994406–08,_452-143"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994406–08,_452_143-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 406–08, 452.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994399–402,_428–30,_437–40-145"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994399–402,_428–30,_437–40_145-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 399–402, 428–30, 437–40.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994430-147"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEGuralnick1994430_147-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEGuralnick1994430_147-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 430.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994437-149"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994437_149-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 437.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994431-150"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994431_150-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 431.</span>
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<li id="cite_note-FOOTNOTEGrein2008-151"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGrein2008_151-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGrein2008">Grein 2008</a>.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994431–35-154"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994431–35_154-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 431–35.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994448–49-155"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994448–49_155-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 448–49.</span>
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<li id="cite_note-FOOTNOTE"Bill_Black"1965-158"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTE"Bill_Black"1965_158-0">^</a></b></span> <span class="reference-text"><a href="#CITEREF"Bill_Black"1965">"Bill Black" 1965</a>.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994461–74-159"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994461–74_159-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 461–74.</span>
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<li id="cite_note-FOOTNOTEVictor200827-160"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEVictor200827_160-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFVictor2008">Victor 2008</a>, p. 27.</span>
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<li id="cite_note-FOOTNOTEWhitburn2010520-174"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhitburn2010520_174-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhitburn2010">Whitburn 2010</a>, p. 520.</span>
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<li id="cite_note-FOOTNOTEGuralnick1999346–47-216"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999346–47_216-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, pp. 346–47.</span>
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<li id="cite_note-FOOTNOTEGordon2005149–50-217"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGordon2005149–50_217-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGordon2005">Gordon 2005</a>, pp. 149–50.</span>
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<li id="cite_note-FOOTNOTECook200439-218"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECook200439_218-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCook2004">Cook 2004</a>, p. 39.</span>
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<li id="cite_note-FOOTNOTEGuralnickJorgensen1999259,_262-219"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnickJorgensen1999259,_262_219-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnickJorgensen1999">Guralnick & Jorgensen 1999</a>, pp. 259, 262.</span>
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<li id="cite_note-FOOTNOTEWhitburn2010521–22-222"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWhitburn2010521–22_222-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWhitburn2010">Whitburn 2010</a>, pp. 521–22.</span>
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<li id="cite_note-237"><span class="mw-cite-backlink"><b><a href="#cite_ref-237">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.grammy.com/grammys/news/remembering-elvis-presley-5-grammy-facts">"Elvis: Do You Know These 5 Facts?"</a>. <i>GRAMMY.com</i>. August 15, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">January 9,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=GRAMMY.com&rft.atitle=Elvis%3A+Do+You+Know+These+5+Facts%3F&rft.date=2017-08-15&rft_id=https%3A%2F%2Fwww.grammy.com%2Fgrammys%2Fnews%2Fremembering-elvis-presley-5-grammy-facts&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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|
||
<li id="cite_note-FOOTNOTERamsland2010-305"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTERamsland2010_305-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTERamsland2010_305-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTERamsland2010_305-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFRamsland2010">Ramsland 2010</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEGuralnick1999651–53-306"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999651–53_306-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, pp. 651–53.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEBadenHennessee199035-307"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEBadenHennessee199035_307-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEBadenHennessee199035_307-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFBadenHennessee1990">Baden & Hennessee 1990</a>, p. 35.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTETennant20132-308"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETennant20132_308-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTennant2013">Tennant 2013</a>, p. 2.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEWilliamson201511–14-309"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWilliamson201511–14_309-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWilliamson2015">Williamson 2015</a>, pp. 11–14.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTECoffey1997247-310"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECoffey1997247_310-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCoffey1997">Coffey 1997</a>, p. 247.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEWertheimer1997132-311"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWertheimer1997132_311-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWertheimer1997">Wertheimer 1997</a>, p. 132.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTETennant2013-312"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETennant2013_312-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTennant2013">Tennant 2013</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEGuardian2014-313"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuardian2014_313-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuardian2014">Guardian 2014</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEBrownBroeske1997433-314"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBrownBroeske1997433_314-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBrownBroeske1997">Brown & Broeske 1997</a>, p. 433.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTENational_Park_Service2010-315"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENational_Park_Service2010_315-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNational_Park_Service2010">National Park Service 2010</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTECook200433-316"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECook200433_316-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCook2004">Cook 2004</a>, p. 33.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEGarrity2002-317"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGarrity2002_317-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGarrity2002">Garrity 2002</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEBronson20041-318"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBronson20041_318-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBronson2004">Bronson 2004</a>, p. 1.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTE"Hits_of_the_World"2004-319"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTE"Hits_of_the_World"2004_319-0">^</a></b></span> <span class="reference-text"><a href="#CITEREF"Hits_of_the_World"2004">"Hits of the World" 2004</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTESexton2007-320"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESexton2007_320-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSexton2007">Sexton 2007</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEGoldmanEwalt2007-321"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGoldmanEwalt2007_321-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGoldmanEwalt2007">Goldman & Ewalt 2007</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTERose2006-322"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERose2006_322-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRose2006">Rose 2006</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEGoldmanPaine2007-323"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGoldmanPaine2007_323-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGoldmanPaine2007">Goldman & Paine 2007</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEHoy2008-324"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHoy2008_324-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHoy2008">Hoy 2008</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEPomerantz_et_al.2009-325"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPomerantz_et_al.2009_325-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPomerantz_et_al.2009">Pomerantz et al. 2009</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTERose_et_al.2010-326"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERose_et_al.2010_326-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRose_et_al.2010">Rose et al. 2010</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEBaillie2010-327"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBaillie2010_327-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBaillie2010">Baillie 2010</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEBouchard2010-328"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBouchard2010_328-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBouchard2010">Bouchard 2010</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTELynch2011-329"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELynch2011_329-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLynch2011">Lynch 2011</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEPomerantz2011-330"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPomerantz2011_330-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPomerantz2011">Pomerantz 2011</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEGreenburg2017-331"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGreenburg2017_331-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGreenburg2017">Greenburg 2017</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTENash2005xv-332"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENash2005xv_332-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNash2005">Nash 2005</a>, p. xv.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEHarrison2016149-333"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarrison2016149_333-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarrison2016">Harrison 2016</a>, p. 149.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTECosby2016144-334"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECosby2016144_334-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCosby2016">Cosby 2016</a>, p. 144.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEDoll2016186-335"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDoll2016186_335-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDoll2016">Doll 2016</a>, p. 186.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEMartin2000-336"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMartin2000_336-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMartin2000_336-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMartin2000">Martin 2000</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTESmith2002-337"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESmith2002_337-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSmith2002">Smith 2002</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEDundy2004227,_256-338"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDundy2004227,_256_338-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDundy2004">Dundy 2004</a>, pp. 227, 256.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEWilson2010121-339"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWilson2010121_339-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWilson2010">Wilson 2010</a>, p. 121.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTESlater2002-340"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESlater2002_340-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSlater2002">Slater 2002</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEMilly2002-341"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMilly2002_341-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMilly2002">Milly 2002</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEHarrison199242,_157–60,_169-342"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarrison199242,_157–60,_169_342-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarrison1992">Harrison 1992</a>, pp. 42, 157–60, 169.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEClarke200677,_80-343"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEClarke200677,_80_343-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFClarke2006">Clarke 2006</a>, pp. 77, 80.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEHarrison1992159–60-344"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarrison1992159–60_344-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarrison1992">Harrison 1992</a>, pp. 159–60.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEHarrison201610-345"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEHarrison201610_345-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEHarrison201610_345-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFHarrison2016">Harrison 2016</a>, p. 10.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTESegré2002-346"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESegré2002_346-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSegré2002">Segré 2002</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEGuralnick199414-347"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199414_347-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 14.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEGuralnick199447–48-348"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199447–48_348-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 47–48.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEBertrand2000211-349"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBertrand2000211_349-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBertrand2000">Bertrand 2000</a>, p. 211.</span>
|
||
</li>
|
||
<li id="cite_note-350"><span class="mw-cite-backlink"><b><a href="#cite_ref-350">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.biographyonline.net/music/elvis-presley.html">"Elvis Presley Biography"</a><span class="reference-accessdate">. Retrieved <span class="nowrap">July 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Elvis+Presley+Biography&rft_id=https%3A%2F%2Fwww.biographyonline.net%2Fmusic%2Felvis-presley.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
|
||
</li>
|
||
<li id="cite_note-351"><span class="mw-cite-backlink"><b><a href="#cite_ref-351">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.graceland.com/blog/posts/elvis-presley-the-musician">"Elvis Presley, the Musician"</a>. December 3, 2015<span class="reference-accessdate">. Retrieved <span class="nowrap">July 1,</span> 2019</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Elvis+Presley%2C+the+Musician&rft.date=2015-12-03&rft_id=https%3A%2F%2Fwww.graceland.com%2Fblog%2Fposts%2Felvis-presley-the-musician&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
|
||
</li>
|
||
<li id="cite_note-RobertsRoberts2001-352"><span class="mw-cite-backlink"><b><a href="#cite_ref-RobertsRoberts2001_352-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFJim_RobertsJames_H._Roberts2001" class="citation book cs1">Jim Roberts; James H. Roberts (2001). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=1m2kRBQscfoC"><i>How the Fender Bass Changed the World: By Jim Roberts</i></a>. Backbeat Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-630-4" title="Special:BookSources/978-0-87930-630-4"><bdi>978-0-87930-630-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=How+the+Fender+Bass+Changed+the+World%3A+By+Jim+Roberts&rft.pub=Backbeat+Books&rft.date=2001&rft.isbn=978-0-87930-630-4&rft.au=Jim+Roberts&rft.au=James+H.+Roberts&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3D1m2kRBQscfoC&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span><sup class="noprint Inline-Template" style="white-space:nowrap;">[<i><a href="/wiki/Wikipedia:Citing_sources" title="Wikipedia:Citing sources"><span title="This citation requires a reference to the specific page or range of pages in which the material appears. (January 2021)">page needed</span></a></i>]</sup></span>
|
||
</li>
|
||
<li id="cite_note-Osborne2007-353"><span class="mw-cite-backlink"><b><a href="#cite_ref-Osborne2007_353-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFJerry_Osborne2017" class="citation book cs1">Jerry Osborne (2017). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=CE6JPQyNKawC&pg=PA73"><i>Presleyana VIII – the Elvis Presley Record, CD, and Memorabilia Price Guide</i></a>. Jerry Osborne Enterprises. p. 73. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-932117-97-7" title="Special:BookSources/978-0-932117-97-7"><bdi>978-0-932117-97-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Presleyana+VIII+%E2%80%93+the+Elvis+Presley+Record%2C+CD%2C+and+Memorabilia+Price+Guide&rft.pages=73&rft.pub=Jerry+Osborne+Enterprises&rft.date=2017&rft.isbn=978-0-932117-97-7&rft.au=Jerry+Osborne&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DCE6JPQyNKawC%26pg%3DPA73&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
|
||
</li>
|
||
<li id="cite_note-Duffett2018-354"><span class="mw-cite-backlink"><b><a href="#cite_ref-Duffett2018_354-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMark_Duffett2018" class="citation book cs1">Mark Duffett (2018). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=a7hJDwAAQBAJ&pg=PA189"><i>Counting Down Elvis: His 100 Finest Songs</i></a>. Rowman & Littlefield Publishers. p. 189. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4422-4805-2" title="Special:BookSources/978-1-4422-4805-2"><bdi>978-1-4422-4805-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Counting+Down+Elvis%3A+His+100+Finest+Songs&rft.pages=189&rft.pub=Rowman+%26+Littlefield+Publishers&rft.date=2018&rft.isbn=978-1-4422-4805-2&rft.au=Mark+Duffett&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Da7hJDwAAQBAJ%26pg%3DPA189&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
|
||
</li>
|
||
<li id="cite_note-355"><span class="mw-cite-backlink"><b><a href="#cite_ref-355">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFConnolly2017" class="citation book cs1">Connolly, Ray (2017). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=DVN8DAAAQBAJ&q=elvis+playing+lead+guitar+on+one+night+with+you&pg=PT142"><i>Being Elvis: A Lonely Life</i></a>. Liveright Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-63149-280-8" title="Special:BookSources/978-1-63149-280-8"><bdi>978-1-63149-280-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Being+Elvis%3A+A+Lonely+Life&rft.pub=Liveright+Publishing&rft.date=2017&rft.isbn=978-1-63149-280-8&rft.aulast=Connolly&rft.aufirst=Ray&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DDVN8DAAAQBAJ%26q%3Delvis%2Bplaying%2Blead%2Bguitar%2Bon%2Bone%2Bnight%2Bwith%2Byou%26pg%3DPT142&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
|
||
</li>
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<li id="cite_note-356"><span class="mw-cite-backlink"><b><a href="#cite_ref-356">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite class="citation book cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=R31UAAAAMAAJ&q=elvis+played+guitar+on+are+you+lonesome+tonight&pg=RA6-PA65"><i>Stereo Review, Volumes 6–7</i></a>. Ziff-Davis Publishing Company. 1961. p. 65.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Stereo+Review%2C+Volumes+6%E2%80%937&rft.pages=65&rft.pub=Ziff-Davis+Publishing+Company&rft.date=1961&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DR31UAAAAMAAJ%26q%3Delvis%2Bplayed%2Bguitar%2Bon%2Bare%2Byou%2Blonesome%2Btonight%26pg%3DRA6-PA65&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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</li>
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<li id="cite_note-Marcus2015-357"><span class="mw-cite-backlink"><b><a href="#cite_ref-Marcus2015_357-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGreil_Marcus2015" class="citation book cs1">Greil Marcus (2015). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=trEBDAAAQBAJ&pg=PA341"><i>Mystery Train: Images of America in Rock 'n' Roll Music</i></a>. Plume. p. 341. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-218158-4" title="Special:BookSources/978-0-14-218158-4"><bdi>978-0-14-218158-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mystery+Train%3A+Images+of+America+in+Rock+%27n%27+Roll+Music&rft.pages=341&rft.pub=Plume&rft.date=2015&rft.isbn=978-0-14-218158-4&rft.au=Greil+Marcus&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DtrEBDAAAQBAJ%26pg%3DPA341&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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</li>
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||
<li id="cite_note-TrynkaBacon1996-358"><span class="mw-cite-backlink"><b><a href="#cite_ref-TrynkaBacon1996_358-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPaul_TrynkaTony_Bacon1996" class="citation book cs1">Paul Trynka; Tony Bacon (1996). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=HDrIjd5FQ8QC&pg=PA1965"><i>Rock Hardware</i></a>. Balafon Books. p. 42. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87930-428-7" title="Special:BookSources/978-0-87930-428-7"><bdi>978-0-87930-428-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rock+Hardware&rft.pages=42&rft.pub=Balafon+Books&rft.date=1996&rft.isbn=978-0-87930-428-7&rft.au=Paul+Trynka&rft.au=Tony+Bacon&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DHDrIjd5FQ8QC%26pg%3DPA1965&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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</li>
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<li id="cite_note-Eder2013-359"><span class="mw-cite-backlink"><b><a href="#cite_ref-Eder2013_359-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMike_Eder2013" class="citation book cs1">Mike Eder (2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=XcYIAgAAQBAJ&pg=PT149"><i>Elvis Music FAQ: All That's Left to Know About the King's Recorded Works</i></a>. Backbeat Books. p. 149. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-61713-580-4" title="Special:BookSources/978-1-61713-580-4"><bdi>978-1-61713-580-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Music+FAQ%3A+All+That%27s+Left+to+Know+About+the+King%27s+Recorded+Works&rft.pages=149&rft.pub=Backbeat+Books&rft.date=2013&rft.isbn=978-1-61713-580-4&rft.au=Mike+Eder&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DXcYIAgAAQBAJ%26pg%3DPT149&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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</li>
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<li id="cite_note-FOOTNOTEMorrison1996x-360"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMorrison1996x_360-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMorrison1996">Morrison 1996</a>, p. x.</span>
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</li>
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<li id="cite_note-FOOTNOTEFriedlander199645-361"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEFriedlander199645_361-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFriedlander199645_361-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFFriedlander1996">Friedlander 1996</a>, p. 45.</span>
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</li>
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<li id="cite_note-FOOTNOTECharlton2006103-362"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECharlton2006103_362-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCharlton2006">Charlton 2006</a>, p. 103.</span>
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||
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<li id="cite_note-FOOTNOTEJancik199816-363"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJancik199816_363-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJancik1998">Jancik 1998</a>, p. 16.</span>
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||
</li>
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<li id="cite_note-FOOTNOTECampbell2009161-364"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECampbell2009161_364-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCampbell2009">Campbell 2009</a>, p. 161.</span>
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||
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<li id="cite_note-FOOTNOTEGuralnick1989104-365"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1989104_365-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1989">Guralnick 1989</a>, p. 104.</span>
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||
</li>
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<li id="cite_note-FOOTNOTEGillett2000113-366"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGillett2000113_366-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGillett2000">Gillett 2000</a>, p. 113.</span>
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||
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<li id="cite_note-FOOTNOTEJorgensen199839-367"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen199839_367-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 39.</span>
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<li id="cite_note-FOOTNOTEWolfe199414-368"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWolfe199414_368-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWolfe1994">Wolfe 1994</a>, p. 14.</span>
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</li>
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<li id="cite_note-FOOTNOTEWolfe199422-369"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWolfe199422_369-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWolfe1994">Wolfe 1994</a>, p. 22.</span>
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<li id="cite_note-FOOTNOTEKeogh2004184-370"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKeogh2004184_370-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKeogh2004">Keogh 2004</a>, p. 184.</span>
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||
</li>
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<li id="cite_note-FOOTNOTEJorgensen1998123-371"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998123_371-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 123.</span>
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||
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<li id="cite_note-FOOTNOTEMarsh1982145-372"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMarsh1982145_372-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMarsh1982">Marsh 1982</a>, p. 145.</span>
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||
</li>
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<li id="cite_note-FOOTNOTEJorgensen1998213,_237-373"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998213,_237_373-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, pp. 213, 237.</span>
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||
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<li id="cite_note-FOOTNOTEGuralnick199965-374"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick199965_374-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, p. 65.</span>
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<li id="cite_note-FOOTNOTEJorgensen1998142–43-375"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998142–43_375-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, pp. 142–43.</span>
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||
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<li id="cite_note-FOOTNOTEJorgensen1998343-376"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998343_376-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 343.</span>
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<li id="cite_note-FOOTNOTEPonce_de_Leon2007199-377"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPonce_de_Leon2007199_377-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPonce_de_Leon2007">Ponce de Leon 2007</a>, p. 199.</span>
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<li id="cite_note-FOOTNOTEMarsh1982234-378"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMarsh1982234_378-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMarsh1982">Marsh 1982</a>, p. 234.</span>
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<li id="cite_note-FOOTNOTEMarsh1989317-379"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMarsh1989317_379-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMarsh1989">Marsh 1989</a>, p. 317.</span>
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<li id="cite_note-FOOTNOTEMarsh198991-380"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMarsh198991_380-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMarsh1989">Marsh 1989</a>, p. 91.</span>
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<li id="cite_note-FOOTNOTEMarsh1989490-381"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMarsh1989490_381-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMarsh1989">Marsh 1989</a>, p. 490.</span>
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<li id="cite_note-FOOTNOTEJorgensen1998212-382"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998212_382-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 212.</span>
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||
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<li id="cite_note-FOOTNOTEGuralnick1999232-383"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999232_383-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, p. 232.</span>
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<li id="cite_note-FOOTNOTEGuralnick1999231-384"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999231_384-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, p. 231.</span>
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<li id="cite_note-FOOTNOTEMarsh1989424-385"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMarsh1989424_385-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMarsh1989">Marsh 1989</a>, p. 424.</span>
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<li id="cite_note-FOOTNOTEJorgensen1998271-386"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998271_386-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 271.</span>
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<li id="cite_note-FOOTNOTEGuralnick1999332-387"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999332_387-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, p. 332.</span>
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<li id="cite_note-FOOTNOTEGuralnick1999335-388"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999335_388-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, p. 335.</span>
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<li id="cite_note-FOOTNOTEPleasants2004260-389"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPleasants2004260_389-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPleasants2004260_389-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPleasants2004260_389-2"><sup><i><b>c</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPleasants2004260_389-3"><sup><i><b>d</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPleasants2004">Pleasants 2004</a>, p. 260.</span>
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<li id="cite_note-FOOTNOTEWaters2003205-390"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWaters2003205_390-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWaters2003">Waters 2003</a>, p. 205.</span>
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<li id="cite_note-FOOTNOTEWilliams2012-392"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEWilliams2012_392-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFWilliams2012">Williams 2012</a>.</span>
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<li id="cite_note-FOOTNOTEPilgrim2006-393"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEPilgrim2006_393-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEPilgrim2006_393-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFPilgrim2006">Pilgrim 2006</a>.</span>
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<li id="cite_note-FOOTNOTEGuralnick1994426-394"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994426_394-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, p. 426.</span>
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<li id="cite_note-FOOTNOTEKolawole2002-395"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEKolawole2002_395-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEKolawole2002_395-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFKolawole2002">Kolawole 2002</a>.</span>
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<li id="cite_note-FOOTNOTEMyrie2009123–24-396"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEMyrie2009123–24_396-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEMyrie2009123–24_396-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFMyrie2009">Myrie 2009</a>, pp. 123–24.</span>
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<li id="cite_note-FOOTNOTEMasley2002-397"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEMasley2002_397-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFMasley2002">Masley 2002</a>.</span>
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<li id="cite_note-FOOTNOTEOsborne2000207-398"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEOsborne2000207_398-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFOsborne2000">Osborne 2000</a>, p. 207.</span>
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<li id="cite_note-FOOTNOTEBertrand2000198-399"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBertrand2000198_399-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBertrand2000">Bertrand 2000</a>, p. 198.</span>
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<li id="cite_note-FOOTNOTEFeeney2010-400"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEFeeney2010_400-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEFeeney2010_400-1"><sup><i><b>b</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFFeeney2010">Feeney 2010</a>.</span>
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<li id="cite_note-FOOTNOTEAshley200976-401"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEAshley200976_401-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFAshley2009">Ashley 2009</a>, p. 76.</span>
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<li id="cite_note-FOOTNOTERodman199658-402"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERodman199658_402-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRodman1996">Rodman 1996</a>, p. 58.</span>
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<li id="cite_note-FOOTNOTERodman199658–59-403"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERodman199658–59_403-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRodman1996">Rodman 1996</a>, pp. 58–59.</span>
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<li id="cite_note-FOOTNOTEGarber1997366-404"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGarber1997366_404-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGarber1997">Garber 1997</a>, p. 366.</span>
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<li id="cite_note-FOOTNOTEDyer1959–196030-405"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDyer1959–196030_405-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDyer1959–1960">Dyer 1959–1960</a>, p. 30.</span>
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<li id="cite_note-FOOTNOTEFarmer200086-406"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEFarmer200086_406-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFFarmer2000">Farmer 2000</a>, p. 86.</span>
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<li id="cite_note-FOOTNOTETasker2007208-407"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETasker2007208_407-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTasker2007">Tasker 2007</a>, p. 208.</span>
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<li id="cite_note-FOOTNOTEKirchbergHendrickx1999109-408"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKirchbergHendrickx1999109_408-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKirchbergHendrickx1999">Kirchberg & Hendrickx 1999</a>, p. 109.</span>
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<li id="cite_note-409"><span class="mw-cite-backlink"><b><a href="#cite_ref-409">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://equineinfoexchange.com/index.php/recreation-lifestyle/1147-meet-the-former-teacher-who-also-serves-as-graceland-s-long-time-horse-keeper">"Meet the Former Teacher Who Also Serves as Graceland's Long-time Horse keeper"</a>. <i>Equine Info Exchange</i>. January 27, 2020.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Equine+Info+Exchange&rft.atitle=Meet+the+Former+Teacher+Who+Also+Serves+as+Graceland%27s+Long-time+Horse+keeper&rft.date=2020-01-27&rft_id=https%3A%2F%2Fequineinfoexchange.com%2Findex.php%2Frecreation-lifestyle%2F1147-meet-the-former-teacher-who-also-serves-as-graceland-s-long-time-horse-keeper&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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<li id="cite_note-410"><span class="mw-cite-backlink"><b><a href="#cite_ref-410">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMarion_E._Altieri2017" class="citation web cs1">Marion E. Altieri (August 8, 2017). <a rel="nofollow" class="external text" href="https://equineinfoexchange.com/index.php/recreation-lifestyle/568-all-the-king-s-horses-the-equestrian-life-of-elvis-presley">"Review: <i>All the King's Horses: the Equestrian Life of Elvis Presley</i>"</a>. <i>Equine Info Exchange</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Equine+Info+Exchange&rft.atitle=Review%3A+All+the+King%27s+Horses%3A+the+Equestrian+Life+of+Elvis+Presley&rft.date=2017-08-08&rft.au=Marion+E.+Altieri&rft_id=https%3A%2F%2Fequineinfoexchange.com%2Findex.php%2Frecreation-lifestyle%2F568-all-the-king-s-horses-the-equestrian-life-of-elvis-presley&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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||
</li>
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<li id="cite_note-FOOTNOTEGuralnick1994415–17,_448–49-411"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994415–17,_448–49_411-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 415–17, 448–49.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick1994452–53-412"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1994452–53_412-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1994">Guralnick 1994</a>, pp. 452–53.</span>
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<li id="cite_note-FOOTNOTEJorgensen1998198-413"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998198_413-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 198.</span>
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</li>
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<li id="cite_note-FOOTNOTEGuralnick1999248-414"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999248_414-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, p. 248.</span>
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<li id="cite_note-FOOTNOTEGuralnickJorgensen1999304,_365-415"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnickJorgensen1999304,_365_415-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnickJorgensen1999">Guralnick & Jorgensen 1999</a>, pp. 304, 365.</span>
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<li id="cite_note-FOOTNOTEGuralnickJorgensen1999358,_375-416"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnickJorgensen1999358,_375_416-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnickJorgensen1999">Guralnick & Jorgensen 1999</a>, pp. 358, 375.</span>
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<li id="cite_note-FOOTNOTEPresley1985188-417"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPresley1985188_417-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPresley1985">Presley 1985</a>, p. 188.</span>
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<li id="cite_note-FOOTNOTEClaytonHeard2003267-420"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEClaytonHeard2003267_420-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFClaytonHeard2003">Clayton & Heard 2003</a>, p. 267.</span>
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<li id="cite_note-FOOTNOTEJorgensen1998281-421"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEJorgensen1998281_421-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFJorgensen1998">Jorgensen 1998</a>, p. 281.</span>
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<li id="cite_note-FOOTNOTENash2003186-422"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENash2003186_422-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNash2003">Nash 2003</a>, p. 186.</span>
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<li id="cite_note-FOOTNOTENash2003187-423"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENash2003187_423-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNash2003">Nash 2003</a>, p. 187.</span>
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<li id="cite_note-FOOTNOTENash200564,_478-424"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENash200564,_478_424-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNash2005">Nash 2005</a>, pp. 64, 478.</span>
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<li id="cite_note-FOOTNOTEClaytonHeard2003226-428"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEClaytonHeard2003226_428-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFClaytonHeard2003">Clayton & Heard 2003</a>, p. 226.</span>
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<li id="cite_note-FOOTNOTEGuralnick1999563–65-429"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999563–65_429-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, pp. 563–65.</span>
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<li id="cite_note-FOOTNOTEPonce_de_Leon2007139–40-430"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEPonce_de_Leon2007139–40_430-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFPonce_de_Leon2007">Ponce de Leon 2007</a>, pp. 139–40.</span>
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<li id="cite_note-FOOTNOTEHarris2006-431"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEHarris2006_431-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFHarris2006">Harris 2006</a>.</span>
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<li id="cite_note-FOOTNOTEClaytonHeard2003339-432"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEClaytonHeard2003339_432-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFClaytonHeard2003">Clayton & Heard 2003</a>, p. 339.</span>
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<li id="cite_note-FOOTNOTEConnelly2008148-433"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEConnelly2008148_433-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFConnelly2008">Connelly 2008</a>, p. 148.</span>
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<li id="cite_note-FOOTNOTEGuralnick1999174-434"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999174_434-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, p. 174.</span>
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<li id="cite_note-FOOTNOTEGuralnick1999175-435"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEGuralnick1999175_435-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFGuralnick1999">Guralnick 1999</a>, p. 175.</span>
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<li id="cite_note-FOOTNOTEChristgau1985-436"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEChristgau1985_436-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFChristgau1985">Christgau 1985</a>.</span>
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<li id="cite_note-FOOTNOTECollins2002-437"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTECollins2002_437-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFCollins2002">Collins 2002</a>.</span>
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<li id="cite_note-FOOTNOTESadie1994638-438"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESadie1994638_438-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSadie1994">Sadie 1994</a>, p. 638.</span>
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<li id="cite_note-FOOTNOTEBertrand200094-439"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBertrand200094_439-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBertrand2000">Bertrand 2000</a>, p. 94.</span>
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<li id="cite_note-FOOTNOTEArnett2006400-442"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEArnett2006400_442-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFArnett2006">Arnett 2006</a>, p. 400.</span>
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<li id="cite_note-FOOTNOTELott1997192-444"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELott1997192_444-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLott1997">Lott 1997</a>, p. 192.</span>
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<li id="cite_note-FOOTNOTEVH11998-445"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEVH11998_445-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFVH11998">VH1 1998</a>.</span>
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<li id="cite_note-FOOTNOTEBBC_News2001-446"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBBC_News2001_446-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBBC_News2001">BBC News 2001</a>.</span>
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<li id="cite_note-FOOTNOTERolling_Stone2004-447"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERolling_Stone2004_447-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRolling_Stone2004">Rolling Stone 2004</a>.</span>
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<li id="cite_note-FOOTNOTEDiscovery_Channel2005-449"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEDiscovery_Channel2005_449-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFDiscovery_Channel2005">Discovery Channel 2005</a>.</span>
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<li id="cite_note-FOOTNOTENew_York_Times2002-455"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTENew_York_Times2002_455-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFNew_York_Times2002">New York Times 2002</a>.</span>
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<li id="cite_note-FOOTNOTEKennedyGadpaille2017188-457"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEKennedyGadpaille2017188_457-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFKennedyGadpaille2017">Kennedy & Gadpaille 2017</a>, p. 188.</span>
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<li id="cite_note-458"><span class="mw-cite-backlink"><b><a href="#cite_ref-458">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.guinnessworldrecords.com/world-records/best-selling-solo-artist">"Best-selling solo artist"</a>. <i><a href="/wiki/Guinness_World_Records" title="Guinness World Records">Guinness World Records</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">August 3,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Guinness+World+Records&rft.atitle=Best-selling+solo+artist&rft_id=https%3A%2F%2Fwww.guinnessworldrecords.com%2Fworld-records%2Fbest-selling-solo-artist&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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<li id="cite_note-459"><span class="mw-cite-backlink"><b><a href="#cite_ref-459">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite class="citation news cs1"><a rel="nofollow" class="external text" href="https://www.geo.tv/latest/153471-40-years-ago-america-shocked-by-death-of-elvis">"40 years ago America shocked by death of Elvis"</a>. <i><a href="/wiki/Geo_News" title="Geo News">Geo News</a></i>. August 13, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">June 19,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Geo+News&rft.atitle=40+years+ago+America+shocked+by+death+of+Elvis&rft.date=2017-08-13&rft_id=https%3A%2F%2Fwww.geo.tv%2Flatest%2F153471-40-years-ago-america-shocked-by-death-of-elvis&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
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<li id="cite_note-FOOTNOTEWhitburn2010875-460"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEWhitburn2010875_460-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWhitburn2010875_460-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEWhitburn2010875_460-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFWhitburn2010">Whitburn 2010</a>, p. 875.</span>
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<li id="cite_note-FOOTNOTEVictor2008438-461"><span class="mw-cite-backlink">^ <a href="#cite_ref-FOOTNOTEVictor2008438_461-0"><sup><i><b>a</b></i></sup></a> <a href="#cite_ref-FOOTNOTEVictor2008438_461-1"><sup><i><b>b</b></i></sup></a> <a href="#cite_ref-FOOTNOTEVictor2008438_461-2"><sup><i><b>c</b></i></sup></a></span> <span class="reference-text"><a href="#CITEREFVictor2008">Victor 2008</a>, p. 438.</span>
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|
||
<li id="cite_note-FOOTNOTETrust2010-470"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETrust2010_470-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTrust2010">Trust 2010</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEeveryHit.com2010a-471"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEeveryHit.com2010a_471-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFeveryHit.com2010a">everyHit.com 2010a</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEeveryHit.com2010b-472"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEeveryHit.com2010b_472-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFeveryHit.com2010b">everyHit.com 2010b</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTETrust2015-473"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTETrust2015_473-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFTrust2015">Trust 2015</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTESexton2016-474"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTESexton2016_474-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFSexton2016">Sexton 2016</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTERIAA2020a-475"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERIAA2020a_475-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRIAA2020a">RIAA 2020a</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTERIAA2020b-476"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERIAA2020b_476-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRIAA2020b">RIAA 2020b</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTERIAA2020c-477"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERIAA2020c_477-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRIAA2020c">RIAA 2020c</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTERIAA2020d-478"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERIAA2020d_478-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRIAA2020d">RIAA 2020d</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTELewis2017-479"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTELewis2017_479-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFLewis2017">Lewis 2017</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTERIAA2020e-480"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERIAA2020e_480-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRIAA2020e">RIAA 2020e</a>.</span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTERIAA2020f-481"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTERIAA2020f_481-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFRIAA2020f">RIAA 2020f</a>.</span>
|
||
</li>
|
||
<li id="cite_note-Miller2012-482"><span class="mw-cite-backlink"><b><a href="#cite_ref-Miller2012_482-0">^</a></b></span> <span class="reference-text"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMillerGriswoldScharffRezac2012" class="citation journal cs1">Miller, Jeremy; Griswold, Charles; Scharff, Nikolaj; Rezac, Milan; Szuts, Tamas; Marhabaie, Mohammad (May 18, 2012). <a rel="nofollow" class="external text" href="//www.ncbi.nlm.nih.gov/pmc/articles/PMC3361087">"The velvet spiders: an atlas of the Eresidae (Arachnida, Araneae)"</a>. <i>ZooKeys</i> (195): 1–144. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<span class="cs1-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://doi.org/10.3897%2Fzookeys.195.2342">10.3897/zookeys.195.2342</a></span>. <a href="/wiki/ISSN_(identifier)" class="mw-redirect" title="ISSN (identifier)">ISSN</a> <a rel="nofollow" class="external text" href="//www.worldcat.org/issn/1313-2970">1313-2970</a>. <a href="/wiki/PMC_(identifier)" class="mw-redirect" title="PMC (identifier)">PMC</a> <span class="cs1-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="//www.ncbi.nlm.nih.gov/pmc/articles/PMC3361087">3361087</a></span>. <a href="/wiki/PMID_(identifier)" class="mw-redirect" title="PMID (identifier)">PMID</a> <a rel="nofollow" class="external text" href="//pubmed.ncbi.nlm.nih.gov/22679386">22679386</a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=ZooKeys&rft.atitle=The+velvet+spiders%3A+an+atlas+of+the+Eresidae+%28Arachnida%2C+Araneae%29&rft.issue=195&rft.pages=1-144&rft.date=2012-05-18&rft_id=%2F%2Fwww.ncbi.nlm.nih.gov%2Fpmc%2Farticles%2FPMC3361087%23id-name%3DPMC&rft.issn=1313-2970&rft_id=info%3Apmid%2F22679386&rft_id=info%3Adoi%2F10.3897%2Fzookeys.195.2342&rft.aulast=Miller&rft.aufirst=Jeremy&rft.au=Griswold%2C+Charles&rft.au=Scharff%2C+Nikolaj&rft.au=Rezac%2C+Milan&rft.au=Szuts%2C+Tamas&rft.au=Marhabaie%2C+Mohammad&rft_id=%2F%2Fwww.ncbi.nlm.nih.gov%2Fpmc%2Farticles%2FPMC3361087&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></span>
|
||
</li>
|
||
<li id="cite_note-FOOTNOTEBBC2018-483"><span class="mw-cite-backlink"><b><a href="#cite_ref-FOOTNOTEBBC2018_483-0">^</a></b></span> <span class="reference-text"><a href="#CITEREFBBC2018">BBC 2018</a>.</span>
|
||
</li>
|
||
</ol></div></div>
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||
<h2><span class="mw-headline" id="General_sources">General sources</span></h2>
|
||
<style data-mw-deduplicate="TemplateStyles:r1054258005">.mw-parser-output .refbegin{font-size:90%;margin-bottom:0.5em}.mw-parser-output .refbegin-hanging-indents>ul{margin-left:0}.mw-parser-output .refbegin-hanging-indents>ul>li{margin-left:0;padding-left:3.2em;text-indent:-3.2em}.mw-parser-output .refbegin-hanging-indents ul,.mw-parser-output .refbegin-hanging-indents ul li{list-style:none}@media(max-width:720px){.mw-parser-output .refbegin-hanging-indents>ul>li{padding-left:1.6em;text-indent:-1.6em}}.mw-parser-output .refbegin-columns{margin-top:0.3em}.mw-parser-output .refbegin-columns ul{margin-top:0}.mw-parser-output .refbegin-columns li{page-break-inside:avoid;break-inside:avoid-column}</style><div class="refbegin refbegin-columns references-column-width" style="column-width: 30em">
|
||
<ul><li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFAdelman2002" class="citation book cs1">Adelman, Kim (2002). <span class="cs1-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/girlsguidetoelvi0000adel"><i>The Girls' Guide to Elvis: The Clothes, the Hair, the Women, and More!</i></a></span>. Random House. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7679-1188-7" title="Special:BookSources/978-0-7679-1188-7"><bdi>978-0-7679-1188-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Girls%27+Guide+to+Elvis%3A+The+Clothes%2C+the+Hair%2C+the+Women%2C+and+More%21&rft.pub=Random+House&rft.date=2002&rft.isbn=978-0-7679-1188-7&rft.au=Adelman%2C+Kim&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fgirlsguidetoelvi0000adel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFAlden2014" class="citation book cs1">Alden, Ginger (2014). <i>Elvis & Ginger: Elvis Presley's Fiancée and Last Love Finally Tells her Story</i>. New York: Berkeley Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-101-61613-0" title="Special:BookSources/978-1-101-61613-0"><bdi>978-1-101-61613-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+%26+Ginger%3A+Elvis+Presley%27s+Fianc%C3%A9e+and+Last+Love+Finally+Tells+her+Story&rft.place=New+York&rft.pub=Berkeley+Publishing&rft.date=2014&rft.isbn=978-1-101-61613-0&rft.au=Alden%2C+Ginger&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFAllen1992" class="citation book cs1">Allen, Steve (1992). <i>Hi-Ho, Steverino!: My Adventures in the Wonderful Wacky World of TV</i>. Thorndike Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-56054-521-7" title="Special:BookSources/978-1-56054-521-7"><bdi>978-1-56054-521-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Hi-Ho%2C+Steverino%21%3A+My+Adventures+in+the+Wonderful+Wacky+World+of+TV&rft.pub=Thorndike+Press&rft.date=1992&rft.isbn=978-1-56054-521-7&rft.au=Allen%2C+Steve&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFArnett2006" class="citation book cs1">Arnett, Jeffrey Jensen (2006). <i>Adolescence and Emerging Adulthood: A Cultural Approach</i> (3rd ed.). Pearson Prentice Hall. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-13-195071-9" title="Special:BookSources/978-0-13-195071-9"><bdi>978-0-13-195071-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Adolescence+and+Emerging+Adulthood%3A+A+Cultural+Approach&rft.edition=3rd&rft.pub=Pearson+Prentice+Hall&rft.date=2006&rft.isbn=978-0-13-195071-9&rft.au=Arnett%2C+Jeffrey+Jensen&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFAshley2009" class="citation book cs1">Ashley, Martin (2009). <i>How High Should Boys Sing?</i>. Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-6475-8" title="Special:BookSources/978-0-7546-6475-8"><bdi>978-0-7546-6475-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=How+High+Should+Boys+Sing%3F&rft.pub=Ashgate&rft.date=2009&rft.isbn=978-0-7546-6475-8&rft.au=Ashley%2C+Martin&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFAtlantic2006" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.theatlantic.com/magazine/archive/2006/12/the-top-100-influential-figures-in-american-history/305384/">"The Top 100"</a>. The Atlantic. December 2006<span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Top+100&rft.pub=The+Atlantic&rft.date=2006-12&rft_id=https%3A%2F%2Fwww.theatlantic.com%2Fmagazine%2Farchive%2F2006%2F12%2Fthe-top-100-influential-figures-in-american-history%2F305384%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFAusten2005" class="citation book cs1">Austen, Jake (2005). <i>TV-A-Go-Go: Rock on TV from American Bandstand to American Idol</i>. Chicago Review Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55652-572-8" title="Special:BookSources/978-1-55652-572-8"><bdi>978-1-55652-572-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=TV-A-Go-Go%3A+Rock+on+TV+from+American+Bandstand+to+American+Idol&rft.pub=Chicago+Review+Press&rft.date=2005&rft.isbn=978-1-55652-572-8&rft.au=Austen%2C+Jake&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBadenHennessee1990" class="citation book cs1">Baden, Michael M.; Hennessee, Judith Adler (1990). <i>Unnatural Death: Confessions of a Medical Examiner</i>. Ballantine. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8041-0599-6" title="Special:BookSources/978-0-8041-0599-6"><bdi>978-0-8041-0599-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Unnatural+Death%3A+Confessions+of+a+Medical+Examiner&rft.pub=Ballantine&rft.date=1990&rft.isbn=978-0-8041-0599-6&rft.au=Baden%2C+Michael+M.&rft.au=Hennessee%2C+Judith+Adler&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBaillie2010" class="citation web cs1">Baillie, Russell (November 6, 2010). <a rel="nofollow" class="external text" href="http://www.nzherald.co.nz/entertainment-reviews/news/article.cfm?c_id=1502967&objectid=10685618">"Album Review: <i>Elvis Presley Viva Elvis The Album</i>"</a>. New Zealand Herald<span class="reference-accessdate">. Retrieved <span class="nowrap">November 9,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Album+Review%3A+Elvis+Presley+Viva+Elvis+The+Album&rft.pub=New+Zealand+Herald&rft.date=2010-11-06&rft.au=Baillie%2C+Russell&rft_id=http%3A%2F%2Fwww.nzherald.co.nz%2Fentertainment-reviews%2Fnews%2Farticle.cfm%3Fc_id%3D1502967%26objectid%3D10685618&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBaird2017" class="citation news cs1">Baird, Robert (December 23, 2017). <a rel="nofollow" class="external text" href="https://www.stereophile.com/content/elvis-and-royal-philharmonic">"Elvis and the Royal Philharmonic"</a>. <i>Stereophile</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 17,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Stereophile&rft.atitle=Elvis+and+the+Royal+Philharmonic&rft.date=2017-12-23&rft.au=Baird%2C+Robert&rft_id=https%3A%2F%2Fwww.stereophile.com%2Fcontent%2Felvis-and-royal-philharmonic&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBBC_News2001" class="citation news cs1"><a rel="nofollow" class="external text" href="http://news.bbc.co.uk/2/hi/entertainment/1281522.stm">"Sinatra Is Voice of the Century"</a>. <i>BBC News</i>. April 18, 2001<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=BBC+News&rft.atitle=Sinatra+Is+Voice+of+the+Century&rft.date=2001-04-18&rft_id=http%3A%2F%2Fnews.bbc.co.uk%2F2%2Fhi%2Fentertainment%2F1281522.stm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFThe_Beatles2000" class="citation book cs1">The Beatles (2000). <span class="cs1-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/beatlesanthology0000unse"><i>The Beatles Anthology</i></a></span>. Chronicle Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8118-2684-6" title="Special:BookSources/978-0-8118-2684-6"><bdi>978-0-8118-2684-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles+Anthology&rft.pub=Chronicle+Books&rft.date=2000&rft.isbn=978-0-8118-2684-6&rft.au=The+Beatles&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbeatlesanthology0000unse&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBennet2017" class="citation news cs1">Bennet, Mark (August 15, 2017). <a rel="nofollow" class="external text" href="http://www.dailyherald.com/article/20170815/news/308159978">"Elvis impersonator reviews his career highlights, wardrobe"</a>. <i><a href="/wiki/Daily_Herald_(Arlington_Heights)" class="mw-redirect" title="Daily Herald (Arlington Heights)">Daily Herald of Arlington Heights</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">February 2,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Daily+Herald+of+Arlington+Heights&rft.atitle=Elvis+impersonator+reviews+his+career+highlights%2C+wardrobe&rft.date=2017-08-15&rft.au=Bennet%2C+Mark&rft_id=http%3A%2F%2Fwww.dailyherald.com%2Farticle%2F20170815%2Fnews%2F308159978&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBertrand2000" class="citation book cs1">Bertrand, Michael T (2000). <i>Race, Rock, and Elvis</i>. University of Illinois Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-252-02586-0" title="Special:BookSources/978-0-252-02586-0"><bdi>978-0-252-02586-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Race%2C+Rock%2C+and+Elvis&rft.pub=University+of+Illinois+Press&rft.date=2000&rft.isbn=978-0-252-02586-0&rft.au=Bertrand%2C+Michael+T&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREF"Bill_Black"1965" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=aSkEAAAAMBAJ">"Bill Black Dies at 39"</a>. <i>Billboard</i>. October 30, 1965. p. 8.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Bill+Black+Dies+at+39&rft.pages=8&rft.date=1965-10-30&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DaSkEAAAAMBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBillboard2018" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.billboard.com/artist/elvis-presley/chart-history/coa/">"Elvis Presley: Chart History – Classical Albums"</a>. Billboard. 2018. <a rel="nofollow" class="external text" href="https://web.archive.org/web/20180507043025/https://www.billboard.com/music/elvis-presley/chart-history/classical-albums">Archived</a> from the original on May 7, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">January 9,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Elvis+Presley%3A+Chart+History+%E2%80%93+Classical+Albums&rft.pub=Billboard&rft.date=2018&rft_id=https%3A%2F%2Fwww.billboard.com%2Fartist%2Felvis-presley%2Fchart-history%2Fcoa%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBloom2010" class="citation news cs1">Bloom, Nate (2010). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111109001825/http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/The_Jews_Who_Wrote_Christmas_Songs_2010.shtml">"The Jews Who Wrote Christmas Songs"</a>. <i>InterfaithFamily.com</i>. Archived from <a rel="nofollow" class="external text" href="http://www.interfaithfamily.com/arts_and_entertainment/popular_culture/The_Jews_Who_Wrote_Christmas_Songs_2010.shtml">the original</a> on November 9, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">February 6,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=InterfaithFamily.com&rft.atitle=The+Jews+Who+Wrote+Christmas+Songs&rft.date=2010&rft.au=Bloom%2C+Nate&rft_id=http%3A%2F%2Fwww.interfaithfamily.com%2Farts_and_entertainment%2Fpopular_culture%2FThe_Jews_Who_Wrote_Christmas_Songs_2010.shtml&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBouchard2010" class="citation news cs1">Bouchard, Dany (November 5, 2010). <a rel="nofollow" class="external text" href="http://www.torontosun.com/entertainment/music/2010/11/05/15987851.html">"Priscilla Presley Keeps King Alive"</a>. <i>Toronto Sun</i><span class="reference-accessdate">. Retrieved <span class="nowrap">November 9,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Toronto+Sun&rft.atitle=Priscilla+Presley+Keeps+King+Alive&rft.date=2010-11-05&rft.au=Bouchard%2C+Dany&rft_id=http%3A%2F%2Fwww.torontosun.com%2Fentertainment%2Fmusic%2F2010%2F11%2F05%2F15987851.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBronson1998" class="citation magazine cs1">Bronson, Fred (May 9, 1998). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=UQ0EAAAAMBAJ">"Chart Beat"</a>. <i>Billboard</i>. p. 94.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Chart+Beat&rft.pages=94&rft.date=1998-05-09&rft.au=Bronson%2C+Fred&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DUQ0EAAAAMBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBronson2004" class="citation magazine cs1">Bronson, Fred (July 3, 2004). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=OhAEAAAAMBAJ">"Chart Beat"</a>. <i>Billboard</i>. p. 57.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Chart+Beat&rft.pages=57&rft.date=2004-07-03&rft.au=Bronson%2C+Fred&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DOhAEAAAAMBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBrownBroeske1997" class="citation book cs1">Brown, Peter Harry; Broeske, Pat H. (1997). <i>Down at the End of Lonely Street: The Life and Death of Elvis Presley</i>. Signet. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-451-19094-9" title="Special:BookSources/978-0-451-19094-9"><bdi>978-0-451-19094-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Down+at+the+End+of+Lonely+Street%3A+The+Life+and+Death+of+Elvis+Presley&rft.pub=Signet&rft.date=1997&rft.isbn=978-0-451-19094-9&rft.au=Brown%2C+Peter+Harry&rft.au=Broeske%2C+Pat+H.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBurkeGriffin2006" class="citation book cs1">Burke, Ken; Griffin, Dan (2006). <a rel="nofollow" class="external text" href="https://archive.org/details/bluemoonboys00burk"><i>The Blue Moon Boys: The Story of Elvis Presley's Band</i></a>. Chicago Review Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55652-614-5" title="Special:BookSources/978-1-55652-614-5"><bdi>978-1-55652-614-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Blue+Moon+Boys%3A+The+Story+of+Elvis+Presley%27s+Band&rft.pub=Chicago+Review+Press&rft.date=2006&rft.isbn=978-1-55652-614-5&rft.au=Burke%2C+Ken&rft.au=Griffin%2C+Dan&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbluemoonboys00burk&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCaine2005" class="citation book cs1">Caine, Andrew (2005). <i>Interpreting Rock Movies: The Pop Film and Its Critics in Britain</i>. Palgrave Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7190-6538-5" title="Special:BookSources/978-0-7190-6538-5"><bdi>978-0-7190-6538-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Interpreting+Rock+Movies%3A+The+Pop+Film+and+Its+Critics+in+Britain&rft.pub=Palgrave+Macmillan&rft.date=2005&rft.isbn=978-0-7190-6538-5&rft.au=Caine%2C+Andrew&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCampbell2009" class="citation book cs1">Campbell, Michael (2009). <i>Popular Music in America</i> (3rd ed.).</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Popular+Music+in+America&rft.edition=3rd&rft.date=2009&rft.au=Campbell%2C+Michael&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCaulfield2004" class="citation magazine cs1">Caulfield, Keith (September 18, 2004). "The King of Crossover's No. 1 Hits". <i>Billboard</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=The+King+of+Crossover%27s+No.+1+Hits&rft.date=2004-09-18&rft.au=Caulfield%2C+Keith&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCaulfield2016" class="citation news cs1">Caulfield, Keith (November 25, 2016). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/columns/chart-beat/5847879/top-selling-christmas-albums-all-time-elvis-kenny-g">"Popular Demand"</a>. <i>Billboard</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 17,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Popular+Demand&rft.date=2016-11-25&rft.au=Caulfield%2C+Keith&rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fcolumns%2Fchart-beat%2F5847879%2Ftop-selling-christmas-albums-all-time-elvis-kenny-g&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCharlton2006" class="citation book cs1">Charlton, Katherine (2006). <i>Rock Music Styles: A History</i> (5th ed.). McGraw-Hill. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-07-312162-8" title="Special:BookSources/978-0-07-312162-8"><bdi>978-0-07-312162-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rock+Music+Styles%3A+A+History&rft.edition=5th&rft.pub=McGraw-Hill&rft.date=2006&rft.isbn=978-0-07-312162-8&rft.au=Charlton%2C+Katherine&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFChristgau1985" class="citation news cs1"><a href="/wiki/Robert_Christgau" title="Robert Christgau">Christgau, Robert</a> (December 24, 1985). <a rel="nofollow" class="external text" href="http://www.robertchristgau.com/xg/cg/cgv12b-85.php">"Christgau's Consumer Guide"</a>. <i><a href="/wiki/The_Village_Voice" title="The Village Voice">The Village Voice</a></i>. New York<span class="reference-accessdate">. Retrieved <span class="nowrap">August 26,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Village+Voice&rft.atitle=Christgau%27s+Consumer+Guide&rft.date=1985-12-24&rft.au=Christgau%2C+Robert&rft_id=http%3A%2F%2Fwww.robertchristgau.com%2Fxg%2Fcg%2Fcgv12b-85.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFClarke2006" class="citation book cs1">Clarke, Steve (2006). "<span class="cs1-kern-left">"</span>Conspiracy Theories and Conspiracy Theorizing<span class="cs1-kern-right">"</span>". In Coady, David (ed.). <i>Conspiracy Theories: The Philosophical Debate</i>. Ashgate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7546-5250-2" title="Special:BookSources/978-0-7546-5250-2"><bdi>978-0-7546-5250-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%22Conspiracy+Theories+and+Conspiracy+Theorizing%22&rft.btitle=Conspiracy+Theories%3A+The+Philosophical+Debate&rft.pub=Ashgate&rft.date=2006&rft.isbn=978-0-7546-5250-2&rft.au=Clarke%2C+Steve&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFClaytonHeard2003" class="citation book cs1">Clayton, Dick; Heard, James (2003). <i>Elvis: By Those Who Knew Him Best</i>. Virgin Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7535-0835-0" title="Special:BookSources/978-0-7535-0835-0"><bdi>978-0-7535-0835-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis%3A+By+Those+Who+Knew+Him+Best&rft.pub=Virgin+Publishing&rft.date=2003&rft.isbn=978-0-7535-0835-0&rft.au=Clayton%2C+Dick&rft.au=Heard%2C+James&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCMT2005" class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.cmt.com/shows/dyn/greatest_series/76607/episode_countdown.jhtml">"40 Greatest Men in Country Music"</a>. CMT. 2005<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=40+Greatest+Men+in+Country+Music&rft.pub=CMT&rft.date=2005&rft_id=http%3A%2F%2Fwww.cmt.com%2Fshows%2Fdyn%2Fgreatest_series%2F76607%2Fepisode_countdown.jhtml&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCNN2017" class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.cnn.com/2013/08/30/us/elvis-presley-fast-facts/index.html">"Elvis Presley Fast Facts"</a>. CNN. May 12, 2017<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Elvis+Presley+Fast+Facts&rft.pub=CNN&rft.date=2017-05-12&rft_id=http%3A%2F%2Fwww.cnn.com%2F2013%2F08%2F30%2Fus%2Felvis-presley-fast-facts%2Findex.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCoffey1997" class="citation book cs1">Coffey, Frank (1997). <i>The Complete Idiot's Guide to Elvis</i>. New York: Alpha Books.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Complete+Idiot%27s+Guide+to+Elvis&rft.place=New+York&rft.pub=Alpha+Books&rft.date=1997&rft.au=Coffey%2C+Frank&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCollins2002" class="citation web cs1">Collins, Dan (August 7, 2002). <a rel="nofollow" class="external text" href="https://www.cbsnews.com/stories/2002/08/07/entertainment/main517851.shtml">"How Big Was The King?"</a>. CBS News/Associated Press<span class="reference-accessdate">. Retrieved <span class="nowrap">December 27,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=How+Big+Was+The+King%3F&rft.pub=CBS+News%2FAssociated+Press&rft.date=2002-08-07&rft.au=Collins%2C+Dan&rft_id=https%3A%2F%2Fwww.cbsnews.com%2Fstories%2F2002%2F08%2F07%2Fentertainment%2Fmain517851.shtml&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFConnelly2008" class="citation book cs1">Connelly, Charlie (2008). <i>In Search of Elvis: A Journey to Find the Man Beneath the Jumpsuit</i>. Little, Brown. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-349-11900-7" title="Special:BookSources/978-0-349-11900-7"><bdi>978-0-349-11900-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=In+Search+of+Elvis%3A+A+Journey+to+Find+the+Man+Beneath+the+Jumpsuit&rft.pub=Little%2C+Brown&rft.date=2008&rft.isbn=978-0-349-11900-7&rft.au=Connelly%2C+Charlie&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCook2004" class="citation book cs1">Cook, Jody (2004). <a rel="nofollow" class="external text" href="https://npgallery.nps.gov/GetAsset?assetID=5db64e4b-7360-4b57-9d04-fae564edd7fc"><i>Graceland National Historic Landmark Nomination Form</i></a> <span class="cs1-format">(PDF)</span>. United States Department of the Interior.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Graceland+National+Historic+Landmark+Nomination+Form&rft.pub=United+States+Department+of+the+Interior&rft.date=2004&rft.au=Cook%2C+Jody&rft_id=https%3A%2F%2Fnpgallery.nps.gov%2FGetAsset%3FassetID%3D5db64e4b-7360-4b57-9d04-fae564edd7fc&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCorcoran1998" class="citation news cs1">Corcoran, John (March 1, 1998). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NdoDAAAAMBAJ&pg=PA50">"The King and Karate"</a>. <i>Black Belt</i>. pp. 48–54<span class="reference-accessdate">. Retrieved <span class="nowrap">December 17,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Black+Belt&rft.atitle=The+King+and+Karate&rft.pages=48-54&rft.date=1998-03-01&rft.au=Corcoran%2C+John&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNdoDAAAAMBAJ%26pg%3DPA50&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCosby2016" class="citation book cs1">Cosby, James A. (2016). <i>Devil's Music, Holy Rollers and Hillbillies: How America Gave Birth to Rock and Roll</i>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4766-6229-9" title="Special:BookSources/978-1-4766-6229-9"><bdi>978-1-4766-6229-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Devil%27s+Music%2C+Holy+Rollers+and+Hillbillies%3A+How+America+Gave+Birth+to+Rock+and+Roll&rft.pub=McFarland&rft.date=2016&rft.isbn=978-1-4766-6229-9&rft.au=Cosby%2C+James+A.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFCusic1988" class="citation journal cs1">Cusic, Don (Summer 1988). "Singing with the King". <i>Rejoice! The Gospel Music Magazine</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rejoice%21+The+Gospel+Music+Magazine&rft.atitle=Singing+with+the+King&rft.ssn=summer&rft.date=1988&rft.au=Cusic%2C+Don&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFDavies1996" class="citation book cs1">Davies, Hunter (1996). <a rel="nofollow" class="external text" href="https://archive.org/details/beatles00davi"><i>The Beatles</i></a> (2nd rev. ed.). W. W. Norton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-31571-4" title="Special:BookSources/978-0-393-31571-4"><bdi>978-0-393-31571-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Beatles&rft.edition=2nd+rev.&rft.pub=W.+W.+Norton&rft.date=1996&rft.isbn=978-0-393-31571-4&rft.au=Davies%2C+Hunter&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fbeatles00davi&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFDenisoff1975" class="citation book cs1">Denisoff, R. Serge (1975). <i>Solid Gold: The Popular Record Industry</i>. Transaction Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-87855-586-4" title="Special:BookSources/978-0-87855-586-4"><bdi>978-0-87855-586-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Solid+Gold%3A+The+Popular+Record+Industry&rft.pub=Transaction+Books&rft.date=1975&rft.isbn=978-0-87855-586-4&rft.au=Denisoff%2C+R.+Serge&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFDiscovery_Channel2005" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20100129115404/http://dsc.discovery.com/convergence/greatestamerican/greatestamerican.html">"Greatest American"</a>. Discovery Channel. 2005. Archived from <a rel="nofollow" class="external text" href="http://dsc.discovery.com/convergence/greatestamerican/greatestamerican.html">the original</a> on January 29, 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Greatest+American&rft.pub=Discovery+Channel&rft.date=2005&rft_id=http%3A%2F%2Fdsc.discovery.com%2Fconvergence%2Fgreatestamerican%2Fgreatestamerican.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFDoll2016" class="citation book cs1">Doll, Susan (2016). <i>Understanding Elvis: Southern Roots vs. Star Image</i>. Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8153-3164-3" title="Special:BookSources/978-0-8153-3164-3"><bdi>978-0-8153-3164-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Understanding+Elvis%3A+Southern+Roots+vs.+Star+Image&rft.pub=Routledge&rft.date=2016&rft.isbn=978-0-8153-3164-3&rft.au=Doll%2C+Susan&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFDoss1999" class="citation book cs1">Doss, Erika Lee (1999). <a rel="nofollow" class="external text" href="https://archive.org/details/elvisculturefans00doss"><i>Elvis Culture: Fans, Faith, and Image</i></a>. University of Kansas Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7006-0948-2" title="Special:BookSources/978-0-7006-0948-2"><bdi>978-0-7006-0948-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Culture%3A+Fans%2C+Faith%2C+and+Image&rft.pub=University+of+Kansas+Press&rft.date=1999&rft.isbn=978-0-7006-0948-2&rft.au=Doss%2C+Erika+Lee&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvisculturefans00doss&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFDundy2004" class="citation book cs1"><a href="/wiki/Elaine_Dundy" title="Elaine Dundy">Dundy, Elaine</a> (2004). <i>Elvis and Gladys</i> (2nd ed.). University Press of Mississippi. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57806-634-6" title="Special:BookSources/978-1-57806-634-6"><bdi>978-1-57806-634-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+and+Gladys&rft.edition=2nd&rft.pub=University+Press+of+Mississippi&rft.date=2004&rft.isbn=978-1-57806-634-6&rft.au=Dundy%2C+Elaine&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFDyer1959–1960" class="citation journal cs1">Dyer, Peter John (Winter 1959–60). "The Teenage Rave". <i>Sight and Sound</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Sight+and+Sound&rft.atitle=The+Teenage+Rave&rft.ssn=winter&rft.date=1959%2F1960&rft.au=Dyer%2C+Peter+John&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFEdgerton2007" class="citation book cs1">Edgerton, Gary R. (2007). <i>The Columbia History of American Television</i>. Columbia University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-231-12165-1" title="Special:BookSources/978-0-231-12165-1"><bdi>978-0-231-12165-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Columbia+History+of+American+Television&rft.pub=Columbia+University+Press&rft.date=2007&rft.isbn=978-0-231-12165-1&rft.au=Edgerton%2C+Gary+R.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFElster2006" class="citation book cs1">Elster, Charles Harrington (2006). <i>The Big Book of Beastly Mispronunciations</i>. Houghton Mifflin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-618-42315-6" title="Special:BookSources/978-0-618-42315-6"><bdi>978-0-618-42315-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Big+Book+of+Beastly+Mispronunciations&rft.pub=Houghton+Mifflin&rft.date=2006&rft.isbn=978-0-618-42315-6&rft.au=Elster%2C+Charles+Harrington&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREF"Elvis_Presley:_'King_of_Rock'"1956" class="citation journal cs1"><a rel="nofollow" class="external text" href="http://www.elvisechoesofthepast.com/rock-n-roll-stars-1956/">"Elvis Presley: 'King of Rock<span class="cs1-kern-right">'</span>"</a>. <i>Rock 'N Roll Stars</i>: 2–13. 1956.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Rock+%27N+Roll+Stars&rft.atitle=Elvis+Presley%3A+%27King+of+Rock%27&rft.pages=2-13&rft.date=1956&rft_id=http%3A%2F%2Fwww.elvisechoesofthepast.com%2Frock-n-roll-stars-1956%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFEscott1998" class="citation book cs1">Escott, Colin (1998). "<span class="cs1-kern-left">"</span>Elvis Presley<span class="cs1-kern-right">"</span>". In Kingsbury, Paul (ed.). <i>The Encyclopedia of Country Music</i>. Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-517608-7" title="Special:BookSources/978-0-19-517608-7"><bdi>978-0-19-517608-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%22Elvis+Presley%22&rft.btitle=The+Encyclopedia+of+Country+Music&rft.pub=Oxford+University+Press&rft.date=1998&rft.isbn=978-0-19-517608-7&rft.au=Escott%2C+Colin&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFeveryHit.com2009" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070702234638/http://www.everyhit.com/">"UK Top 40 Hit Database"</a>. EveryHit. 2009. Archived from <a rel="nofollow" class="external text" href="http://www.everyhit.com/">the original</a> on July 2, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">December 28,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=UK+Top+40+Hit+Database&rft.pub=EveryHit&rft.date=2009&rft_id=http%3A%2F%2Fwww.everyhit.com%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFeveryHit.com2010a" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070702234638/http://www.everyhit.com/">"The 'Battle' For Most Number 1s"</a>. EveryHit. 2010a. Archived from <a rel="nofollow" class="external text" href="http://www.everyhit.com/">the original</a> on July 2, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+%27Battle%27+For+Most+Number+1s&rft.pub=EveryHit&rft.date=2010&rft_id=http%3A%2F%2Fwww.everyhit.com%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFeveryHit.com2010b" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070702234638/http://www.everyhit.com/">"Record Breakers and Trivia: Singles: Artists: Sales/Chart Performance"</a>. EveryHit. 2010b. Archived from <a rel="nofollow" class="external text" href="http://www.everyhit.com">the original</a> on July 2, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Record+Breakers+and+Trivia%3A+Singles%3A+Artists%3A+Sales%2FChart+Performance&rft.pub=EveryHit&rft.date=2010&rft_id=http%3A%2F%2Fwww.everyhit.com&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFFarmer2000" class="citation book cs1">Farmer, Brett (2000). <i>Spectacular Passions: Cinema, Fantasy, Gay Male Spectatorships</i> (2nd ed.). Duke University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8223-2589-5" title="Special:BookSources/978-0-8223-2589-5"><bdi>978-0-8223-2589-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Spectacular+Passions%3A+Cinema%2C+Fantasy%2C+Gay+Male+Spectatorships&rft.edition=2nd&rft.pub=Duke+University+Press&rft.date=2000&rft.isbn=978-0-8223-2589-5&rft.au=Farmer%2C+Brett&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFFeeney2010" class="citation news cs1">Feeney, Mark (January 3, 2010). <a rel="nofollow" class="external text" href="https://www.boston.com/ae/music/articles/2010/01/03/elvis_the_performer_and_the_punch_line/">"Elvis at 75: Can We Ever Again See the Performer, Not the Punch Line?"</a>. <i>Boston Globe</i><span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Boston+Globe&rft.atitle=Elvis+at+75%3A+Can+We+Ever+Again+See+the+Performer%2C+Not+the+Punch+Line%3F&rft.date=2010-01-03&rft.au=Feeney%2C+Mark&rft_id=https%3A%2F%2Fwww.boston.com%2Fae%2Fmusic%2Farticles%2F2010%2F01%2F03%2Felvis_the_performer_and_the_punch_line%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFFensch2001" class="citation book cs1">Fensch, Thomas (2001). <i>The FBI Files on Elvis Presley</i>. New Century Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-930751-03-6" title="Special:BookSources/978-0-930751-03-6"><bdi>978-0-930751-03-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+FBI+Files+on+Elvis+Presley&rft.pub=New+Century+Books&rft.date=2001&rft.isbn=978-0-930751-03-6&rft.au=Fensch%2C+Thomas&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFFessier2013" class="citation news cs1">Fessier, Bruce (May 10, 2013). <a rel="nofollow" class="external text" href="https://www.usatoday.com/story/life/tv/2013/05/10/elvis-presley-aloha-from-hawaii/2151617/">"Director Remembers Landmark Elvis Presley Performance"</a>. <i>USA Today</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=USA+Today&rft.atitle=Director+Remembers+Landmark+Elvis+Presley+Performance&rft.date=2013-05-10&rft.au=Fessier%2C+Bruce&rft_id=https%3A%2F%2Fwww.usatoday.com%2Fstory%2Flife%2Ftv%2F2013%2F05%2F10%2Felvis-presley-aloha-from-hawaii%2F2151617%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFFields2007" class="citation news cs1">Fields, Curt (August 3, 2007). <a rel="nofollow" class="external text" href="https://www.washingtonpost.com/wp-dyn/content/article/2007/08/02/AR2007080200660.html">"A Whole Lotta Elvis Is Goin' to the Small Screen"</a>. <i><a href="/wiki/The_Washington_Post" title="The Washington Post">The Washington Post</a></i><span class="reference-accessdate">. Retrieved <span class="nowrap">December 27,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Washington+Post&rft.atitle=A+Whole+Lotta+Elvis+Is+Goin%27+to+the+Small+Screen&rft.date=2007-08-03&rft.au=Fields%2C+Curt&rft_id=https%3A%2F%2Fwww.washingtonpost.com%2Fwp-dyn%2Fcontent%2Farticle%2F2007%2F08%2F02%2FAR2007080200660.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFFox1986" class="citation book cs1">Fox, Ted (1986). <i>In the Groove: The People Behind the Music</i>. St Martin's Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-01776-7" title="Special:BookSources/978-0-312-01776-7"><bdi>978-0-312-01776-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=In+the+Groove%3A+The+People+Behind+the+Music&rft.pub=St+Martin%27s+Press&rft.date=1986&rft.isbn=978-0-312-01776-7&rft.au=Fox%2C+Ted&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFFriedlander1996" class="citation book cs1">Friedlander, Paul (1996). <i>Rock and Roll: A Social History</i>. Westview. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8133-2725-9" title="Special:BookSources/978-0-8133-2725-9"><bdi>978-0-8133-2725-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rock+and+Roll%3A+A+Social+History&rft.pub=Westview&rft.date=1996&rft.isbn=978-0-8133-2725-9&rft.au=Friedlander%2C+Paul&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGarber1997" class="citation book cs1">Garber, Marjorie (1997). <i>Vested Interests: Cross-Dressing and Cultural Anxiety</i>. Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-91951-7" title="Special:BookSources/978-0-415-91951-7"><bdi>978-0-415-91951-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Vested+Interests%3A+Cross-Dressing+and+Cultural+Anxiety&rft.pub=Routledge&rft.date=1997&rft.isbn=978-0-415-91951-7&rft.au=Garber%2C+Marjorie&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGarrity2002" class="citation magazine cs1">Garrity, Brian (October 12, 2002). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=Fg0EAAAAMBAJ">"King's Crown Shines: First No. 1 Debut"</a>. <i>Billboard</i>. pp. 1, 3.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=King%27s+Crown+Shines%3A+First+No.+1+Debut&rft.pages=1%2C+3&rft.date=2002-10-12&rft.au=Garrity%2C+Brian&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DFg0EAAAAMBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGibson2005" class="citation magazine cs1">Gibson, Christine (December 6, 2005). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20090515154236/http://www.americanheritage.com/entertainment/articles/web/20050909-elvis-presley-ed-sullivan-show-steve-allen-milton-berle-charles-laughton.shtml">"Elvis on Ed Sullivan: The Real Story"</a>. <i>American Heritage</i>. Archived from <a rel="nofollow" class="external text" href="http://www.americanheritage.com/entertainment/articles/web/20050909-elvis-presley-ed-sullivan-show-steve-allen-milton-berle-charles-laughton.shtml">the original</a> on May 15, 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">December 31,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=American+Heritage&rft.atitle=Elvis+on+Ed+Sullivan%3A+The+Real+Story&rft.date=2005-12-06&rft.au=Gibson%2C+Christine&rft_id=http%3A%2F%2Fwww.americanheritage.com%2Fentertainment%2Farticles%2Fweb%2F20050909-elvis-presley-ed-sullivan-show-steve-allen-milton-berle-charles-laughton.shtml&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGillett2000" class="citation book cs1"><a href="/wiki/Charlie_Gillett" title="Charlie Gillett">Gillett, Charlie</a> (2000). "<span class="cs1-kern-left">"</span>The Five Styles of Rock'n'Roll<span class="cs1-kern-right">"</span>". In McKeen, William (ed.). <i>Rock and Roll Is Here To Stay: An Anthology</i>. W. W. Norton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-04700-4" title="Special:BookSources/978-0-393-04700-4"><bdi>978-0-393-04700-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%22The+Five+Styles+of+Rock%27n%27Roll%22&rft.btitle=Rock+and+Roll+Is+Here+To+Stay%3A+An+Anthology&rft.pub=W.+W.+Norton&rft.date=2000&rft.isbn=978-0-393-04700-4&rft.au=Gillett%2C+Charlie&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGoldmanEwalt2007" class="citation magazine cs1">Goldman, Lea; Ewalt, David M. (October 29, 2007). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080611105814/http://www.forbes.com/business/2007/10/29/dead-celebrity-earning-biz-media-deadcelebs07_cz_lg_1029celeb_land.html">"Top-Earning Dead Celebrities"</a>. <i><a href="/wiki/Forbes_(magazine)" class="mw-redirect" title="Forbes (magazine)">Forbes</a></i>. Archived from <a rel="nofollow" class="external text" href="https://www.forbes.com/business/2007/10/29/dead-celebrity-earning-biz-media-deadcelebs07_cz_lg_1029celeb_land.html">the original</a> on June 11, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">January 5,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Forbes&rft.atitle=Top-Earning+Dead+Celebrities&rft.date=2007-10-29&rft.au=Goldman%2C+Lea&rft.au=Ewalt%2C+David+M.&rft_id=https%3A%2F%2Fwww.forbes.com%2Fbusiness%2F2007%2F10%2F29%2Fdead-celebrity-earning-biz-media-deadcelebs07_cz_lg_1029celeb_land.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGoldmanPaine2007" class="citation magazine cs1">Goldman, Lea; Paine, Jake (October 29, 2007). <a rel="nofollow" class="external text" href="https://www.forbes.com/2007/10/26/top-dead-celebrity-biz-media-deadcelebs07-cz_lg_1029celeb.html">"Top-Earning Dead Celebrities"</a>. <i>Forbes</i><span class="reference-accessdate">. Retrieved <span class="nowrap">June 5,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Forbes&rft.atitle=Top-Earning+Dead+Celebrities&rft.date=2007-10-29&rft.au=Goldman%2C+Lea&rft.au=Paine%2C+Jake&rft_id=https%3A%2F%2Fwww.forbes.com%2F2007%2F10%2F26%2Ftop-dead-celebrity-biz-media-deadcelebs07-cz_lg_1029celeb.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGordon2005" class="citation book cs1">Gordon, Robert (2005). <i>The King on the Road</i>. Bounty Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7537-1088-3" title="Special:BookSources/978-0-7537-1088-3"><bdi>978-0-7537-1088-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+King+on+the+Road&rft.pub=Bounty+Books&rft.date=2005&rft.isbn=978-0-7537-1088-3&rft.au=Gordon%2C+Robert&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGould1956" class="citation news cs1">Gould, Jack (June 6, 1956). <a rel="nofollow" class="external text" href="http://graphics8.nytimes.com/packages/pdf/archives/elvis-presley-on-milton-berle-show-06-06-1956.pdf">"TV: New Phenomenon – Elvis Presley Rises to Fame as Vocalist Who Is Virtuoso of Hootchy-Kootchy"</a> <span class="cs1-format">(PDF)</span>. <i>The New York Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">December 31,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=TV%3A+New+Phenomenon+%E2%80%93+Elvis+Presley+Rises+to+Fame+as+Vocalist+Who+Is+Virtuoso+of+Hootchy-Kootchy&rft.date=1956-06-06&rft.au=Gould%2C+Jack&rft_id=http%3A%2F%2Fgraphics8.nytimes.com%2Fpackages%2Fpdf%2Farchives%2Felvis-presley-on-milton-berle-show-06-06-1956.pdf&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGreenburg2017" class="citation magazine cs1">Greenburg, Zack O'Malley (October 30, 2017). <a rel="nofollow" class="external text" href="https://www.forbes.com/sites/zackomalleygreenburg/2017/10/30/the-top-earning-dead-celebrities-of-2017/#75dd8def41f5">"The Top-Earning Dead Celebrities of 2017"</a>. <i>Forbes</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 8,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Forbes&rft.atitle=The+Top-Earning+Dead+Celebrities+of+2017&rft.date=2017-10-30&rft.au=Greenburg%2C+Zack+O%27Malley&rft_id=https%3A%2F%2Fwww.forbes.com%2Fsites%2Fzackomalleygreenburg%2F2017%2F10%2F30%2Fthe-top-earning-dead-celebrities-of-2017%2F%2375dd8def41f5&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGrein2008" class="citation web cs1">Grein, Paul (December 5, 2008). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20111224030746/http://music.yahoo.com/blogs/chart-watch/chart-watch-extra-the-top-40-christmas-albums.html">"Chart Watch Extra: The Top 40 Christmas Albums"</a>. <i>Yahoo! Music</i>. Archived from <a rel="nofollow" class="external text" href="http://music.yahoo.com/blogs/chart-watch/chart-watch-extra-the-top-40-christmas-albums.html">the original</a> on December 24, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Yahoo%21+Music&rft.atitle=Chart+Watch+Extra%3A+The+Top+40+Christmas+Albums&rft.date=2008-12-05&rft.au=Grein%2C+Paul&rft_id=http%3A%2F%2Fmusic.yahoo.com%2Fblogs%2Fchart-watch%2Fchart-watch-extra-the-top-40-christmas-albums.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGuardian2014" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.theguardian.com/media/2014/mar/25/channel-4-show-discovers-cause-of-elvis-presley-death">"Channel 4 Show 'Discovers Cause of Elvis Presley's Death<span class="cs1-kern-right">'</span>"</a>. <i>The Guardian</i>. March 25, 2014<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Guardian&rft.atitle=Channel+4+Show+%27Discovers+Cause+of+Elvis+Presley%27s+Death%27&rft.date=2014-03-25&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmedia%2F2014%2Fmar%2F25%2Fchannel-4-show-discovers-cause-of-elvis-presley-death&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGuffey2006" class="citation book cs1">Guffey, Elizabeth E. (2006). <i>Retro: The Culture of Revival</i>. Reaktion. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-86189-290-4" title="Special:BookSources/978-1-86189-290-4"><bdi>978-1-86189-290-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Retro%3A+The+Culture+of+Revival&rft.pub=Reaktion&rft.date=2006&rft.isbn=978-1-86189-290-4&rft.au=Guffey%2C+Elizabeth+E.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGuralnick1989" class="citation book cs1">Guralnick, Peter (1989). <i>Lost Highway: Journeys & Arrivals of American Musicians</i>. Vintage. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-394-75215-0" title="Special:BookSources/978-0-394-75215-0"><bdi>978-0-394-75215-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Lost+Highway%3A+Journeys+%26+Arrivals+of+American+Musicians&rft.pub=Vintage&rft.date=1989&rft.isbn=978-0-394-75215-0&rft.au=Guralnick%2C+Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGuralnick1994" class="citation book cs1">Guralnick, Peter (1994). <i>Last Train to Memphis: The Rise of Elvis Presley</i>. Little, Brown. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-316-33225-5" title="Special:BookSources/978-0-316-33225-5"><bdi>978-0-316-33225-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Last+Train+to+Memphis%3A+The+Rise+of+Elvis+Presley&rft.pub=Little%2C+Brown&rft.date=1994&rft.isbn=978-0-316-33225-5&rft.au=Guralnick%2C+Peter&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGuralnick1999" class="citation book cs1">Guralnick, Peter (1999). <a rel="nofollow" class="external text" href="https://archive.org/details/isbn_9780316332972"><i>Careless Love: The Unmaking of Elvis Presley</i></a>. Back Bay Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-316-33297-2" title="Special:BookSources/978-0-316-33297-2"><bdi>978-0-316-33297-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Careless+Love%3A+The+Unmaking+of+Elvis+Presley&rft.pub=Back+Bay+Books&rft.date=1999&rft.isbn=978-0-316-33297-2&rft.au=Guralnick%2C+Peter&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fisbn_9780316332972&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGuralnick2004" class="citation news cs1">Guralnick, Peter (January 8, 2004). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2007/08/11/opinion/11guralnick.html">"How Did Elvis Get Turned into a Racist?"</a>. <i>The New York Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">August 11,</span> 2007</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=How+Did+Elvis+Get+Turned+into+a+Racist%3F&rft.date=2004-01-08&rft.au=Guralnick%2C+Peter&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2007%2F08%2F11%2Fopinion%2F11guralnick.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFGuralnickJorgensen1999" class="citation book cs1">Guralnick, Peter; Jorgensen, Ernst (1999). <i>Elvis Day by Day: The Definitive Record of His Life and Music</i>. Ballantine. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-345-42089-3" title="Special:BookSources/978-0-345-42089-3"><bdi>978-0-345-42089-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Day+by+Day%3A+The+Definitive+Record+of+His+Life+and+Music&rft.pub=Ballantine&rft.date=1999&rft.isbn=978-0-345-42089-3&rft.au=Guralnick%2C+Peter&rft.au=Jorgensen%2C+Ernst&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHarris2006" class="citation news cs1">Harris, John (March 27, 2006). <a rel="nofollow" class="external text" href="https://www.theguardian.com/commentisfree/2006/mar/27/talkingaboutgraceland">"Talking about Graceland"</a>. <i>The Guardian</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 4,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=Talking+about+Graceland&rft.date=2006-03-27&rft.au=Harris%2C+John&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fcommentisfree%2F2006%2Fmar%2F27%2Ftalkingaboutgraceland&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHarrison1992" class="citation book cs1">Harrison, Ted (1992). <a rel="nofollow" class="external text" href="https://archive.org/details/elvispeopleculto00harr"><i>Elvis People: The Cult of the King</i></a>. Fount. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-00-627620-3" title="Special:BookSources/978-0-00-627620-3"><bdi>978-0-00-627620-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+People%3A+The+Cult+of+the+King&rft.pub=Fount&rft.date=1992&rft.isbn=978-0-00-627620-3&rft.au=Harrison%2C+Ted&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvispeopleculto00harr&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHarrison2016" class="citation book cs1">Harrison, Ted (2016). <i>The Death and Resurrection of Elvis Presley</i>. Reaktion. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-78023-637-7" title="Special:BookSources/978-1-78023-637-7"><bdi>978-1-78023-637-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Death+and+Resurrection+of+Elvis+Presley&rft.pub=Reaktion&rft.date=2016&rft.isbn=978-1-78023-637-7&rft.au=Harrison%2C+Ted&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHasty2008" class="citation magazine cs1">Hasty, Katie (May 7, 2008). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/news/1045488/madonna-leads-busy-billboard-200-with-7th-no-1">"Madonna Leads Busy Billboard 200 with 7th No. 1"</a>. <i>Billboard</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Madonna+Leads+Busy+Billboard+200+with+7th+No.+1&rft.date=2008-05-07&rft.au=Hasty%2C+Katie&rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fnews%2F1045488%2Fmadonna-leads-busy-billboard-200-with-7th-no-1&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHigginbotham2002" class="citation news cs1">Higginbotham, Alan (August 11, 2002). <a rel="nofollow" class="external text" href="https://www.theguardian.com/theobserver/2002/aug/11/features.magazine27">"Doctor Feelgood"</a>. <i>The Observer</i><span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Observer&rft.atitle=Doctor+Feelgood&rft.date=2002-08-11&rft.au=Higginbotham%2C+Alan&rft_id=https%3A%2F%2Fwww.theguardian.com%2Ftheobserver%2F2002%2Faug%2F11%2Ffeatures.magazine27&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHilburn2005" class="citation news cs1">Hilburn, Robert (February 6, 2005). <a rel="nofollow" class="external text" href="https://articles.latimes.com/2005/feb/06/entertainment/ca-presley6">"From the Man Who Would Be King"</a>. <i>Los Angeles Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 4,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=From+the+Man+Who+Would+Be+King&rft.date=2005-02-06&rft.au=Hilburn%2C+Robert&rft_id=https%3A%2F%2Farticles.latimes.com%2F2005%2Ffeb%2F06%2Fentertainment%2Fca-presley6&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHilburn2007" class="citation news cs1">Hilburn, Robert (October 30, 2007). <a rel="nofollow" class="external text" href="https://www.latimes.com/entertainment/la-et-backtracking30oct30,0,1043136.story">"This Fan of Charts Is No. 1, with a Bullet"</a>. <i>Los Angeles Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 17,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=This+Fan+of+Charts+Is+No.+1%2C+with+a+Bullet&rft.date=2007-10-30&rft.au=Hilburn%2C+Robert&rft_id=https%3A%2F%2Fwww.latimes.com%2Fentertainment%2Fla-et-backtracking30oct30%2C0%2C1043136.story&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREF"Hits_of_the_World"2004" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=aRAEAAAAMBAJ">"Hits of the World"</a>. <i>Billboard</i>. July 24, 2004. p. 62.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Hits+of+the+World&rft.pages=62&rft.date=2004-07-24&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DaRAEAAAAMBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHopkins1986" class="citation book cs1">Hopkins, Jerry (1986). <i>Elvis: The Final Years</i>. Berkley. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-425-08999-6" title="Special:BookSources/978-0-425-08999-6"><bdi>978-0-425-08999-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis%3A+The+Final+Years&rft.pub=Berkley&rft.date=1986&rft.isbn=978-0-425-08999-6&rft.au=Hopkins%2C+Jerry&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHopkins2002" class="citation book cs1">Hopkins, Jerry (2002). <i>Elvis in Hawaii</i>. Bess Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-57306-142-1" title="Special:BookSources/978-1-57306-142-1"><bdi>978-1-57306-142-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+in+Hawaii&rft.pub=Bess+Press&rft.date=2002&rft.isbn=978-1-57306-142-1&rft.au=Hopkins%2C+Jerry&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHopkins2007" class="citation book cs1">Hopkins, Jerry (2007). <i>Elvis – The Biography</i>. Plexus. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-85965-391-6" title="Special:BookSources/978-0-85965-391-6"><bdi>978-0-85965-391-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+%26ndash%3B%26%2332%3BThe+Biography&rft.pub=Plexus&rft.date=2007&rft.isbn=978-0-85965-391-6&rft.au=Hopkins%2C+Jerry&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHoy2008" class="citation magazine cs1">Hoy, Peter (October 27, 2008). <a rel="nofollow" class="external text" href="https://www.forbes.com/2008/10/27/top-dead-celebrity-biz-media-deadcelebs08-cz_ph_1027celeb.html">"Top-Earning Dead Celebrities"</a>. <i>Forbes</i><span class="reference-accessdate">. Retrieved <span class="nowrap">June 5,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Forbes&rft.atitle=Top-Earning+Dead+Celebrities&rft.date=2008-10-27&rft.au=Hoy%2C+Peter&rft_id=https%3A%2F%2Fwww.forbes.com%2F2008%2F10%2F27%2Ftop-dead-celebrity-biz-media-deadcelebs08-cz_ph_1027celeb.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFHumphries2003" class="citation book cs1">Humphries, Patrick (2003). <i>Elvis the No. 1 Hits: The Secret History of the Classics</i>. Andrews McMeel Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7407-3803-6" title="Special:BookSources/978-0-7407-3803-6"><bdi>978-0-7407-3803-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+the+No.+1+Hits%3A+The+Secret+History+of+the+Classics&rft.pub=Andrews+McMeel+Publishing&rft.date=2003&rft.isbn=978-0-7407-3803-6&rft.au=Humphries%2C+Patrick&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFJancik1998" class="citation book cs1">Jancik, Wayne (1998). <i>The Billboard Book of One-Hit Wonders</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Billboard+Book+of+One-Hit+Wonders&rft.date=1998&rft.au=Jancik%2C+Wayne&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFJezer1982" class="citation book cs1">Jezer, Marty (1982). <a rel="nofollow" class="external text" href="https://archive.org/details/darkageslifeinth00jeze"><i>The Dark Ages: Life in the United States 1945–1960</i></a>. South End Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-89608-127-7" title="Special:BookSources/978-0-89608-127-7"><bdi>978-0-89608-127-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Dark+Ages%3A+Life+in+the+United+States+1945%E2%80%931960&rft.pub=South+End+Press&rft.date=1982&rft.isbn=978-0-89608-127-7&rft.au=Jezer%2C+Marty&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdarkageslifeinth00jeze&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFJorgensen1998" class="citation book cs1">Jorgensen, Ernst (1998). <i>Elvis Presley – A Life in Music: The Complete Recording Sessions</i>. St Martin's Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-18572-5" title="Special:BookSources/978-0-312-18572-5"><bdi>978-0-312-18572-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Presley+%26ndash%3B%26%2332%3BA+Life+in+Music%3A+The+Complete+Recording+Sessions&rft.pub=St+Martin%27s+Press&rft.date=1998&rft.isbn=978-0-312-18572-5&rft.au=Jorgensen%2C+Ernst&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFKamphoefner2009" class="citation book cs1">Kamphoefner, Walter D (2010). "<span class="cs1-kern-left">"</span>Elvis and Other Germans: Some Reflections and Modest Proposals on the Study of German-American Ethnicity" (2009)". In Kluge, Cora Lee (ed.). <i>Paths Crossing: Essays in German-American Studies</i>. Peter Lang. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-3-0343-0221-0" title="Special:BookSources/978-3-0343-0221-0"><bdi>978-3-0343-0221-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%22Elvis+and+Other+Germans%3A+Some+Reflections+and+Modest+Proposals+on+the+Study+of+German-American+Ethnicity%22+%282009%29&rft.btitle=Paths+Crossing%3A+Essays+in+German-American+Studies&rft.pub=Peter+Lang&rft.date=2010&rft.isbn=978-3-0343-0221-0&rft.au=Kamphoefner%2C+Walter+D&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFKennedyGadpaille2017" class="citation book cs1">Kennedy, Victor; Gadpaille, Michelle (2017). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NV0pDwAAQBAJ&pg=PA188"><i>Ethnic and Cultural Identity in Music and Song Lyrics</i></a>. Cambridge Scholars Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/9781443896207" title="Special:BookSources/9781443896207"><bdi>9781443896207</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Ethnic+and+Cultural+Identity+in+Music+and+Song+Lyrics&rft.pub=Cambridge+Scholars+Publishing&rft.date=2017&rft.isbn=9781443896207&rft.au=Kennedy%2C+Victor&rft.au=Gadpaille%2C+Michelle&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNV0pDwAAQBAJ%26pg%3DPA188&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFKeogh2004" class="citation book cs1">Keogh, Pamela Clarke (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/elvispresleymanl00keog_0"><i>Elvis Presley: The Man, The Life, The Legend</i></a>. Simon & Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7434-5603-6" title="Special:BookSources/978-0-7434-5603-6"><bdi>978-0-7434-5603-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Presley%3A+The+Man%2C+The+Life%2C+The+Legend&rft.pub=Simon+%26+Schuster&rft.date=2004&rft.isbn=978-0-7434-5603-6&rft.au=Keogh%2C+Pamela+Clarke&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvispresleymanl00keog_0&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREF"King_of_Crossover"2004" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=IhMEAAAAMBAJ">"The King of Crossover's No. 1 Hits"</a>. <i>Billboard</i>. September 18, 2004. p. 24.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=The+King+of+Crossover%27s+No.+1+Hits&rft.pages=24&rft.date=2004-09-18&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DIhMEAAAAMBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFKirchbergHendrickx1999" class="citation book cs1">Kirchberg, Connie; Hendrickx, Marc (1999). <a rel="nofollow" class="external text" href="https://archive.org/details/elvispresleyrich00kirc"><i>Elvis Presley, Richard Nixon, and the American Dream</i></a>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-0716-3" title="Special:BookSources/978-0-7864-0716-3"><bdi>978-0-7864-0716-3</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Presley%2C+Richard+Nixon%2C+and+the+American+Dream&rft.pub=McFarland&rft.date=1999&rft.isbn=978-0-7864-0716-3&rft.au=Kirchberg%2C+Connie&rft.au=Hendrickx%2C+Marc&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvispresleyrich00kirc&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFKolawole2002" class="citation news cs1">Kolawole, Helen (August 15, 2002). <a rel="nofollow" class="external text" href="https://www.theguardian.com/music/2002/aug/15/elvis25yearson.elvispresley">"He Wasn't My King"</a>. <i>The Guardian</i><span class="reference-accessdate">. Retrieved <span class="nowrap">December 27,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Guardian&rft.atitle=He+Wasn%27t+My+King&rft.date=2002-08-15&rft.au=Kolawole%2C+Helen&rft_id=https%3A%2F%2Fwww.theguardian.com%2Fmusic%2F2002%2Faug%2F15%2Felvis25yearson.elvispresley&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFKubernick2008" class="citation book cs1">Kubernick, Harvey (2008). <i>The Complete '68 Comeback Special</i>. CD Booklet RCA/BMG. UPC 88697306262.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Complete+%2768+Comeback+Special&rft.pub=CD+Booklet+RCA%2FBMG.+UPC+88697306262&rft.date=2008&rft.au=Kubernick%2C+Harvey&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFLewis2017" class="citation news cs1">Lewis, Randy (August 16, 2017). <a rel="nofollow" class="external text" href="https://www.latimes.com/entertainment/la-et-entertainment-news-updates-august-elvis-presley-in-the-youtube-age-still-1502897506-htmlstory.html">"40 Years After His Death, Elvis Presley Is Still the King in the YouTube Age"</a>. <i>Los Angeles Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=40+Years+After+His+Death%2C+Elvis+Presley+Is+Still+the+King+in+the+YouTube+Age&rft.date=2017-08-16&rft.au=Lewis%2C+Randy&rft_id=https%3A%2F%2Fwww.latimes.com%2Fentertainment%2Fla-et-entertainment-news-updates-august-elvis-presley-in-the-youtube-age-still-1502897506-htmlstory.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFLisanti2000" class="citation book cs1">Lisanti, Tom (2000). <i>Fantasy Femmes of 60s Cinema: Interviews with 20 Actresses from Biker, Beach, and Elvis Movies</i>. McFarland. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7864-0868-9" title="Special:BookSources/978-0-7864-0868-9"><bdi>978-0-7864-0868-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Fantasy+Femmes+of+60s+Cinema%3A+Interviews+with+20+Actresses+from+Biker%2C+Beach%2C+and+Elvis+Movies&rft.pub=McFarland&rft.date=2000&rft.isbn=978-0-7864-0868-9&rft.au=Lisanti%2C+Tom&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFLott1997" class="citation book cs1">Lott, Eric; Uebel, Michael (1997). "<span class="cs1-kern-left">"</span>All the King's Men: Elvis Impersonators and White Working-Class Masculinity<span class="cs1-kern-right">"</span>". In Stecopoulos, Harry (ed.). <span class="cs1-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/racesubjectofmas0000unse"><i>Race and the Subject of Masculinities</i></a></span>. Duke University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8223-1966-5" title="Special:BookSources/978-0-8223-1966-5"><bdi>978-0-8223-1966-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%22All+the+King%27s+Men%3A+Elvis+Impersonators+and+White+Working-Class+Masculinity%22&rft.btitle=Race+and+the+Subject+of+Masculinities&rft.pub=Duke+University+Press&rft.date=1997&rft.isbn=978-0-8223-1966-5&rft.au=Lott%2C+Eric&rft.au=Uebel%2C+Michael&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fracesubjectofmas0000unse&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFLynch2011" class="citation news cs1">Lynch, Rene (August 16, 2011). <a rel="nofollow" class="external text" href="http://latimesblogs.latimes.com/nationnow/2011/08/elvis-presley.html">"Elvis Presley, Who Died 34 Years Ago Today, Spurs Fresh Tears"</a>. <i>Los Angeles Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">August 17,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Los+Angeles+Times&rft.atitle=Elvis+Presley%2C+Who+Died+34+Years+Ago+Today%2C+Spurs+Fresh+Tears&rft.date=2011-08-16&rft.au=Lynch%2C+Rene&rft_id=http%3A%2F%2Flatimesblogs.latimes.com%2Fnationnow%2F2011%2F08%2Felvis-presley.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMarcus1982" class="citation book cs1">Marcus, Greil (1982). <a rel="nofollow" class="external text" href="https://archive.org/details/mysterytrainimag00marcus"><i>Mystery Train: Images of America in Rock 'n' Roll Music</i></a> (Revised ed.). E.P. Dutton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-525-47708-2" title="Special:BookSources/978-0-525-47708-2"><bdi>978-0-525-47708-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Mystery+Train%3A+Images+of+America+in+Rock+%27n%27+Roll+Music&rft.edition=Revised&rft.pub=E.P.+Dutton&rft.date=1982&rft.isbn=978-0-525-47708-2&rft.au=Marcus%2C+Greil&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fmysterytrainimag00marcus&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMarcus2006" class="citation book cs1">Marcus, Greil (2006). <a rel="nofollow" class="external text" href="http://www.msopr.com/n/past-campaigns/elvis-presley-the-ed-sullivan-shows/"><i>Elvis Presley: The Ed Sullivan Shows</i></a>. DVD Booklet Image Entertainment. UPC 01438137302<span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Presley%3A+The+Ed+Sullivan+Shows&rft.pub=DVD+Booklet+Image+Entertainment.+UPC+01438137302&rft.date=2006&rft.au=Marcus%2C+Greil&rft_id=http%3A%2F%2Fwww.msopr.com%2Fn%2Fpast-campaigns%2Felvis-presley-the-ed-sullivan-shows%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMarsh1980" class="citation book cs1">Marsh, Dave (1980). "<span class="cs1-kern-left">"</span>Elvis Presley<span class="cs1-kern-right">"</span>". In Marsh, Dave; Swenson, John (eds.). <i>The Rolling Stone Record Guide</i> (2nd ed.). Virgin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-907080-00-8" title="Special:BookSources/978-0-907080-00-8"><bdi>978-0-907080-00-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%22Elvis+Presley%22&rft.btitle=The+Rolling+Stone+Record+Guide&rft.edition=2nd&rft.pub=Virgin&rft.date=1980&rft.isbn=978-0-907080-00-8&rft.au=Marsh%2C+Dave&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMarsh1982" class="citation book cs1">Marsh, Dave (1982). <i>Elvis</i>. Times Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8129-0947-0" title="Special:BookSources/978-0-8129-0947-0"><bdi>978-0-8129-0947-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis&rft.pub=Times+Books&rft.date=1982&rft.isbn=978-0-8129-0947-0&rft.au=Marsh%2C+Dave&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMarsh1989" class="citation book cs1">Marsh, Dave (1989). <i>The Heart of Rock & Soul: The 1001 Greatest Singles Ever Made</i>. Penguin Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-012108-7" title="Special:BookSources/978-0-14-012108-7"><bdi>978-0-14-012108-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Heart+of+Rock+%26+Soul%3A+The+1001+Greatest+Singles+Ever+Made&rft.pub=Penguin+Books&rft.date=1989&rft.isbn=978-0-14-012108-7&rft.au=Marsh%2C+Dave&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMarsh2004" class="citation book cs1">Marsh, Dave (2004). "<span class="cs1-kern-left">"</span>Elvis Presley<span class="cs1-kern-right">"</span>". In Brackett, Nathan; Hoard, Christian (eds.). <a rel="nofollow" class="external text" href="https://archive.org/details/newrollingstonea00brac"><i>The New Rolling Stone Album Guide</i></a> (4th ed.). Simon & Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7432-0169-8" title="Special:BookSources/978-0-7432-0169-8"><bdi>978-0-7432-0169-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%22Elvis+Presley%22&rft.btitle=The+New+Rolling+Stone+Album+Guide&rft.edition=4th&rft.pub=Simon+%26+Schuster&rft.date=2004&rft.isbn=978-0-7432-0169-8&rft.au=Marsh%2C+Dave&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fnewrollingstonea00brac&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMarsh2015" class="citation news cs1">Marsh, Stefanie (December 21, 2015). <span class="cs1-lock-subscription" title="Paid subscription required"><a rel="nofollow" class="external text" href="https://www.thetimes.co.uk/article/did-elvis-indoctrinate-me-probably-but-i-dont-see-it-as-a-bad-thing-73rpgqlc3r3">"Did Elvis indoctrinate me? Probably – but I don't see it as a bad thing"</a></span>. <i>The Times</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Times&rft.atitle=Did+Elvis+indoctrinate+me%3F+Probably+%E2%80%93+but+I+don%27t+see+it+as+a+bad+thing&rft.date=2015-12-21&rft.au=Marsh%2C+Stefanie&rft_id=https%3A%2F%2Fwww.thetimes.co.uk%2Farticle%2Fdid-elvis-indoctrinate-me-probably-but-i-dont-see-it-as-a-bad-thing-73rpgqlc3r3&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMartin2000" class="citation news cs1">Martin, Douglas (June 5, 2000). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2000/06/05/us/mary-jenkins-langston-78-cook-for-presley.html">"Mary Jenkins Langston, 78, Cook for Presley"</a>. <i>The New York Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Mary+Jenkins+Langston%2C+78%2C+Cook+for+Presley&rft.date=2000-06-05&rft.au=Martin%2C+Douglas&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2000%2F06%2F05%2Fus%2Fmary-jenkins-langston-78-cook-for-presley.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMasley2002" class="citation news cs1">Masley, Ed (August 15, 2002). <a rel="nofollow" class="external text" href="https://news.google.com/newspapers?nid=1129&dat=20020815&id=15INAAAAIBAJ&sjid=YnADAAAAIBAJ&pg=3942,3866464">"It's Good To Be King"</a>. <i>Pittsburgh Post-Gazette</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 31,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Pittsburgh+Post-Gazette&rft.atitle=It%27s+Good+To+Be+King&rft.date=2002-08-15&rft.au=Masley%2C+Ed&rft_id=https%3A%2F%2Fnews.google.com%2Fnewspapers%3Fnid%3D1129%26dat%3D20020815%26id%3D15INAAAAIBAJ%26sjid%3DYnADAAAAIBAJ%26pg%3D3942%2C3866464&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMason2007" class="citation book cs1">Mason, Bobbie Ann (2007). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=NqCQo9nqVHYC&pg=PA37"><i>Elvis Presley</i></a>. Penguin. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-14-303889-4" title="Special:BookSources/978-0-14-303889-4"><bdi>978-0-14-303889-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Presley&rft.pub=Penguin&rft.date=2007&rft.isbn=978-0-14-303889-4&rft.au=Mason%2C+Bobbie+Ann&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DNqCQo9nqVHYC%26pg%3DPA37&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMatthew-Walker1979" class="citation book cs1">Matthew-Walker, Robert (1979). <i>Elvis Presley. A Study in Music</i>. Midas Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-85936-162-0" title="Special:BookSources/978-0-85936-162-0"><bdi>978-0-85936-162-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Presley.+A+Study+in+Music&rft.pub=Midas+Books&rft.date=1979&rft.isbn=978-0-85936-162-0&rft.au=Matthew-Walker%2C+Robert&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMawer2007a" class="citation web cs1">Mawer, Sharon (2007a). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20071217123646/http://www.theofficialcharts.com/album_chart_history_1974.php">"Album Chart History – 1974"</a>. The Official UK Charts Company. Archived from <a rel="nofollow" class="external text" href="http://www.theofficialcharts.com/album_chart_history_1974.php">the original</a> on December 17, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Album+Chart+History+%26ndash%3B%26%2332%3B1974&rft.pub=The+Official+UK+Charts+Company&rft.date=2007&rft.au=Mawer%2C+Sharon&rft_id=http%3A%2F%2Fwww.theofficialcharts.com%2Falbum_chart_history_1974.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMawer2007b" class="citation web cs1">Mawer, Sharon (2007b). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20080415042918/http://www.theofficialcharts.com/album_chart_history_1977.php">"Album Chart History – 1977"</a>. The Official UK Charts Company. Archived from <a rel="nofollow" class="external text" href="http://www.theofficialcharts.com/album_chart_history_1977.php">the original</a> on April 15, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">February 1,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Album+Chart+History+%26ndash%3B%26%2332%3B1977&rft.pub=The+Official+UK+Charts+Company&rft.date=2007&rft.au=Mawer%2C+Sharon&rft_id=http%3A%2F%2Fwww.theofficialcharts.com%2Falbum_chart_history_1977.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMiller2000" class="citation book cs1">Miller, James (2000). <i>Flowers in the Dustbin: The Rise of Rock and Roll, 1947–1977</i>. Fireside. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-684-86560-7" title="Special:BookSources/978-0-684-86560-7"><bdi>978-0-684-86560-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Flowers+in+the+Dustbin%3A+The+Rise+of+Rock+and+Roll%2C+1947%E2%80%931977&rft.pub=Fireside&rft.date=2000&rft.isbn=978-0-684-86560-7&rft.au=Miller%2C+James&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMilly2002" class="citation news cs1">Milly, Jenna (August 26, 2002). <a rel="nofollow" class="external text" href="http://www.cnn.com/2002/TRAVEL/DESTINATIONS/08/13/ep.elvis.eateries/">"A Hunka-Hunka Fried Peanut Butter"</a>. <i>CNN</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=CNN&rft.atitle=A+Hunka-Hunka+Fried+Peanut+Butter&rft.date=2002-08-26&rft.au=Milly%2C+Jenna&rft_id=http%3A%2F%2Fwww.cnn.com%2F2002%2FTRAVEL%2FDESTINATIONS%2F08%2F13%2Fep.elvis.eateries%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMoody2008" class="citation news cs1">Moody, Nekesa Mumbi (April 2, 2008). <a rel="nofollow" class="external text" href="http://usatoday30.usatoday.com/life/music/news/2008-04-02-carey_N.htm">"Mariah Carey Surpasses Elvis in No. 1s"</a>. <i>USA Today</i>. Associated Press<span class="reference-accessdate">. Retrieved <span class="nowrap">April 14,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=USA+Today&rft.atitle=Mariah+Carey+Surpasses+Elvis+in+No.+1s&rft.date=2008-04-02&rft.au=Moody%2C+Nekesa+Mumbi&rft_id=http%3A%2F%2Fusatoday30.usatoday.com%2Flife%2Fmusic%2Fnews%2F2008-04-02-carey_N.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMooreDickerson1997" class="citation book cs1">Moore, Scotty; Dickerson, James (1997). <i>That's Alright, Elvis</i>. Schirmer Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-02-864599-5" title="Special:BookSources/978-0-02-864599-5"><bdi>978-0-02-864599-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=That%27s+Alright%2C+Elvis&rft.pub=Schirmer+Books&rft.date=1997&rft.isbn=978-0-02-864599-5&rft.au=Moore%2C+Scotty&rft.au=Dickerson%2C+James&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMorrison1996" class="citation book cs1">Morrison, Craig (1996). <i>Go Cat Go!: Rockabilly Music and Its Makers</i>. University of Illinois Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-252-02207-4" title="Special:BookSources/978-0-252-02207-4"><bdi>978-0-252-02207-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Go+Cat+Go%21%3A+Rockabilly+Music+and+Its+Makers&rft.pub=University+of+Illinois+Press&rft.date=1996&rft.isbn=978-0-252-02207-4&rft.au=Morrison%2C+Craig&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMoscheo2007" class="citation book cs1">Moscheo, Joe (2007). <i>The Gospel Side of Elvis</i>. Center Street. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-59995-729-6" title="Special:BookSources/978-1-59995-729-6"><bdi>978-1-59995-729-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Gospel+Side+of+Elvis&rft.pub=Center+Street&rft.date=2007&rft.isbn=978-1-59995-729-6&rft.au=Moscheo%2C+Joe&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMoyer2002" class="citation book cs1">Moyer, Susan M. (2002). <span class="cs1-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/elviskingremembe0000moye"><i>Elvis: The King Remembered</i></a></span>. Sports Publishing LLC. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-58261-558-5" title="Special:BookSources/978-1-58261-558-5"><bdi>978-1-58261-558-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis%3A+The+King+Remembered&rft.pub=Sports+Publishing+LLC&rft.date=2002&rft.isbn=978-1-58261-558-5&rft.au=Moyer%2C+Susan+M.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felviskingremembe0000moye&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFMyrie2009" class="citation book cs1">Myrie, Russell (2009). <a rel="nofollow" class="external text" href="https://archive.org/details/dontrhymeforsake00myri"><i>Don't Rhyme for the Sake of Riddlin': The Authorized Story of Public Enemy</i></a>. Canongate. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84767-182-0" title="Special:BookSources/978-1-84767-182-0"><bdi>978-1-84767-182-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Don%27t+Rhyme+for+the+Sake+of+Riddlin%27%3A+The+Authorized+Story+of+Public+Enemy&rft.pub=Canongate&rft.date=2009&rft.isbn=978-1-84767-182-0&rft.au=Myrie%2C+Russell&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fdontrhymeforsake00myri&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFNash2003" class="citation book cs1"><a href="/wiki/Alanna_Nash" title="Alanna Nash">Nash, Alanna</a> (2003). <a rel="nofollow" class="external text" href="https://archive.org/details/colonelextraordi00nash"><i>The Colonel: The Extraordinary Story of Colonel Tom Parker and Elvis Presley</i></a>. Simon & Schuster. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7432-1301-1" title="Special:BookSources/978-0-7432-1301-1"><bdi>978-0-7432-1301-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Colonel%3A+The+Extraordinary+Story+of+Colonel+Tom+Parker+and+Elvis+Presley&rft.pub=Simon+%26+Schuster&rft.date=2003&rft.isbn=978-0-7432-1301-1&rft.au=Nash%2C+Alanna&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fcolonelextraordi00nash&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFNash2005" class="citation book cs1">Nash, Alanna; et al. (2005). <i>Elvis and the Memphis Mafia</i>. Aurum. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84513-128-9" title="Special:BookSources/978-1-84513-128-9"><bdi>978-1-84513-128-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+and+the+Memphis+Mafia&rft.pub=Aurum&rft.date=2005&rft.isbn=978-1-84513-128-9&rft.au=Nash%2C+Alanna&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFNational_Park_Service2010" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20111230214217/http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1146152923&ResourceType=Building">"Graceland"</a>. National Park Service. 2010. Archived from <a rel="nofollow" class="external text" href="http://tps.cr.nps.gov/nhl/detail.cfm?ResourceId=1146152923&ResourceType=Building">the original</a> on December 30, 2011<span class="reference-accessdate">. Retrieved <span class="nowrap">January 7,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Graceland&rft.pub=National+Park+Service&rft.date=2010&rft_id=http%3A%2F%2Ftps.cr.nps.gov%2Fnhl%2Fdetail.cfm%3FResourceId%3D1146152923%26ResourceType%3DBuilding&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFNew_York_Times2002" class="citation news cs1"><a rel="nofollow" class="external text" href="https://query.nytimes.com/gst/fullpage.html?res=9B0CE0DD143DF935A2575BC0A9649C8B63">"Long Live the King"</a>. <i>The New York Times</i>. August 16, 2002<span class="reference-accessdate">. Retrieved <span class="nowrap">December 30,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Long+Live+the+King&rft.date=2002-08-16&rft_id=https%3A%2F%2Fquery.nytimes.com%2Fgst%2Ffullpage.html%3Fres%3D9B0CE0DD143DF935A2575BC0A9649C8B63&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFO'Malley2016" class="citation news cs1">O'Malley, Sheila (April 4, 2016). <a rel="nofollow" class="external text" href="http://www.brightwalldarkroom.com/2016/04/04/love-me-tender/">"Love Me Tender"</a>. <i>Bright Wall/Dark Room</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 17,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Bright+Wall%2FDark+Room&rft.atitle=Love+Me+Tender&rft.date=2016-04-04&rft.au=O%27Malley%2C+Sheila&rft_id=http%3A%2F%2Fwww.brightwalldarkroom.com%2F2016%2F04%2F04%2Flove-me-tender%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFOsborne2000" class="citation book cs1">Osborne, Jerry (2000). <a rel="nofollow" class="external text" href="https://archive.org/details/elvis00jerr"><i>Elvis: Word for Word</i></a>. Harmony. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-609-60803-6" title="Special:BookSources/978-0-609-60803-6"><bdi>978-0-609-60803-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis%3A+Word+for+Word&rft.pub=Harmony&rft.date=2000&rft.isbn=978-0-609-60803-6&rft.au=Osborne%2C+Jerry&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvis00jerr&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPalladino1996" class="citation book cs1">Palladino, Grace (1996). <i>Teenagers: An American History</i>. Westview. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-465-00766-0" title="Special:BookSources/978-0-465-00766-0"><bdi>978-0-465-00766-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Teenagers%3A+An+American+History&rft.pub=Westview&rft.date=1996&rft.isbn=978-0-465-00766-0&rft.au=Palladino%2C+Grace&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPendergastPendergast2000" class="citation book cs1">Pendergast, Sara; Pendergast, Tom (2000). <i>St. James Encyclopedia of Popular Culture</i> (4th ed.). St. James Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-55862-404-7" title="Special:BookSources/978-1-55862-404-7"><bdi>978-1-55862-404-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=St.+James+Encyclopedia+of+Popular+Culture&rft.edition=4th&rft.pub=St.+James+Press&rft.date=2000&rft.isbn=978-1-55862-404-7&rft.au=Pendergast%2C+Sara&rft.au=Pendergast%2C+Tom&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPilgrim2006" class="citation web cs1">Pilgrim, David (March 2006). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20120106054126/http://www.ferris.edu/JIMCROW/question/mar06/">"Question of the Month: Elvis Presley and Racism"</a>. <i>Jim Crow Museum of Racist Memorabilia</i>. Archived from <a rel="nofollow" class="external text" href="http://www.ferris.edu/JIMCROW/question/mar06/">the original</a> on January 6, 2012<span class="reference-accessdate">. Retrieved <span class="nowrap">December 28,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=Jim+Crow+Museum+of+Racist+Memorabilia&rft.atitle=Question+of+the+Month%3A+Elvis+Presley+and+Racism&rft.date=2006-03&rft.au=Pilgrim%2C+David&rft_id=http%3A%2F%2Fwww.ferris.edu%2FJIMCROW%2Fquestion%2Fmar06%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPleasants2004" class="citation book cs1">Pleasants, Henry (2004). "Elvis Presley". In Frith, Simon (ed.). <i>Popular Music: Critical Concepts in Media and Cultural Studies, Volume 3: Popular Music Analysis</i>. Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-33269-9" title="Special:BookSources/978-0-415-33269-9"><bdi>978-0-415-33269-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=Elvis+Presley&rft.btitle=Popular+Music%3A+Critical+Concepts+in+Media+and+Cultural+Studies%2C+Volume+3%3A+Popular+Music+Analysis&rft.pub=Routledge&rft.date=2004&rft.isbn=978-0-415-33269-9&rft.au=Pleasants%2C+Henry&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPomerantz2011" class="citation magazine cs1">Pomerantz, Dorothy (October 25, 2011). <a rel="nofollow" class="external text" href="https://www.forbes.com/sites/dorothypomerantz/2011/10/25/the-top-earning-dead-celebrities/">"The Top-Earning Dead Celebrities"</a>. <i>Forbes</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 6,</span> 2012</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Forbes&rft.atitle=The+Top-Earning+Dead+Celebrities&rft.date=2011-10-25&rft.au=Pomerantz%2C+Dorothy&rft_id=https%3A%2F%2Fwww.forbes.com%2Fsites%2Fdorothypomerantz%2F2011%2F10%2F25%2Fthe-top-earning-dead-celebrities%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPomerantz_et_al.2009" class="citation magazine cs1">Pomerantz, Dorothy; Lacey, Rose; Streib, Lauren; Thibault, Marie (October 27, 2009). <a rel="nofollow" class="external text" href="https://www.forbes.com/2009/10/27/top-earning-dead-celebrities-list-dead-celebs-09-entertainment_land.html">"Top-Earning Dead Celebrities"</a>. <i>Forbes</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 5,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Forbes&rft.atitle=Top-Earning+Dead+Celebrities&rft.date=2009-10-27&rft.au=Pomerantz%2C+Dorothy&rft.au=Lacey%2C+Rose&rft.au=Streib%2C+Lauren&rft.au=Thibault%2C+Marie&rft_id=https%3A%2F%2Fwww.forbes.com%2F2009%2F10%2F27%2Ftop-earning-dead-celebrities-list-dead-celebs-09-entertainment_land.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPonce_de_Leon2007" class="citation book cs1">Ponce de Leon, Charles L. (2007). <i>Fortunate Son: The Life of Elvis Presley</i>. Macmillan. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8090-1641-9" title="Special:BookSources/978-0-8090-1641-9"><bdi>978-0-8090-1641-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Fortunate+Son%3A+The+Life+of+Elvis+Presley&rft.pub=Macmillan&rft.date=2007&rft.isbn=978-0-8090-1641-9&rft.au=Ponce+de+Leon%2C+Charles+L.&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPresley1985" class="citation book cs1">Presley, Priscilla (1985). <i>Elvis and Me</i>. G.P. Putnam's Sons. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-399-12984-1" title="Special:BookSources/978-0-399-12984-1"><bdi>978-0-399-12984-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+and+Me&rft.pub=G.P.+Putnam%27s+Sons&rft.date=1985&rft.isbn=978-0-399-12984-1&rft.au=Presley%2C+Priscilla&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRamsland2010" class="citation web cs1">Ramsland, Katherine (2010). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20131105181517/http://www.trutv.com/library/crime/criminal_mind/forensics/cyril_wecht/4.html/index.html">"<span class="cs1-kern-left">"</span>Cyril Wecht: Forensic Pathologist – Coverup for a King<span class="cs1-kern-right">"</span>"</a>. TruTV. Archived from <a rel="nofollow" class="external text" href="http://www.trutv.com/library/crime/criminal_mind/forensics/cyril_wecht/4.html/">the original</a> on November 5, 2013.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=%22Cyril+Wecht%3A+Forensic+Pathologist+%26ndash%3B%26%2332%3BCoverup+for+a+King%22&rft.pub=TruTV&rft.date=2010&rft.au=Ramsland%2C+Katherine&rft_id=http%3A%2F%2Fwww.trutv.com%2Flibrary%2Fcrime%2Fcriminal_mind%2Fforensics%2Fcyril_wecht%2F4.html%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRIAA2010" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20070701162536/http://www.riaa.com/goldandplatinumdata.php?table=tblTop100">"Top 100 Albums"</a>. Recording Industry Association of America. 2010. Archived from <a rel="nofollow" class="external text" href="https://www.riaa.com/goldandplatinumdata.php?table=tblTop100">the original</a> on July 1, 2007<span class="reference-accessdate">. Retrieved <span class="nowrap">January 31,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Top+100+Albums&rft.pub=Recording+Industry+Association+of+America&rft.date=2010&rft_id=https%3A%2F%2Fwww.riaa.com%2Fgoldandplatinumdata.php%3Ftable%3DtblTop100&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRIAA2020a" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?tab_active=top_tallies&ttt=TAA">"Gold & Platinum: Top Artists (Albums)"</a>. Recording Industry Association of America. 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Gold+%26+Platinum%3A+Top+Artists+%28Albums%29&rft.pub=Recording+Industry+Association+of+America&rft.date=2020&rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Dtop_tallies%26ttt%3DTAA&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRIAA2020b" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?tab_active=awards_by_artist&col=gold_units&ord=desc#search_section">"Gold & Platinum: Artists – Albums/EPs (Gold)"</a>. Recording Industry Association of America. 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BAlbums%2FEPs+%28Gold%29&rft.pub=Recording+Industry+Association+of+America&rft.date=2020&rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Dawards_by_artist%26col%3Dgold_units%26ord%3Ddesc%23search_section&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRIAA2020c" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?tab_active=awards_by_artist&col=platinum_units&ord=desc#search_section">"Gold & Platinum: Artists – Albums/EPs (Platinum)"</a>. Recording Industry Association of America. 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BAlbums%2FEPs+%28Platinum%29&rft.pub=Recording+Industry+Association+of+America&rft.date=2020&rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Dawards_by_artist%26col%3Dplatinum_units%26ord%3Ddesc%23search_section&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRIAA2020d" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?tab_active=awards_by_artist&col=multi_platinum_units&ord=desc#search_section">"Gold & Platinum: Artists – Albums/EPs (Multi-Platinum)"</a>. Recording Industry Association of America. 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BAlbums%2FEPs+%28Multi-Platinum%29&rft.pub=Recording+Industry+Association+of+America&rft.date=2020&rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Ftab_active%3Dawards_by_artist%26col%3Dmulti_platinum_units%26ord%3Ddesc%23search_section&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRIAA2020e" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?advance_search=1&tab_active=awards_by_artist&format_option=singles&type_option=ST&col=gold_units&ord=desc#search_section">"Gold & Platinum: Artists – Singles (Gold)"</a>. Recording Industry Association of America. 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BSingles+%28Gold%29&rft.pub=Recording+Industry+Association+of+America&rft.date=2020&rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Fadvance_search%3D1%26tab_active%3Dawards_by_artist%26format_option%3Dsingles%26type_option%3DST%26col%3Dgold_units%26ord%3Ddesc%23search_section&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRIAA2020f" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.riaa.com/gold-platinum/?advance_search=1&tab_active=awards_by_artist&format_option=singles&type_option=ST&col=platinum_units&ord=desc#search_section">"Gold & Platinum: Artists – Singles (Platinum)"</a>. Recording Industry Association of America. 2020<span class="reference-accessdate">. Retrieved <span class="nowrap">February 8,</span> 2020</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Gold+%26+Platinum%3A+Artists+%26ndash%3B%26%2332%3BSingles+%28Platinum%29&rft.pub=Recording+Industry+Association+of+America&rft.date=2020&rft_id=https%3A%2F%2Fwww.riaa.com%2Fgold-platinum%2F%3Fadvance_search%3D1%26tab_active%3Dawards_by_artist%26format_option%3Dsingles%26type_option%3DST%26col%3Dplatinum_units%26ord%3Ddesc%23search_section&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREF"Red_Carpet"1960" class="citation magazine cs1"><a rel="nofollow" class="external text" href="https://books.google.com/books?id=xh8EAAAAMBAJ">"Red Carpet for Elvis LP"</a>. <i>Billboard</i>. April 18, 1960. p. 11.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Red+Carpet+for+Elvis+LP&rft.pages=11&rft.date=1960-04-18&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3Dxh8EAAAAMBAJ&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRobertson2004" class="citation book cs1">Robertson, John (2004). <i>Elvis Presley: The Complete Guide to His Music</i>. Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84449-711-9" title="Special:BookSources/978-1-84449-711-9"><bdi>978-1-84449-711-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Presley%3A+The+Complete+Guide+to+His+Music&rft.pub=Omnibus+Press&rft.date=2004&rft.isbn=978-1-84449-711-9&rft.au=Robertson%2C+John&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRRHF2010" class="citation web cs1"><a rel="nofollow" class="external text" href="http://rockhall.com/exhibits/featured-collections/elvis-presley/">"Elvis Presley"</a>. Rock and Roll Hall of Fame. 2010<span class="reference-accessdate">. Retrieved <span class="nowrap">July 22,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Elvis+Presley&rft.pub=Rock+and+Roll+Hall+of+Fame&rft.date=2010&rft_id=http%3A%2F%2Frockhall.com%2Fexhibits%2Ffeatured-collections%2Felvis-presley%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRodman1996" class="citation book cs1">Rodman, Gilbert B. (1996). <span class="cs1-lock-registration" title="Free registration required"><a rel="nofollow" class="external text" href="https://archive.org/details/elvisafterelvisp0000rodm"><i>Elvis After Elvis, The Posthumous Career of a Living Legend</i></a></span>. Routledge. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-415-11002-0" title="Special:BookSources/978-0-415-11002-0"><bdi>978-0-415-11002-0</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+After+Elvis%2C+The+Posthumous+Career+of+a+Living+Legend&rft.pub=Routledge&rft.date=1996&rft.isbn=978-0-415-11002-0&rft.au=Rodman%2C+Gilbert+B.&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Felvisafterelvisp0000rodm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRogers1982" class="citation book cs1">Rogers, Dave (1982). <i>Rock 'n' Roll</i>. Routledge & Kegan Paul. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7100-0938-8" title="Special:BookSources/978-0-7100-0938-8"><bdi>978-0-7100-0938-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Rock+%27n%27+Roll&rft.pub=Routledge+%26+Kegan+Paul&rft.date=1982&rft.isbn=978-0-7100-0938-8&rft.au=Rogers%2C+Dave&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRolling_Stone2004" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080625061212/http://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty">"The Immortals: The First Fifty"</a>. Rolling Stone. April 15, 2004. Archived from <a rel="nofollow" class="external text" href="https://www.rollingstone.com/news/story/5939214/the_immortals_the_first_fifty">the original</a> on June 25, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=The+Immortals%3A+The+First+Fifty&rft.pub=Rolling+Stone&rft.date=2004-04-15&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fnews%2Fstory%2F5939214%2Fthe_immortals_the_first_fifty&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRolling_Stone2009" class="citation web cs1"><a rel="nofollow" class="external text" href="https://web.archive.org/web/20080705162924/http://www.rollingstone.com/photos/gallery/5392211/1969_rolling_stone_covers/photo/13">"1969 Rolling Stone Covers"</a>. Rolling Stone. 2009. Archived from <a rel="nofollow" class="external text" href="https://www.rollingstone.com/coverwall/1969#0037">the original</a> on July 5, 2008<span class="reference-accessdate">. Retrieved <span class="nowrap">November 20,</span> 2015</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=1969+Rolling+Stone+Covers&rft.pub=Rolling+Stone&rft.date=2009&rft_id=https%3A%2F%2Fwww.rollingstone.com%2Fcoverwall%2F1969%230037&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRose2006" class="citation magazine cs1">Rose, Lacey (October 24, 2006). <a rel="nofollow" class="external text" href="https://www.forbes.com/2006/10/23/celebrities-earnings-fame-tech-media-06deadcelebs-cx_lr_topearnintro.html">"Top-Earning Dead Celebrities"</a>. <i>Forbes</i><span class="reference-accessdate">. Retrieved <span class="nowrap">June 5,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Forbes&rft.atitle=Top-Earning+Dead+Celebrities&rft.date=2006-10-24&rft.au=Rose%2C+Lacey&rft_id=https%3A%2F%2Fwww.forbes.com%2F2006%2F10%2F23%2Fcelebrities-earnings-fame-tech-media-06deadcelebs-cx_lr_topearnintro.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFRose_et_al.2010" class="citation news cs1">Rose, Lacey; Pomerantz, Dorothy; Greenburg, Zack O'Malley; Paine, Jake (October 25, 2010). <a rel="nofollow" class="external text" href="https://www.forbes.com/2010/10/21/michael-jackson-elvis-presley-tolkien-business-entertainment-dead-celebs-10_slide_3.html">"<span class="cs1-kern-left">"</span>In Pictures: The 13 Top-Earning Dead Celebs – No. 2 Elvis Presley<span class="cs1-kern-right">"</span>"</a>. <i>Forbes</i><span class="reference-accessdate">. Retrieved <span class="nowrap">June 5,</span> 2011</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Forbes&rft.atitle=%22In+Pictures%3A+The+13+Top-Earning+Dead+Celebs+%26ndash%3B%26%2332%3BNo.+2+Elvis+Presley%22&rft.date=2010-10-25&rft.au=Rose%2C+Lacey&rft.au=Pomerantz%2C+Dorothy&rft.au=Greenburg%2C+Zack+O%27Malley&rft.au=Paine%2C+Jake&rft_id=https%3A%2F%2Fwww.forbes.com%2F2010%2F10%2F21%2Fmichael-jackson-elvis-presley-tolkien-business-entertainment-dead-celebs-10_slide_3.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFSadie1994" class="citation book cs1">Sadie, Stanley, ed. (1994). <a rel="nofollow" class="external text" href="https://archive.org/details/nortongroveconci0000sadi"><i>The Norton/Grove Concise Encyclopedia of Music</i></a> (Revised ed.). W. W. Norton. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-393-03753-1" title="Special:BookSources/978-0-393-03753-1"><bdi>978-0-393-03753-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Norton%2FGrove+Concise+Encyclopedia+of+Music&rft.edition=Revised&rft.pub=W.+W.+Norton&rft.date=1994&rft.isbn=978-0-393-03753-1&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Fnortongroveconci0000sadi&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFSalisbury1957" class="citation news cs1">Salisbury, Harrison (February 3, 1957). "Presley Records a Craze in Soviet". <i>The New York Times</i>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Presley+Records+a+Craze+in+Soviet&rft.date=1957-02-03&rft.au=Salisbury%2C+Harrison&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFScherman2006" class="citation magazine cs1">Scherman, Tony (August 16, 2006). <a rel="nofollow" class="external text" href="http://www.southingtonschools.org/file.cfm?resourceid=5339&filename=The%20Death%20of%20Elvis.docx">"Elvis Dies"</a>. <i>American Heritage</i><span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=American+Heritage&rft.atitle=Elvis+Dies&rft.date=2006-08-16&rft.au=Scherman%2C+Tony&rft_id=http%3A%2F%2Fwww.southingtonschools.org%2Ffile.cfm%3Fresourceid%3D5339%26filename%3DThe%2520Death%2520of%2520Elvis.docx&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFSegré2002" class="citation journal cs1">Segré, Gabriel (2002). <a rel="nofollow" class="external text" href="https://doi.org/10.3917%2Fethn.021.0149">"Le rite de la Candlelight"</a>. <i>Ethnologie française</i>. <b>32</b>: 149. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<span class="cs1-lock-free" title="Freely accessible"><a rel="nofollow" class="external text" href="https://doi.org/10.3917%2Fethn.021.0149">10.3917/ethn.021.0149</a></span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Ethnologie+fran%C3%A7aise&rft.atitle=Le+rite+de+la+Candlelight&rft.volume=32&rft.pages=149&rft.date=2002&rft_id=info%3Adoi%2F10.3917%2Fethn.021.0149&rft.au=Segr%C3%A9%2C+Gabriel&rft_id=%2F%2Fdoi.org%2F10.3917%252Fethn.021.0149&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFSexton2007" class="citation magazine cs1">Sexton, Paul (August 3, 2007). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/news/1050223/new-presley-reissue-campaign-aimed-at-uk">"New Presley Reissue Campaign Aimed at U.K."</a> <i>Billboard</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 21,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=New+Presley+Reissue+Campaign+Aimed+at+U.K.&rft.date=2007-08-03&rft.au=Sexton%2C+Paul&rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fnews%2F1050223%2Fnew-presley-reissue-campaign-aimed-at-uk&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFSexton2016" class="citation magazine cs1">Sexton, Paul (October 28, 2016). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/columns/chart-beat/7557774/elvis-presley-wonder-of-you-uk-charts-little-mix">"The King Reigns Again as Elvis Presley Takes U.K. Album Honors"</a>. <i>Billboard</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=The+King+Reigns+Again+as+Elvis+Presley+Takes+U.K.+Album+Honors&rft.date=2016-10-28&rft.au=Sexton%2C+Paul&rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fcolumns%2Fchart-beat%2F7557774%2Felvis-presley-wonder-of-you-uk-charts-little-mix&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFSmith2002" class="citation news cs1">Smith, Liz (November 10, 2002). <a rel="nofollow" class="external text" href="https://www.nytimes.com/2002/11/10/magazine/ain-t-nothin-but-a-chow-hound.html">"Ain't Nothin' but a Chow Hound"</a>. <i>The New York Times</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+New+York+Times&rft.atitle=Ain%27t+Nothin%27+but+a+Chow+Hound&rft.date=2002-11-10&rft.au=Smith%2C+Liz&rft_id=https%3A%2F%2Fwww.nytimes.com%2F2002%2F11%2F10%2Fmagazine%2Fain-t-nothin-but-a-chow-hound.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFStanleyCoffey1998" class="citation book cs1">Stanley, David; Coffey, Frank (1998). <i>The Elvis Encyclopedia</i>. Virgin Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7535-0293-8" title="Special:BookSources/978-0-7535-0293-8"><bdi>978-0-7535-0293-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Elvis+Encyclopedia&rft.pub=Virgin+Books&rft.date=1998&rft.isbn=978-0-7535-0293-8&rft.au=Stanley%2C+David&rft.au=Coffey%2C+Frank&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFStein1997" class="citation news cs1">Stein, Ruthe (August 3, 1997). <a rel="nofollow" class="external text" href="http://www.sfgate.com/entertainment/article/Girls-Girls-Girls-From-small-town-women-to-2814423.php">"Girls! Girls! Girls!"</a>. <i>San Francisco Chronicle</i><span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=San+Francisco+Chronicle&rft.atitle=Girls%21+Girls%21+Girls%21&rft.date=1997-08-03&rft.au=Stein%2C+Ruthe&rft_id=http%3A%2F%2Fwww.sfgate.com%2Fentertainment%2Farticle%2FGirls-Girls-Girls-From-small-town-women-to-2814423.php&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFSzatmary1996" class="citation book cs1"><a href="/wiki/David_Szatmary" title="David Szatmary">Szatmary, David</a> (1996). <a rel="nofollow" class="external text" href="https://archive.org/details/timetorocksocial00szat"><i>A Time to Rock: A Social History of Rock 'n' Roll</i></a>. Schirmer Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-02-864670-1" title="Special:BookSources/978-0-02-864670-1"><bdi>978-0-02-864670-1</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=A+Time+to+Rock%3A+A+Social+History+of+Rock+%27n%27+Roll&rft.pub=Schirmer+Books&rft.date=1996&rft.isbn=978-0-02-864670-1&rft.au=Szatmary%2C+David&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ftimetorocksocial00szat&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFTasker2007" class="citation book cs1">Tasker, Yvonne (2007). "<span class="cs1-kern-left">"</span>Cowgirl Tales<span class="cs1-kern-right">"</span>". In Codell, Julie F. (ed.). <i>Genre, Gender, Race, and World Cinema: An Anthology</i>. Blackwell. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4051-3232-9" title="Special:BookSources/978-1-4051-3232-9"><bdi>978-1-4051-3232-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=bookitem&rft.atitle=%22Cowgirl+Tales%22&rft.btitle=Genre%2C+Gender%2C+Race%2C+and+World+Cinema%3A+An+Anthology&rft.pub=Blackwell&rft.date=2007&rft.isbn=978-1-4051-3232-9&rft.au=Tasker%2C+Yvonne&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFTennant2013" class="citation magazine cs1">Tennant, Forest (June 2013). <a rel="nofollow" class="external text" href="https://www.practicalpainmanagement.com/pain/other/brain-injury/elvis-presley-head-trauma-autoimmunity-pain-early-death">"Elvis Presley: Head Trauma, Autoimmunity, Pain, and Early Death"</a>. <i>Practical Pain Management</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 9,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Practical+Pain+Management&rft.atitle=Elvis+Presley%3A+Head+Trauma%2C+Autoimmunity%2C+Pain%2C+and+Early+Death&rft.date=2013-06&rft.au=Tennant%2C+Forest&rft_id=https%3A%2F%2Fwww.practicalpainmanagement.com%2Fpain%2Fother%2Fbrain-injury%2Felvis-presley-head-trauma-autoimmunity-pain-early-death&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFTillery2013" class="citation book cs1">Tillery, Gary (2013). <a rel="nofollow" class="external text" href="https://books.google.com/books?id=fFdbBgAAQBAJ&pg=PT40"><i>The Seeker King: A Spiritual Biography of Elvis Presley</i></a>. Quest Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8356-0915-9" title="Special:BookSources/978-0-8356-0915-9"><bdi>978-0-8356-0915-9</bdi></a><span class="reference-accessdate">. Retrieved <span class="nowrap">February 2,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Seeker+King%3A+A+Spiritual+Biography+of+Elvis+Presley&rft.pub=Quest+Books&rft.date=2013&rft.isbn=978-0-8356-0915-9&rft.au=Tillery%2C+Gary&rft_id=https%3A%2F%2Fbooks.google.com%2Fbooks%3Fid%3DfFdbBgAAQBAJ%26pg%3DPT40&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFTrust2010" class="citation magazine cs1">Trust, Gary (June 2, 2010). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/columns/chart-beat/957957/2020-vision-mariah-marks-milestone">"Chart Beat"</a>. <i>Billboard</i><span class="reference-accessdate">. Retrieved <span class="nowrap">July 22,</span> 2010</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Chart+Beat&rft.date=2010-06-02&rft.au=Trust%2C+Gary&rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fcolumns%2Fchart-beat%2F957957%2F2020-vision-mariah-marks-milestone&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFTrust2015" class="citation magazine cs1">Trust, Gary (January 8, 2015). <a rel="nofollow" class="external text" href="https://www.billboard.com/articles/columns/chart-beat/957957/2020-vision-mariah-marks-milestone">"Elvis Presley's Billboard Chart Records"</a>. <i>Billboard</i><span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Billboard&rft.atitle=Elvis+Presley%27s+Billboard+Chart+Records&rft.date=2015-01-08&rft.au=Trust%2C+Gary&rft_id=https%3A%2F%2Fwww.billboard.com%2Farticles%2Fcolumns%2Fchart-beat%2F957957%2F2020-vision-mariah-marks-milestone&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFTurner2004" class="citation book cs1">Turner, John Frayn (2004). <a rel="nofollow" class="external text" href="https://archive.org/details/franksinatra00john"><i>Frank Sinatra</i></a>. Taylor Trade Publications. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-58979-145-9" title="Special:BookSources/978-1-58979-145-9"><bdi>978-1-58979-145-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Frank+Sinatra&rft.pub=Taylor+Trade+Publications&rft.date=2004&rft.isbn=978-1-58979-145-9&rft.au=Turner%2C+John+Frayn&rft_id=https%3A%2F%2Farchive.org%2Fdetails%2Ffranksinatra00john&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFVariety.com2005" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.variety.com/index.asp?layout=variety100">"100 Icons of the Century"</a>. Variety.com. 2005<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=100+Icons+of+the+Century&rft.pub=Variety.com&rft.date=2005&rft_id=https%3A%2F%2Fwww.variety.com%2Findex.asp%3Flayout%3Dvariety100&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFVH11998" class="citation web cs1"><a rel="nofollow" class="external text" href="http://www.rockonthenet.com/archive/1998/vh1artists.htm">"100 Greatest Artists of Rock & Roll"</a>. VH1. 1998<span class="reference-accessdate">. Retrieved <span class="nowrap">December 29,</span> 2009</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=100+Greatest+Artists+of+Rock+%26+Roll&rft.pub=VH1&rft.date=1998&rft_id=http%3A%2F%2Fwww.rockonthenet.com%2Farchive%2F1998%2Fvh1artists.htm&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFVictor2008" class="citation book cs1">Victor, Adam (2008). <i>The Elvis Encyclopedia</i>. Overlook Duckworth. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-58567-598-2" title="Special:BookSources/978-1-58567-598-2"><bdi>978-1-58567-598-2</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Elvis+Encyclopedia&rft.pub=Overlook+Duckworth&rft.date=2008&rft.isbn=978-1-58567-598-2&rft.au=Victor%2C+Adam&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFVOA2009" class="citation news cs1"><a rel="nofollow" class="external text" href="http://www.voanews.com/content/a-13-2007-07-25-voa66-66720472/560593.html">"Southern Genealogy Yields Surprises"</a>. <i>Voice of America</i>. October 27, 2009<span class="reference-accessdate">. Retrieved <span class="nowrap">January 19,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Voice+of+America&rft.atitle=Southern+Genealogy+Yields+Surprises&rft.date=2009-10-27&rft_id=http%3A%2F%2Fwww.voanews.com%2Fcontent%2Fa-13-2007-07-25-voa66-66720472%2F560593.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWadey2004" class="citation news cs1">Wadey, Paul (January 8, 2004). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20100713025605/http://www.independent.co.uk/news/obituaries/jake-hess-549231.html">"Jake Hess"</a>. <i>The Independent</i>. Archived from <a rel="nofollow" class="external text" href="https://www.independent.co.uk/news/obituaries/jake-hess-549231.html">the original</a> on July 13, 2010.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=The+Independent&rft.atitle=Jake+Hess&rft.date=2004-01-08&rft.au=Wadey%2C+Paul&rft_id=https%3A%2F%2Fwww.independent.co.uk%2Fnews%2Fobituaries%2Fjake-hess-549231.html&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWarwick_et_al.2004" class="citation book cs1">Warwick, Neil; Kutner, Jon; Brown, Tony (2004). <i>The Complete Book of the British Charts: Singles & Albums</i> (3rd ed.). Omnibus Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-84449-058-5" title="Special:BookSources/978-1-84449-058-5"><bdi>978-1-84449-058-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Complete+Book+of+the+British+Charts%3A+Singles+%26+Albums&rft.edition=3rd&rft.pub=Omnibus+Press&rft.date=2004&rft.isbn=978-1-84449-058-5&rft.au=Warwick%2C+Neil&rft.au=Kutner%2C+Jon&rft.au=Brown%2C+Tony&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWaters2003" class="citation journal cs1">Waters, Lindsay (Spring 2003). <a rel="nofollow" class="external text" href="https://muse.jhu.edu/article/41348">"<span class="cs1-kern-left">"</span>Come Softly, Darling, Hear What I Say: Listening in a State of Distraction – A Tribute to the Work of Walter Benjamin, Elvis Presley, and Robert Christgau<span class="cs1-kern-right">"</span>"</a>. <i>Boundary 2</i>. <b>30</b>: 199–212. <a href="/wiki/Doi_(identifier)" class="mw-redirect" title="Doi (identifier)">doi</a>:<a rel="nofollow" class="external text" href="https://doi.org/10.1215%2F01903659-30-1-199">10.1215/01903659-30-1-199</a>. <a href="/wiki/S2CID_(identifier)" class="mw-redirect" title="S2CID (identifier)">S2CID</a> <a rel="nofollow" class="external text" href="https://api.semanticscholar.org/CorpusID:161635612">161635612</a><span class="reference-accessdate">. Retrieved <span class="nowrap">February 25,</span> 2017</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Boundary+2&rft.atitle=%22Come+Softly%2C+Darling%2C+Hear+What+I+Say%3A+Listening+in+a+State+of+Distraction+%26ndash%3B%26%2332%3BA+Tribute+to+the+Work+of+Walter+Benjamin%2C+Elvis+Presley%2C+and+Robert+Christgau%22&rft.ssn=spring&rft.volume=30&rft.pages=199-212&rft.date=2003&rft_id=info%3Adoi%2F10.1215%2F01903659-30-1-199&rft_id=https%3A%2F%2Fapi.semanticscholar.org%2FCorpusID%3A161635612%23id-name%3DS2CID&rft.au=Waters%2C+Lindsay&rft_id=https%3A%2F%2Fmuse.jhu.edu%2Farticle%2F41348&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWertheimer1997" class="citation book cs1">Wertheimer, Neil (1997). <i>Total Health for Men</i>. Rodale Press.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Total+Health+for+Men&rft.pub=Rodale+Press&rft.date=1997&rft.au=Wertheimer%2C+Neil&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWhitburn1993" class="citation book cs1">Whitburn, Joel (1993). <i>Billboard Top 1000 Singles 1955–1992</i>. Billboard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-7935-2072-5" title="Special:BookSources/978-0-7935-2072-5"><bdi>978-0-7935-2072-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Billboard+Top+1000+Singles+1955%E2%80%931992&rft.pub=Billboard+Books&rft.date=1993&rft.isbn=978-0-7935-2072-5&rft.au=Whitburn%2C+Joel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWhitburn2006" class="citation book cs1">Whitburn, Joel (2006). <i>The Billboard Book of Top 40 Country Hits</i> (2nd ed.). Billboard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8230-8291-9" title="Special:BookSources/978-0-8230-8291-9"><bdi>978-0-8230-8291-9</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Billboard+Book+of+Top+40+Country+Hits&rft.edition=2nd&rft.pub=Billboard+Books&rft.date=2006&rft.isbn=978-0-8230-8291-9&rft.au=Whitburn%2C+Joel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
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<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWhitburn2007" class="citation book cs1">Whitburn, Joel (2007). <i>Joel Whitburn Presents the Billboard Albums</i> (6th ed.). Record Research. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-89820-166-6" title="Special:BookSources/978-0-89820-166-6"><bdi>978-0-89820-166-6</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Joel+Whitburn+Presents+the+Billboard+Albums&rft.edition=6th&rft.pub=Record+Research&rft.date=2007&rft.isbn=978-0-89820-166-6&rft.au=Whitburn%2C+Joel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWhitburn2008" class="citation book cs1">Whitburn, Joel (2008). <i>Joel Whitburn Presents Hot Country Albums: Billboard 1964 to 2007</i>. Record Research. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-89820-173-4" title="Special:BookSources/978-0-89820-173-4"><bdi>978-0-89820-173-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Joel+Whitburn+Presents+Hot+Country+Albums%3A+Billboard+1964+to+2007&rft.pub=Record+Research&rft.date=2008&rft.isbn=978-0-89820-173-4&rft.au=Whitburn%2C+Joel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWhitburn2010" class="citation book cs1">Whitburn, Joel (2010). <i>The Billboard Book of Top 40 Hits</i> (9th ed.). Billboard Books. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8230-8554-5" title="Special:BookSources/978-0-8230-8554-5"><bdi>978-0-8230-8554-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=The+Billboard+Book+of+Top+40+Hits&rft.edition=9th&rft.pub=Billboard+Books&rft.date=2010&rft.isbn=978-0-8230-8554-5&rft.au=Whitburn%2C+Joel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWilliams2012" class="citation news cs1">Williams, Todd (August 20, 2012). <a rel="nofollow" class="external text" href="https://web.archive.org/web/20160704192651/http://clatl.com/cribnotes/archives/2012/08/20/why-i-stopped-hating-elvis-presley">"Why I Stopped Hating Elvis Presley"</a>. <i>Creative Loafing</i>. Archived from <a rel="nofollow" class="external text" href="http://clatl.com/cribnotes/archives/2012/08/20/why-i-stopped-hating-elvis-presley">the original</a> on July 4, 2016<span class="reference-accessdate">. Retrieved <span class="nowrap">January 20,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=article&rft.jtitle=Creative+Loafing&rft.atitle=Why+I+Stopped+Hating+Elvis+Presley&rft.date=2012-08-20&rft.au=Williams%2C+Todd&rft_id=http%3A%2F%2Fclatl.com%2Fcribnotes%2Farchives%2F2012%2F08%2F20%2Fwhy-i-stopped-hating-elvis-presley&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWilliamson2015" class="citation book cs1">Williamson, Joel (2015). <i>Elvis Presley: A Southern Life</i>. Oxford University Press. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-19-986317-4" title="Special:BookSources/978-0-19-986317-4"><bdi>978-0-19-986317-4</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Elvis+Presley%3A+A+Southern+Life&rft.pub=Oxford+University+Press&rft.date=2015&rft.isbn=978-0-19-986317-4&rft.au=Williamson%2C+Joel&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWilson2010" class="citation book cs1">Wilson, Bee (2010). <i>Sandwich: A Global History</i>. Reaktion. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-86189-771-8" title="Special:BookSources/978-1-86189-771-8"><bdi>978-1-86189-771-8</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Sandwich%3A+A+Global+History&rft.pub=Reaktion&rft.date=2010&rft.isbn=978-1-86189-771-8&rft.au=Wilson%2C+Bee&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWolfe1994" class="citation book cs1">Wolfe, Charles (1994). <i>Amazing Grace: His Greatest Sacred Performances</i>. CD Booklet RCA/BMG. UPC 7863664212.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Amazing+Grace%3A+His+Greatest+Sacred+Performances&rft.pub=CD+Booklet+RCA%2FBMG.+UPC+7863664212&rft.date=1994&rft.au=Wolfe%2C+Charles&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFWoolleyPeters1977" class="citation web cs1">Woolley, John T.; Peters, Gerhard (August 17, 1977). <a rel="nofollow" class="external text" href="https://www.presidency.ucsb.edu/node/243942">"Jimmy Carter: Death of Elvis Presley Statement by the President"</a>. <i>American Presidency Project</i>. University of California, Santa Barbara<span class="reference-accessdate">. Retrieved <span class="nowrap">May 15,</span> 2021</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=American+Presidency+Project&rft.atitle=Jimmy+Carter%3A+Death+of+Elvis+Presley+Statement+by+the+President&rft.date=1977-08-17&rft.au=Woolley%2C+John+T.&rft.au=Peters%2C+Gerhard&rft_id=https%3A%2F%2Fwww.presidency.ucsb.edu%2Fnode%2F243942&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFEveret1977" class="citation web cs1">Everet, Todd (August 17, 1977). <a rel="nofollow" class="external text" href="https://variety.com/1977/music/news/elvis-presley-42-found-dead-in-his-memphis-mansion-1201343442/">"Elvis Presley, 42, Found Dead in His Memphis Mansion"</a>. Variety<span class="reference-accessdate">. Retrieved <span class="nowrap">September 21,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=unknown&rft.btitle=Elvis+Presley%2C+42%2C+Found+Dead+in+His+Memphis+Mansion&rft.pub=Variety&rft.date=1977-08-17&rft.au=Everet%2C+Todd&rft_id=https%3A%2F%2Fvariety.com%2F1977%2Fmusic%2Fnews%2Felvis-presley-42-found-dead-in-his-memphis-mansion-1201343442%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBlazeski2017" class="citation web cs1">Blazeski, Goran (April 23, 2017). <a rel="nofollow" class="external text" href="https://www.thevintagenews.com/2017/04/23/elvis-presley-performed-in-a-tv-commercial-in-exchange-for-a-box-of-hot-glazed-doughnuts/">"Elvis Presley performed in a TV commercial in exchange for a box of hot glazed doughnuts"</a>. <i>The Vintage News</i><span class="reference-accessdate">. Retrieved <span class="nowrap">September 21,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=The+Vintage+News&rft.atitle=Elvis+Presley+performed+in+a+TV+commercial+in+exchange+for+a+box+of+hot+glazed+doughnuts&rft.date=2017-04-23&rft.au=Blazeski%2C+Goran&rft_id=https%3A%2F%2Fwww.thevintagenews.com%2F2017%2F04%2F23%2Felvis-presley-performed-in-a-tv-commercial-in-exchange-for-a-box-of-hot-glazed-doughnuts%2F&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFPoché2017" class="citation book cs1">Poché, Dixie (2017). <i>Louisiana Sweets: King Cakes, Bread Pudding & Sweet Dough Pie</i>. Arcadia Publishing. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-4396-6217-5" title="Special:BookSources/978-1-4396-6217-5"><bdi>978-1-4396-6217-5</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=Louisiana+Sweets%3A+King+Cakes%2C+Bread+Pudding+%26+Sweet+Dough+Pie&rft.pub=Arcadia+Publishing&rft.date=2017&rft.isbn=978-1-4396-6217-5&rft.au=Poch%C3%A9%2C+Dixie&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite id="CITEREFBBC2018" class="citation web cs1"><a rel="nofollow" class="external text" href="https://www.bbc.com/news/entertainment-arts-46233352">"Elvis Presley gets US Presidential Medal of Freedom"</a>. <i>BBC News</i>. November 16, 2018<span class="reference-accessdate">. Retrieved <span class="nowrap">November 17,</span> 2018</span>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Ajournal&rft.genre=unknown&rft.jtitle=BBC+News&rft.atitle=Elvis+Presley+gets+US+Presidential+Medal+of+Freedom&rft.date=2018-11-16&rft_id=https%3A%2F%2Fwww.bbc.com%2Fnews%2Fentertainment-arts-46233352&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span></li></ul>
|
||
</div>
|
||
<h2><span class="mw-headline" id="Further_reading">Further reading</span></h2>
|
||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r998391716"/><div class="div-col">
|
||
<ul><li>Allen, Lew (2007). <i>Elvis and the Birth of Rock</i>. Genesis. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-905662-00-5" title="Special:BookSources/978-1-905662-00-5">978-1-905662-00-5</a>.</li>
|
||
<li>Cantor, Louis (2005). <i>Dewey and Elvis: The Life and Times of a Rock 'n' Roll Deejay</i>. University of Illinois Press. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-252-02981-3" title="Special:BookSources/978-0-252-02981-3">978-0-252-02981-3</a>.</li>
|
||
<li>Dickerson, James L. (2001). <i>Colonel Tom Parker: The Curious Life of Elvis Presley's Eccentric Manager</i>. Cooper Square Press. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8154-1267-0" title="Special:BookSources/978-0-8154-1267-0">978-0-8154-1267-0</a>.</li>
|
||
<li><a href="/wiki/Albert_Goldman" title="Albert Goldman">Goldman, Albert</a> (1981). <i>Elvis.</i> McGraw-Hill. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-07-023657-8" title="Special:BookSources/978-0-07-023657-8">978-0-07-023657-8</a>.</li>
|
||
<li><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><cite class="citation book cs1">Gatto, Kimberly; Racimo, Victoria (2017). <i>All the King's Horses: the Equestrian Life of Elvis Presley</i>. Regnery History. <a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-1-62157-603-7" title="Special:BookSources/978-1-62157-603-7"><bdi>978-1-62157-603-7</bdi></a>.</cite><span title="ctx_ver=Z39.88-2004&rft_val_fmt=info%3Aofi%2Ffmt%3Akev%3Amtx%3Abook&rft.genre=book&rft.btitle=All+the+King%27s+Horses%3A+the+Equestrian+Life+of+Elvis+Presley.&rft.pub=Regnery+History&rft.date=2017&rft.isbn=978-1-62157-603-7&rft.aulast=Gatto&rft.aufirst=Kimberly&rft.au=Racimo%2C+Victoria&rfr_id=info%3Asid%2Fen.wikipedia.org%3AElvis+Presley" class="Z3988"></span>.</li>
|
||
<li>Goldman, Albert (1990). <i>Elvis: The Last 24 Hours.</i> St. Martin's. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-312-92541-3" title="Special:BookSources/978-0-312-92541-3">978-0-312-92541-3</a>.</li>
|
||
<li>Klein, George (2010). <i>Elvis: My Best Man: Radio Days, Rock 'n' Roll Nights, and My Lifelong Friendship with Elvis Presley</i>. Virgin Books. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-307-45274-0" title="Special:BookSources/978-0-307-45274-0">978-0-307-45274-0</a></li>
|
||
<li>Marcus, Greil (1991). <i>Dead Elvis: A Chronicle of a Cultural Obsession</i>. Doubleday. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-385-41718-1" title="Special:BookSources/978-0-385-41718-1">978-0-385-41718-1</a>.</li>
|
||
<li>Marcus, Greil (2000). <i>Double Trouble: Bill Clinton and Elvis Presley in a Land of No Alternative</i>. Picador. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-571-20676-6" title="Special:BookSources/978-0-571-20676-6">978-0-571-20676-6</a>.</li>
|
||
<li>Nash, Alanna (2010). <i>Baby, Let's Play House: Elvis Presley and the Women Who Loved Him</i>. It Books. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-06-169984-9" title="Special:BookSources/978-0-06-169984-9">978-0-06-169984-9</a>.</li>
|
||
<li>Roy, Samuel (1985). <i>Elvis: Prophet of Power</i>. Branden, <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-8283-1898-3" title="Special:BookSources/978-0-8283-1898-3">978-0-8283-1898-3</a>.</li>
|
||
<li>West, Red, Sonny West, and Dave Hebler (as told to <a href="/wiki/Steve_Dunleavy" title="Steve Dunleavy">Steve Dunleavy</a>) (1977). <i><a href="/wiki/Elvis:_What_Happened%3F" title="Elvis: What Happened?">Elvis: What Happened?</a></i> Bantam Books. <link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r999302996"/><a href="/wiki/ISBN_(identifier)" class="mw-redirect" title="ISBN (identifier)">ISBN</a> <a href="/wiki/Special:BookSources/978-0-345-27215-7" title="Special:BookSources/978-0-345-27215-7">978-0-345-27215-7</a>.</li></ul>
|
||
</div>
|
||
<h2><span class="mw-headline" id="External_links">External links</span></h2>
|
||
<table role="presentation" class="mbox-small plainlinks sistersitebox" style="background-color:#f9f9f9;border:1px solid #aaa;color:#000">
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<tbody><tr>
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||
<td class="mbox-image"><img alt="" src="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png" decoding="async" width="30" height="40" class="noviewer" srcset="//upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/45px-Commons-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/59px-Commons-logo.svg.png 2x" data-file-width="1024" data-file-height="1376" /></td>
|
||
<td class="mbox-text plainlist">Wikimedia Commons has media related to <span style="font-weight: bold; font-style: italic;"><a href="https://commons.wikimedia.org/wiki/Category:Elvis_Presley" class="extiw" title="commons:Category:Elvis Presley">Elvis Presley</a></span>.</td></tr>
|
||
</tbody></table>
|
||
<table role="presentation" class="mbox-small plainlinks sistersitebox" style="background-color:#f9f9f9;border:1px solid #aaa;color:#000">
|
||
<tbody><tr>
|
||
<td class="mbox-image"><img alt="" src="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/34px-Wikiquote-logo.svg.png" decoding="async" width="34" height="40" class="noviewer" srcset="//upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/51px-Wikiquote-logo.svg.png 1.5x, //upload.wikimedia.org/wikipedia/commons/thumb/f/fa/Wikiquote-logo.svg/68px-Wikiquote-logo.svg.png 2x" data-file-width="300" data-file-height="355" /></td>
|
||
<td class="mbox-text plainlist">Wikiquote has quotations related to: <i><b><a href="https://en.wikiquote.org/wiki/Special:Search/Elvis_Presley" class="extiw" title="q:Special:Search/Elvis Presley">Elvis Presley</a></b></i></td></tr>
|
||
</tbody></table>
|
||
<link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r998391716"/><div class="div-col">
|
||
<ul><li><a rel="nofollow" class="external text" href="https://www.imdb.com/name/nm0000062/">Elvis Presley</a> at <a href="/wiki/IMDb" title="IMDb">IMDb</a></li>
|
||
<li><a rel="nofollow" class="external text" href="https://www.tcm.com/tcmdb/person/155137/wp">Elvis Presley</a> at the <a href="/wiki/Turner_Classic_Movies" title="Turner Classic Movies">TCM Movie Database</a></li>
|
||
<li><a rel="nofollow" class="external text" href="https://www.allmovie.com/artist/p107032">Elvis Presley</a> at <a href="/wiki/AllMovie" title="AllMovie">AllMovie</a></li>
|
||
<li><a rel="nofollow" class="external text" href="https://www.discogs.com/artist/27518">Elvis Presley</a> discography at <a href="/wiki/Discogs" title="Discogs">Discogs</a> <a href="https://www.wikidata.org/wiki/Q303#P1953" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" style="vertical-align: text-top" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></li>
|
||
<li><a rel="nofollow" class="external text" href="http://www.elvisthemusic.com/">Elvis The Music</a> official record label site</li>
|
||
<li><a rel="nofollow" class="external text" href="http://interviews.elvis.com.au/">Elvis Presley Interviews</a> on officially sanctioned Elvis Australia site</li>
|
||
<li><a rel="nofollow" class="external text" href="https://digital.library.unt.edu/ark:/67531/metadc19754/">"The All American Boy: Enter Elvis and the Rock-a-billies"</a> episode of 1968 <i>Pop Chronicles</i> radio series</li></ul>
|
||
</div>
|
||
<div class="navbox-styles nomobile"><style data-mw-deduplicate="TemplateStyles:r1057682214">.mw-parser-output .navbox{box-sizing:border-box;border:1px solid #a2a9b1;width:100%;clear:both;font-size:88%;text-align:center;padding:1px;margin:1em auto 0}.mw-parser-output .navbox .navbox{margin-top:0}.mw-parser-output .navbox+.navbox,.mw-parser-output .navbox+.navbox-styles+.navbox{margin-top:-1px}.mw-parser-output .navbox-inner,.mw-parser-output .navbox-subgroup{width:100%}.mw-parser-output .navbox-group,.mw-parser-output .navbox-title,.mw-parser-output .navbox-abovebelow{padding:0.25em 1em;line-height:1.5em;text-align:center}.mw-parser-output .navbox-group{white-space:nowrap;text-align:right}.mw-parser-output .navbox,.mw-parser-output .navbox-subgroup{background-color:#fdfdfd}.mw-parser-output .navbox-list{line-height:1.5em;border-color:#fdfdfd}.mw-parser-output .navbox-list-with-group{text-align:left;border-left-width:2px;border-left-style:solid}.mw-parser-output tr+tr>.navbox-abovebelow,.mw-parser-output tr+tr>.navbox-group,.mw-parser-output tr+tr>.navbox-image,.mw-parser-output tr+tr>.navbox-list{border-top:2px solid #fdfdfd}.mw-parser-output .navbox th,.mw-parser-output .navbox-title{}.mw-parser-output .navbox-abovebelow,.mw-parser-output th.navbox-group,.mw-parser-output .navbox-subgroup .navbox-title{background-color:#ddf}.mw-parser-output .navbox-subgroup .navbox-group,.mw-parser-output .navbox-subgroup .navbox-abovebelow{background-color:#e6e6ff}.mw-parser-output .navbox-even{background-color:#f7f7f7}.mw-parser-output .navbox-odd{background-color:transparent}.mw-parser-output .navbox .hlist td dl,.mw-parser-output .navbox .hlist td ol,.mw-parser-output .navbox .hlist td ul,.mw-parser-output .navbox td.hlist dl,.mw-parser-output .navbox td.hlist ol,.mw-parser-output .navbox td.hlist ul{padding:0.125em 0}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}</style></div><div role="navigation" class="navbox" aria-labelledby="Elvis_Presley" style="padding:3px"><table class="nowraplinks vcard hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #f0e68c;"><style data-mw-deduplicate="TemplateStyles:r1054937957">.mw-parser-output .navbar{display:inline;font-size:88%;font-weight:normal}.mw-parser-output .navbar-collapse{float:left;text-align:left}.mw-parser-output .navbar-boxtext{word-spacing:0}.mw-parser-output .navbar ul{display:inline-block;white-space:nowrap;line-height:inherit}.mw-parser-output .navbar-brackets::before{margin-right:-0.125em;content:"[ "}.mw-parser-output .navbar-brackets::after{margin-left:-0.125em;content:" ]"}.mw-parser-output .navbar li{word-spacing:-0.125em}.mw-parser-output .navbar a>span,.mw-parser-output .navbar a>abbr{text-decoration:inherit}.mw-parser-output .navbar-mini abbr{font-variant:small-caps;border-bottom:none;text-decoration:none;cursor:inherit}.mw-parser-output .navbar-ct-full{font-size:114%;margin:0 7em}.mw-parser-output .navbar-ct-mini{font-size:114%;margin:0 4em}.mw-parser-output .infobox .navbar{font-size:100%}.mw-parser-output .navbox .navbar{display:block;font-size:100%}.mw-parser-output .navbox-title .navbar{float:left;text-align:left;margin-right:0.5em}</style><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Elvis_Presley" title="Template:Elvis Presley"><abbr title="View this template" style=";background: #f0e68c;;background:none transparent;border:none;box-shadow:none;padding:0;">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Elvis_Presley" title="Template talk:Elvis Presley"><abbr title="Discuss this template" style=";background: #f0e68c;;background:none transparent;border:none;box-shadow:none;padding:0;">t</abbr></a></li><li class="nv-edit"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Template:Elvis_Presley&action=edit"><abbr title="Edit this template" style=";background: #f0e68c;;background:none transparent;border:none;box-shadow:none;padding:0;">e</abbr></a></li></ul></div><div id="Elvis_Presley" class="fn" style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">Elvis Presley</a></div></th></tr><tr><td class="navbox-abovebelow" colspan="2" style="background: #EEEEEE;"><div id="*Albums_*Singles_*Songs_*Films_and_television_*Personal_relationships_*Cultural_depictions_*Cultural_impact">
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<ul><li><a href="/wiki/Elvis_Presley_albums_discography" title="Elvis Presley albums discography">Albums</a></li>
|
||
<li><a href="/wiki/Elvis_Presley_singles_discography" title="Elvis Presley singles discography">Singles</a></li>
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||
<li><a href="/wiki/List_of_songs_recorded_by_Elvis_Presley" title="List of songs recorded by Elvis Presley">Songs</a></li>
|
||
<li><a href="/wiki/Elvis_Presley_on_film_and_television" title="Elvis Presley on film and television">Films and television</a></li>
|
||
<li><a href="/wiki/Personal_relationships_of_Elvis_Presley" title="Personal relationships of Elvis Presley">Personal relationships</a></li>
|
||
<li><a href="/wiki/Cultural_depictions_of_Elvis_Presley" title="Cultural depictions of Elvis Presley">Cultural depictions</a></li>
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||
<li><a href="/wiki/Cultural_impact_of_Elvis_Presley" title="Cultural impact of Elvis Presley">Cultural impact</a></li></ul>
|
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</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Studio albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
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||
<ul><li><i><a href="/wiki/Elvis_Presley_(album)" title="Elvis Presley (album)">Elvis Presley</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_(1956_album)" title="Elvis (1956 album)">Elvis</a></i> (1956 album)</li>
|
||
<li><i><a href="/wiki/Elvis%27_Christmas_Album" title="Elvis' Christmas Album">Elvis' Christmas Album</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Is_Back!" title="Elvis Is Back!">Elvis Is Back!</a></i></li>
|
||
<li><i><a href="/wiki/His_Hand_in_Mine" title="His Hand in Mine">His Hand in Mine</a></i></li>
|
||
<li><i><a href="/wiki/Something_for_Everybody" title="Something for Everybody">Something for Everybody</a></i></li>
|
||
<li><i><a href="/wiki/Pot_Luck_(Elvis_Presley_album)" title="Pot Luck (Elvis Presley album)">Pot Luck</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_for_Everyone!" title="Elvis for Everyone!">Elvis for Everyone!</a></i></li>
|
||
<li><i><a href="/wiki/How_Great_Thou_Art_(Elvis_Presley_album)" title="How Great Thou Art (Elvis Presley album)">How Great Thou Art</a></i></li>
|
||
<li><i><a href="/wiki/From_Elvis_in_Memphis" title="From Elvis in Memphis">From Elvis in Memphis</a></i></li>
|
||
<li><i><a href="/wiki/From_Memphis_to_Vegas_/_From_Vegas_to_Memphis" title="From Memphis to Vegas / From Vegas to Memphis">From Memphis to Vegas / From Vegas to Memphis</a></i></li>
|
||
<li><i><a href="/wiki/That%27s_the_Way_It_Is_(Elvis_Presley_album)" title="That's the Way It Is (Elvis Presley album)">That's the Way It Is</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Country_(I%27m_10,000_Years_Old)" title="Elvis Country (I'm 10,000 Years Old)">Elvis Country (I'm 10,000 Years Old)</a></i></li>
|
||
<li><i><a href="/wiki/Love_Letters_from_Elvis" title="Love Letters from Elvis">Love Letters from Elvis</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_sings_The_Wonderful_World_of_Christmas" title="Elvis sings The Wonderful World of Christmas">Elvis sings The Wonderful World of Christmas</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Now" title="Elvis Now">Elvis Now</a></i></li>
|
||
<li><i><a href="/wiki/He_Touched_Me_(album)" title="He Touched Me (album)">He Touched Me</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_(1973_album)" title="Elvis (1973 album)">Elvis</a></i> (1973 album)</li>
|
||
<li><i><a href="/wiki/Raised_on_Rock_/_For_Ol%27_Times_Sake" title="Raised on Rock / For Ol' Times Sake">Raised on Rock / For Ol' Times Sake</a></i></li>
|
||
<li><i><a href="/wiki/Good_Times_(Elvis_Presley_album)" title="Good Times (Elvis Presley album)">Good Times</a></i></li>
|
||
<li><i><a href="/wiki/Promised_Land_(Elvis_Presley_album)" title="Promised Land (Elvis Presley album)">Promised Land</a></i></li>
|
||
<li><i><a href="/wiki/Today_(Elvis_Presley_album)" title="Today (Elvis Presley album)">Today</a></i></li>
|
||
<li><i><a href="/wiki/From_Elvis_Presley_Boulevard,_Memphis,_Tennessee" title="From Elvis Presley Boulevard, Memphis, Tennessee">From Elvis Presley Boulevard, Memphis, Tennessee</a></i></li>
|
||
<li><i><a href="/wiki/Moody_Blue" title="Moody Blue">Moody Blue</a></i></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Soundtrack albums</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><i><a href="/wiki/Loving_You_(soundtrack)" title="Loving You (soundtrack)">Loving You</a></i></li>
|
||
<li><i><a href="/wiki/King_Creole_(soundtrack)" title="King Creole (soundtrack)">King Creole</a></i></li>
|
||
<li><i><a href="/wiki/G.I._Blues_(soundtrack)" title="G.I. Blues (soundtrack)">G.I. Blues</a></i></li>
|
||
<li><i><a href="/wiki/Blue_Hawaii_(soundtrack)" title="Blue Hawaii (soundtrack)">Blue Hawaii</a></i></li>
|
||
<li><i><a href="/wiki/Girls!_Girls!_Girls!_(soundtrack)" title="Girls! Girls! Girls! (soundtrack)">Girls! Girls! Girls!</a></i></li>
|
||
<li><i><a href="/wiki/It_Happened_at_the_World%27s_Fair_(soundtrack)" title="It Happened at the World's Fair (soundtrack)">It Happened at the World's Fair</a></i></li>
|
||
<li><i><a href="/wiki/Fun_in_Acapulco_(soundtrack)" title="Fun in Acapulco (soundtrack)">Fun in Acapulco</a></i></li>
|
||
<li><i><a href="/wiki/Kissin%27_Cousins_(soundtrack)" title="Kissin' Cousins (soundtrack)">Kissin' Cousins</a></i></li>
|
||
<li><i><a href="/wiki/Roustabout_(soundtrack)" title="Roustabout (soundtrack)">Roustabout</a></i></li>
|
||
<li><i><a href="/wiki/Girl_Happy_(soundtrack)" title="Girl Happy (soundtrack)">Girl Happy</a></i></li>
|
||
<li><i><a href="/wiki/Harum_Scarum_(soundtrack)" title="Harum Scarum (soundtrack)">Harum Scarum</a></i></li>
|
||
<li><i><a href="/wiki/Frankie_and_Johnny_(soundtrack)" title="Frankie and Johnny (soundtrack)">Frankie and Johnny</a></i></li>
|
||
<li><i><a href="/wiki/Paradise,_Hawaiian_Style_(soundtrack)" title="Paradise, Hawaiian Style (soundtrack)">Paradise Hawaiian Style</a></i></li>
|
||
<li><i><a href="/wiki/Spinout_(soundtrack)" title="Spinout (soundtrack)">Spinout</a></i></li>
|
||
<li><i><a href="/wiki/Double_Trouble_(soundtrack)" title="Double Trouble (soundtrack)">Double Trouble</a></i></li>
|
||
<li><i><a href="/wiki/Clambake_(soundtrack)" title="Clambake (soundtrack)">Clambake</a></i></li>
|
||
<li><i><a href="/wiki/Speedway_(soundtrack)" title="Speedway (soundtrack)">Speedway</a></i></li>
|
||
<li><i><a href="/wiki/Viva_Elvis_(soundtrack)" title="Viva Elvis (soundtrack)">Viva Elvis</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Presley:_The_Searcher_(soundtrack)" title="Elvis Presley: The Searcher (soundtrack)">Elvis Presley: The Searcher</a></i></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">EPs</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><i><a href="/wiki/Love_Me_Tender_(EP)" title="Love Me Tender (EP)">Love Me Tender</a></i></li>
|
||
<li><i><a href="/wiki/Peace_in_the_Valley_(EP)" title="Peace in the Valley (EP)">Peace in the Valley</a></i></li>
|
||
<li><i><a href="/wiki/Jailhouse_Rock_(EP)" title="Jailhouse Rock (EP)">Jailhouse Rock</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_by_Request:_Flaming_Star_and_3_Other_Great_Songs" title="Elvis by Request: Flaming Star and 3 Other Great Songs">Flaming Star</a></i></li>
|
||
<li><i><a href="/wiki/Follow_That_Dream_(EP)" title="Follow That Dream (EP)">Follow That Dream</a></i></li>
|
||
<li><i><a href="/wiki/Kid_Galahad_(EP)" title="Kid Galahad (EP)">Kid Galahad</a></i></li>
|
||
<li><i><a href="/wiki/Viva_Las_Vegas_(EP)" title="Viva Las Vegas (EP)">Viva Las Vegas</a></i></li>
|
||
<li><i><a href="/wiki/Tickle_Me_(EP)" title="Tickle Me (EP)">Tickle Me</a></i></li>
|
||
<li><i><a href="/wiki/Easy_Come,_Easy_Go_(EP)" title="Easy Come, Easy Go (EP)">Easy Come, Easy Go</a></i></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Live albums</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><i><a href="/wiki/Elvis_(1968_album)" title="Elvis (1968 album)">Elvis</a></i> (1968 album)</li>
|
||
<li><i><a href="/wiki/From_Memphis_to_Vegas_/_From_Vegas_to_Memphis" title="From Memphis to Vegas / From Vegas to Memphis">From Memphis to Vegas / From Vegas to Memphis</a></i></li>
|
||
<li><i><a href="/wiki/On_Stage_(Elvis_Presley_album)" title="On Stage (Elvis Presley album)">On Stage</a></i></li>
|
||
<li><i><a href="/wiki/As_Recorded_at_Madison_Square_Garden" title="As Recorded at Madison Square Garden">As Recorded at Madison Square Garden</a></i></li>
|
||
<li><i><a href="/wiki/Aloha_from_Hawaii_Via_Satellite_(album)" title="Aloha from Hawaii Via Satellite (album)">Aloha from Hawaii Via Satellite</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Recorded_Live_on_Stage_in_Memphis" title="Elvis Recorded Live on Stage in Memphis">Elvis Recorded Live on Stage in Memphis</a></i></li>
|
||
<li><i><a href="/wiki/Having_Fun_with_Elvis_on_Stage" title="Having Fun with Elvis on Stage">Having Fun with Elvis on Stage</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_in_Concert_(album)" title="Elvis in Concert (album)">Elvis in Concert</a></i></li>
|
||
<li><i><a href="/wiki/An_Afternoon_in_the_Garden" title="An Afternoon in the Garden">An Afternoon in the Garden</a></i></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Compilation albums</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><i><a href="/wiki/Elvis%27_Golden_Records" title="Elvis' Golden Records">Elvis' Golden Records</a></i></li>
|
||
<li><i><a href="/wiki/For_LP_Fans_Only" title="For LP Fans Only">For LP Fans Only</a></i></li>
|
||
<li><i><a href="/wiki/A_Date_with_Elvis" title="A Date with Elvis">A Date with Elvis</a></i></li>
|
||
<li><i><a href="/wiki/50,000,000_Elvis_Fans_Can%27t_Be_Wrong:_Elvis%27_Gold_Records,_Volume_2" title="50,000,000 Elvis Fans Can't Be Wrong: Elvis' Gold Records, Volume 2">50,000,000 Elvis Fans Can't Be Wrong</a></i></li>
|
||
<li><i><a href="/wiki/Elvis%27_Golden_Records_Volume_3" title="Elvis' Golden Records Volume 3">Elvis' Golden Records Volume 3</a></i></li>
|
||
<li><i><a href="/wiki/Elvis%27_Gold_Records_Volume_4" title="Elvis' Gold Records Volume 4">Elvis' Gold Records Volume 4</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Sings_Flaming_Star" title="Elvis Sings Flaming Star">Elvis Sings Flaming Star</a></i></li>
|
||
<li><i><a href="/wiki/Let%27s_Be_Friends" title="Let's Be Friends">Let's Be Friends</a></i></li>
|
||
<li><i><a href="/wiki/Almost_in_Love" title="Almost in Love">Almost in Love</a></i></li>
|
||
<li><i><a href="/wiki/C%27mon_Everybody_(album)" title="C'mon Everybody (album)">C'mon Everybody</a></i></li>
|
||
<li><i><a href="/wiki/I_Got_Lucky" title="I Got Lucky">I Got Lucky</a></i></li>
|
||
<li><i><a href="/wiki/Elvis:_A_Legendary_Performer_Volume_1" title="Elvis: A Legendary Performer Volume 1">Elvis: A Legendary Performer Volume 1</a></i></li>
|
||
<li><i><a href="/wiki/Elvis%27_40_Greatest" title="Elvis' 40 Greatest">Elvis' 40 Greatest</a></i></li>
|
||
<li><i><a href="/wiki/Pure_Gold_(Elvis_Presley_album)" title="Pure Gold (Elvis Presley album)">Pure Gold</a></i></li>
|
||
<li><i><a href="/wiki/Elvis:_A_Legendary_Performer_Volume_2" title="Elvis: A Legendary Performer Volume 2">Elvis: A Legendary Performer Volume 2</a></i></li>
|
||
<li><i><a href="/wiki/The_Sun_Sessions" title="The Sun Sessions">The Sun Sessions</a></i></li>
|
||
<li><i><a href="/wiki/Welcome_to_My_World_(Elvis_Presley_album)" title="Welcome to My World (Elvis Presley album)">Welcome to My World</a></i></li>
|
||
<li><i><a href="/wiki/Mahalo_from_Elvis" title="Mahalo from Elvis">Mahalo from Elvis</a></i></li>
|
||
<li><i><a href="/wiki/Elvis:_A_Legendary_Performer_Volume_3" title="Elvis: A Legendary Performer Volume 3">Elvis: A Legendary Performer Volume 3</a></i></li>
|
||
<li><i><a href="/wiki/Elvis:_Greatest_Hits_Volume_1" title="Elvis: Greatest Hits Volume 1">Greatest Hits Volume 1</a></i></li>
|
||
<li><i><a href="/wiki/Elvis%27_Gold_Records_Volume_5" title="Elvis' Gold Records Volume 5">Elvis' Gold Records Volume 5</a></i></li>
|
||
<li><i><a href="/wiki/Amazing_Grace:_His_Greatest_Sacred_Performances" title="Amazing Grace: His Greatest Sacred Performances">Amazing Grace: His Greatest Sacred Performances</a></i></li>
|
||
<li><i><a href="/wiki/Command_Performances:_The_Essential_60s_Masters_II" title="Command Performances: The Essential 60s Masters II">Command Performances: The Essential 60s Masters II</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_56" title="Elvis 56">Elvis 56</a></i></li>
|
||
<li><i><a href="/wiki/Tiger_Man_(album)" title="Tiger Man (album)">Tiger Man</a></i></li>
|
||
<li><i><a href="/wiki/Memories:_The_%2768_Comeback_Special" title="Memories: The '68 Comeback Special">Memories: The '68 Comeback Special</a></i></li>
|
||
<li><i><a href="/wiki/Sunrise_(Elvis_Presley_album)" title="Sunrise (Elvis Presley album)">Sunrise</a></i></li>
|
||
<li><i><a href="/wiki/Suspicious_Minds_(album)" title="Suspicious Minds (album)">Suspicious Minds: The Memphis 1969 Anthology</a></i></li>
|
||
<li><i><a href="/wiki/The_50_Greatest_Hits" title="The 50 Greatest Hits">The 50 Greatest Hits</a></i></li>
|
||
<li><i><a href="/wiki/ELV1S:_30_No._1_Hits" title="ELV1S: 30 No. 1 Hits">ELV1S: 30 #1 Hits</a></i></li>
|
||
<li><i><a href="/wiki/Elvis:_2nd_to_None" title="Elvis: 2nd to None">2nd to None</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_at_Sun" title="Elvis at Sun">Elvis at Sun</a></i></li>
|
||
<li><i><a href="/wiki/Hitstory_(Elvis_Presley_album)" class="mw-redirect" title="Hitstory (Elvis Presley album)">Hitstory</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Inspirational" title="Elvis Inspirational">Elvis Inspirational</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Rock_(album)" title="Elvis Rock (album)">Elvis Rock</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Christmas" title="Elvis Christmas">Elvis Christmas</a></i></li>
|
||
<li><i><a href="/wiki/The_Essential_Elvis_Presley" title="The Essential Elvis Presley">The Essential Elvis Presley</a></i></li>
|
||
<li><i><a href="/wiki/Christmas_Duets" title="Christmas Duets">Christmas Duets</a></i></li>
|
||
<li><i><a href="/wiki/If_I_Can_Dream_(album)" title="If I Can Dream (album)">If I Can Dream</a></i></li>
|
||
<li><i><a href="/wiki/Way_Down_in_the_Jungle_Room" title="Way Down in the Jungle Room">Way Down in the Jungle Room</a></i></li>
|
||
<li><i><a href="/wiki/The_Wonder_of_You_(Elvis_Presley_album)" title="The Wonder of You (Elvis Presley album)">The Wonder of You</a></i></li>
|
||
<li><i><a href="/wiki/Where_No_One_Stands_Alone_(album)" title="Where No One Stands Alone (album)">Where No One Stands Alone</a></i></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Box sets</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><i><a href="/wiki/Worldwide_50_Gold_Award_Hits_Vol._1" title="Worldwide 50 Gold Award Hits Vol. 1">Worldwide 50 Gold Award Hits Vol. 1</a></i></li>
|
||
<li><i><a href="/wiki/The_King_of_Rock_%27n%27_Roll:_The_Complete_50%27s_Masters" title="The King of Rock 'n' Roll: The Complete 50's Masters">The King of Rock 'n' Roll: The Complete 50's Masters</a></i></li>
|
||
<li><i><a href="/wiki/From_Nashville_to_Memphis:_The_Essential_%2760s_Masters" title="From Nashville to Memphis: The Essential '60s Masters">From Nashville to Memphis: The Essential '60s Masters</a></i></li>
|
||
<li><i><a href="/wiki/Walk_a_Mile_in_My_Shoes:_The_Essential_%2770s_Masters" title="Walk a Mile in My Shoes: The Essential '70s Masters">Walk a Mile in My Shoes: The Essential '70s Masters</a></i></li>
|
||
<li><i><a href="/wiki/Peace_in_the_Valley:_The_Complete_Gospel_Recordings" title="Peace in the Valley: The Complete Gospel Recordings">Peace in the Valley: The Complete Gospel Recordings</a></i></li>
|
||
<li><i><a href="/wiki/Live_in_Las_Vegas_(Elvis_Presley_album)" title="Live in Las Vegas (Elvis Presley album)">Live in Las Vegas</a></i></li>
|
||
<li><i><a href="/wiki/Today,_Tomorrow,_and_Forever_(Elvis_Presley_album)" title="Today, Tomorrow, and Forever (Elvis Presley album)">Today, Tomorrow, and Forever</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_the_King" title="Elvis the King">Elvis the King</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_(1968_TV_program)#Complete_'68_Comeback_Special" title="Elvis (1968 TV program)">The Complete '68 Comeback Special</a></i></li>
|
||
<li><i><a href="/wiki/The_Complete_Elvis_Presley_Masters" title="The Complete Elvis Presley Masters">The Complete Elvis Presley Masters</a></i></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Biographical films</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><i><a href="/wiki/Elvis_(1979_film)" title="Elvis (1979 film)">Elvis</a></i> (1979 film)</li>
|
||
<li><i><a href="/wiki/Elvis_(1990_TV_series)" title="Elvis (1990 TV series)">Elvis</a></i> (1990 series)</li>
|
||
<li><i><a href="/wiki/Elvis_Meets_Nixon" title="Elvis Meets Nixon">Elvis Meets Nixon</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_(miniseries)" title="Elvis (miniseries)">Elvis</a></i> (2005 miniseries)</li>
|
||
<li><i><a href="/wiki/Elvis_%26_Nixon" title="Elvis & Nixon">Elvis & Nixon</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_(2022_film)" title="Elvis (2022 film)">Elvis</a></i> (2022 film)</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Documentaries</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><i><a href="/wiki/The_Pied_Piper_of_Cleveland" title="The Pied Piper of Cleveland">The Pied Piper of Cleveland</a></i></li>
|
||
<li><i><a href="/wiki/Elvis:_That%27s_the_Way_It_Is" title="Elvis: That's the Way It Is">Elvis: That's the Way It Is</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_on_Tour" title="Elvis on Tour">Elvis on Tour</a></i></li>
|
||
<li><i><a href="/wiki/This_Is_Elvis" title="This Is Elvis">This Is Elvis</a></i></li>
|
||
<li><i><a href="/wiki/The_New_Gladiators_(film)" title="The New Gladiators (film)">The New Gladiators</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_Presley:_The_Searcher" title="Elvis Presley: The Searcher">Elvis Presley: The Searcher</a></i></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">TV specials</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><i><a href="/wiki/The_Frank_Sinatra_Timex_Show:_Welcome_Home_Elvis" title="The Frank Sinatra Timex Show: Welcome Home Elvis">The Frank Sinatra Timex Show: Welcome Home Elvis</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_(1968_TV_program)" title="Elvis (1968 TV program)">Elvis</a></i> ('68 Comeback Special)</li>
|
||
<li><i><a href="/wiki/Aloha_from_Hawaii_via_Satellite" title="Aloha from Hawaii via Satellite">Aloha from Hawaii via Satellite</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_in_Concert" title="Elvis in Concert">Elvis in Concert</a></i></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Stage shows</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><i><a href="/wiki/Cooking_with_Elvis" title="Cooking with Elvis">Cooking with Elvis</a></i></li>
|
||
<li><i><a href="/wiki/All_Shook_Up_(musical)" title="All Shook Up (musical)">All Shook Up</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_(musical)" title="Elvis (musical)">Elvis. The Musical</a></i></li>
|
||
<li><i><a href="/wiki/Elvis:_The_Concert" title="Elvis: The Concert">Elvis: The Concert</a></i></li>
|
||
<li><i><a href="/wiki/Viva_Elvis_(Cirque_du_Soleil)" title="Viva Elvis (Cirque du Soleil)">Viva Elvis</a></i></li>
|
||
<li><i><a href="/wiki/The_Elvis_Dead" title="The Elvis Dead">The Elvis Dead</a></i></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Related people</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><a href="/wiki/Lisa_Marie_Presley" title="Lisa Marie Presley">Lisa Marie Presley</a> <small>(daughter)</small></li>
|
||
<li><a href="/wiki/Priscilla_Presley" title="Priscilla Presley">Priscilla Presley</a> <small>(ex-wife)</small></li>
|
||
<li><a href="/wiki/Sam_Phillips" title="Sam Phillips">Sam Phillips</a></li>
|
||
<li><a href="/wiki/The_Blue_Moon_Boys" title="The Blue Moon Boys">The Blue Moon Boys</a></li>
|
||
<li><a href="/wiki/The_Jordanaires" title="The Jordanaires">The Jordanaires</a></li>
|
||
<li><a href="/wiki/The_Imperials" title="The Imperials">The Imperials</a></li>
|
||
<li><a href="/wiki/The_Sweet_Inspirations" title="The Sweet Inspirations">The Sweet Inspirations</a></li>
|
||
<li><a href="/wiki/TCB_Band" title="TCB Band">TCB Band</a></li>
|
||
<li><a href="/wiki/J._D._Sumner" title="J. D. Sumner">J. D. Sumner</a></li>
|
||
<li><a href="/wiki/Stephen_H._Sholes" title="Stephen H. Sholes">Stephen H. Sholes</a></li>
|
||
<li><a href="/wiki/June_Juanico" title="June Juanico">June Juanico</a></li>
|
||
<li><a href="/wiki/Memphis_Mafia" title="Memphis Mafia">Memphis Mafia</a></li>
|
||
<li><a href="/wiki/Colonel_Tom_Parker" title="Colonel Tom Parker">Colonel Tom Parker</a></li>
|
||
<li><a href="/wiki/George_C._Nichopoulos" title="George C. Nichopoulos">George C. Nichopoulos</a></li>
|
||
<li><a href="/wiki/Judy_Spreckels" title="Judy Spreckels">Judy Spreckels</a></li>
|
||
<li><a href="/wiki/Linda_Thompson_(actress)" title="Linda Thompson (actress)">Linda Thompson</a></li>
|
||
<li><a href="/wiki/Elvis_Presley#Final_year_and_death" title="Elvis Presley">Ginger Alden</a></li>
|
||
<li><a href="/wiki/Larry_Geller" title="Larry Geller">Larry Geller</a></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Related articles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><a href="/wiki/Graceland" title="Graceland">Graceland</a></li>
|
||
<li><a href="/wiki/Elvis_Presley_House" title="Elvis Presley House">Audubon Street House</a></li>
|
||
<li><a href="/wiki/Elvis_impersonator" title="Elvis impersonator">Impersonators</a></li>
|
||
<li><i><a href="/wiki/Elvis_and_Gladys" title="Elvis and Gladys">Elvis and Gladys</a></i></li>
|
||
<li><i><a href="/wiki/Elvis_and_Me" title="Elvis and Me">Elvis and Me</a></i></li>
|
||
<li><i><a href="/wiki/Elvis:_What_Happened%3F" title="Elvis: What Happened?">Elvis: What Happened?</a></i></li>
|
||
<li><a href="/wiki/Elvis-A-Rama_Museum" title="Elvis-A-Rama Museum">Elvis-A-Rama Museum</a></li>
|
||
<li><a href="/wiki/List_of_songs_recorded_by_Elvis_Presley_on_the_Sun_label" title="List of songs recorded by Elvis Presley on the Sun label">Sun recordings</a></li>
|
||
<li><a href="/wiki/Million_Dollar_Quartet" title="Million Dollar Quartet">Million Dollar Quartet</a></li>
|
||
<li><a href="/wiki/Cultural_depictions_of_Elvis_Presley" title="Cultural depictions of Elvis Presley">Cultural depictions of Elvis Presley</a></li>
|
||
<li><a href="/wiki/List_of_songs_about_or_referencing_Elvis_Presley" title="List of songs about or referencing Elvis Presley">Songs about Elvis</a></li>
|
||
<li><a href="/wiki/Elvis_Presley_Enterprises" title="Elvis Presley Enterprises">Elvis Presley Enterprises</a></li>
|
||
<li><a href="/wiki/Elvis_Presley_Lake" title="Elvis Presley Lake">Elvis Presley Lake</a></li>
|
||
<li>"<a href="/wiki/Elvis_has_left_the_building" title="Elvis has left the building">Elvis has left the building</a>"</li>
|
||
<li><a href="/wiki/Elvis_Radio" class="mw-redirect" title="Elvis Radio">Elvis Radio</a></li>
|
||
<li><a href="/wiki/FBI_files_on_Elvis_Presley" title="FBI files on Elvis Presley">FBI files on Elvis Presley</a></li>
|
||
<li><a href="/wiki/Military_career_of_Elvis_Presley" title="Military career of Elvis Presley">Army career</a></li>
|
||
<li><i><a href="/wiki/Eight_Elvises" title="Eight Elvises">Eight Elvises</a></i></li>
|
||
<li><i><a href="/wiki/Triple_Elvis" title="Triple Elvis">Triple Elvis</a></i></li>
|
||
<li><a href="/wiki/Elvis_Presley%27s_Pink_Cadillac" title="Elvis Presley's Pink Cadillac">Elvis Presley's Pink Cadillac</a></li>
|
||
<li><a href="/wiki/Elvis_Presley%27s_guitars" title="Elvis Presley's guitars">Elvis Presley's guitars</a></li>
|
||
<li><a href="/wiki/Elvis_Presley_Forever_stamp" title="Elvis Presley Forever stamp">Elvis Presley Forever stamp</a></li>
|
||
<li><a href="/wiki/Elvis_sightings" title="Elvis sightings">Elvis sightings</a></li>
|
||
<li><a href="/wiki/Peanut_butter,_banana_and_bacon_sandwich" title="Peanut butter, banana and bacon sandwich">Elvis sandwich</a></li>
|
||
<li><a href="/wiki/Fool%27s_Gold_Loaf" title="Fool's Gold Loaf">Fool's Gold Loaf</a></li>
|
||
<li><i><a href="/wiki/Elvis%27_Greatest_Shit" title="Elvis' Greatest Shit">Elvis' Greatest Shit</a></i></li></ul>
|
||
</div></td></tr><tr><td class="navbox-abovebelow" colspan="2" style="background: #EEEEEE;"><div>
|
||
<ul><li><img alt="Category" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" title="Category" width="16" height="16" class="noviewer" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /> <a href="/wiki/Category:Elvis_Presley" title="Category:Elvis Presley">Category</a></li></ul>
|
||
</div></td></tr></tbody></table></div>
|
||
<div class="navbox-styles nomobile"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1057682214"/></div><div role="navigation" class="navbox" aria-labelledby="Elvis_Presley_singles" style="padding:3px"><table class="nowraplinks vcard hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background: #f0e68c;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1054937957"/><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Elvis_Presley_singles" title="Template:Elvis Presley singles"><abbr title="View this template" style=";background: #f0e68c;;background:none transparent;border:none;box-shadow:none;padding:0;">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Elvis_Presley_singles" title="Template talk:Elvis Presley singles"><abbr title="Discuss this template" style=";background: #f0e68c;;background:none transparent;border:none;box-shadow:none;padding:0;">t</abbr></a></li><li class="nv-edit"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Template:Elvis_Presley_singles&action=edit"><abbr title="Edit this template" style=";background: #f0e68c;;background:none transparent;border:none;box-shadow:none;padding:0;">e</abbr></a></li></ul></div><div id="Elvis_Presley_singles" class="fn" style="font-size:114%;margin:0 4em"><a class="mw-selflink selflink">Elvis Presley</a> <a href="/wiki/Elvis_Presley_singles_discography" title="Elvis Presley singles discography">singles</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1954</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/That%27s_All_Right" title="That's All Right">That's All Right</a>" / "<a href="/wiki/Blue_Moon_of_Kentucky#Elvis_Presley" title="Blue Moon of Kentucky">Blue Moon of Kentucky</a>"</li>
|
||
<li>"<a href="/wiki/Good_Rocking_Tonight#Elvis_Presley_version" title="Good Rocking Tonight">Good Rockin' Tonight</a>" / "<a href="/wiki/I_Don%27t_Care_if_the_Sun_Don%27t_Shine" title="I Don't Care if the Sun Don't Shine">I Don't Care if the Sun Don't Shine</a>"</li>
|
||
<li>"<a href="/wiki/Milk_Cow_Blues#Elvis_Presley_version" title="Milk Cow Blues">Milkcow Blues Boogie</a>" / "<a href="/wiki/You%27re_a_Heartbreaker" title="You're a Heartbreaker">You're a Heartbreaker</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1955</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/I%27m_Left,_You%27re_Right,_She%27s_Gone" title="I'm Left, You're Right, She's Gone">I'm Left, You're Right, She's Gone</a>" / "<a href="/wiki/Baby_Let%27s_Play_House" title="Baby Let's Play House">Baby Let's Play House</a>"</li>
|
||
<li>"<a href="/wiki/I_Forgot_to_Remember_to_Forget" title="I Forgot to Remember to Forget">I Forgot to Remember to Forget</a>" / "<a href="/wiki/Mystery_Train" title="Mystery Train">Mystery Train</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1956</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Heartbreak_Hotel" title="Heartbreak Hotel">Heartbreak Hotel</a>" / "<a href="/wiki/I_Was_the_One" title="I Was the One">I Was the One</a>"</li>
|
||
<li>"<a href="/wiki/I_Want_You,_I_Need_You,_I_Love_You" title="I Want You, I Need You, I Love You">I Want You, I Need You, I Love You</a>" / "<a href="/wiki/My_Baby_Left_Me" title="My Baby Left Me">My Baby Left Me</a>"</li>
|
||
<li>"<a href="/wiki/Don%27t_Be_Cruel" title="Don't Be Cruel">Don't Be Cruel</a>" / "<a href="/wiki/Hound_Dog_(song)" title="Hound Dog (song)">Hound Dog</a>"</li>
|
||
<li>"<a href="/wiki/Blue_Suede_Shoes" title="Blue Suede Shoes">Blue Suede Shoes</a>" / "<a href="/wiki/Tutti_Frutti_(song)" title="Tutti Frutti (song)">Tutti Frutti</a>"</li>
|
||
<li>"<a href="/wiki/Money_Honey_(Clyde_McPhatter_and_Drifters_song)" class="mw-redirect" title="Money Honey (Clyde McPhatter and Drifters song)">Money Honey</a>"</li>
|
||
<li>"<a href="/wiki/I_Got_a_Woman" title="I Got a Woman">I Got a Woman</a>"</li>
|
||
<li>"<a href="/wiki/Tryin%27_to_Get_to_You" title="Tryin' to Get to You">Tryin' to Get to You</a>"</li>
|
||
<li>"<a href="/wiki/Blue_Moon_(1934_song)" title="Blue Moon (1934 song)">Blue Moon</a>"</li>
|
||
<li>"<a href="/wiki/I%27ll_Never_Let_You_Go_(Little_Darlin%27)" class="mw-redirect" title="I'll Never Let You Go (Little Darlin')">I'll Never Let You Go (Little Darlin')</a>" / "<a href="/wiki/I%27m_Gonna_Sit_Right_Down_and_Cry_(Over_You)" title="I'm Gonna Sit Right Down and Cry (Over You)">I'm Gonna Sit Right Down and Cry (Over You)</a>"</li>
|
||
<li>"<a href="/wiki/Shake,_Rattle_and_Roll" title="Shake, Rattle and Roll">Shake, Rattle and Roll</a>" / "<a href="/wiki/Lawdy_Miss_Clawdy" title="Lawdy Miss Clawdy">Lawdy Miss Clawdy</a>"</li>
|
||
<li>"<a href="/wiki/Love_Me_Tender_(song)" title="Love Me Tender (song)">Love Me Tender</a>" / "<a href="/wiki/Any_Way_You_Want_Me_(Elvis_Presley_song)" title="Any Way You Want Me (Elvis Presley song)">Any Way You Want Me</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1957</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Too_Much_(Elvis_Presley_song)" title="Too Much (Elvis Presley song)">Too Much</a>" / "<a href="/wiki/Playing_for_Keeps_(Elvis_Presley_song)" title="Playing for Keeps (Elvis Presley song)">Playing for Keeps</a>"</li>
|
||
<li>"<a href="/wiki/All_Shook_Up" title="All Shook Up">All Shook Up</a>"</li>
|
||
<li>"<a href="/wiki/Peace_in_the_Valley" title="Peace in the Valley">Peace in the Valley</a></li>
|
||
<li>"<a href="/wiki/(Let_Me_Be_Your)_Teddy_Bear" title="(Let Me Be Your) Teddy Bear">(Let Me Be Your) Teddy Bear</a>" / "<a href="/wiki/Loving_You_(Elvis_Presley_song)" title="Loving You (Elvis Presley song)">Loving You</a>"</li>
|
||
<li>"<a href="/wiki/Paralyzed_(Elvis_Presley_song)" title="Paralyzed (Elvis Presley song)">Paralyzed</a>" <small>(UK)</small></li>
|
||
<li>"<a href="/wiki/Jailhouse_Rock_(song)" title="Jailhouse Rock (song)">Jailhouse Rock</a>"</li>
|
||
<li>"<a href="/wiki/Let%27s_Have_a_Party" title="Let's Have a Party">Party</a>" / "<a href="/wiki/Got_a_Lot_o%27_Livin%27_to_Do!" title="Got a Lot o' Livin' to Do!">Got a Lot o' Livin' to Do!</a>" <small>(UK)</small></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1958</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Don%27t_(Elvis_Presley_song)" title="Don't (Elvis Presley song)">Don't</a>" / "<a href="/wiki/I_Beg_of_You" title="I Beg of You">I Beg of You</a>"</li>
|
||
<li>"<a href="/wiki/Wear_My_Ring_Around_Your_Neck" title="Wear My Ring Around Your Neck">Wear My Ring Around Your Neck</a>" / "<a href="/wiki/Doncha%27_Think_It%27s_Time" title="Doncha' Think It's Time">Doncha' Think It's Time</a>"</li>
|
||
<li>"<a href="/wiki/Hard_Headed_Woman" title="Hard Headed Woman">Hard Headed Woman</a>" / "<a href="/wiki/Don%27t_Ask_Me_Why_(Elvis_Presley_song)" title="Don't Ask Me Why (Elvis Presley song)">Don't Ask Me Why</a>"</li>
|
||
<li>"<a href="/wiki/King_Creole_(song)" title="King Creole (song)">King Creole</a>" (UK)</li>
|
||
<li>"<a href="/wiki/One_Night_(Elvis_Presley_song)" title="One Night (Elvis Presley song)">One Night</a>" / "<a href="/wiki/I_Got_Stung" title="I Got Stung">I Got Stung</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1959</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/I_Need_Your_Love_Tonight" title="I Need Your Love Tonight">I Need Your Love Tonight</a>" / "<a href="/wiki/(Now_and_Then_There%27s)_A_Fool_Such_as_I" title="(Now and Then There's) A Fool Such as I">A Fool Such as I</a>"</li>
|
||
<li>"<a href="/wiki/A_Big_Hunk_o%27_Love" title="A Big Hunk o' Love">A Big Hunk o' Love</a>" / "<a href="/wiki/My_Wish_Came_True" title="My Wish Came True">My Wish Came True</a>"</li></ul>
|
||
</div></td></tr></tbody></table><div></div></td></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1960</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Stuck_on_You_(Elvis_Presley_song)" title="Stuck on You (Elvis Presley song)">Stuck on You</a>" / "<a href="/wiki/Fame_and_Fortune_(Elvis_Presley_song)" title="Fame and Fortune (Elvis Presley song)">Fame and Fortune</a>"</li>
|
||
<li>"<a href="/wiki/It%27s_Now_or_Never_(song)" title="It's Now or Never (song)">It's Now or Never</a>" / "<a href="/wiki/A_Mess_of_Blues" title="A Mess of Blues">A Mess of Blues</a>"</li>
|
||
<li>"<a href="/wiki/Are_You_Lonesome_Tonight%3F_(song)" title="Are You Lonesome Tonight? (song)">Are You Lonesome Tonight?</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1961</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Surrender_(Elvis_Presley_song)" title="Surrender (Elvis Presley song)">Surrender</a>" / "<a href="/wiki/Lonely_Man_(Elvis_Presley_song)" title="Lonely Man (Elvis Presley song)">Lonely Man</a>"</li>
|
||
<li>"<a href="/wiki/I_Feel_So_Bad_(Chuck_Willis_song)" title="I Feel So Bad (Chuck Willis song)">I Feel So Bad</a>" / "<a href="/wiki/Wild_in_the_Country_(Elvis_Presley_song)" title="Wild in the Country (Elvis Presley song)">Wild in the Country</a>"</li>
|
||
<li>"<a href="/wiki/(Marie%27s_the_Name)_His_Latest_Flame" title="(Marie's the Name) His Latest Flame">(Marie's the Name) His Latest Flame</a>" / "<a href="/wiki/Little_Sister_(Elvis_Presley_song)" title="Little Sister (Elvis Presley song)">Little Sister</a>"</li>
|
||
<li>"<a href="/wiki/Can%27t_Help_Falling_in_Love" title="Can't Help Falling in Love">Can't Help Falling in Love</a>" / "<a href="/wiki/Rock-A-Hula_Baby" title="Rock-A-Hula Baby">Rock-A-Hula Baby</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1962</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Good_Luck_Charm" title="Good Luck Charm">Good Luck Charm</a>" / "<a href="/wiki/Anything_That%27s_Part_of_You" title="Anything That's Part of You">Anything That's Part of You</a>"</li>
|
||
<li>"<a href="/wiki/She%27s_Not_You" title="She's Not You">She's Not You</a>" / "<a href="/wiki/Just_Tell_Her_Jim_Said_Hello" title="Just Tell Her Jim Said Hello">Just Tell Her Jim Said Hello</a>"</li>
|
||
<li>"<a href="/wiki/King_of_the_Whole_Wide_World" title="King of the Whole Wide World">King of the Whole Wide World</a>"</li>
|
||
<li>"<a href="/wiki/Return_to_Sender_(song)" title="Return to Sender (song)">Return to Sender</a>" / "<a href="/wiki/Where_Do_You_Come_From" title="Where Do You Come From">Where Do You Come From</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1963</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/One_Broken_Heart_for_Sale" title="One Broken Heart for Sale">One Broken Heart for Sale</a>" / "<a href="/wiki/They_Remind_Me_Too_Much_of_You" title="They Remind Me Too Much of You">They Remind Me Too Much of You</a>"</li>
|
||
<li>"<a href="/wiki/(You%27re_the)_Devil_in_Disguise" title="(You're the) Devil in Disguise">(You're the) Devil in Disguise</a>"</li>
|
||
<li>"<a href="/wiki/Bossa_Nova_Baby" title="Bossa Nova Baby">Bossa Nova Baby</a>" / "<a href="/wiki/Witchcraft_(1955_song)" title="Witchcraft (1955 song)">Witchcraft</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1964</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Kissin%27_Cousins_(song)" title="Kissin' Cousins (song)">Kissin' Cousins</a>" / "<a href="/wiki/It_Hurts_Me" title="It Hurts Me">It Hurts Me</a>"</li>
|
||
<li>"<a href="/wiki/Kiss_Me_Quick_(Elvis_Presley_song)" title="Kiss Me Quick (Elvis Presley song)">Kiss Me Quick</a>" / "<a href="/wiki/Suspicion_(Pomus_song)" class="mw-redirect" title="Suspicion (Pomus song)">Suspicion</a>"</li>
|
||
<li>"<a href="/wiki/Viva_Las_Vegas_(song)" title="Viva Las Vegas (song)">Viva Las Vegas</a>" / "<a href="/wiki/What%27d_I_Say" title="What'd I Say">What'd I Say</a>"</li>
|
||
<li>"<a href="/wiki/Such_a_Night" title="Such a Night">Such a Night</a>" / "<a href="/wiki/Never_Ending_(Elvis_Presley_song)" title="Never Ending (Elvis Presley song)">Never Ending</a>"</li>
|
||
<li>"<a href="/wiki/Ask_Me_(Elvis_Presley_song)" title="Ask Me (Elvis Presley song)">Ask Me</a>" / "<a href="/wiki/Ain%27t_That_Lovin%27_You,_Baby" title="Ain't That Lovin' You, Baby">Ain't That Loving You Baby</a>"</li>
|
||
<li>"<a href="/wiki/Blue_Christmas_(song)" title="Blue Christmas (song)">Blue Christmas</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1965</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Do_the_Clam" title="Do the Clam">Do the Clam</a>" / "<a href="/wiki/You%27ll_Be_Gone" title="You'll Be Gone">You'll Be Gone</a>"</li>
|
||
<li>"<a href="/wiki/Crying_in_the_Chapel" title="Crying in the Chapel">Crying in the Chapel</a></li>
|
||
<li>"<a href="/wiki/(Such_an)_Easy_Question" title="(Such an) Easy Question">(Such an) Easy Question</a>" / "<a href="/wiki/It_Feels_So_Right_(Elvis_Presley_song)" class="mw-redirect" title="It Feels So Right (Elvis Presley song)">It Feels So Right</a>"</li>
|
||
<li>"<a href="/wiki/I%27m_Yours_(Elvis_Presley_song)" title="I'm Yours (Elvis Presley song)">I'm Yours</a>" / "<a href="/wiki/(It%27s_a)_Long_Lonely_Highway" title="(It's a) Long Lonely Highway">(It's a) Long Lonely Highway</a>"</li>
|
||
<li>"<a href="/wiki/Puppet_on_a_String_(Elvis_Presley_song)" title="Puppet on a String (Elvis Presley song)">Puppet on a String</a>" / "<a href="/wiki/Wooden_Heart" title="Wooden Heart">Wooden Heart</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1966</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Tell_Me_Why_(1956_song)" title="Tell Me Why (1956 song)">Tell Me Why</a>" / "<a href="/wiki/Blue_River_(song)" title="Blue River (song)">Blue River</a>"</li>
|
||
<li>"<a href="/wiki/Frankie_and_Johnny_(song)" title="Frankie and Johnny (song)">Frankie and Johnny</a>" / "<a href="/wiki/Please_Don%27t_Stop_Loving_Me_(Elvis_Presley_song)" title="Please Don't Stop Loving Me (Elvis Presley song)">Please Don't Stop Loving Me</a>"</li>
|
||
<li>"<a href="/wiki/Love_Letters_(song)" title="Love Letters (song)">Love Letters</a>"</li>
|
||
<li>"<a href="/wiki/Spinout_(song)" title="Spinout (song)">Spinout</a>" / "<a href="/wiki/All_That_I_Am_(Elvis_Presley_song)" title="All That I Am (Elvis Presley song)">All That I Am</a>"</li>
|
||
<li>"<a href="/wiki/If_Every_Day_Was_Like_Christmas" title="If Every Day Was Like Christmas">If Every Day Was Like Christmas</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1967</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Indescribably_Blue" title="Indescribably Blue">Indescribably Blue</a>" / "<a href="/wiki/Fools_Fall_in_Love" title="Fools Fall in Love">Fools Fall in Love</a>"</li>
|
||
<li>"<a href="/wiki/You_Gotta_Stop" title="You Gotta Stop">You Gotta Stop</a>" / "<a href="/wiki/The_Love_Machine_(Elvis_Presley_song)" title="The Love Machine (Elvis Presley song)">The Love Machine</a>" <small>(UK)</small></li>
|
||
<li>"<a href="/wiki/Long_Legged_Girl_(With_the_Short_Dress_On)" title="Long Legged Girl (With the Short Dress On)">Long Legged Girl (With the Short Dress On)</a>" / "<a href="/wiki/That%27s_Someone_You_Never_Forget" title="That's Someone You Never Forget">That's Someone You Never Forget</a>"</li>
|
||
<li>"<a href="/wiki/There%27s_Always_Me" title="There's Always Me">There's Always Me</a>" / "<a href="/wiki/Judy_(Elvis_Presley_song)" title="Judy (Elvis Presley song)">Judy</a>"</li>
|
||
<li>"<a href="/wiki/Big_Boss_Man_(song)" title="Big Boss Man (song)">Big Boss Man</a>" / "<a href="/wiki/You_Don%27t_Know_Me_(Eddy_Arnold_song)" class="mw-redirect" title="You Don't Know Me (Eddy Arnold song)">You Don't Know Me</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1968</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Guitar_Man_(song)" title="Guitar Man (song)">Guitar Man</a>"</li>
|
||
<li>"<a href="/wiki/U.S._Male" title="U.S. Male">U.S. Male</a>" / "<a href="/wiki/Stay_Away_(Elvis_Presley_song)" title="Stay Away (Elvis Presley song)">Stay Away</a>"</li>
|
||
<li>"<a href="/wiki/We_Call_on_Him" title="We Call on Him">We Call on Him</a>" / "<a href="/wiki/You%27ll_Never_Walk_Alone" title="You'll Never Walk Alone">You'll Never Walk Alone</a>"</li>
|
||
<li>"<a href="/wiki/Your_Time_Hasn%27t_Come_Yet,_Baby" title="Your Time Hasn't Come Yet, Baby">Your Time Hasn't Come Yet, Baby</a>" / "<a href="/wiki/Let_Yourself_Go_(Elvis_Presley_song)" title="Let Yourself Go (Elvis Presley song)">Let Yourself Go</a>"</li>
|
||
<li>"<a href="/wiki/Almost_in_Love_(song)" title="Almost in Love (song)">Almost in Love</a>" / "<a href="/wiki/A_Little_Less_Conversation" title="A Little Less Conversation">A Little Less Conversation</a>"</li>
|
||
<li>"<a href="/wiki/If_I_Can_Dream" title="If I Can Dream">If I Can Dream</a>" / "<a href="/wiki/Edge_of_Reality_(song)" title="Edge of Reality (song)">Edge of Reality</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1969</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Memories_(Elvis_Presley_song)" title="Memories (Elvis Presley song)">Memories</a>" / "<a href="/wiki/Charro_(song)" title="Charro (song)">Charro</a>"</li>
|
||
<li>"<a href="/wiki/How_Great_Thou_Art" title="How Great Thou Art">How Great Thou Art</a>"</li>
|
||
<li>"<a href="/wiki/In_the_Ghetto" title="In the Ghetto">In the Ghetto</a>" / "<a href="/wiki/Any_Day_Now_(Burt_Bacharach_song)" title="Any Day Now (Burt Bacharach song)">Any Day Now</a>"</li>
|
||
<li>"<a href="/wiki/Clean_Up_Your_Own_Backyard" title="Clean Up Your Own Backyard">Clean Up Your Own Backyard</a>"</li>
|
||
<li>"<a href="/wiki/Suspicious_Minds" title="Suspicious Minds">Suspicious Minds</a>" / "<a href="/wiki/You%27ll_Think_of_Me_(Elvis_Presley_song)" title="You'll Think of Me (Elvis Presley song)">You'll Think of Me</a>"</li>
|
||
<li>"<a href="/wiki/Don%27t_Cry_Daddy" title="Don't Cry Daddy">Don't Cry Daddy</a>"</li>
|
||
<li>"<a href="/wiki/Rubberneckin%27" title="Rubberneckin'">Rubberneckin'</a>"</li></ul>
|
||
</div></td></tr></tbody></table><div></div></td></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1970</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Kentucky_Rain" title="Kentucky Rain">Kentucky Rain</a>"</li>
|
||
<li>"<a href="/wiki/The_Wonder_of_You" title="The Wonder of You">The Wonder of You</a>"</li>
|
||
<li>"<a href="/wiki/I%27ve_Lost_You" title="I've Lost You">I've Lost You</a>" / "<a href="/wiki/The_Next_Step_Is_Love_(Elvis_Presley_song)" class="mw-redirect" title="The Next Step Is Love (Elvis Presley song)">The Next Step Is Love</a>"</li>
|
||
<li>"<a href="/wiki/You_Don%27t_Have_to_Say_You_Love_Me" title="You Don't Have to Say You Love Me">You Don't Have to Say You Love Me</a>" / "<a href="/wiki/Patch_It_Up" title="Patch It Up">Patch It Up</a>"</li>
|
||
<li>"<a href="/wiki/I_Really_Don%27t_Want_to_Know" title="I Really Don't Want to Know">I Really Don't Want to Know</a>" / "<a href="/wiki/There_Goes_My_Everything_(song)" title="There Goes My Everything (song)">There Goes My Everything</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1971</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Rags_to_Riches_(song)" title="Rags to Riches (song)">Rags to Riches</a>"</li>
|
||
<li>"<a href="/wiki/Life_(Elvis_Presley_song)" title="Life (Elvis Presley song)">Life</a>" / "<a href="/wiki/Only_Believe_(song)" title="Only Believe (song)">Only Believe</a>"</li>
|
||
<li>"<a href="/wiki/I%27m_Leavin%27_(Elvis_Presley_song)" title="I'm Leavin' (Elvis Presley song)">I'm Leavin'</a>"</li>
|
||
<li>"<a href="/wiki/It%27s_Only_Love_(Elvis_Presley_song)" class="mw-redirect" title="It's Only Love (Elvis Presley song)">It's Only Love</a>" / "<a href="/wiki/The_Sound_of_Your_Cry" title="The Sound of Your Cry">The Sound of Your Cry</a>"</li>
|
||
<li>"<a href="/wiki/Merry_Christmas_Baby" title="Merry Christmas Baby">Merry Christmas Baby</a>" / "<a href="/wiki/Adeste_Fideles" class="mw-redirect" title="Adeste Fideles">O Come All Ye Faithful</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1972</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Until_It%27s_Time_for_You_to_Go" title="Until It's Time for You to Go">Until It's Time for You to Go</a>" / "<a href="/wiki/We_Can_Make_the_Morning" title="We Can Make the Morning">We Can Make the Morning</a>"</li>
|
||
<li>"<a href="/wiki/He_Touched_Me_(song)" title="He Touched Me (song)">He Touched Me</a>" / "<a href="/wiki/Bosom_of_Abraham_(song)" title="Bosom of Abraham (song)">Bosom of Abraham</a>"</li>
|
||
<li>"<a href="/wiki/An_American_Trilogy" title="An American Trilogy">An American Trilogy</a>" / "<a href="/wiki/The_First_Time_Ever_I_Saw_Your_Face" title="The First Time Ever I Saw Your Face">The First Time Ever I Saw Your Face</a>"</li>
|
||
<li>"<a href="/wiki/Burning_Love" title="Burning Love">Burning Love</a>" / "<a href="/wiki/It%27s_a_Matter_of_Time" title="It's a Matter of Time">It's a Matter of Time</a>"</li>
|
||
<li>"<a href="/wiki/Separate_Ways_(Elvis_Presley_song)" title="Separate Ways (Elvis Presley song)">Separate Ways</a>" / "<a href="/wiki/Always_on_My_Mind" title="Always on My Mind">Always on My Mind</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1973</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Steamroller_Blues" title="Steamroller Blues">Steamroller Blues</a>" / "<a href="/wiki/Fool_(Elvis_Presley_song)" title="Fool (Elvis Presley song)">Fool</a>"</li>
|
||
<li>"<a href="/wiki/Raised_on_Rock_(Elvis_Presley_song)" title="Raised on Rock (Elvis Presley song)">Raised on Rock</a>" / "<a href="/wiki/For_Ol%27_Times_Sake" title="For Ol' Times Sake">For Ol' Times Sake</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1974</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Take_Good_Care_of_Her" title="Take Good Care of Her">Take Good Care of Her</a>" / "<a href="/wiki/I%27ve_Got_a_Thing_About_You_Baby" title="I've Got a Thing About You Baby">I've Got a Thing About You, Baby</a>"</li>
|
||
<li>"<a href="/wiki/If_You_Talk_in_Your_Sleep" title="If You Talk in Your Sleep">If You Talk in Your Sleep</a>" / "<a href="/wiki/Help_Me_(Kris_Kristofferson_song)" title="Help Me (Kris Kristofferson song)">Help Me</a>"</li>
|
||
<li>"<a href="/wiki/Promised_Land_(Chuck_Berry_song)" title="Promised Land (Chuck Berry song)">Promised Land</a>" / "<a href="/wiki/It%27s_Midnight_(song)" class="mw-redirect" title="It's Midnight (song)">It's Midnight</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1975</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/My_Boy" title="My Boy">My Boy</a>" / "<a href="/wiki/Thinking_About_You_(Elvis_Presley_song)" title="Thinking About You (Elvis Presley song)">Thinking About You</a>"</li>
|
||
<li>"<a href="/wiki/T-R-O-U-B-L-E_(song)" title="T-R-O-U-B-L-E (song)">T-R-O-U-B-L-E</a>"</li>
|
||
<li>"<a href="/wiki/Bringing_It_Back_(song)" class="mw-redirect" title="Bringing It Back (song)">Bringing It Back</a>" / "<a href="/wiki/Pieces_of_My_Life" title="Pieces of My Life">Pieces of My Life</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1976</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/For_the_Heart" class="mw-redirect" title="For the Heart">For the Heart</a>" / "<a href="/wiki/Hurt_(Roy_Hamilton_song)" title="Hurt (Roy Hamilton song)">Hurt</a>"</li>
|
||
<li>"<a href="/wiki/Moody_Blue_(song)" title="Moody Blue (song)">Moody Blue</a>" / "<a href="/wiki/She_Thinks_I_Still_Care" title="She Thinks I Still Care">She Thinks I Still Care</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1977</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Way_Down" title="Way Down">Way Down</a>" / "<a href="/wiki/Pledging_My_Love" title="Pledging My Love">Pledging My Love</a>"</li>
|
||
<li>"<a href="/wiki/My_Way" title="My Way">My Way</a>" / "<a href="/wiki/America_the_Beautiful" title="America the Beautiful">America the Beautiful</a>"</li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">1978</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Unchained_Melody" title="Unchained Melody">Unchained Melody</a>" / "<a href="/wiki/Softly,_as_I_Leave_You_(song)" title="Softly, as I Leave You (song)">Softly as I Leave You</a>"</li></ul>
|
||
</div></td></tr></tbody></table><div></div></td></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em"></div><table class="nowraplinks vcard navbox-subgroup" style="border-spacing:0"><tbody><tr><th id="Posthumoussingles" scope="row" class="navbox-group" style="width:1%;background: #EEEEEE;">Posthumous<br />singles</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>"<a href="/wiki/Puppet_on_a_String_(Elvis_Presley_song)" title="Puppet on a String (Elvis Presley song)">Puppet on a String</a>" / "<a href="/wiki/(Let_Me_Be_Your)_Teddy_Bear" title="(Let Me Be Your) Teddy Bear">(Let Me Be Your) Teddy Bear</a>" <small>(1978)</small></li>
|
||
<li>"<a href="/wiki/Are_You_Sincere" title="Are You Sincere">Are You Sincere</a>" / "<a href="/wiki/Solitaire_(Neil_Sedaka_song)" title="Solitaire (Neil Sedaka song)">Solitaire</a>"</li>
|
||
<li>"<a href="/wiki/There%27s_a_Honky_Tonk_Angel_(Who%27ll_Take_Me_Back_In)" title="There's a Honky Tonk Angel (Who'll Take Me Back In)">There's a Honky Tonk Angel (Who'll Take Me Back In)</a>" / "<a href="/wiki/I_Got_a_Feelin%27_in_My_Body" title="I Got a Feelin' in My Body">I Got a Feelin' in My Body</a>"</li>
|
||
<li>"<a href="/wiki/Guitar_Man_(song)" title="Guitar Man (song)">Guitar Man</a>"</li>
|
||
<li>"<a href="/wiki/Loving_Arms" title="Loving Arms">Loving Arms</a>" / <a href="/wiki/You_Ask_Me_To" title="You Ask Me To">You Asked Me To</a>"</li>
|
||
<li>"<a href="/wiki/You%27ll_Never_Walk_Alone" title="You'll Never Walk Alone">You'll Never Walk Alone</a> / "<a href="/wiki/There_Goes_My_Everything_(song)" title="There Goes My Everything (song)">There Goes My Everything</a>" <small>(1982)</small></li>
|
||
<li>"<a href="/wiki/The_Elvis_Medley" title="The Elvis Medley">The Elvis Medley</a>"</li>
|
||
<li>"<a href="/wiki/I_Was_the_One" title="I Was the One">I Was the One</a>" / "<a href="/wiki/Wear_My_Ring_Around_Your_Neck" title="Wear My Ring Around Your Neck">Wear My Ring Around Your Neck</a>" <small>(1983)</small></li>
|
||
<li>"<a href="/wiki/Heartbreak_Hotel" title="Heartbreak Hotel">Heartbreak Hotel</a>" <small>(1996)</small></li>
|
||
<li>"<a href="/wiki/Blue_Christmas_(song)" title="Blue Christmas (song)">Blue Christmas</a>" <small>(1998)</small></li>
|
||
<li><a href="/wiki/A_Little_Less_Conversation#Junkie_XL/JXL_version" title="A Little Less Conversation">"A Little Less Conversation" (JXL remix)</a></li>
|
||
<li><a href="/wiki/Rubberneckin%27" title="Rubberneckin'">"Rubberneckin'" (Paul Oakenfold Remix)</a></li>
|
||
<li>"<a href="/wiki/I%27ll_Be_Home_for_Christmas" title="I'll Be Home for Christmas">I'll Be Home for Christmas</a>" <small>(with <a href="/wiki/Carrie_Underwood" title="Carrie Underwood">Carrie Underwood</a>)</small> <small>(2008)</small></li>
|
||
<li>"Blue Christmas" <small>(with <a href="/wiki/Martina_McBride" title="Martina McBride">Martina McBride</a>)</small> <small>(2008)</small></li>
|
||
<li>"<a href="/wiki/I_Got_a_Feelin%27_in_My_Body" title="I Got a Feelin' in My Body">I Got a Feelin' in My Body</a>" (<a href="/wiki/Tommie_Sunshine" title="Tommie Sunshine">Tommie Sunshine</a> & Wuki Remix)</li></ul>
|
||
</div></td></tr></tbody></table><div></div></td></tr><tr><td class="navbox-abovebelow" colspan="2" style="background: #EEEEEE;"><div>
|
||
<ul><li><img alt="Category" src="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/16px-Symbol_category_class.svg.png" decoding="async" title="Category" width="16" height="16" class="noviewer" srcset="//upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/23px-Symbol_category_class.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/9/96/Symbol_category_class.svg/31px-Symbol_category_class.svg.png 2x" data-file-width="180" data-file-height="185" /> <a href="/wiki/Category:Elvis_Presley_songs" title="Category:Elvis Presley songs">Category</a></li></ul>
|
||
</div></td></tr></tbody></table></div>
|
||
<div class="navbox-styles nomobile"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1057682214"/></div><div role="navigation" class="navbox" aria-labelledby="Awards_for_Elvis_Presley" style="padding:3px"><table class="nowraplinks mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#e8e8ff;"><div id="Awards_for_Elvis_Presley" style="font-size:114%;margin:0 4em">Awards for Elvis Presley</div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0;font-size:114%"><div style="padding:0px">
|
||
<div class="navbox-styles nomobile"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1057682214"/></div><div role="navigation" class="navbox" aria-labelledby="American_Music_Award_of_Merit" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1054937957"/><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:American_Music_Award_of_Merit" title="Template:American Music Award of Merit"><abbr title="View this template" style=";;background:none transparent;border:none;box-shadow:none;padding:0;">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:American_Music_Award_of_Merit" title="Template talk:American Music Award of Merit"><abbr title="Discuss this template" style=";;background:none transparent;border:none;box-shadow:none;padding:0;">t</abbr></a></li><li class="nv-edit"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Template:American_Music_Award_of_Merit&action=edit"><abbr title="Edit this template" style=";;background:none transparent;border:none;box-shadow:none;padding:0;">e</abbr></a></li></ul></div><div id="American_Music_Award_of_Merit" style="font-size:114%;margin:0 4em"><a href="/wiki/American_Music_Award_of_Merit" title="American Music Award of Merit">American Music Award of Merit</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><a href="/wiki/Bing_Crosby" title="Bing Crosby">Bing Crosby</a> (1974)</li>
|
||
<li><a href="/wiki/Berry_Gordy" title="Berry Gordy">Berry Gordy</a> (1975)</li>
|
||
<li><a href="/wiki/Irving_Berlin" title="Irving Berlin">Irving Berlin</a> (1976)</li>
|
||
<li><a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a> (1977)</li>
|
||
<li><a href="/wiki/Ella_Fitzgerald" title="Ella Fitzgerald">Ella Fitzgerald</a> (1978)</li>
|
||
<li><a href="/wiki/Perry_Como" title="Perry Como">Perry Como</a> (1979)</li>
|
||
<li><a href="/wiki/Benny_Goodman" title="Benny Goodman">Benny Goodman</a> (1980)</li>
|
||
<li><a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a> (1981)</li>
|
||
<li><a href="/wiki/Stevie_Wonder" title="Stevie Wonder">Stevie Wonder</a> (1982)</li>
|
||
<li><a href="/wiki/Kenny_Rogers" title="Kenny Rogers">Kenny Rogers</a> (1983)</li>
|
||
<li><a href="/wiki/Michael_Jackson" title="Michael Jackson">Michael Jackson</a> (1984)</li>
|
||
<li><a href="/wiki/Loretta_Lynn" title="Loretta Lynn">Loretta Lynn</a> (1985)</li>
|
||
<li><a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a> (1986)</li>
|
||
<li><a class="mw-selflink selflink">Elvis Presley</a> (1987)</li>
|
||
<li><a href="/wiki/The_Beach_Boys" title="The Beach Boys">The Beach Boys</a> (1988)</li>
|
||
<li><a href="/wiki/Willie_Nelson" title="Willie Nelson">Willie Nelson</a> (1989)</li>
|
||
<li><a href="/wiki/Neil_Diamond" title="Neil Diamond">Neil Diamond</a> (1990)</li>
|
||
<li><a href="/wiki/Merle_Haggard" title="Merle Haggard">Merle Haggard</a> (1991)</li>
|
||
<li><a href="/wiki/James_Brown" title="James Brown">James Brown</a> (1992)</li>
|
||
<li><a href="/wiki/Bill_Graham_(promoter)" title="Bill Graham (promoter)">Bill Graham</a> (1993)</li>
|
||
<li><a href="/wiki/Whitney_Houston" title="Whitney Houston">Whitney Houston</a> (1994)</li>
|
||
<li><a href="/wiki/Prince_(musician)" title="Prince (musician)">Prince</a> (1995)</li>
|
||
<li><a href="/wiki/Tammy_Wynette" title="Tammy Wynette">Tammy Wynette</a> (1996)</li>
|
||
<li><a href="/wiki/Little_Richard" title="Little Richard">Little Richard</a> (1997)</li>
|
||
<li><a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a> (1998)</li>
|
||
<li><a href="/wiki/Billy_Joel" title="Billy Joel">Billy Joel</a> (1999)</li>
|
||
<li><a href="/wiki/Gloria_Estefan" title="Gloria Estefan">Gloria Estefan</a> (2000)</li>
|
||
<li><a href="/wiki/Janet_Jackson" title="Janet Jackson">Janet Jackson</a> (2001)</li>
|
||
<li><a href="/wiki/Garth_Brooks" title="Garth Brooks">Garth Brooks</a> (2002)</li>
|
||
<li><a href="/wiki/Alabama_(American_band)" class="mw-redirect" title="Alabama (American band)">Alabama</a> (2003)</li>
|
||
<li><a href="/wiki/Bon_Jovi" title="Bon Jovi">Bon Jovi</a> (2004)</li>
|
||
<li><a href="/wiki/Annie_Lennox" title="Annie Lennox">Annie Lennox</a> (2008)</li>
|
||
<li><a href="/wiki/Sting_(musician)" title="Sting (musician)">Sting</a> (2016)</li></ul>
|
||
</div></td></tr></tbody></table></div>
|
||
<div class="navbox-styles nomobile"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1057682214"/></div><div role="navigation" class="navbox" aria-labelledby="Country_Music_Hall_of_Fame_1990s" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1054937957"/><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:1990s_Country_Music_Hall_of_Fame" title="Template:1990s Country Music Hall of Fame"><abbr title="View this template" style=";;background:none transparent;border:none;box-shadow:none;padding:0;">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:1990s_Country_Music_Hall_of_Fame" title="Template talk:1990s Country Music Hall of Fame"><abbr title="Discuss this template" style=";;background:none transparent;border:none;box-shadow:none;padding:0;">t</abbr></a></li><li class="nv-edit"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Template:1990s_Country_Music_Hall_of_Fame&action=edit"><abbr title="Edit this template" style=";;background:none transparent;border:none;box-shadow:none;padding:0;">e</abbr></a></li></ul></div><div id="Country_Music_Hall_of_Fame_1990s" style="font-size:114%;margin:0 4em"><a href="/wiki/Country_Music_Hall_of_Fame_and_Museum" title="Country Music Hall of Fame and Museum">Country Music Hall of Fame</a> <a href="/wiki/List_of_Country_Music_Hall_of_Fame_inductees" title="List of Country Music Hall of Fame inductees">1990s</a></div></th></tr><tr><td colspan="2" class="navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><a href="/wiki/Tennessee_Ernie_Ford" title="Tennessee Ernie Ford">Tennessee Ernie Ford</a> (1990)</li>
|
||
<li><a href="/wiki/Felice_and_Boudleaux_Bryant" title="Felice and Boudleaux Bryant">Felice and Boudleaux Bryant</a> (1991)</li>
|
||
<li><a href="/wiki/George_Jones" title="George Jones">George Jones</a> (1992)</li>
|
||
<li><a href="/wiki/Frances_W._Preston" title="Frances W. Preston">Frances Preston</a> (1992)</li>
|
||
<li><a href="/wiki/Willie_Nelson" title="Willie Nelson">Willie Nelson</a> (1993)</li>
|
||
<li><a href="/wiki/Merle_Haggard" title="Merle Haggard">Merle Haggard</a> (1994)</li>
|
||
<li><a href="/wiki/Roger_Miller" title="Roger Miller">Roger Miller</a> (1995)</li>
|
||
<li><a href="/wiki/Jo_Walker-Meador" title="Jo Walker-Meador">Jo Walker-Meador</a> (1995)</li>
|
||
<li><a href="/wiki/Patsy_Montana" title="Patsy Montana">Patsy Montana</a> (1996)</li>
|
||
<li><a href="/wiki/Buck_Owens" title="Buck Owens">Buck Owens</a> (1996)</li>
|
||
<li><a href="/wiki/Ray_Price_(musician)" title="Ray Price (musician)">Ray Price</a> (1996)</li>
|
||
<li><a href="/wiki/Harlan_Howard" title="Harlan Howard">Harlan Howard</a> (1997)</li>
|
||
<li><a href="/wiki/Brenda_Lee" title="Brenda Lee">Brenda Lee</a> (1997)</li>
|
||
<li><a href="/wiki/Cindy_Walker" title="Cindy Walker">Cindy Walker</a> (1997)</li>
|
||
<li><a href="/wiki/George_Morgan_(singer)" title="George Morgan (singer)">George Morgan</a> (1998)</li>
|
||
<li><a class="mw-selflink selflink">Elvis Presley</a> (1998)</li>
|
||
<li><a href="/wiki/Bud_Wendell" title="Bud Wendell">E.W. "Bud" Wendell</a> (1998)</li>
|
||
<li><a href="/wiki/Tammy_Wynette" title="Tammy Wynette">Tammy Wynette</a> (1998)</li>
|
||
<li><a href="/wiki/Johnny_Bond" title="Johnny Bond">Johnny Bond</a> (1999)</li>
|
||
<li><a href="/wiki/Dolly_Parton" title="Dolly Parton">Dolly Parton</a> (1999)</li>
|
||
<li><a href="/wiki/Conway_Twitty" title="Conway Twitty">Conway Twitty</a> (1999)</li></ul>
|
||
</div></td></tr></tbody></table></div>
|
||
<div class="navbox-styles nomobile"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1057682214"/></div><div role="navigation" class="navbox" aria-labelledby="Grammy_Lifetime_Achievement_Award" style="padding:3px"><table class="nowraplinks hlist mw-collapsible mw-collapsed navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2" style="background:#cedff2;"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1054937957"/><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:Grammy_Lifetime_Achievement_Award" title="Template:Grammy Lifetime Achievement Award"><abbr title="View this template" style="background:#cedff2;;;background:none transparent;border:none;box-shadow:none;padding:0;">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:Grammy_Lifetime_Achievement_Award" title="Template talk:Grammy Lifetime Achievement Award"><abbr title="Discuss this template" style="background:#cedff2;;;background:none transparent;border:none;box-shadow:none;padding:0;">t</abbr></a></li><li class="nv-edit"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Template:Grammy_Lifetime_Achievement_Award&action=edit"><abbr title="Edit this template" style="background:#cedff2;;;background:none transparent;border:none;box-shadow:none;padding:0;">e</abbr></a></li></ul></div><div id="Grammy_Lifetime_Achievement_Award" style="font-size:114%;margin:0 4em"><a href="/wiki/Grammy_Lifetime_Achievement_Award" title="Grammy Lifetime Achievement Award">Grammy Lifetime Achievement Award</a></div></th></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">1963–1990</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>1963
|
||
<ul><li><a href="/wiki/Bing_Crosby" title="Bing Crosby">Bing Crosby</a></li></ul></li>
|
||
<li>1965
|
||
<ul><li><a href="/wiki/Frank_Sinatra" title="Frank Sinatra">Frank Sinatra</a></li></ul></li>
|
||
<li>1966
|
||
<ul><li><a href="/wiki/Duke_Ellington" title="Duke Ellington">Duke Ellington</a></li></ul></li>
|
||
<li>1967
|
||
<ul><li><a href="/wiki/Ella_Fitzgerald" title="Ella Fitzgerald">Ella Fitzgerald</a></li></ul></li>
|
||
<li>1968
|
||
<ul><li><a href="/wiki/Irving_Berlin" title="Irving Berlin">Irving Berlin</a></li></ul></li>
|
||
<li>1971
|
||
<ul><li><a class="mw-selflink selflink">Elvis Presley</a></li></ul></li>
|
||
<li>1972
|
||
<ul><li><a href="/wiki/Louis_Armstrong" title="Louis Armstrong">Louis Armstrong</a></li>
|
||
<li><a href="/wiki/Mahalia_Jackson" title="Mahalia Jackson">Mahalia Jackson</a></li></ul></li>
|
||
<li>1984
|
||
<ul><li><a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a></li>
|
||
<li><a href="/wiki/Charlie_Parker" title="Charlie Parker">Charlie Parker</a></li></ul></li>
|
||
<li>1985
|
||
<ul><li><a href="/wiki/Leonard_Bernstein" title="Leonard Bernstein">Leonard Bernstein</a></li></ul></li>
|
||
<li>1986
|
||
<ul><li><a href="/wiki/Benny_Goodman" title="Benny Goodman">Benny Goodman</a></li>
|
||
<li><a href="/wiki/The_Rolling_Stones" title="The Rolling Stones">The Rolling Stones</a></li>
|
||
<li><a href="/wiki/Andr%C3%A9s_Segovia" title="Andrés Segovia">Andrés Segovia</a></li></ul></li>
|
||
<li>1987
|
||
<ul><li><a href="/wiki/Roy_Acuff" title="Roy Acuff">Roy Acuff</a></li>
|
||
<li><a href="/wiki/Benny_Carter" title="Benny Carter">Benny Carter</a></li>
|
||
<li><a href="/wiki/Enrico_Caruso" title="Enrico Caruso">Enrico Caruso</a></li>
|
||
<li><a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a></li>
|
||
<li><a href="/wiki/Fats_Domino" title="Fats Domino">Fats Domino</a></li>
|
||
<li><a href="/wiki/Woody_Herman" title="Woody Herman">Woody Herman</a></li>
|
||
<li><a href="/wiki/Billie_Holiday" title="Billie Holiday">Billie Holiday</a></li>
|
||
<li><a href="/wiki/B.B._King" title="B.B. King">B.B. King</a></li>
|
||
<li><a href="/wiki/Isaac_Stern" title="Isaac Stern">Isaac Stern</a></li>
|
||
<li><a href="/wiki/Igor_Stravinsky" title="Igor Stravinsky">Igor Stravinsky</a></li>
|
||
<li><a href="/wiki/Arturo_Toscanini" title="Arturo Toscanini">Arturo Toscanini</a></li>
|
||
<li><a href="/wiki/Hank_Williams" title="Hank Williams">Hank Williams</a></li></ul></li>
|
||
<li>1989
|
||
<ul><li><a href="/wiki/Fred_Astaire" title="Fred Astaire">Fred Astaire</a></li>
|
||
<li><a href="/wiki/Pablo_Casals" title="Pablo Casals">Pablo Casals</a></li>
|
||
<li><a href="/wiki/Dizzy_Gillespie" title="Dizzy Gillespie">Dizzy Gillespie</a></li>
|
||
<li><a href="/wiki/Jascha_Heifetz" title="Jascha Heifetz">Jascha Heifetz</a></li>
|
||
<li><a href="/wiki/Lena_Horne" title="Lena Horne">Lena Horne</a></li>
|
||
<li><a href="/wiki/Leontyne_Price" title="Leontyne Price">Leontyne Price</a></li>
|
||
<li><a href="/wiki/Bessie_Smith" title="Bessie Smith">Bessie Smith</a></li>
|
||
<li><a href="/wiki/Art_Tatum" title="Art Tatum">Art Tatum</a></li>
|
||
<li><a href="/wiki/Sarah_Vaughan" title="Sarah Vaughan">Sarah Vaughan</a></li></ul></li>
|
||
<li>1990
|
||
<ul><li><a href="/wiki/Nat_King_Cole" title="Nat King Cole">Nat King Cole</a></li>
|
||
<li><a href="/wiki/Miles_Davis" title="Miles Davis">Miles Davis</a></li>
|
||
<li><a href="/wiki/Vladimir_Horowitz" title="Vladimir Horowitz">Vladimir Horowitz</a></li>
|
||
<li><a href="/wiki/Paul_McCartney" title="Paul McCartney">Paul McCartney</a></li></ul></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">1991–2000</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>1991
|
||
<ul><li><a href="/wiki/Marian_Anderson" title="Marian Anderson">Marian Anderson</a></li>
|
||
<li><a href="/wiki/Bob_Dylan" title="Bob Dylan">Bob Dylan</a></li>
|
||
<li><a href="/wiki/John_Lennon" title="John Lennon">John Lennon</a></li>
|
||
<li><a href="/wiki/Kitty_Wells" title="Kitty Wells">Kitty Wells</a></li></ul></li>
|
||
<li>1992
|
||
<ul><li><a href="/wiki/James_Brown" title="James Brown">James Brown</a></li>
|
||
<li><a href="/wiki/John_Coltrane" title="John Coltrane">John Coltrane</a></li>
|
||
<li><a href="/wiki/Jimi_Hendrix" title="Jimi Hendrix">Jimi Hendrix</a></li>
|
||
<li><a href="/wiki/Muddy_Waters" title="Muddy Waters">Muddy Waters</a></li></ul></li>
|
||
<li>1993
|
||
<ul><li><a href="/wiki/Chet_Atkins" title="Chet Atkins">Chet Atkins</a></li>
|
||
<li><a href="/wiki/Little_Richard" title="Little Richard">Little Richard</a></li>
|
||
<li><a href="/wiki/Thelonious_Monk" title="Thelonious Monk">Thelonious Monk</a></li>
|
||
<li><a href="/wiki/Bill_Monroe" title="Bill Monroe">Bill Monroe</a></li>
|
||
<li><a href="/wiki/Pete_Seeger" title="Pete Seeger">Pete Seeger</a></li>
|
||
<li><a href="/wiki/Fats_Waller" title="Fats Waller">Fats Waller</a></li></ul></li>
|
||
<li>1994
|
||
<ul><li><a href="/wiki/Bill_Evans" title="Bill Evans">Bill Evans</a></li>
|
||
<li><a href="/wiki/Aretha_Franklin" title="Aretha Franklin">Aretha Franklin</a></li>
|
||
<li><a href="/wiki/Arthur_Rubinstein" title="Arthur Rubinstein">Arthur Rubinstein</a></li></ul></li>
|
||
<li>1995
|
||
<ul><li><a href="/wiki/Patsy_Cline" title="Patsy Cline">Patsy Cline</a></li>
|
||
<li><a href="/wiki/Peggy_Lee" title="Peggy Lee">Peggy Lee</a></li>
|
||
<li><a href="/wiki/Henry_Mancini" title="Henry Mancini">Henry Mancini</a></li>
|
||
<li><a href="/wiki/Curtis_Mayfield" title="Curtis Mayfield">Curtis Mayfield</a></li>
|
||
<li><a href="/wiki/Barbra_Streisand" title="Barbra Streisand">Barbra Streisand</a></li></ul></li>
|
||
<li>1996
|
||
<ul><li><a href="/wiki/Dave_Brubeck" title="Dave Brubeck">Dave Brubeck</a></li>
|
||
<li><a href="/wiki/Marvin_Gaye" title="Marvin Gaye">Marvin Gaye</a></li>
|
||
<li><a href="/wiki/Georg_Solti" title="Georg Solti">Georg Solti</a></li>
|
||
<li><a href="/wiki/Stevie_Wonder" title="Stevie Wonder">Stevie Wonder</a></li></ul></li>
|
||
<li>1997
|
||
<ul><li><a href="/wiki/Bobby_Bland" title="Bobby Bland">Bobby "Blue" Bland</a></li>
|
||
<li><a href="/wiki/The_Everly_Brothers" title="The Everly Brothers">The Everly Brothers</a></li>
|
||
<li><a href="/wiki/Judy_Garland" title="Judy Garland">Judy Garland</a></li>
|
||
<li><a href="/wiki/St%C3%A9phane_Grappelli" title="Stéphane Grappelli">Stéphane Grappelli</a></li>
|
||
<li><a href="/wiki/Buddy_Holly" title="Buddy Holly">Buddy Holly</a></li>
|
||
<li><a href="/wiki/Charles_Mingus" title="Charles Mingus">Charles Mingus</a></li>
|
||
<li><a href="/wiki/Oscar_Peterson" title="Oscar Peterson">Oscar Peterson</a></li>
|
||
<li><a href="/wiki/Frank_Zappa" title="Frank Zappa">Frank Zappa</a></li></ul></li>
|
||
<li>1998
|
||
<ul><li><a href="/wiki/Bo_Diddley" title="Bo Diddley">Bo Diddley</a></li>
|
||
<li><a href="/wiki/The_Mills_Brothers" title="The Mills Brothers">The Mills Brothers</a></li>
|
||
<li><a href="/wiki/Roy_Orbison" title="Roy Orbison">Roy Orbison</a></li>
|
||
<li><a href="/wiki/Paul_Robeson" title="Paul Robeson">Paul Robeson</a></li></ul></li>
|
||
<li>1999
|
||
<ul><li><a href="/wiki/Johnny_Cash" title="Johnny Cash">Johnny Cash</a></li>
|
||
<li><a href="/wiki/Sam_Cooke" title="Sam Cooke">Sam Cooke</a></li>
|
||
<li><a href="/wiki/Otis_Redding" title="Otis Redding">Otis Redding</a></li>
|
||
<li><a href="/wiki/Smokey_Robinson" title="Smokey Robinson">Smokey Robinson</a></li>
|
||
<li><a href="/wiki/Mel_Torm%C3%A9" title="Mel Tormé">Mel Tormé</a></li></ul></li>
|
||
<li>2000
|
||
<ul><li><a href="/wiki/Harry_Belafonte" title="Harry Belafonte">Harry Belafonte</a></li>
|
||
<li><a href="/wiki/Woody_Guthrie" title="Woody Guthrie">Woody Guthrie</a></li>
|
||
<li><a href="/wiki/John_Lee_Hooker" title="John Lee Hooker">John Lee Hooker</a></li>
|
||
<li><a href="/wiki/Mitch_Miller" title="Mitch Miller">Mitch Miller</a></li>
|
||
<li><a href="/wiki/Willie_Nelson" title="Willie Nelson">Willie Nelson</a></li></ul></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">2001–2010</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>2001
|
||
<ul><li><a href="/wiki/The_Beach_Boys" title="The Beach Boys">The Beach Boys</a></li>
|
||
<li><a href="/wiki/Tony_Bennett" title="Tony Bennett">Tony Bennett</a></li>
|
||
<li><a href="/wiki/Sammy_Davis_Jr." title="Sammy Davis Jr.">Sammy Davis Jr.</a></li>
|
||
<li><a href="/wiki/Bob_Marley" title="Bob Marley">Bob Marley</a></li>
|
||
<li><a href="/wiki/The_Who" title="The Who">The Who</a></li></ul></li>
|
||
<li>2002
|
||
<ul><li><a href="/wiki/Count_Basie" title="Count Basie">Count Basie</a></li>
|
||
<li><a href="/wiki/Rosemary_Clooney" title="Rosemary Clooney">Rosemary Clooney</a></li>
|
||
<li><a href="/wiki/Perry_Como" title="Perry Como">Perry Como</a></li>
|
||
<li><a href="/wiki/Al_Green" title="Al Green">Al Green</a></li>
|
||
<li><a href="/wiki/Joni_Mitchell" title="Joni Mitchell">Joni Mitchell</a></li></ul></li>
|
||
<li>2003
|
||
<ul><li><a href="/wiki/Etta_James" title="Etta James">Etta James</a></li>
|
||
<li><a href="/wiki/Johnny_Mathis" title="Johnny Mathis">Johnny Mathis</a></li>
|
||
<li><a href="/wiki/Glenn_Miller" title="Glenn Miller">Glenn Miller</a></li>
|
||
<li><a href="/wiki/Tito_Puente" title="Tito Puente">Tito Puente</a></li>
|
||
<li><a href="/wiki/Simon_%26_Garfunkel" title="Simon & Garfunkel">Simon & Garfunkel</a></li></ul></li>
|
||
<li>2004
|
||
<ul><li><a href="/wiki/Van_Cliburn" title="Van Cliburn">Van Cliburn</a></li>
|
||
<li><a href="/wiki/The_Funk_Brothers" title="The Funk Brothers">The Funk Brothers</a></li>
|
||
<li><a href="/wiki/Ella_Jenkins" title="Ella Jenkins">Ella Jenkins</a></li>
|
||
<li><a href="/wiki/Sonny_Rollins" title="Sonny Rollins">Sonny Rollins</a></li>
|
||
<li><a href="/wiki/Artie_Shaw" title="Artie Shaw">Artie Shaw</a></li>
|
||
<li><a href="/wiki/Doc_Watson" title="Doc Watson">Doc Watson</a></li></ul></li>
|
||
<li>2005
|
||
<ul><li><a href="/wiki/Eddy_Arnold" title="Eddy Arnold">Eddy Arnold</a></li>
|
||
<li><a href="/wiki/Art_Blakey" title="Art Blakey">Art Blakey</a></li>
|
||
<li>The <a href="/wiki/Carter_Family" title="Carter Family">Carter Family</a></li>
|
||
<li><a href="/wiki/Morton_Gould" title="Morton Gould">Morton Gould</a></li>
|
||
<li><a href="/wiki/Janis_Joplin" title="Janis Joplin">Janis Joplin</a></li>
|
||
<li><a href="/wiki/Led_Zeppelin" title="Led Zeppelin">Led Zeppelin</a></li>
|
||
<li><a href="/wiki/Jerry_Lee_Lewis" title="Jerry Lee Lewis">Jerry Lee Lewis</a></li>
|
||
<li><a href="/wiki/Jelly_Roll_Morton" title="Jelly Roll Morton">Jelly Roll Morton</a></li>
|
||
<li><a href="/wiki/Pinetop_Perkins" title="Pinetop Perkins">Pinetop Perkins</a></li>
|
||
<li><a href="/wiki/The_Staple_Singers" title="The Staple Singers">The Staple Singers</a></li></ul></li>
|
||
<li>2006
|
||
<ul><li><a href="/wiki/David_Bowie" title="David Bowie">David Bowie</a></li>
|
||
<li><a href="/wiki/Cream_(band)" title="Cream (band)">Cream</a></li>
|
||
<li><a href="/wiki/Merle_Haggard" title="Merle Haggard">Merle Haggard</a></li>
|
||
<li><a href="/wiki/Robert_Johnson" title="Robert Johnson">Robert Johnson</a></li>
|
||
<li><a href="/wiki/Jessye_Norman" title="Jessye Norman">Jessye Norman</a></li>
|
||
<li><a href="/wiki/Richard_Pryor" title="Richard Pryor">Richard Pryor</a></li>
|
||
<li><a href="/wiki/The_Weavers" title="The Weavers">The Weavers</a></li></ul></li>
|
||
<li>2007
|
||
<ul><li><a href="/wiki/Joan_Baez" title="Joan Baez">Joan Baez</a></li>
|
||
<li><a href="/wiki/Booker_T._%26_the_M.G.%27s" title="Booker T. & the M.G.'s">Booker T. & the M.G.'s</a></li>
|
||
<li><a href="/wiki/Maria_Callas" title="Maria Callas">Maria Callas</a></li>
|
||
<li><a href="/wiki/Ornette_Coleman" title="Ornette Coleman">Ornette Coleman</a></li>
|
||
<li><a href="/wiki/The_Doors" title="The Doors">The Doors</a></li>
|
||
<li>The <a href="/wiki/Grateful_Dead" title="Grateful Dead">Grateful Dead</a></li>
|
||
<li><a href="/wiki/Bob_Wills" title="Bob Wills">Bob Wills</a></li></ul></li>
|
||
<li>2008
|
||
<ul><li><a href="/wiki/Burt_Bacharach" title="Burt Bacharach">Burt Bacharach</a></li>
|
||
<li><a href="/wiki/The_Band" title="The Band">The Band</a></li>
|
||
<li><a href="/wiki/Cab_Calloway" title="Cab Calloway">Cab Calloway</a></li>
|
||
<li><a href="/wiki/Doris_Day" title="Doris Day">Doris Day</a></li>
|
||
<li><a href="/wiki/Itzhak_Perlman" title="Itzhak Perlman">Itzhak Perlman</a></li>
|
||
<li><a href="/wiki/Max_Roach" title="Max Roach">Max Roach</a></li>
|
||
<li><a href="/wiki/Earl_Scruggs" title="Earl Scruggs">Earl Scruggs</a></li></ul></li>
|
||
<li>2009
|
||
<ul><li><a href="/wiki/Gene_Autry" title="Gene Autry">Gene Autry</a></li>
|
||
<li><a href="/wiki/The_Blind_Boys_of_Alabama" title="The Blind Boys of Alabama">The Blind Boys of Alabama</a></li>
|
||
<li><a href="/wiki/Four_Tops" title="Four Tops">The Four Tops</a></li>
|
||
<li><a href="/wiki/Hank_Jones" title="Hank Jones">Hank Jones</a></li>
|
||
<li><a href="/wiki/Brenda_Lee" title="Brenda Lee">Brenda Lee</a></li>
|
||
<li><a href="/wiki/Dean_Martin" title="Dean Martin">Dean Martin</a></li>
|
||
<li><a href="/wiki/Tom_Paxton" title="Tom Paxton">Tom Paxton</a></li></ul></li>
|
||
<li>2010
|
||
<ul><li><a href="/wiki/Leonard_Cohen" title="Leonard Cohen">Leonard Cohen</a></li>
|
||
<li><a href="/wiki/Bobby_Darin" title="Bobby Darin">Bobby Darin</a></li>
|
||
<li><a href="/wiki/David_%22Honeyboy%22_Edwards" title="David "Honeyboy" Edwards">David "Honeyboy" Edwards</a></li>
|
||
<li><a href="/wiki/Michael_Jackson" title="Michael Jackson">Michael Jackson</a></li>
|
||
<li><a href="/wiki/Loretta_Lynn" title="Loretta Lynn">Loretta Lynn</a></li>
|
||
<li><a href="/wiki/Andr%C3%A9_Previn" title="André Previn">André Previn</a></li>
|
||
<li><a href="/wiki/Clark_Terry" title="Clark Terry">Clark Terry</a></li></ul></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">2011–2020</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>2011
|
||
<ul><li><a href="/wiki/Julie_Andrews" title="Julie Andrews">Julie Andrews</a></li>
|
||
<li><a href="/wiki/Roy_Haynes" title="Roy Haynes">Roy Haynes</a></li>
|
||
<li><a href="/wiki/Juilliard_String_Quartet" title="Juilliard String Quartet">Juilliard String Quartet</a></li>
|
||
<li><a href="/wiki/The_Kingston_Trio" title="The Kingston Trio">The Kingston Trio</a></li>
|
||
<li><a href="/wiki/Dolly_Parton" title="Dolly Parton">Dolly Parton</a></li>
|
||
<li><a href="/wiki/Ramones" title="Ramones">Ramones</a></li>
|
||
<li><a href="/wiki/George_Beverly_Shea" title="George Beverly Shea">George Beverly Shea</a></li></ul></li>
|
||
<li>2012
|
||
<ul><li><a href="/wiki/The_Allman_Brothers_Band" title="The Allman Brothers Band">The Allman Brothers Band</a></li>
|
||
<li><a href="/wiki/Glen_Campbell" title="Glen Campbell">Glen Campbell</a></li>
|
||
<li><a href="/wiki/Ant%C3%B4nio_Carlos_Jobim" title="Antônio Carlos Jobim">Antônio Carlos Jobim</a></li>
|
||
<li><a href="/wiki/George_Jones" title="George Jones">George Jones</a></li>
|
||
<li><a href="/wiki/The_Memphis_Horns" title="The Memphis Horns">The Memphis Horns</a></li>
|
||
<li><a href="/wiki/Diana_Ross" title="Diana Ross">Diana Ross</a></li>
|
||
<li><a href="/wiki/Gil_Scott-Heron" title="Gil Scott-Heron">Gil Scott-Heron</a></li></ul></li>
|
||
<li>2013
|
||
<ul><li><a href="/wiki/Glenn_Gould" title="Glenn Gould">Glenn Gould</a></li>
|
||
<li><a href="/wiki/Charlie_Haden" title="Charlie Haden">Charlie Haden</a></li>
|
||
<li><a href="/wiki/Lightnin%27_Hopkins" title="Lightnin' Hopkins">Lightnin' Hopkins</a></li>
|
||
<li><a href="/wiki/Carole_King" title="Carole King">Carole King</a></li>
|
||
<li><a href="/wiki/Patti_Page" title="Patti Page">Patti Page</a></li>
|
||
<li><a href="/wiki/Ravi_Shankar" title="Ravi Shankar">Ravi Shankar</a></li>
|
||
<li><a href="/wiki/The_Temptations" title="The Temptations">The Temptations</a></li></ul></li>
|
||
<li>2014
|
||
<ul><li><a href="/wiki/The_Beatles" title="The Beatles">The Beatles</a></li>
|
||
<li><a href="/wiki/Clifton_Chenier" title="Clifton Chenier">Clifton Chenier</a></li>
|
||
<li><a href="/wiki/The_Isley_Brothers" title="The Isley Brothers">The Isley Brothers</a></li>
|
||
<li><a href="/wiki/Kraftwerk" title="Kraftwerk">Kraftwerk</a></li>
|
||
<li><a href="/wiki/Kris_Kristofferson" title="Kris Kristofferson">Kris Kristofferson</a></li>
|
||
<li><a href="/wiki/Armando_Manzanero" title="Armando Manzanero">Armando Manzanero</a></li>
|
||
<li><a href="/wiki/Maud_Powell" title="Maud Powell">Maud Powell</a></li></ul></li>
|
||
<li>2015
|
||
<ul><li><a href="/wiki/Bee_Gees" title="Bee Gees">Bee Gees</a></li>
|
||
<li><a href="/wiki/Pierre_Boulez" title="Pierre Boulez">Pierre Boulez</a></li>
|
||
<li><a href="/wiki/Buddy_Guy" title="Buddy Guy">Buddy Guy</a></li>
|
||
<li><a href="/wiki/George_Harrison" title="George Harrison">George Harrison</a></li>
|
||
<li><a href="/wiki/Flaco_Jim%C3%A9nez" title="Flaco Jiménez">Flaco Jiménez</a></li>
|
||
<li><a href="/wiki/The_Louvin_Brothers" title="The Louvin Brothers">The Louvin Brothers</a></li>
|
||
<li><a href="/wiki/Wayne_Shorter" title="Wayne Shorter">Wayne Shorter</a></li></ul></li>
|
||
<li>2016
|
||
<ul><li><a href="/wiki/Ruth_Brown" title="Ruth Brown">Ruth Brown</a></li>
|
||
<li><a href="/wiki/Celia_Cruz" title="Celia Cruz">Celia Cruz</a></li>
|
||
<li><a href="/wiki/Earth,_Wind_%26_Fire" title="Earth, Wind & Fire">Earth, Wind & Fire</a></li>
|
||
<li><a href="/wiki/Herbie_Hancock" title="Herbie Hancock">Herbie Hancock</a></li>
|
||
<li><a href="/wiki/Jefferson_Airplane" title="Jefferson Airplane">Jefferson Airplane</a></li>
|
||
<li><a href="/wiki/Linda_Ronstadt" title="Linda Ronstadt">Linda Ronstadt</a></li>
|
||
<li><a href="/wiki/Run-DMC" title="Run-DMC">Run-DMC</a></li></ul></li>
|
||
<li>2017
|
||
<ul><li><a href="/wiki/Shirley_Caesar" title="Shirley Caesar">Shirley Caesar</a></li>
|
||
<li><a href="/wiki/Ahmad_Jamal" title="Ahmad Jamal">Ahmad Jamal</a></li>
|
||
<li><a href="/wiki/Charley_Pride" title="Charley Pride">Charley Pride</a></li>
|
||
<li><a href="/wiki/Jimmie_Rodgers_(country_singer)" title="Jimmie Rodgers (country singer)">Jimmie Rodgers</a></li>
|
||
<li><a href="/wiki/Nina_Simone" title="Nina Simone">Nina Simone</a></li>
|
||
<li><a href="/wiki/Sly_Stone" title="Sly Stone">Sly Stone</a></li>
|
||
<li><a href="/wiki/The_Velvet_Underground" title="The Velvet Underground">The Velvet Underground</a></li></ul></li>
|
||
<li>2018
|
||
<ul><li><a href="/wiki/Hal_Blaine" title="Hal Blaine">Hal Blaine</a></li>
|
||
<li><a href="/wiki/Neil_Diamond" title="Neil Diamond">Neil Diamond</a></li>
|
||
<li><a href="/wiki/Emmylou_Harris" title="Emmylou Harris">Emmylou Harris</a></li>
|
||
<li><a href="/wiki/Louis_Jordan" title="Louis Jordan">Louis Jordan</a></li>
|
||
<li><a href="/wiki/The_Meters" title="The Meters">The Meters</a></li>
|
||
<li><a href="/wiki/Queen_(band)" title="Queen (band)">Queen</a></li>
|
||
<li><a href="/wiki/Tina_Turner" title="Tina Turner">Tina Turner</a></li></ul></li>
|
||
<li>2019
|
||
<ul><li><a href="/wiki/Black_Sabbath" title="Black Sabbath">Black Sabbath</a></li>
|
||
<li><a href="/wiki/George_Clinton_(funk_musician)" title="George Clinton (funk musician)">George Clinton</a> and <a href="/wiki/Parliament-Funkadelic" title="Parliament-Funkadelic">Parliament-Funkadelic</a></li>
|
||
<li><a href="/wiki/Billy_Eckstine" title="Billy Eckstine">Billy Eckstine</a></li>
|
||
<li><a href="/wiki/Donny_Hathaway" title="Donny Hathaway">Donny Hathaway</a></li>
|
||
<li><a href="/wiki/Julio_Iglesias" title="Julio Iglesias">Julio Iglesias</a></li>
|
||
<li><a href="/wiki/Sam_%26_Dave" title="Sam & Dave">Sam & Dave</a></li>
|
||
<li><a href="/wiki/Dionne_Warwick" title="Dionne Warwick">Dionne Warwick</a></li></ul></li>
|
||
<li>2020
|
||
<ul><li><a href="/wiki/Chicago_(band)" title="Chicago (band)">Chicago</a></li>
|
||
<li><a href="/wiki/Roberta_Flack" title="Roberta Flack">Roberta Flack</a></li>
|
||
<li><a href="/wiki/Isaac_Hayes" title="Isaac Hayes">Isaac Hayes</a></li>
|
||
<li><a href="/wiki/Iggy_Pop" title="Iggy Pop">Iggy Pop</a></li>
|
||
<li><a href="/wiki/John_Prine" title="John Prine">John Prine</a></li>
|
||
<li><a href="/wiki/Public_Enemy" title="Public Enemy">Public Enemy</a></li>
|
||
<li><a href="/wiki/Sister_Rosetta_Tharpe" title="Sister Rosetta Tharpe">Sister Rosetta Tharpe</a></li></ul></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="background:#cedff2;;width:1%">2021–present</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li>2021
|
||
<ul><li><a href="/wiki/Grandmaster_Flash_and_the_Furious_Five" title="Grandmaster Flash and the Furious Five">Grandmaster Flash and the Furious Five</a></li>
|
||
<li><a href="/wiki/Lionel_Hampton" title="Lionel Hampton">Lionel Hampton</a></li>
|
||
<li><a href="/wiki/Marilyn_Horne" title="Marilyn Horne">Marilyn Horne</a></li>
|
||
<li><a href="/wiki/Salt-N-Pepa" title="Salt-N-Pepa">Salt-N-Pepa</a></li>
|
||
<li><a href="/wiki/Selena" title="Selena">Selena</a></li>
|
||
<li><a href="/wiki/Talking_Heads" title="Talking Heads">Talking Heads</a></li></ul></li></ul>
|
||
</div></td></tr></tbody></table></div>
|
||
<div class="navbox-styles nomobile"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1057682214"/></div><div role="navigation" class="navbox" aria-labelledby="Rock_and_Roll_Hall_of_Fame_–_Class_of_1986" style="padding:3px"><table class="nowraplinks mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1054937957"/><div class="navbar plainlinks hlist navbar-mini"><ul><li class="nv-view"><a href="/wiki/Template:1986_Rock_and_Roll_Hall_of_Fame" title="Template:1986 Rock and Roll Hall of Fame"><abbr title="View this template" style=";;background:none transparent;border:none;box-shadow:none;padding:0;">v</abbr></a></li><li class="nv-talk"><a href="/wiki/Template_talk:1986_Rock_and_Roll_Hall_of_Fame" title="Template talk:1986 Rock and Roll Hall of Fame"><abbr title="Discuss this template" style=";;background:none transparent;border:none;box-shadow:none;padding:0;">t</abbr></a></li><li class="nv-edit"><a class="external text" href="https://en.wikipedia.org/w/index.php?title=Template:1986_Rock_and_Roll_Hall_of_Fame&action=edit"><abbr title="Edit this template" style=";;background:none transparent;border:none;box-shadow:none;padding:0;">e</abbr></a></li></ul></div><div id="Rock_and_Roll_Hall_of_Fame_–_Class_of_1986" style="font-size:114%;margin:0 4em"><a href="/wiki/Rock_and_Roll_Hall_of_Fame" title="Rock and Roll Hall of Fame">Rock and Roll Hall of Fame</a> – <a href="/wiki/List_of_Rock_and_Roll_Hall_of_Fame_inductees" title="List of Rock and Roll Hall of Fame inductees">Class of 1986</a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">Performers</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><b><a href="/wiki/Chuck_Berry" title="Chuck Berry">Chuck Berry</a></b></li>
|
||
<li><b><a href="/wiki/James_Brown" title="James Brown">James Brown</a></b></li>
|
||
<li><b><a href="/wiki/Ray_Charles" title="Ray Charles">Ray Charles</a></b></li>
|
||
<li><b><a href="/wiki/Sam_Cooke" title="Sam Cooke">Sam Cooke</a></b></li>
|
||
<li><b><a href="/wiki/Fats_Domino" title="Fats Domino">Fats Domino</a></b></li>
|
||
<li><b><a href="/wiki/The_Everly_Brothers" title="The Everly Brothers">The Everly Brothers</a></b>
|
||
<ul><li><a href="/wiki/Don_Everly" class="mw-redirect" title="Don Everly">Don Everly</a>, <a href="/wiki/Phil_Everly" class="mw-redirect" title="Phil Everly">Phil Everly</a></li></ul></li>
|
||
<li><b><a href="/wiki/Buddy_Holly" title="Buddy Holly">Buddy Holly</a></b></li>
|
||
<li><b><a href="/wiki/Jerry_Lee_Lewis" title="Jerry Lee Lewis">Jerry Lee Lewis</a></b></li>
|
||
<li><b><a href="/wiki/Little_Richard" title="Little Richard">Little Richard</a></b></li>
|
||
<li><b><a class="mw-selflink selflink">Elvis Presley</a></b></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Early influences</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><b><a href="/wiki/Robert_Johnson" title="Robert Johnson">Robert Johnson</a></b></li>
|
||
<li><b><a href="/wiki/Jimmie_Rodgers_(country_singer)" title="Jimmie Rodgers (country singer)">Jimmie Rodgers</a></b></li>
|
||
<li><b><a href="/wiki/Jimmy_Yancey" title="Jimmy Yancey">Jimmy Yancey</a></b></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Non-performers<br />(Ahmet Ertegun Award)</th><td class="navbox-list-with-group navbox-list navbox-odd hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><b><a href="/wiki/Alan_Freed" title="Alan Freed">Alan Freed</a></b></li>
|
||
<li><b><a href="/wiki/Sam_Phillips" title="Sam Phillips">Sam Phillips</a></b></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Lifetime achievement</th><td class="navbox-list-with-group navbox-list navbox-even hlist" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><b><a href="/wiki/John_Hammond_(record_producer)" title="John Hammond (record producer)">John Hammond</a></b></li></ul>
|
||
</div></td></tr></tbody></table></div></div></td></tr></tbody></table></div>
|
||
<div class="navbox-styles nomobile"><link rel="mw-deduplicated-inline-style" href="mw-data:TemplateStyles:r1057682214"/></div><div role="navigation" class="navbox authority-control" aria-labelledby="Authority_control_frameless_&#124;text-top_&#124;10px_&#124;alt=Edit_this_at_Wikidata_&#124;link=https&#58;//www.wikidata.org/wiki/Q303#identifiers&#124;Edit_this_at_Wikidata" style="padding:3px"><table class="nowraplinks hlist mw-collapsible autocollapse navbox-inner" style="border-spacing:0;background:transparent;color:inherit"><tbody><tr><th scope="col" class="navbox-title" colspan="2"><div id="Authority_control_frameless_&#124;text-top_&#124;10px_&#124;alt=Edit_this_at_Wikidata_&#124;link=https&#58;//www.wikidata.org/wiki/Q303#identifiers&#124;Edit_this_at_Wikidata" style="font-size:114%;margin:0 4em"><a href="/wiki/Help:Authority_control" title="Help:Authority control">Authority control</a> <a href="https://www.wikidata.org/wiki/Q303#identifiers" title="Edit this at Wikidata"><img alt="Edit this at Wikidata" src="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/10px-OOjs_UI_icon_edit-ltr-progressive.svg.png" decoding="async" width="10" height="10" style="vertical-align: text-top" srcset="//upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/15px-OOjs_UI_icon_edit-ltr-progressive.svg.png 1.5x, //upload.wikimedia.org/wikipedia/en/thumb/8/8a/OOjs_UI_icon_edit-ltr-progressive.svg/20px-OOjs_UI_icon_edit-ltr-progressive.svg.png 2x" data-file-width="20" data-file-height="20" /></a></div></th></tr><tr><th scope="row" class="navbox-group" style="width:1%">General</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://d-nb.info/gnd/118596357">Integrated Authority File (Germany)</a></span></li>
|
||
<li><a href="/wiki/ISNI_(identifier)" class="mw-redirect" title="ISNI (identifier)">ISNI</a>
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000121241960">1</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://isni.org/isni/0000000368638871">2</a></span></li></ul></li>
|
||
<li><a href="/wiki/VIAF_(identifier)" class="mw-redirect" title="VIAF (identifier)">VIAF</a>
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://viaf.org/viaf/23404836">1</a></span></li></ul></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://www.worldcat.org/identities/lccn-n78079487/">WorldCat</a></span></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">National libraries</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://authority.bibsys.no/authority/rest/authorities/html/90053849">Norway</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="http://www.bncatalogo.cl/F?func=direct&local_base=red10&doc_number=000165630">Chile</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="http://catalogo.bne.es/uhtbin/authoritybrowse.cgi?action=display&authority_id=XX1145719">Spain</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://catalogue.bnf.fr/ark:/12148/cb13898654b">France</a> <a rel="nofollow" class="external text" href="https://data.bnf.fr/ark:/12148/cb13898654b">(data)</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="http://cantic.bnc.cat/registres/CUCId/a11567776">Catalonia</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/names/n78079487">United States</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://kopkatalogs.lv/F?func=direct&local_base=lnc10&doc_number=000079520&P_CON_LNG=ENG">Latvia</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://id.ndl.go.jp/auth/ndlna/00621316">Japan</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://aleph.nkp.cz/F/?func=find-c&local_base=aut&ccl_term=ica=jn20000604506&CON_LNG=ENG">Czech Republic</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://nla.gov.au/anbd.aut-an35432597">Australia</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://data.nlg.gr/resource/authority/record76869">Greece</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="http://uli.nli.org.il/F/?func=direct&doc_number=001441621&local_base=nlx10">Israel</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://librarian.nl.go.kr/LI/contents/L20101000000.do?id=KAC200508201">Korea</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="http://katalog.nsk.hr/F/?func=direct&doc_number=000008137&local_base=nsk10">Croatia</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="http://data.bibliotheken.nl/id/thes/p069002363">Netherlands</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="http://mak.bn.org.pl/cgi-bin/KHW/makwww.exe?BM=1&NU=1&IM=4&WI=9810599997405606">Poland</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="http://aleph.rsl.ru/F?func=find-b&find_code=SYS&adjacent=Y&local_base=RSL11&request=000036653&CON_LNG=ENG">Russia</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://libris.kb.se/auth/228312">Sweden</a></span></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Scientific databases</th><td class="navbox-list-with-group navbox-list navbox-odd" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
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<ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://ci.nii.ac.jp/author/DA11195772?l=en">CiNii (Japan)</a></span></li></ul>
|
||
</div></td></tr><tr><th scope="row" class="navbox-group" style="width:1%">Other</th><td class="navbox-list-with-group navbox-list navbox-even" style="width:100%;padding:0"><div style="padding:0 0.25em">
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/27575/">Faceted Application of Subject Terminology</a></span>
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="http://id.worldcat.org/fast/243373/">2</a></span></li></ul></li>
|
||
<li><span class="uid"><a href="/wiki/MBA_(identifier)" class="mw-redirect" title="MBA (identifier)">MusicBrainz</a> <a rel="nofollow" class="external text" href="https://musicbrainz.org/artist/01809552-4f87-45b0-afff-2c6f0730a3be">artist</a></span></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://catalog.archives.gov/id/10582255">National Archives (US)</a></span></li>
|
||
<li><a href="/wiki/RISM_(identifier)" class="mw-redirect" title="RISM (identifier)">RISM (France)</a>
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://opac.rism.info/search?id=pe410279">1</a></span></li></ul></li>
|
||
<li><a href="/wiki/RERO_(identifier)" class="mw-redirect" title="RERO (identifier)">RERO (Switzerland)</a>
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="http://data.rero.ch/02-A003710957">1</a></span></li></ul></li>
|
||
<li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6cp7v21">Social Networks and Archival Context</a></span>
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://snaccooperative.org/ark:/99166/w6fb512h">2</a></span></li></ul></li>
|
||
<li><a href="/wiki/SUDOC_(identifier)" class="mw-redirect" title="SUDOC (identifier)">SUDOC (France)</a>
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://www.idref.fr/027341461">1</a></span></li></ul></li>
|
||
<li><a href="/wiki/Trove_(identifier)" class="mw-redirect" title="Trove (identifier)">Trove (Australia)</a>
|
||
<ul><li><span class="uid"><a rel="nofollow" class="external text" href="https://trove.nla.gov.au/people/950844">1</a></span></li></ul></li></ul>
|
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</div></td></tr></tbody></table></div>
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<div class="printfooter">Retrieved from "<a dir="ltr" href="https://en.wikipedia.org/w/index.php?title=Elvis_Presley&oldid=1057974464">https://en.wikipedia.org/w/index.php?title=Elvis_Presley&oldid=1057974464</a>"</div></div>
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<ul class="vector-menu-content-list"><li class="interlanguage-link interwiki-af mw-list-item"><a href="https://af.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Afrikaans" lang="af" hreflang="af" class="interlanguage-link-target"><span>Afrikaans</span></a></li><li class="interlanguage-link interwiki-als mw-list-item"><a href="https://als.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Alemannisch" lang="gsw" hreflang="gsw" class="interlanguage-link-target"><span>Alemannisch</span></a></li><li class="interlanguage-link interwiki-am mw-list-item"><a href="https://am.wikipedia.org/wiki/%E1%8A%A4%E1%88%8D%E1%89%AD%E1%88%B5_%E1%8D%95%E1%88%AC%E1%88%B5%E1%88%8A" title="ኤልቭስ ፕሬስሊ – Amharic" lang="am" hreflang="am" class="interlanguage-link-target"><span>አማርኛ</span></a></li><li class="interlanguage-link interwiki-ang mw-list-item"><a href="https://ang.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Old English" lang="ang" hreflang="ang" class="interlanguage-link-target"><span>Ænglisc</span></a></li><li class="interlanguage-link interwiki-ab mw-list-item"><a href="https://ab.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%95%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Елвис – Abkhazian" lang="ab" hreflang="ab" class="interlanguage-link-target"><span>Аҧсшәа</span></a></li><li class="interlanguage-link interwiki-ar mw-list-item"><a href="https://ar.wikipedia.org/wiki/%D8%A5%D9%84%D9%81%D9%8A%D8%B3_%D8%A8%D8%B1%D9%8A%D8%B3%D9%84%D9%8A" title="إلفيس بريسلي – Arabic" lang="ar" hreflang="ar" class="interlanguage-link-target"><span>العربية</span></a></li><li class="interlanguage-link interwiki-an mw-list-item"><a href="https://an.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Aragonese" lang="an" hreflang="an" class="interlanguage-link-target"><span>Aragonés</span></a></li><li class="interlanguage-link interwiki-hyw mw-list-item"><a href="https://hyw.wikipedia.org/wiki/%D4%B7%D5%AC%D5%BE%D5%AB%D5%BD_%D5%93%D6%80%D5%A5%D5%BD%D5%AC%D5%AB" title="Էլվիս Փրեսլի – Western Armenian" lang="hyw" hreflang="hyw" class="interlanguage-link-target"><span>Արեւմտահայերէն</span></a></li><li class="interlanguage-link interwiki-ast mw-list-item"><a href="https://ast.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Asturian" lang="ast" hreflang="ast" class="interlanguage-link-target"><span>Asturianu</span></a></li><li class="interlanguage-link interwiki-gn mw-list-item"><a href="https://gn.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Guarani" lang="gn" hreflang="gn" class="interlanguage-link-target"><span>Avañe'ẽ</span></a></li><li class="interlanguage-link interwiki-ay mw-list-item"><a href="https://ay.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Aymara" lang="ay" hreflang="ay" class="interlanguage-link-target"><span>Aymar aru</span></a></li><li class="interlanguage-link interwiki-az mw-list-item"><a href="https://az.wikipedia.org/wiki/Elvis_Presli" title="Elvis Presli – Azerbaijani" lang="az" hreflang="az" class="interlanguage-link-target"><span>Azərbaycanca</span></a></li><li class="interlanguage-link interwiki-azb mw-list-item"><a href="https://azb.wikipedia.org/wiki/%D8%A7%D9%84%D9%88%DB%8C%D8%B3_%D9%BE%D8%B1%DB%8C%D8%B3%D9%84%DB%8C" title="الویس پریسلی – South Azerbaijani" lang="azb" hreflang="azb" class="interlanguage-link-target"><span>تۆرکجه</span></a></li><li class="interlanguage-link interwiki-bn mw-list-item"><a href="https://bn.wikipedia.org/wiki/%E0%A6%8F%E0%A6%B2%E0%A6%AD%E0%A6%BF%E0%A6%B8_%E0%A6%AA%E0%A7%8D%E0%A6%B0%E0%A7%87%E0%A6%B8%E0%A6%B2%E0%A6%BF" title="এলভিস প্রেসলি – Bangla" lang="bn" hreflang="bn" class="interlanguage-link-target"><span>বাংলা</span></a></li><li class="interlanguage-link interwiki-zh-min-nan mw-list-item"><a href="https://zh-min-nan.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Chinese (Min Nan)" lang="nan" hreflang="nan" class="interlanguage-link-target"><span>Bân-lâm-gú</span></a></li><li class="interlanguage-link interwiki-ba mw-list-item"><a href="https://ba.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Bashkir" lang="ba" hreflang="ba" class="interlanguage-link-target"><span>Башҡортса</span></a></li><li class="interlanguage-link interwiki-be mw-list-item"><a href="https://be.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D1%96%D1%81_%D0%9F%D1%80%D1%8D%D1%81%D0%BB%D1%96" title="Элвіс Прэслі – Belarusian" lang="be" hreflang="be" class="interlanguage-link-target"><span>Беларуская</span></a></li><li class="interlanguage-link interwiki-be-x-old mw-list-item"><a href="https://be-tarask.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D1%96%D1%81_%D0%9F%D1%80%D1%8D%D1%81%D1%8C%D0%BB%D1%96" title="Элвіс Прэсьлі – Belarusian (Taraškievica orthography)" lang="be-tarask" hreflang="be-tarask" class="interlanguage-link-target"><span>Беларуская (тарашкевіца)</span></a></li><li class="interlanguage-link interwiki-bh mw-list-item"><a href="https://bh.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%B5%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्विस प्रेस्ली – Bhojpuri" lang="bh" hreflang="bh" class="interlanguage-link-target"><span>भोजपुरी</span></a></li><li class="interlanguage-link interwiki-bcl mw-list-item"><a href="https://bcl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Central Bikol" lang="bcl" hreflang="bcl" class="interlanguage-link-target"><span>Bikol Central</span></a></li><li class="interlanguage-link interwiki-bi mw-list-item"><a href="https://bi.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Bislama" lang="bi" hreflang="bi" class="interlanguage-link-target"><span>Bislama</span></a></li><li class="interlanguage-link interwiki-bg mw-list-item"><a href="https://bg.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Елвис Пресли – Bulgarian" lang="bg" hreflang="bg" class="interlanguage-link-target"><span>Български</span></a></li><li class="interlanguage-link interwiki-bar mw-list-item"><a href="https://bar.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Bavarian" lang="bar" hreflang="bar" class="interlanguage-link-target"><span>Boarisch</span></a></li><li class="interlanguage-link interwiki-bo mw-list-item"><a href="https://bo.wikipedia.org/wiki/%E0%BD%A8%E0%BD%BA%E0%BD%A3%E0%BC%8B%E0%BD%9D%E0%BD%BA%E0%BC%8B%E0%BD%A6%E0%BD%B2%E0%BC%8B%E0%BD%95%E0%BD%B2%E0%BD%A2%E0%BC%8B%E0%BD%9F%E0%BD%B2%E0%BC%8B%E0%BD%A3%E0%BD%B1%E0%BD%BA%E0%BC%8D" title="ཨེལ་ཝེ་སི་ཕིར་ཟི་ལཱེ། – Tibetan" lang="bo" hreflang="bo" class="interlanguage-link-target"><span>བོད་ཡིག</span></a></li><li class="interlanguage-link interwiki-bs mw-list-item"><a href="https://bs.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Bosnian" lang="bs" hreflang="bs" class="interlanguage-link-target"><span>Bosanski</span></a></li><li class="interlanguage-link interwiki-br mw-list-item"><a href="https://br.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Breton" lang="br" hreflang="br" class="interlanguage-link-target"><span>Brezhoneg</span></a></li><li class="interlanguage-link interwiki-bxr mw-list-item"><a href="https://bxr.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Russia Buriat" lang="bxr" hreflang="bxr" class="interlanguage-link-target"><span>Буряад</span></a></li><li class="interlanguage-link interwiki-ca mw-list-item"><a href="https://ca.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Catalan" lang="ca" hreflang="ca" class="interlanguage-link-target"><span>Català</span></a></li><li class="interlanguage-link interwiki-cs mw-list-item"><a href="https://cs.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Czech" lang="cs" hreflang="cs" class="interlanguage-link-target"><span>Čeština</span></a></li><li class="interlanguage-link interwiki-cy mw-list-item"><a href="https://cy.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Welsh" lang="cy" hreflang="cy" class="interlanguage-link-target"><span>Cymraeg</span></a></li><li class="interlanguage-link interwiki-da badge-Q17559452 badge-recommendedarticle mw-list-item" title="recommended article"><a href="https://da.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Danish" lang="da" hreflang="da" class="interlanguage-link-target"><span>Dansk</span></a></li><li class="interlanguage-link interwiki-se mw-list-item"><a href="https://se.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Northern Sami" lang="se" hreflang="se" class="interlanguage-link-target"><span>Davvisámegiella</span></a></li><li class="interlanguage-link interwiki-de mw-list-item"><a href="https://de.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – German" lang="de" hreflang="de" class="interlanguage-link-target"><span>Deutsch</span></a></li><li class="interlanguage-link interwiki-et mw-list-item"><a href="https://et.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Estonian" lang="et" hreflang="et" class="interlanguage-link-target"><span>Eesti</span></a></li><li class="interlanguage-link interwiki-el mw-list-item"><a href="https://el.wikipedia.org/wiki/%CE%88%CE%BB%CE%B2%CE%B9%CF%82_%CE%A0%CF%81%CE%AF%CF%83%CE%BB%CE%B5%CF%8A" title="Έλβις Πρίσλεϊ – Greek" lang="el" hreflang="el" class="interlanguage-link-target"><span>Ελληνικά</span></a></li><li class="interlanguage-link interwiki-eml mw-list-item"><a href="https://eml.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Emiliano-Romagnolo" lang="egl" hreflang="egl" class="interlanguage-link-target"><span>Emiliàn e rumagnòl</span></a></li><li class="interlanguage-link interwiki-myv mw-list-item"><a href="https://myv.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Erzya" lang="myv" hreflang="myv" class="interlanguage-link-target"><span>Эрзянь</span></a></li><li class="interlanguage-link interwiki-es badge-Q17437796 badge-featuredarticle mw-list-item" title="featured article badge"><a href="https://es.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Spanish" lang="es" hreflang="es" class="interlanguage-link-target"><span>Español</span></a></li><li class="interlanguage-link interwiki-eo mw-list-item"><a href="https://eo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Esperanto" lang="eo" hreflang="eo" class="interlanguage-link-target"><span>Esperanto</span></a></li><li class="interlanguage-link interwiki-eu mw-list-item"><a href="https://eu.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Basque" lang="eu" hreflang="eu" class="interlanguage-link-target"><span>Euskara</span></a></li><li class="interlanguage-link interwiki-fa mw-list-item"><a href="https://fa.wikipedia.org/wiki/%D8%A7%D9%84%D9%88%DB%8C%D8%B3_%D9%BE%D8%B1%D8%B3%D9%84%DB%8C" title="الویس پرسلی – Persian" lang="fa" hreflang="fa" class="interlanguage-link-target"><span>فارسی</span></a></li><li class="interlanguage-link interwiki-hif mw-list-item"><a href="https://hif.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Fiji Hindi" lang="hif" hreflang="hif" class="interlanguage-link-target"><span>Fiji Hindi</span></a></li><li class="interlanguage-link interwiki-fo mw-list-item"><a href="https://fo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Faroese" lang="fo" hreflang="fo" class="interlanguage-link-target"><span>Føroyskt</span></a></li><li class="interlanguage-link interwiki-fr mw-list-item"><a href="https://fr.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – French" lang="fr" hreflang="fr" class="interlanguage-link-target"><span>Français</span></a></li><li class="interlanguage-link interwiki-fy mw-list-item"><a href="https://fy.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Western Frisian" lang="fy" hreflang="fy" class="interlanguage-link-target"><span>Frysk</span></a></li><li class="interlanguage-link interwiki-ga mw-list-item"><a href="https://ga.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Irish" lang="ga" hreflang="ga" class="interlanguage-link-target"><span>Gaeilge</span></a></li><li class="interlanguage-link interwiki-gv mw-list-item"><a href="https://gv.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Manx" lang="gv" hreflang="gv" class="interlanguage-link-target"><span>Gaelg</span></a></li><li class="interlanguage-link interwiki-gd mw-list-item"><a href="https://gd.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Scottish Gaelic" lang="gd" hreflang="gd" class="interlanguage-link-target"><span>Gàidhlig</span></a></li><li class="interlanguage-link interwiki-gl mw-list-item"><a href="https://gl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Galician" lang="gl" hreflang="gl" class="interlanguage-link-target"><span>Galego</span></a></li><li class="interlanguage-link interwiki-gan mw-list-item"><a href="https://gan.wikipedia.org/wiki/%E8%B2%93%E7%8E%8B" title="貓王 – Gan Chinese" lang="gan" hreflang="gan" class="interlanguage-link-target"><span>贛語</span></a></li><li class="interlanguage-link interwiki-gom mw-list-item"><a href="https://gom.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Goan Konkani" lang="gom" hreflang="gom" class="interlanguage-link-target"><span>गोंयची कोंकणी / Gõychi Konknni</span></a></li><li class="interlanguage-link interwiki-ko mw-list-item"><a href="https://ko.wikipedia.org/wiki/%EC%97%98%EB%B9%84%EC%8A%A4_%ED%94%84%EB%A0%88%EC%8A%AC%EB%A6%AC" title="엘비스 프레슬리 – Korean" lang="ko" hreflang="ko" class="interlanguage-link-target"><span>한국어</span></a></li><li class="interlanguage-link interwiki-hy mw-list-item"><a href="https://hy.wikipedia.org/wiki/%D4%B7%D5%AC%D5%BE%D5%AB%D5%BD_%D5%93%D6%80%D5%A5%D5%BD%D5%AC%D5%AB" title="Էլվիս Փրեսլի – Armenian" lang="hy" hreflang="hy" class="interlanguage-link-target"><span>Հայերեն</span></a></li><li class="interlanguage-link interwiki-hi mw-list-item"><a href="https://hi.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%B5%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्विस प्रेस्ली – Hindi" lang="hi" hreflang="hi" class="interlanguage-link-target"><span>हिन्दी</span></a></li><li class="interlanguage-link interwiki-hr mw-list-item"><a href="https://hr.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Croatian" lang="hr" hreflang="hr" class="interlanguage-link-target"><span>Hrvatski</span></a></li><li class="interlanguage-link interwiki-io mw-list-item"><a href="https://io.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Ido" lang="io" hreflang="io" class="interlanguage-link-target"><span>Ido</span></a></li><li class="interlanguage-link interwiki-ilo mw-list-item"><a href="https://ilo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Iloko" lang="ilo" hreflang="ilo" class="interlanguage-link-target"><span>Ilokano</span></a></li><li class="interlanguage-link interwiki-id mw-list-item"><a href="https://id.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Indonesian" lang="id" hreflang="id" class="interlanguage-link-target"><span>Bahasa Indonesia</span></a></li><li class="interlanguage-link interwiki-ia mw-list-item"><a href="https://ia.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Interlingua" lang="ia" hreflang="ia" class="interlanguage-link-target"><span>Interlingua</span></a></li><li class="interlanguage-link interwiki-ie mw-list-item"><a href="https://ie.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Interlingue" lang="ie" hreflang="ie" class="interlanguage-link-target"><span>Interlingue</span></a></li><li class="interlanguage-link interwiki-is mw-list-item"><a href="https://is.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Icelandic" lang="is" hreflang="is" class="interlanguage-link-target"><span>Íslenska</span></a></li><li class="interlanguage-link interwiki-it mw-list-item"><a href="https://it.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Italian" lang="it" hreflang="it" class="interlanguage-link-target"><span>Italiano</span></a></li><li class="interlanguage-link interwiki-he mw-list-item"><a href="https://he.wikipedia.org/wiki/%D7%90%D7%9C%D7%91%D7%99%D7%A1_%D7%A4%D7%A8%D7%A1%D7%9C%D7%99" title="אלביס פרסלי – Hebrew" lang="he" hreflang="he" class="interlanguage-link-target"><span>עברית</span></a></li><li class="interlanguage-link interwiki-jv mw-list-item"><a href="https://jv.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Javanese" lang="jv" hreflang="jv" class="interlanguage-link-target"><span>Jawa</span></a></li><li class="interlanguage-link interwiki-kbp mw-list-item"><a href="https://kbp.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Kabiye" lang="kbp" hreflang="kbp" class="interlanguage-link-target"><span>Kabɩyɛ</span></a></li><li class="interlanguage-link interwiki-kn mw-list-item"><a href="https://kn.wikipedia.org/wiki/%E0%B2%8E%E0%B2%B2%E0%B3%8D%E0%B2%B5%E0%B2%BF%E0%B2%B8%E0%B3%8D_%E0%B2%AA%E0%B3%8D%E0%B2%B0%E0%B3%80%E0%B2%B8%E0%B3%8D%E0%B2%B2%E0%B2%BF" title="ಎಲ್ವಿಸ್ ಪ್ರೀಸ್ಲಿ – Kannada" lang="kn" hreflang="kn" class="interlanguage-link-target"><span>ಕನ್ನಡ</span></a></li><li class="interlanguage-link interwiki-pam mw-list-item"><a href="https://pam.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Pampanga" lang="pam" hreflang="pam" class="interlanguage-link-target"><span>Kapampangan</span></a></li><li class="interlanguage-link interwiki-ka mw-list-item"><a href="https://ka.wikipedia.org/wiki/%E1%83%94%E1%83%9A%E1%83%95%E1%83%98%E1%83%A1_%E1%83%9E%E1%83%A0%E1%83%94%E1%83%A1%E1%83%9A%E1%83%98" title="ელვის პრესლი – Georgian" lang="ka" hreflang="ka" class="interlanguage-link-target"><span>ქართული</span></a></li><li class="interlanguage-link interwiki-kk mw-list-item"><a href="https://kk.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Kazakh" lang="kk" hreflang="kk" class="interlanguage-link-target"><span>Қазақша</span></a></li><li class="interlanguage-link interwiki-kw mw-list-item"><a href="https://kw.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Cornish" lang="kw" hreflang="kw" class="interlanguage-link-target"><span>Kernowek</span></a></li><li class="interlanguage-link interwiki-sw mw-list-item"><a href="https://sw.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Swahili" lang="sw" hreflang="sw" class="interlanguage-link-target"><span>Kiswahili</span></a></li><li class="interlanguage-link interwiki-ht mw-list-item"><a href="https://ht.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Haitian Creole" lang="ht" hreflang="ht" class="interlanguage-link-target"><span>Kreyòl ayisyen</span></a></li><li class="interlanguage-link interwiki-gcr mw-list-item"><a href="https://gcr.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Guianan Creole" lang="gcr" hreflang="gcr" class="interlanguage-link-target"><span>Kriyòl gwiyannen</span></a></li><li class="interlanguage-link interwiki-ky mw-list-item"><a href="https://ky.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Kyrgyz" lang="ky" hreflang="ky" class="interlanguage-link-target"><span>Кыргызча</span></a></li><li class="interlanguage-link interwiki-mrj mw-list-item"><a href="https://mrj.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%AD%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Элвис – Western Mari" lang="mrj" hreflang="mrj" class="interlanguage-link-target"><span>Кырык мары</span></a></li><li class="interlanguage-link interwiki-lo mw-list-item"><a href="https://lo.wikipedia.org/wiki/%E0%BB%80%E0%BA%AD%E0%BA%A5%E0%BA%A7%E0%BA%B4%E0%BA%94_%E0%BB%80%E0%BA%9E%E0%BA%B1%E0%BA%AA%E0%BA%A5%E0%BA%B5" title="ເອລວິດ ເພັສລີ – Lao" lang="lo" hreflang="lo" class="interlanguage-link-target"><span>ລາວ</span></a></li><li class="interlanguage-link interwiki-la mw-list-item"><a href="https://la.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Latin" lang="la" hreflang="la" class="interlanguage-link-target"><span>Latina</span></a></li><li class="interlanguage-link interwiki-lv mw-list-item"><a href="https://lv.wikipedia.org/wiki/Elviss_Preslijs" title="Elviss Preslijs – Latvian" lang="lv" hreflang="lv" class="interlanguage-link-target"><span>Latviešu</span></a></li><li class="interlanguage-link interwiki-lb mw-list-item"><a href="https://lb.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Luxembourgish" lang="lb" hreflang="lb" class="interlanguage-link-target"><span>Lëtzebuergesch</span></a></li><li class="interlanguage-link interwiki-lez mw-list-item"><a href="https://lez.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Lezghian" lang="lez" hreflang="lez" class="interlanguage-link-target"><span>Лезги</span></a></li><li class="interlanguage-link interwiki-lt mw-list-item"><a href="https://lt.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Lithuanian" lang="lt" hreflang="lt" class="interlanguage-link-target"><span>Lietuvių</span></a></li><li class="interlanguage-link interwiki-li mw-list-item"><a href="https://li.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Limburgish" lang="li" hreflang="li" class="interlanguage-link-target"><span>Limburgs</span></a></li><li class="interlanguage-link interwiki-olo mw-list-item"><a href="https://olo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Livvi-Karelian" lang="olo" hreflang="olo" class="interlanguage-link-target"><span>Livvinkarjala</span></a></li><li class="interlanguage-link interwiki-lmo mw-list-item"><a href="https://lmo.wikipedia.org/wiki/Elvis_Aaron_Presley" title="Elvis Aaron Presley – Lombard" lang="lmo" hreflang="lmo" class="interlanguage-link-target"><span>Lombard</span></a></li><li class="interlanguage-link interwiki-hu mw-list-item"><a href="https://hu.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Hungarian" lang="hu" hreflang="hu" class="interlanguage-link-target"><span>Magyar</span></a></li><li class="interlanguage-link interwiki-mk mw-list-item"><a href="https://mk.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Елвис Пресли – Macedonian" lang="mk" hreflang="mk" class="interlanguage-link-target"><span>Македонски</span></a></li><li class="interlanguage-link interwiki-mg mw-list-item"><a href="https://mg.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Malagasy" lang="mg" hreflang="mg" class="interlanguage-link-target"><span>Malagasy</span></a></li><li class="interlanguage-link interwiki-ml mw-list-item"><a href="https://ml.wikipedia.org/wiki/%E0%B4%8E%E0%B5%BD%E0%B4%B5%E0%B4%BF%E0%B4%B8%E0%B5%8D_%E0%B4%AA%E0%B5%8D%E0%B4%B0%E0%B5%86%E0%B4%B8%E0%B5%8D%E2%80%8C%E0%B4%B2%E0%B4%BF" title="എൽവിസ് പ്രെസ്ലി – Malayalam" lang="ml" hreflang="ml" class="interlanguage-link-target"><span>മലയാളം</span></a></li><li class="interlanguage-link interwiki-mt mw-list-item"><a href="https://mt.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Maltese" lang="mt" hreflang="mt" class="interlanguage-link-target"><span>Malti</span></a></li><li class="interlanguage-link interwiki-mr mw-list-item"><a href="https://mr.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%B5%E0%A5%8D%E0%A4%B9%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्व्हिस प्रेस्ली – Marathi" lang="mr" hreflang="mr" class="interlanguage-link-target"><span>मराठी</span></a></li><li class="interlanguage-link interwiki-xmf mw-list-item"><a href="https://xmf.wikipedia.org/wiki/%E1%83%94%E1%83%9A%E1%83%95%E1%83%98%E1%83%A1_%E1%83%9E%E1%83%A0%E1%83%94%E1%83%A1%E1%83%9A%E1%83%98" title="ელვის პრესლი – Mingrelian" lang="xmf" hreflang="xmf" class="interlanguage-link-target"><span>მარგალური</span></a></li><li class="interlanguage-link interwiki-arz mw-list-item"><a href="https://arz.wikipedia.org/wiki/%D8%A7%D9%84%D9%81%D9%8A%D8%B3_%D8%A8%D8%B1%D9%8A%D8%B3%D9%84%D9%89" title="الفيس بريسلى – Egyptian Arabic" lang="arz" hreflang="arz" class="interlanguage-link-target"><span>مصرى</span></a></li><li class="interlanguage-link interwiki-mzn mw-list-item"><a href="https://mzn.wikipedia.org/wiki/%D8%A7%D9%84%D9%88%DB%8C%D8%B3_%D9%BE%D8%B1%DB%8C%D8%B3%D9%84%DB%8C" title="الویس پریسلی – Mazanderani" lang="mzn" hreflang="mzn" class="interlanguage-link-target"><span>مازِرونی</span></a></li><li class="interlanguage-link interwiki-ms mw-list-item"><a href="https://ms.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Malay" lang="ms" hreflang="ms" class="interlanguage-link-target"><span>Bahasa Melayu</span></a></li><li class="interlanguage-link interwiki-min mw-list-item"><a href="https://min.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Minangkabau" lang="min" hreflang="min" class="interlanguage-link-target"><span>Minangkabau</span></a></li><li class="interlanguage-link interwiki-mwl mw-list-item"><a href="https://mwl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Mirandese" lang="mwl" hreflang="mwl" class="interlanguage-link-target"><span>Mirandés</span></a></li><li class="interlanguage-link interwiki-mn mw-list-item"><a href="https://mn.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Mongolian" lang="mn" hreflang="mn" class="interlanguage-link-target"><span>Монгол</span></a></li><li class="interlanguage-link interwiki-my mw-list-item"><a href="https://my.wikipedia.org/wiki/%E1%80%95%E1%80%9B%E1%80%80%E1%80%BA%E1%80%85%E1%80%9C%E1%80%B1" title="ပရက်စလေ – Burmese" lang="my" hreflang="my" class="interlanguage-link-target"><span>မြန်မာဘာသာ</span></a></li><li class="interlanguage-link interwiki-nah mw-list-item"><a href="https://nah.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Nāhuatl" lang="nah" hreflang="nah" class="interlanguage-link-target"><span>Nāhuatl</span></a></li><li class="interlanguage-link interwiki-na mw-list-item"><a href="https://na.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Nauru" lang="na" hreflang="na" class="interlanguage-link-target"><span>Dorerin Naoero</span></a></li><li class="interlanguage-link interwiki-nl mw-list-item"><a href="https://nl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Dutch" lang="nl" hreflang="nl" class="interlanguage-link-target"><span>Nederlands</span></a></li><li class="interlanguage-link interwiki-nds-nl mw-list-item"><a href="https://nds-nl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Low Saxon" lang="nds-NL" hreflang="nds-NL" class="interlanguage-link-target"><span>Nedersaksies</span></a></li><li class="interlanguage-link interwiki-new mw-list-item"><a href="https://new.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%AD%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्भिस प्रेस्ली – Newari" lang="new" hreflang="new" class="interlanguage-link-target"><span>नेपाल भाषा</span></a></li><li class="interlanguage-link interwiki-ja mw-list-item"><a href="https://ja.wikipedia.org/wiki/%E3%82%A8%E3%83%AB%E3%83%B4%E3%82%A3%E3%82%B9%E3%83%BB%E3%83%97%E3%83%AC%E3%82%B9%E3%83%AA%E3%83%BC" title="エルヴィス・プレスリー – Japanese" lang="ja" hreflang="ja" class="interlanguage-link-target"><span>日本語</span></a></li><li class="interlanguage-link interwiki-ce mw-list-item"><a href="https://ce.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%AD%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Элвис – Chechen" lang="ce" hreflang="ce" class="interlanguage-link-target"><span>Нохчийн</span></a></li><li class="interlanguage-link interwiki-no mw-list-item"><a href="https://no.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Norwegian Bokmål" lang="nb" hreflang="nb" class="interlanguage-link-target"><span>Norsk bokmål</span></a></li><li class="interlanguage-link interwiki-nn mw-list-item"><a href="https://nn.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Norwegian Nynorsk" lang="nn" hreflang="nn" class="interlanguage-link-target"><span>Norsk nynorsk</span></a></li><li class="interlanguage-link interwiki-oc mw-list-item"><a href="https://oc.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Occitan" lang="oc" hreflang="oc" class="interlanguage-link-target"><span>Occitan</span></a></li><li class="interlanguage-link interwiki-mhr mw-list-item"><a href="https://mhr.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Eastern Mari" lang="mhr" hreflang="mhr" class="interlanguage-link-target"><span>Олык марий</span></a></li><li class="interlanguage-link interwiki-uz mw-list-item"><a href="https://uz.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Uzbek" lang="uz" hreflang="uz" class="interlanguage-link-target"><span>Oʻzbekcha/ўзбекча</span></a></li><li class="interlanguage-link interwiki-pa mw-list-item"><a href="https://pa.wikipedia.org/wiki/%E0%A8%90%E0%A8%B2%E0%A8%B5%E0%A8%BF%E0%A8%B8_%E0%A8%AA%E0%A8%B0%E0%A9%88%E0%A8%B8%E0%A8%B2%E0%A9%87" title="ਐਲਵਿਸ ਪਰੈਸਲੇ – Punjabi" lang="pa" hreflang="pa" class="interlanguage-link-target"><span>ਪੰਜਾਬੀ</span></a></li><li class="interlanguage-link interwiki-pi mw-list-item"><a href="https://pi.wikipedia.org/wiki/%E0%A4%8F%E0%A4%B2%E0%A5%8D%E0%A4%AD%E0%A4%BF%E0%A4%B8_%E0%A4%AA%E0%A5%8D%E0%A4%B0%E0%A5%87%E0%A4%B8%E0%A5%8D%E0%A4%B2%E0%A5%80" title="एल्भिस प्रेस्ली – Pali" lang="pi" hreflang="pi" class="interlanguage-link-target"><span>पालि</span></a></li><li class="interlanguage-link interwiki-pnb mw-list-item"><a href="https://pnb.wikipedia.org/wiki/%D8%A7%DB%8C%D9%84%D9%88%D8%B3_%D9%BE%D8%B1%DB%8C%D8%B3%D9%84%DB%92" title="ایلوس پریسلے – Western Punjabi" lang="pnb" hreflang="pnb" class="interlanguage-link-target"><span>پنجابی</span></a></li><li class="interlanguage-link interwiki-pap mw-list-item"><a href="https://pap.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Papiamento" lang="pap" hreflang="pap" class="interlanguage-link-target"><span>Papiamentu</span></a></li><li class="interlanguage-link interwiki-jam mw-list-item"><a href="https://jam.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Jamaican Creole English" lang="jam" hreflang="jam" class="interlanguage-link-target"><span>Patois</span></a></li><li class="interlanguage-link interwiki-km mw-list-item"><a href="https://km.wikipedia.org/wiki/%E1%9E%A2%E1%9F%8A%E1%9F%81%E1%9E%9B%E1%9E%9C%E1%9E%B7%E1%9E%9F_%E1%9E%95%E1%9F%92%E1%9E%9A%E1%9F%81%E1%9E%9F%E1%9E%9B%E1%9E%B8" title="អ៊េលវិស ផ្រេសលី – Khmer" lang="km" hreflang="km" class="interlanguage-link-target"><span>ភាសាខ្មែរ</span></a></li><li class="interlanguage-link interwiki-pms mw-list-item"><a href="https://pms.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Piedmontese" lang="pms" hreflang="pms" class="interlanguage-link-target"><span>Piemontèis</span></a></li><li class="interlanguage-link interwiki-pl mw-list-item"><a href="https://pl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Polish" lang="pl" hreflang="pl" class="interlanguage-link-target"><span>Polski</span></a></li><li class="interlanguage-link interwiki-pt mw-list-item"><a href="https://pt.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Portuguese" lang="pt" hreflang="pt" class="interlanguage-link-target"><span>Português</span></a></li><li class="interlanguage-link interwiki-crh mw-list-item"><a href="https://crh.wikipedia.org/wiki/Elvis_Presli" title="Elvis Presli – Crimean Tatar" lang="crh" hreflang="crh" class="interlanguage-link-target"><span>Qırımtatarca</span></a></li><li class="interlanguage-link interwiki-ro mw-list-item"><a href="https://ro.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Romanian" lang="ro" hreflang="ro" class="interlanguage-link-target"><span>Română</span></a></li><li class="interlanguage-link interwiki-qu mw-list-item"><a href="https://qu.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Quechua" lang="qu" hreflang="qu" class="interlanguage-link-target"><span>Runa Simi</span></a></li><li class="interlanguage-link interwiki-rue mw-list-item"><a href="https://rue.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D1%96%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D1%96" title="Елвіс Преслі – Rusyn" lang="rue" hreflang="rue" class="interlanguage-link-target"><span>Русиньскый</span></a></li><li class="interlanguage-link interwiki-ru mw-list-item"><a href="https://ru.wikipedia.org/wiki/%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8,_%D0%AD%D0%BB%D0%B2%D0%B8%D1%81" title="Пресли, Элвис – Russian" lang="ru" hreflang="ru" class="interlanguage-link-target"><span>Русский</span></a></li><li class="interlanguage-link interwiki-sah mw-list-item"><a href="https://sah.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Sakha" lang="sah" hreflang="sah" class="interlanguage-link-target"><span>Саха тыла</span></a></li><li class="interlanguage-link interwiki-sm mw-list-item"><a href="https://sm.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Samoan" lang="sm" hreflang="sm" class="interlanguage-link-target"><span>Gagana Samoa</span></a></li><li class="interlanguage-link interwiki-sc mw-list-item"><a href="https://sc.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Sardinian" lang="sc" hreflang="sc" class="interlanguage-link-target"><span>Sardu</span></a></li><li class="interlanguage-link interwiki-sco mw-list-item"><a href="https://sco.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Scots" lang="sco" hreflang="sco" class="interlanguage-link-target"><span>Scots</span></a></li><li class="interlanguage-link interwiki-stq mw-list-item"><a href="https://stq.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Saterland Frisian" lang="stq" hreflang="stq" class="interlanguage-link-target"><span>Seeltersk</span></a></li><li class="interlanguage-link interwiki-st mw-list-item"><a href="https://st.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Southern Sotho" lang="st" hreflang="st" class="interlanguage-link-target"><span>Sesotho</span></a></li><li class="interlanguage-link interwiki-sq mw-list-item"><a href="https://sq.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Albanian" lang="sq" hreflang="sq" class="interlanguage-link-target"><span>Shqip</span></a></li><li class="interlanguage-link interwiki-scn mw-list-item"><a href="https://scn.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Sicilian" lang="scn" hreflang="scn" class="interlanguage-link-target"><span>Sicilianu</span></a></li><li class="interlanguage-link interwiki-si mw-list-item"><a href="https://si.wikipedia.org/wiki/%E0%B6%91%E0%B6%BD%E0%B7%8A%E0%B7%80%E0%B7%92%E0%B7%83%E0%B7%8A_%E0%B6%B4%E0%B7%8A%E2%80%8D%E0%B6%BB%E0%B7%99%E0%B7%83%E0%B7%8A%E0%B6%BD%E0%B7%92" title="එල්විස් ප්රෙස්ලි – Sinhala" lang="si" hreflang="si" class="interlanguage-link-target"><span>සිංහල</span></a></li><li class="interlanguage-link interwiki-simple mw-list-item"><a href="https://simple.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Simple English" lang="en-simple" hreflang="en-simple" class="interlanguage-link-target"><span>Simple English</span></a></li><li class="interlanguage-link interwiki-sk mw-list-item"><a href="https://sk.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Slovak" lang="sk" hreflang="sk" class="interlanguage-link-target"><span>Slovenčina</span></a></li><li class="interlanguage-link interwiki-sl mw-list-item"><a href="https://sl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Slovenian" lang="sl" hreflang="sl" class="interlanguage-link-target"><span>Slovenščina</span></a></li><li class="interlanguage-link interwiki-szl mw-list-item"><a href="https://szl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Silesian" lang="szl" hreflang="szl" class="interlanguage-link-target"><span>Ślůnski</span></a></li><li class="interlanguage-link interwiki-ckb mw-list-item"><a href="https://ckb.wikipedia.org/wiki/%D8%A6%DB%8E%D9%84%DA%A4%DB%8C%D8%B3_%D9%BE%D8%B1%DB%8C%D8%B3%D9%84%DB%8C" title="ئێلڤیس پریسلی – Central Kurdish" lang="ckb" hreflang="ckb" class="interlanguage-link-target"><span>کوردی</span></a></li><li class="interlanguage-link interwiki-sr mw-list-item"><a href="https://sr.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Елвис Пресли – Serbian" lang="sr" hreflang="sr" class="interlanguage-link-target"><span>Српски / srpski</span></a></li><li class="interlanguage-link interwiki-sh mw-list-item"><a href="https://sh.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Serbo-Croatian" lang="sh" hreflang="sh" class="interlanguage-link-target"><span>Srpskohrvatski / српскохрватски</span></a></li><li class="interlanguage-link interwiki-su mw-list-item"><a href="https://su.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Sundanese" lang="su" hreflang="su" class="interlanguage-link-target"><span>Sunda</span></a></li><li class="interlanguage-link interwiki-fi mw-list-item"><a href="https://fi.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Finnish" lang="fi" hreflang="fi" class="interlanguage-link-target"><span>Suomi</span></a></li><li class="interlanguage-link interwiki-sv mw-list-item"><a href="https://sv.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Swedish" lang="sv" hreflang="sv" class="interlanguage-link-target"><span>Svenska</span></a></li><li class="interlanguage-link interwiki-tl mw-list-item"><a href="https://tl.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Tagalog" lang="tl" hreflang="tl" class="interlanguage-link-target"><span>Tagalog</span></a></li><li class="interlanguage-link interwiki-ta mw-list-item"><a href="https://ta.wikipedia.org/wiki/%E0%AE%8E%E0%AE%B2%E0%AF%8D%E0%AE%B5%E0%AE%BF%E0%AE%B8%E0%AF%8D_%E0%AE%AA%E0%AE%BF%E0%AE%B0%E0%AF%86%E0%AE%B8%E0%AF%8D%E0%AE%B2%E0%AE%BF" title="எல்விஸ் பிரெஸ்லி – Tamil" lang="ta" hreflang="ta" class="interlanguage-link-target"><span>தமிழ்</span></a></li><li class="interlanguage-link interwiki-tt mw-list-item"><a href="https://tt.wikipedia.org/wiki/Elvis_Presli" title="Elvis Presli – Tatar" lang="tt" hreflang="tt" class="interlanguage-link-target"><span>Татарча/tatarça</span></a></li><li class="interlanguage-link interwiki-th mw-list-item"><a href="https://th.wikipedia.org/wiki/%E0%B9%80%E0%B8%AD%E0%B8%A5%E0%B8%A7%E0%B8%B4%E0%B8%AA_%E0%B9%80%E0%B8%9E%E0%B8%A3%E0%B8%AA%E0%B8%A5%E0%B8%B5%E0%B8%A2%E0%B9%8C" title="เอลวิส เพรสลีย์ – Thai" lang="th" hreflang="th" class="interlanguage-link-target"><span>ไทย</span></a></li><li class="interlanguage-link interwiki-tg mw-list-item"><a href="https://tg.wikipedia.org/wiki/%D0%AD%D0%BB%D0%B2%D0%B8%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D0%B8" title="Элвис Пресли – Tajik" lang="tg" hreflang="tg" class="interlanguage-link-target"><span>Тоҷикӣ</span></a></li><li class="interlanguage-link interwiki-tr mw-list-item"><a href="https://tr.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Turkish" lang="tr" hreflang="tr" class="interlanguage-link-target"><span>Türkçe</span></a></li><li class="interlanguage-link interwiki-uk mw-list-item"><a href="https://uk.wikipedia.org/wiki/%D0%95%D0%BB%D0%B2%D1%96%D1%81_%D0%9F%D1%80%D0%B5%D1%81%D0%BB%D1%96" title="Елвіс Преслі – Ukrainian" lang="uk" hreflang="uk" class="interlanguage-link-target"><span>Українська</span></a></li><li class="interlanguage-link interwiki-ur mw-list-item"><a href="https://ur.wikipedia.org/wiki/%D8%A7%DB%8C%D9%84%D9%88%D8%B3_%D9%BE%D8%B1%DB%8C%D8%B3%D9%84%DB%92" title="ایلوس پریسلے – Urdu" lang="ur" hreflang="ur" class="interlanguage-link-target"><span>اردو</span></a></li><li class="interlanguage-link interwiki-vec mw-list-item"><a href="https://vec.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Venetian" lang="vec" hreflang="vec" class="interlanguage-link-target"><span>Vèneto</span></a></li><li class="interlanguage-link interwiki-vep mw-list-item"><a href="https://vep.wikipedia.org/wiki/Presli_Elvis" title="Presli Elvis – Veps" lang="vep" hreflang="vep" class="interlanguage-link-target"><span>Vepsän kel’</span></a></li><li class="interlanguage-link interwiki-vi mw-list-item"><a href="https://vi.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Vietnamese" lang="vi" hreflang="vi" class="interlanguage-link-target"><span>Tiếng Việt</span></a></li><li class="interlanguage-link interwiki-vo mw-list-item"><a href="https://vo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Volapük" lang="vo" hreflang="vo" class="interlanguage-link-target"><span>Volapük</span></a></li><li class="interlanguage-link interwiki-war mw-list-item"><a href="https://war.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Waray" lang="war" hreflang="war" class="interlanguage-link-target"><span>Winaray</span></a></li><li class="interlanguage-link interwiki-wuu mw-list-item"><a href="https://wuu.wikipedia.org/wiki/%E7%8C%AB%E7%8E%8B" title="猫王 – Wu Chinese" lang="wuu" hreflang="wuu" class="interlanguage-link-target"><span>吴语</span></a></li><li class="interlanguage-link interwiki-yi mw-list-item"><a href="https://yi.wikipedia.org/wiki/%D7%A2%D7%9C%D7%95%D7%95%D7%99%D7%A1_%D7%A4%D7%A8%D7%A2%D7%A1%D7%9C%D7%99" title="עלוויס פרעסלי – Yiddish" lang="yi" hreflang="yi" class="interlanguage-link-target"><span>ייִדיש</span></a></li><li class="interlanguage-link interwiki-yo mw-list-item"><a href="https://yo.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Yoruba" lang="yo" hreflang="yo" class="interlanguage-link-target"><span>Yorùbá</span></a></li><li class="interlanguage-link interwiki-zh-yue mw-list-item"><a href="https://zh-yue.wikipedia.org/wiki/%E7%9A%AE%E7%A6%AE%E5%A3%AB%E5%88%A9" title="皮禮士利 – Cantonese" lang="yue" hreflang="yue" class="interlanguage-link-target"><span>粵語</span></a></li><li class="interlanguage-link interwiki-diq mw-list-item"><a href="https://diq.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Zazaki" lang="diq" hreflang="diq" class="interlanguage-link-target"><span>Zazaki</span></a></li><li class="interlanguage-link interwiki-zea mw-list-item"><a href="https://zea.wikipedia.org/wiki/Elvis_Presley" title="Elvis Presley – Zeelandic" lang="zea" hreflang="zea" class="interlanguage-link-target"><span>Zeêuws</span></a></li><li class="interlanguage-link interwiki-bat-smg mw-list-item"><a href="https://bat-smg.wikipedia.org/wiki/Elvis_Preslis" title="Elvis Preslis – Samogitian" lang="sgs" hreflang="sgs" class="interlanguage-link-target"><span>Žemaitėška</span></a></li><li class="interlanguage-link interwiki-zh mw-list-item"><a href="https://zh.wikipedia.org/wiki/%E5%9F%83%E7%88%BE%E7%B6%AD%E6%96%AF%C2%B7%E7%9A%AE%E7%A6%AE%E5%A3%AB%E5%88%A9" title="埃爾維斯·皮禮士利 – Chinese" lang="zh" hreflang="zh" class="interlanguage-link-target"><span>中文</span></a></li></ul>
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<script>(RLQ=window.RLQ||[]).push(function(){mw.config.set({"wgPageParseReport":{"limitreport":{"cputime":"5.114","walltime":"5.603","ppvisitednodes":{"value":49710,"limit":1000000},"postexpandincludesize":{"value":807739,"limit":2097152},"templateargumentsize":{"value":125916,"limit":2097152},"expansiondepth":{"value":21,"limit":40},"expensivefunctioncount":{"value":51,"limit":500},"unstrip-depth":{"value":1,"limit":20},"unstrip-size":{"value":736689,"limit":5000000},"entityaccesscount":{"value":1,"limit":400},"timingprofile":["100.00% 4724.278 1 -total"," 31.08% 1468.114 516 Template:Sfn"," 12.47% 588.889 111 Template:Cite_book"," 11.21% 529.735 3 Template:Infobox"," 10.91% 515.615 1 Template:Infobox_person"," 8.73% 412.354 2 Template:Reflist"," 4.86% 229.660 38 Template:Cite_news"," 4.65% 219.541 10 Template:Br_separated_entries"," 4.35% 205.297 5 Template:Refn"," 4.28% 202.199 43 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[\"CITEREFBillboard2018\"] = 1,\n [\"CITEREFBlazeski2017\"] = 1,\n [\"CITEREFBloom2010\"] = 1,\n [\"CITEREFBouchard2010\"] = 1,\n [\"CITEREFBronson1998\"] = 1,\n [\"CITEREFBronson2004\"] = 1,\n [\"CITEREFBrownBroeske1997\"] = 1,\n [\"CITEREFBurkeGriffin2006\"] = 1,\n [\"CITEREFCMT2005\"] = 1,\n [\"CITEREFCNN2017\"] = 1,\n [\"CITEREFCaine2005\"] = 1,\n [\"CITEREFCampbell2009\"] = 1,\n [\"CITEREFCaulfield2004\"] = 1,\n [\"CITEREFCaulfield2016\"] = 1,\n [\"CITEREFCharlton2006\"] = 1,\n [\"CITEREFChristgau1985\"] = 1,\n [\"CITEREFClarke2006\"] = 1,\n [\"CITEREFClaytonHeard2003\"] = 1,\n [\"CITEREFCoffey1997\"] = 1,\n [\"CITEREFCollins2002\"] = 1,\n [\"CITEREFConnelly2008\"] = 1,\n [\"CITEREFConnolly2017\"] = 1,\n [\"CITEREFCook2004\"] = 1,\n [\"CITEREFCorcoran1998\"] = 1,\n [\"CITEREFCosby2016\"] = 1,\n [\"CITEREFCusic1988\"] = 1,\n [\"CITEREFDavies1996\"] = 1,\n [\"CITEREFDenisoff1975\"] = 1,\n [\"CITEREFDiscovery_Channel2005\"] = 1,\n [\"CITEREFDoll2016\"] = 1,\n [\"CITEREFDoss1999\"] = 1,\n [\"CITEREFDundy2004\"] = 1,\n [\"CITEREFDyer1959–1960\"] = 1,\n [\"CITEREFEarl2017\"] = 1,\n [\"CITEREFEdgerton2007\"] = 1,\n [\"CITEREFElster2006\"] = 1,\n [\"CITEREFEscott1998\"] = 1,\n [\"CITEREFEveret1977\"] = 1,\n [\"CITEREFFarmer2000\"] = 1,\n [\"CITEREFFeeney2010\"] = 1,\n [\"CITEREFFensch2001\"] = 1,\n [\"CITEREFFessier2013\"] = 1,\n [\"CITEREFFields2007\"] = 1,\n [\"CITEREFFox1986\"] = 1,\n [\"CITEREFFriedlander1996\"] = 1,\n [\"CITEREFGarber1997\"] = 1,\n [\"CITEREFGarrity2002\"] = 1,\n [\"CITEREFGibson2005\"] = 1,\n [\"CITEREFGillett2000\"] = 1,\n [\"CITEREFGoldmanEwalt2007\"] = 1,\n [\"CITEREFGoldmanPaine2007\"] = 1,\n [\"CITEREFGordon2005\"] = 1,\n [\"CITEREFGould1956\"] = 1,\n [\"CITEREFGreenburg2017\"] = 1,\n [\"CITEREFGreil_Marcus2015\"] = 1,\n [\"CITEREFGrein2008\"] = 1,\n [\"CITEREFGuardian2014\"] = 1,\n [\"CITEREFGuffey2006\"] = 1,\n [\"CITEREFGuralnick1989\"] = 1,\n [\"CITEREFGuralnick1994\"] = 1,\n [\"CITEREFGuralnick1999\"] = 1,\n [\"CITEREFGuralnick2004\"] = 1,\n [\"CITEREFGuralnickJorgensen1999\"] = 1,\n [\"CITEREFHarris2006\"] = 1,\n [\"CITEREFHarrison1992\"] = 1,\n [\"CITEREFHarrison2016\"] = 1,\n [\"CITEREFHasty2008\"] = 1,\n [\"CITEREFHigginbotham2002\"] = 1,\n [\"CITEREFHilburn2005\"] = 1,\n [\"CITEREFHilburn2007\"] = 1,\n [\"CITEREFHopkins1986\"] = 1,\n [\"CITEREFHopkins2002\"] = 1,\n [\"CITEREFHopkins2007\"] = 1,\n [\"CITEREFHoy2008\"] = 1,\n [\"CITEREFHumphries2003\"] = 1,\n [\"CITEREFJancik1998\"] = 1,\n [\"CITEREFJerry_Osborne2017\"] = 1,\n [\"CITEREFJezer1982\"] = 1,\n [\"CITEREFJim_RobertsJames_H._Roberts2001\"] = 1,\n [\"CITEREFJorgensen1998\"] = 1,\n [\"CITEREFKamphoefner2009\"] = 1,\n [\"CITEREFKennedyGadpaille2017\"] = 1,\n [\"CITEREFKeogh2004\"] = 1,\n [\"CITEREFKeogh2008\"] = 1,\n [\"CITEREFKirchbergHendrickx1999\"] = 1,\n [\"CITEREFKochManningToplikar2008\"] = 1,\n [\"CITEREFKolawole2002\"] = 1,\n [\"CITEREFKubernick2008\"] = 1,\n [\"CITEREFLewis2017\"] = 1,\n [\"CITEREFLisanti2000\"] = 1,\n [\"CITEREFLott1997\"] = 1,\n [\"CITEREFLynch2011\"] = 1,\n [\"CITEREFMarcus1982\"] = 1,\n [\"CITEREFMarcus2006\"] = 1,\n [\"CITEREFMarion_E._Altieri2017\"] = 1,\n [\"CITEREFMark_Duffett2018\"] = 1,\n [\"CITEREFMarsh1980\"] = 1,\n [\"CITEREFMarsh1982\"] = 1,\n [\"CITEREFMarsh1989\"] = 1,\n [\"CITEREFMarsh2004\"] = 1,\n [\"CITEREFMarsh2015\"] = 1,\n [\"CITEREFMartin2000\"] = 1,\n [\"CITEREFMasley2002\"] = 1,\n [\"CITEREFMason2007\"] = 1,\n [\"CITEREFMatthew-Walker1979\"] = 1,\n [\"CITEREFMawer2007a\"] = 1,\n [\"CITEREFMawer2007b\"] = 1,\n [\"CITEREFMike_Eder2013\"] = 1,\n [\"CITEREFMiller2000\"] = 1,\n [\"CITEREFMillerGriswoldScharffRezac2012\"] = 1,\n [\"CITEREFMilly2002\"] = 1,\n [\"CITEREFMoody2008\"] = 1,\n [\"CITEREFMooreDickerson1997\"] = 1,\n [\"CITEREFMorrison1996\"] = 1,\n [\"CITEREFMoscheo2007\"] = 1,\n [\"CITEREFMoyer2002\"] = 1,\n [\"CITEREFMyrie2009\"] = 1,\n [\"CITEREFNash2003\"] = 1,\n [\"CITEREFNash2005\"] = 1,\n [\"CITEREFNational_Park_Service2010\"] = 1,\n [\"CITEREFNeibaur2014\"] = 1,\n [\"CITEREFNew_York_Times2002\"] = 1,\n [\"CITEREFNix\"] = 1,\n [\"CITEREFO\u0026#039;Malley2016\"] = 1,\n [\"CITEREFOsborne2000\"] = 1,\n [\"CITEREFPalladino1996\"] = 1,\n [\"CITEREFPaul_TrynkaTony_Bacon1996\"] = 1,\n [\"CITEREFPendergastPendergast2000\"] = 1,\n [\"CITEREFPilgrim2006\"] = 1,\n [\"CITEREFPleasants2004\"] = 1,\n [\"CITEREFPoché2017\"] = 1,\n [\"CITEREFPomerantz2011\"] = 1,\n [\"CITEREFPomerantz_et_al.2009\"] = 1,\n [\"CITEREFPonce_de_Leon2007\"] = 1,\n [\"CITEREFPresley1985\"] = 1,\n [\"CITEREFRIAA2010\"] = 1,\n [\"CITEREFRIAA2020a\"] = 1,\n [\"CITEREFRIAA2020b\"] = 1,\n [\"CITEREFRIAA2020c\"] = 1,\n [\"CITEREFRIAA2020d\"] = 1,\n [\"CITEREFRIAA2020e\"] = 1,\n [\"CITEREFRIAA2020f\"] = 1,\n [\"CITEREFRRHF2010\"] = 1,\n [\"CITEREFRamsland2010\"] = 1,\n [\"CITEREFRobertson2004\"] = 1,\n [\"CITEREFRodman1996\"] = 1,\n [\"CITEREFRogers1982\"] = 1,\n [\"CITEREFRolling_Stone2004\"] = 1,\n [\"CITEREFRolling_Stone2009\"] = 1,\n [\"CITEREFRose2006\"] = 1,\n [\"CITEREFRose_et_al.2010\"] = 1,\n [\"CITEREFSadie1994\"] = 1,\n [\"CITEREFSalisbury1957\"] = 1,\n [\"CITEREFScherman2006\"] = 1,\n [\"CITEREFSegré2002\"] = 1,\n [\"CITEREFSexton2007\"] = 1,\n [\"CITEREFSexton2016\"] = 1,\n [\"CITEREFSlater2002\"] = 1,\n [\"CITEREFSlaughterNixon2004\"] = 1,\n [\"CITEREFSmith2002\"] = 1,\n [\"CITEREFStanleyCoffey1998\"] = 1,\n [\"CITEREFStein1997\"] = 1,\n [\"CITEREFSzatmary1996\"] = 1,\n [\"CITEREFTasker2007\"] = 1,\n [\"CITEREFTennant2013\"] = 1,\n [\"CITEREFThe_Beatles2000\"] = 1,\n [\"CITEREFTillery2013\"] = 1,\n [\"CITEREFTrust2010\"] = 1,\n [\"CITEREFTrust2015\"] = 1,\n [\"CITEREFTrust2019\"] = 1,\n [\"CITEREFTurner2004\"] = 1,\n [\"CITEREFVH11998\"] = 1,\n [\"CITEREFVOA2009\"] = 1,\n [\"CITEREFVariety.com2005\"] = 1,\n [\"CITEREFVictor2008\"] = 1,\n [\"CITEREFWadey2004\"] = 1,\n [\"CITEREFWarwick_et_al.2004\"] = 1,\n [\"CITEREFWaters2003\"] = 1,\n [\"CITEREFWertheimer1997\"] = 1,\n [\"CITEREFWhitburn1993\"] = 1,\n [\"CITEREFWhitburn2006\"] = 1,\n [\"CITEREFWhitburn2007\"] = 1,\n [\"CITEREFWhitburn2008\"] = 1,\n [\"CITEREFWhitburn2010\"] = 1,\n [\"CITEREFWilliams2012\"] = 1,\n [\"CITEREFWilliamson2015\"] = 1,\n [\"CITEREFWilson2010\"] = 1,\n [\"CITEREFWolfe1994\"] = 1,\n [\"CITEREFWoolleyPeters1977\"] = 1,\n [\"CITEREFadmin2021\"] = 1,\n [\"CITEREFeveryHit.com2009\"] = 1,\n [\"CITEREFeveryHit.com2010a\"] = 1,\n [\"CITEREFeveryHit.com2010b\"] = 1,\n}\ntemplate_list = table#1 {\n [\"\\\"'\"] = 1,\n [\"'\"] = 9,\n [\"'\\\"\"] = 3,\n [\"1986 Rock and Roll Hall of Fame\"] = 1,\n [\"1990s Country Music Hall of Fame\"] = 1,\n [\"American Music Award of Merit\"] = 1,\n [\"Amg name\"] = 1,\n [\"As of\"] = 1,\n [\"Authority control\"] = 1,\n [\"Birth date\"] = 1,\n [\"Break\"] = 2,\n [\"Citation\"] = 1,\n [\"Cite book\"] = 111,\n [\"Cite journal\"] = 6,\n [\"Cite magazine\"] = 24,\n [\"Cite news\"] = 38,\n [\"Cite tweet\"] = 1,\n [\"Cite web\"] = 43,\n [\"Col-2\"] = 2,\n [\"Col-begin\"] = 1,\n [\"Col-end\"] = 1,\n [\"Colbegin\"] = 1,\n [\"Colend\"] = 1,\n [\"Commons category\"] = 1,\n [\"Convert\"] = 1,\n [\"Coord\"] = 1,\n [\"DEFAULTSORT:Presley, Elvis\"] = 1,\n [\"Death date and age\"] = 1,\n [\"Discogs artist\"] = 1,\n [\"Div col\"] = 4,\n [\"Div col end\"] = 4,\n [\"Elvis Presley\"] = 1,\n [\"Elvis Presley singles\"] = 1,\n [\"Example needed\"] = 1,\n [\"Featured article\"] = 1,\n [\"Flat list\"] = 3,\n [\"Flatlist\"] = 2,\n [\"Further\"] = 2,\n [\"Grammy Lifetime Achievement Award\"] = 1,\n [\"IMDb name\"] = 1,\n [\"IPAc-en\"] = 2,\n [\"ISBN\"] = 11,\n [\"Inflation\"] = 1,\n [\"Infobox military person\"] = 1,\n [\"Infobox musical artist\"] = 1,\n [\"Infobox person\"] = 1,\n [\"Listen\"] = 6,\n [\"Main\"] = 4,\n [\"Marriage\"] = 1,\n [\"Multiple image\"] = 1,\n [\"Navboxes\"] = 1,\n [\"Page needed\"] = 1,\n [\"Pp-move-indef\"] = 1,\n [\"Pp-semi\"] = 1,\n [\"Quote\"] = 1,\n [\"Quote box\"] = 1,\n [\"Redirect-multi\"] = 1,\n [\"Refbegin\"] = 1,\n [\"Refend\"] = 1,\n [\"Reflist\"] = 2,\n [\"Refn\"] = 5,\n [\"Respell\"] = 2,\n [\"See also\"] = 5,\n [\"Sfn\"] = 516,\n [\"SfnRef\"] = 195,\n [\"Short description\"] = 1,\n [\"Snd\"] = 12,\n [\"Tcmdb name\"] = 1,\n [\"Use American English\"] = 1,\n [\"Use mdy dates\"] = 1,\n [\"Wikiquote\"] = 1,\n}\narticle_whitelist = table#1 {\n}\n","limitreport-profile":[["Scribunto_LuaSandboxCallback::callParserFunction","660","19.6"],["recursiveClone \u003CmwInit.lua:41\u003E","600","17.9"],["Scribunto_LuaSandboxCallback::getAllExpandedArguments","400","11.9"],["?","280","8.3"],["Scribunto_LuaSandboxCallback::getExpandedArgument","220","6.5"],["type","180","5.4"],["dataWrapper \u003Cmw.lua:668\u003E","100","3.0"],["Scribunto_LuaSandboxCallback::gsub","100","3.0"],["Scribunto_LuaSandboxCallback::getEntity","80","2.4"],["(for generator)","80","2.4"],["[others]","660","19.6"]]},"cachereport":{"origin":"mw1395","timestamp":"20211130185658","ttl":86400,"transientcontent":true}}});});</script>
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